Click Here to Download The
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Transgender Representation on American Narrative Television from 2004-2014
TRANSJACKING TELEVISION: TRANSGENDER REPRESENTATION ON AMERICAN NARRATIVE TELEVISION FROM 2004-2014 A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Kelly K. Ryan May 2021 Examining Committee Members: Jan Fernback, Advisory Chair, Media and Communication Nancy Morris, Media and Communication Fabienne Darling-Wolf, Media and Communication Ron Becker, External Member, Miami University ABSTRACT This study considers the case of representation of transgender people and issues on American fictional television from 2004 to 2014, a period which represents a steady surge in transgender television characters relative to what came before, and prefigures a more recent burgeoning of transgender characters since 2014. The study thus positions the period of analysis as an historical period in the changing representation of transgender characters. A discourse analysis is employed that not only assesses the way that transgender characters have been represented, but contextualizes American fictional television depictions of transgender people within the broader sociopolitical landscape in which those depictions have emerged and which they likely inform. Television representations and the social milieu in which they are situated are considered as parallel, mutually informing discourses, including the ways in which those representations have been engaged discursively through reviews, news coverage and, in some cases, blogs. ii To Desmond, Oonagh and Eamonn For everything. And to my mother, Elaine Keisling, Who would have read the whole thing. iii ACKNOWLEDGMENTS Throughout the research and writing of this dissertation, I have received a great deal of support and assistance, and therefore offer many thanks. To my Dissertation Chair, Jan Fernback, whose feedback on my writing and continued support and encouragement were invaluable to the completion of this project. -
Collision Course
FINAL-1 Sat, Jul 7, 2018 6:10:55 PM Your Weekly Guide to TV Entertainment for the week of July 14 - 20, 2018 HARTNETT’S ALL SOFT CLOTH CAR WASH Collision $ 00 OFF 3ANY course CAR WASH! EXPIRES 7/31/18 BUMPER SPECIALISTSHartnett's Car Wash H1artnett x 5` Auto Body, Inc. COLLISION REPAIR SPECIALISTS & APPRAISERS MA R.S. #2313 R. ALAN HARTNETT LIC. #2037 DANA F. HARTNETT LIC. #9482 Ian Anthony Dale stars in 15 WATER STREET “Salvation” DANVERS (Exit 23, Rte. 128) TEL. (978) 774-2474 FAX (978) 750-4663 Open 7 Days Mon.-Fri. 8-7, Sat. 8-6, Sun. 8-4 ** Gift Certificates Available ** Choosing the right OLD FASHIONED SERVICE Attorney is no accident FREE REGISTRY SERVICE Free Consultation PERSONAL INJURYCLAIMS • Automobile Accident Victims • Work Accidents • Slip &Fall • Motorcycle &Pedestrian Accidents John Doyle Forlizzi• Wrongfu Lawl Death Office INSURANCEDoyle Insurance AGENCY • Dog Attacks • Injuries2 x to 3 Children Voted #1 1 x 3 With 35 years experience on the North Insurance Shore we have aproven record of recovery Agency No Fee Unless Successful While Grace (Jennifer Finnigan, “Tyrant”) and Harris (Ian Anthony Dale, “Hawaii Five- The LawOffice of 0”) work to maintain civility in the hangar, Liam (Charlie Row, “Red Band Society”) and STEPHEN M. FORLIZZI Darius (Santiago Cabrera, “Big Little Lies”) continue to fight both RE/SYST and the im- Auto • Homeowners pending galactic threat. Loyalties will be challenged as humanity sits on the brink of Business • Life Insurance 978.739.4898 Earth’s potential extinction. Learn if order can continue to suppress chaos when a new Harthorne Office Park •Suite 106 www.ForlizziLaw.com 978-777-6344 491 Maple Street, Danvers, MA 01923 [email protected] episode of “Salvation” airs Monday, July 16, on CBS. -
The Rise of Controversial Content in Film
The Climb of Controversial Film Content by Ashley Haygood Submitted to the Department of Communication Studies in partial fulfillment of the requirements for the degree of Masters of Arts in Communication at Liberty University May 2007 Film Content ii Abstract This study looks at the change in controversial content in films during the 20th century. Original films made prior to 1968 and their remakes produced after were compared in the content areas of profanity, nudity, sexual content, alcohol and drug use, and violence. The advent of television, post-war effects and a proposed “Hollywood elite” are discussed as possible causes for the increase in controversial content. Commentary from industry professionals on the change in content is presented, along with an overview of American culture and the history of the film industry. Key words: film content, controversial content, film history, Hollywood, film industry, film remakes i. Film Content iii Acknowledgements I would like to thank my family for their unwavering support during the last three years. Without their help and encouragement, I would not have made it through this program. I would also like to thank the professors of the Communications Department from whom I have learned skills and information that I will take with me into a life-long career in communications. Lastly, I would like to thank my wonderful Thesis committee, especially Dr. Kelly who has shown me great patience during this process. I have only grown as a scholar from this experience. ii. Film Content iv Table of Contents ii. Abstract iii. Acknowledgements I. Introduction ……………………………………………………………………1 II. Review of the Literature……………………………………………………….8 a. -
