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TH the 8th annual toronto reel asian international film festival HHHH reel asian november 24 to 28, 2004 schedule at a glance WednesdaY, november 24 fridaY, november 26 saturdaY, november 27 sundaY, november 28 opening night gala Youth shorts programme feature presentation feature presentation i am asian, ⇠ readY or not… CHINESE RESTAURANTS: first morning hear me roar 2:00 p.m. on the islands w/ everYdaY child ⇠ NFB Mediatheque, 150 John Street and on the daY… (Shorts Programme) 1:00 p.m. 1:00 p.m. 7:00 p.m. Innis Town Hall, 2 Sussex Avenue shorts programme Innis Town Hall, 2 Sussex Avenue Bloor Cinema, 506 Bloor Street lost in artist talk West canadian artist spotlight transliteration IN CONVERSATION on tammY cheung opening night ⇠ 6:00 p.m. WITH… CHEUK kWAN NFB Mediatheque, 150 John Street moving gala partY and kWoi gin 3:00 p.m. 9:00 p.m. national spotlight on mainland 2:30 p.m. Innis Town Hall, 2 Sussex Avenue Revival, 783 College Street china shorts programme Innis Town Hall, 2 Sussex Avenue canadian artist spotlight vive la revolution “v” n ational spotlight on tammY cheung thursdaY, november 25 7:45 p.m. on mainland china NFB Mediatheque, 150 John Street IN CONVERSATION Youth programme south of the clouds With… tammY cheung national spotlight ⇠ score! w/ look around 4:15 p.m. on mainland china 4:00 p.m. american seoul Innis Town Hall, 2 Sussex Avenue w/ WELCOME TO Innis Town Hall, 2 Sussex Avenue 2:00 p.m. closing night gala NFB Mediatheque, 150 John Street destination shanghai canadian artist spotlight aZumi w/ bodies on tammY cheung canadian artist spotlight 9:30 p.m. 6:30 p.m. JulY 606 College Street on tammY cheung Innis Town Hall, 2 Sussex Avenue The Royal, 6:00 p.m. secondarY school Innis Town Hall, 2 Sussex Avenue 6:30 p.m. closing night ⇠ Innis Town Hall, 2 Sussex Avenue shorts programme gala partY 9:00 p.m. feature presentation asians gone Wild Spin Gallery, 1100 Queen Street 7:45 p.m. West, 2nd Floor the adventure ⇠ Innis Town Hall, 2 Sussex Avenue of iron pussY feature presentation w/ game boY 8:15 p.m. a tale of tWo sisters Innis Town Hall, 2 Sussex Avenue w/ eXchange 9:30 p.m. iron pussY Innis Town Hall, 2 Sussex Avenue after partY 10:30 p.m. Supermarket, 268 Augusta Street tickets venues tickets advance ticketing : screenings: parties: All tickets $9 except as follows: In person Bloor Cinema Revival Opening Night Gala TIFF Box Office at the 506 Bloor Street West (east of Bathurst) 783 College Street (at Shaw) Screening and Party . $15 Manulife Centre, 55 Bloor Street West The Royal SPIN Gallery Opening Night Party Only ...... $10 (main floor, north entrance) 606 College Street (west of Clinton) 1100 Queen Street West, 2nd 2 p.m. NFB Screenings . $5 by phone Floor, Artist Talks . FREE t: 416.967.1528 Innis Town Hall (west of Dovercourt) Closing Night Party . FREE Online: 2 Sussex Avenue (at St. George, south of Bloor) Supermarket Tickets for ALL screenings including Please go to www.reelasian.com. 268 Augusta Avenue Opening Night Gala can be Select “2004 Festival,” then NFB Mediatheque purchased 30 min. before start time click on “Tickets and Venues” 150 John Street (at Richmond) at venue box office. on the red menu. Admittance to all screenings except for Youth Programmes are restricted to those 18 years of age or older. Reel Asian