A Far Cry from Smallville She's Worked with Uwe Boll, Died
Emmanuelle Vaugier: A Far Cry from Smallville Click, August 2009 She’s worked with Uwe Boll, died imaginatively in Saw (and returned to the series) and worked on everything from Smallville to Two and a Half Men and CSI:NY. Click recently caught up with the stunning, and very busy, Emmanuelle Vaugier for a chat about Movies, TV and death scenes! Did you feel Angell in CSI: New York was enough of a character in the beginning to be interesting to play? I did. I didn’t have a lot of information on the character when I first started on the show, other than that she was a lead detective. We started with three episodes, with a possibility of continuing on the show after that; but there were no guarantees. I think at the time they didn’t know where they were going to go with the character yet. It was an amazing journey for me to be a part of, as they created and evolved this character. It was great to have the opportunity to stay on the show for three years and have a relationship with Eddie Cahill’s character, as well as become more involved in the cases. There was a focus on interpersonal relationships for you in the fifth season, was it better or worse than speaking tech? Oh definitely better. Talking technical dialogue is procedural and it’s not the most exciting stuff to memorise. It’s very dry and methodical, and there’s a certain sort of delivery to it. When you get the chance to have a personal relationship where there is a more natural conversation; emotions develop, and tension builds, it’s a lot more fun to be a part of than just purely procedural work. -
Sign of the Librarian in the Cinema of Horror: an Exploration of Filmic Function Antoinette G
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2010 Sign of the Librarian in the Cinema of Horror: An Exploration of Filmic Function Antoinette G. Graham Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION AND INFORMATION SIGN OF THE LIBRARIAN IN THE CINEMA OF HORROR: AN EXPLORATION OF FILMIC FUNCTION By ANTOINETTE G. GRAHAM A Dissertation submitted to the School of Library and Information Studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2010 Copyright © 2010 Antoinette G. Graham All Rights Reserved The members of the committee approve the dissertation of Antoinette G. Graham defended on October 5, 2010. _____________________________ Gary Burnett Professor Directing Dissertation _____________________________ Valliere Richard Auzenne University Representative _____________________________ Lisa Tripp Committee Member _____________________________ Eliza T. Dresang Committee Member Approved: _____________________________________ Larry Dennis, Dean College of Communication & Information _____________________________________ Corinne Jörgensen, Director School of Library & Information Studies The Graduate School has verified and approved the above-named committee members. ii TABLE OF CONTENTS Abstract ................................................................................................................ -
Images of the Religious in Horror Films
Journal of Religion & Film Volume 5 Issue 2 October 2001 Article 7 October 2001 The Sanctification of ear:F Images of the Religious in Horror Films Bryan Stone Boston University School of Theology, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Stone, Bryan (2001) "The Sanctification of ear:F Images of the Religious in Horror Films," Journal of Religion & Film: Vol. 5 : Iss. 2 , Article 7. Available at: https://digitalcommons.unomaha.edu/jrf/vol5/iss2/7 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. The Sanctification of ear:F Images of the Religious in Horror Films Abstract Horror film functions both as a threat and a catharsis by confronting us with our fear of death, the supernatural, the unknown and irrational, ''the other" in general, a loss of identity, and forces beyond our control. Over the last century, religious symbols and themes have played a prominent and persistent role in the on-screen construction of this confrontation. That role is, at the same time, ambiguous insofar as religious iconography has become unhinged from a compelling moral vision and reduced to mere conventions that produce a quasi-religious quality to horror that lacks the symbolic power required to engage us at the deepest level of our being. Although religious symbols in horror films are conventional in their frequent use, they may have lost all connection to deeper human questions. -
Monday, May 22, 2017 Dailyemerald.Com
MONDAY, MAY 22, 2017 DAILYEMERALD.COM ⚙ MONDAY 2017 SHASTA WEEKEND 2016 TRUMP MAY AXE STUDENT DEBT FORGIVENESS PROGRAM WRAPPING UP LAST WEEK’S NEWS THE WESTERN WORLD’S TEACHING IS RACIST OmniShuttle 24/7 Eugene Airport Shuttle www.omnishuttle.com 541-461-7959 1-800-741-5097 CALLING ALL EXTROVERTS! EmeraldEmerald Media Media Group Group is is hiring hiring students students to to join join ourour Street Street TeamTeam. Team winter Getfall paidterm. term. to Get have Get paid paidfun to handing tohave have fun funouthanding handingpapers out to out papers fellow papers tostudents. fellowto fellow students. students. Apply in person at Suite 300 ApplyApply in in person person at at our our office office in in the the EMU EMU, Basement Suite 302 or email [email protected] oror email email [email protected] [email protected] June 1st 2017 EmeraldFest.com PAGE 2 | EMERALD | MONDAY, MAY 22, 2017 NEWS NEWS WRAP UP • UO shut down its websites for maintenance; more downtime set for the future. Monday • The Atlantic published UO professor Alex Tizon’s posthumous story on his family’s slave. The story was received with some controversy and sent a shock through the Twitter-sphere. Tizon, a Pulitzer Prize win- ner, died in March at age 57. Tuesday Betsey DeVos, the Secratary of Education, might cut a student debt forgiveness program in announcement set for next week. (Creative Commons) Student debt forgiveness program may get axedaxed by Trump administration • Director of Fraternity and Sorority Life Justin Shukas announced his resignation. ➡ • The School of Journalism and Communica- WILL CAMPBELL, @WTCAMPBELL tion announced its budget plan. -
Pocket Product Guide 2006
THENew Digital Platform MIPTV 2012 tm MIPTV POCKET ISSUE & PRODUCT OFFILMGUIDE New One Stop Product Guide Search at the Markets Paperless - Weightless - Green Read the Synopsis - Watch the Trailer BUSINESSC onnect to Seller - Buy Product MIPTVDaily Editions April 1-4, 2012 - Unabridged MIPTV Product Guide + Stills Cher Ami - Magus Entertainment - Booth 12.32 POD 32 (Mountain Road) STEP UP to 21st Century The DIGITAL Platform PUBLISHING Is The FUTURE MIPTV PRODUCT GUIDE 2012 Mountain, Nature, Extreme, Geography, 10 FRANCS Water, Surprising 10 Francs, 28 Rue de l'Equerre, Paris, Delivery Status: Screening France 75019 France, Tel: Year of Production: 2011 Country of +33.1.487.44.377. Fax: +33.1.487.48.265. Origin: Slovakia http://www.10francs.f - email: Only the best of the best are able to abseil [email protected] into depths The Iron Hole, but even that Distributor doesn't guarantee that they will ever man- At MIPTV: Yohann Cornu (Sales age to get back.That's up to nature to Executive), Christelle Quillévéré (Sales) decide. Office: MEDIA Stand N°H4.35, Tel: + GOOD MORNING LENIN ! 33.6.628.04.377. Fax: + 33.1.487.48.265 Documentary (50') BEING KOSHER Language: English, Polish Documentary (52' & 92') Director: Konrad Szolajski Language: German, English Producer: ZK Studio Ltd Director: Ruth Olsman Key Cast: Surprising, Travel, History, Producer: Indi Film Gmbh Human Stories, Daily Life, Humour, Key Cast: Surprising, Judaism, Religion, Politics, Business, Europe, Ethnology Tradition, Culture, Daily life, Education, Delivery Status: Screening Ethnology, Humour, Interviews Year of Production: 2010 Country of Delivery Status: Screening Origin: Poland Year of Production: 2010 Country of Western foreigners come to Poland to expe- Origin: Germany rience life under communism enacted by A tragicomic exploration of Jewish purity former steel mill workers who, in this way, laws ! From kosher food to ritual hygiene, escaped unemployment. -
Broadway Bound with Garrett Stack
Playlist Originating on WMNR Fine Arts Radio [email protected] Program is archived 24-48 hours after broadcast, heard free of charge Broadway Bound with Garrett Stack at Public Radio Exchange, > exchange.prx.org > Broadway Bound Show #: 307 Broadcast Date: July 13, 2019 Time: 16:00 – 18:00 # of Selections: 28 Order Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Release Date Date Played Date Played Copy 01 3:10 (m)John Kander (l)Fred Ebb Funny Honey Gwen Verdon, Richard Korthaze, Barney Chicago: A Musical Vaudeville - 1975 Original Arista 1975 6/3/1975 - 8/27/1977. 936 perf. Nominated for 11 Tony Awards but received none! CDS Chic none 03 1996 3/14/09 2/18/12 7/13/19 Broadway Cast Revival opened 11/14/1996. Still running as of 1/10/05. 3779 perf as of 12/11/05. 02 4:58 (m)M Hamlisch (l)E Kleban I Hope I Get It/Who Am I MCoamrtpinany A Chorus Line - Original Broadway Cast Columbia 1975 7/25/1975 - 4/28/1990. 6137 perf. 1984 "Special Award" Tony for longest running CDS Chor 1 Soundtrack 12/31/053/11/06 9/2/06 9/1/07 3/28/09 3/5/11 9/12/15 9/26/15 3/19/16 7/13/19 show ever [to that point]. 9 1976 Tony Awards: musical, book;score; actress [Donna 03 3:24 Stephen Schwartz Save The People Stephen Nathan Godspell - A Musical Based Upon The Gospel Arista 1971 This is NOT the Boradway Cast. -
Film Flight: Lost Production and Its Economic Impact on California
I MILKEN INSTITUTE California Center I July 2010 Film Flight: Lost Production and Its Economic Impact on California by Kevin Klowden, Anusuya Chatterjee, and Candice Flor Hynek Film Flight: Lost Production and Its Economic Impact on California by Kevin Klowden, Anusuya Chatterjee, and Candice Flor Hynek ACKnowLEdgmEnts The authors gratefully acknowledge Armen Bedroussian and Perry Wong for their expert assistance in preparing this study. We also thank our editor, Lisa Renaud. About tHE mILKEn InstItutE The Milken Institute is an independent economic think tank whose mission is to improve the lives and economic conditions of diverse populations in the United States and around the world by helping business and public policy leaders identify and implement innovative ideas for creating broad-based prosperity. We put research to work with the goal of revitalizing regions and finding new ways to generate capital for people with original ideas. We focus on: human capital: the talent, knowledge, and experience of people, and their value to organizations, economies, and society; financial capital: innovations that allocate financial resources efficiently, especially to those who ordinarily would not have access to them, but who can best use them to build companies, create jobs, accelerate life-saving medical research, and solve long-standing social and economic problems; and social capital: the bonds of society that underlie economic advancement, including schools, health care, cultural institutions, and government services. By creating ways to spread the benefits of human, financial, and social capital to as many people as possible— by democratizing capital—we hope to contribute to prosperity and freedom in all corners of the globe. -
ED 418 175 AUTHOR TITLE INSTITUTION PUB DATE NOTE AVAILABLE from PUB TYPE EDRS PRICE DESCRIPTORS ABSTRACT UD 032 235 Reis, Beth
DOCUMENT RESUME ED 418 175 UD 032 235 AUTHOR Reis, Beth TITLE Safe Schools Report of the Anti-Violence Documentation Project from the Safe Schools Coalition of Washington. Will You Be There for Every Child? Fourth Annual Report. INSTITUTION Safe Schools Coalition of Washington, Seattle. PUB DATE 1997-00-00 NOTE 36p.; For the accompanying resource guide, see UD 032 236. AVAILABLE FROM Northwest Coalition Against Malicious Harassment, P.O. Box 16776, Seattle, WA 98116; e-mail: [email protected]; World Wide Web: http://members.tripod.com/-claytoly/ssp home PUB TYPE Reports Descriptive (141) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS American Indians; Elementary Secondary Education; *Homophobia; *Homosexuality; *Incidence; *Partnerships in Education; Responses; *School Safety; Sexual Harassment; Surveys; *Violence IDENTIFIERS *Washington ABSTRACT The Safe Schools Coalition of Washington is a public-private partnership of 90 offices, agencies, and organizations, as well as many individuals. The Coalition's Anti-Violence Documentation Project isan ongoing statewide qualitative study examining the phenomenon of anti-gay sexual harassment and violence in kindergarten through grade 12. In the first 4 years of this 5-year study, over 90 incidents have been reported to the Project. They have come from at least 59 public schools, including 1 reservation school, and 1 private school, in 30 school districts and 9 counties. They have included 8 gang rapes and 19 physical assaults. There have been 14 incidents of physical harassment or sexual assault short of rape and 34 incidents of ongoing verbal and other harassment. Of the total reported incidents, 41 were considered serious enough to warrant possible criminal allegations. -
Vancouver View, March/ April 2011
Emmanuelle Vaugier Vancouver's Talented Beauty Vancouver View, March/ April 2011 With Her Career and Favourite Charitable Foundation Both Flourishing, Emmanuelle is one oF Vancouver’s Most Sought After Show Business Exports. I rise in Hollywood. And though she may now call Los Angeles home, Emanuelle remains one of Vancouver’s most soughtafter show business exports and most frequently photographed faces. “Ever since I was in the second grade, acting was what I wanted to do,” she says. “I thought about a few other things, like being a veterinarian because I love animals so much, but then I realized very quickly that I don’t like to see animals suffer. Then I thought of law— from seeing lawyers on television— and then I quickly thought that I can do all of these things by being an actress. I can be a lawyer one day, a veterinarian the next and I can be an assassin on another day—and wouldn’t that be fun?” While Vaugier’s introduction to Hollywood began with appearances in such locally shot television productions as Highlander, Smallville and Supernatural, it was a recurring character on CSI: NY and the role of Mia alongside Charlie Sheen in the hit comedy Two and a Half Men that really put her on the fast track to stardom. “It definitely brings you to the forefront as far as visibility for other producers doing other projects goes,” she says of portraying Sheen’s onscreen love interest. “It opens doors and you get brought into more rooms; I loved doing it.