believes in freedom of artistic expression, but under the Ontario Theatres Act, film and video festivals are required to adopt a blanket adult rating in order to hold public screenings without having to submit all works for prior classification. Film and video are the only forms of expression subject to this kind of censorship system in Ontario. Reel Asian complies with the Ontario Theatres Act under protest. reel H ⇠ H asian sponsors government Funders Corporate sponsors Festival sponsors media sponsors award sponsors Community Co-presenters reel ★ 1 ★ asian mastHead toronto reel asian Board oF direCtors sCreening Committee trailer Credits international Film Festival Anita Lee, Festival Founder Grace Bai Agency: RicePaddy Advertising 401 Richmond Street West, and Chair (on leave) Keith Lock Creative Directors: Carson Ting Suite 309, Box 146 Carolynne Hew, Acting Chair Lisa Roosen-Runge and Joe O’Neill Toronto, Ontario M5V3A8 Deanna Wong, Acting Vice Chair Alice Shih Writer: Joe O’Neill t: 416.703.9333 John Le Blanc, Treasurer Philip Tsui Title: Prick Flick f: 416.703.9986 Simon Racioppa, Secretary Art Director: Carson Ting e: [email protected] Karla Bobadilla, Director NATIONAL SPOTLIGHt Copywriter: Joe O’Neill www.reelasian.com Keith Lock, Director on mainland CHina Agency Producer: Louise Blouin Philip Tsui, Director Shelly Kraicer, Consultant Production Company: Radke Films Sharon Wilson, Director Xiaoyi Zhu, Shorts Consultant Director: Sean A. Producer: Amy Anicic Festival Co-Founder speCial events Committee Editor: Christina Abbott Andrew Sun Sharon Wilson, Chair Music/Sound: Grayson & Matthews Fatima Chai Post Production: Flashcut staFF Monica Chang Transfer: Notch Sally Lee, Executive Director Carolynne Hew Actors: Jerry Lee, Jane Zhang, Grace Bai, Festival Manager Deanna Wong Olaf Sham Stephen Lan, Programmer Extras: Anna Anicic, Brian Anicic, Linda Noh, Community 2004 awards Jury Willie Anicic, Caitlyn, Outreach Coordinator Chris Gehman Denise Cheung, Lily Cheung, Naoko Kumagai Sherrie Dai, Neel Desai, advisory Board Myrocia Watamaniuk Suzanne Dommen, Liam Gadsby, Nobu Adilman Corwyn Hall, Doris Hoang, Richard Fung Creative Nadiah Khan, Tara Kivlichan, Colin Geddes Untitled_Art Inc. Jason R. Knight, Julie Kwon, Kwoi Gin Andy Leung, Skye Popowicz, Helen Lee programme notes editor Mark Sorbara, Bonnie Ting, Kerri Sakamoto Tess Takahashi David Ting, Fiona Wong, Caroline Sin (ED 1999-2001) Rakel Zetterlund cover Image: Xin Liliang, Juno Youn press Clips editor IISH Stefan R. Landsberger Collection, www.iisg.nl/~landsberger Tina Hahn tHank you 401 Richmond Scott Ferguson Tom Alexander + Rebecca Pierson, A Space Gallery Steven Fung Mongrel Media aafilmfests Mike Gennaro Patrick Morrison Kelley Alexander Renee Goodman James Moutsos Carl Allen Brett Hendrie Kathleen Mullen Roberto Ariganello Benjamin Hum, NAAAP Mark Slone + Jennifer Otter, Jason Bai Hong Kong Economic Odeon Films Helen Baik Trade Office, Toronto William Pak Cameron Bailey Images Festival Jaeman Park Lise Brin Inside Out Gay and Lesbian Film Stefan Pernu Dan Butkovich and Video Festival Andréa Picard Scott Campbell Ian Jarvis Scott Rosenberg CARFAC/CARO David Jones Paul Ryu Shane Smith + Myrocia Watamaniuk, Trevor Jones Robin Smith, Capri Releasing CFC Worldwide Short Film Festival Luke Jung Tony Spano Larissa Fan + Jeff Crawford, CFMDC Georges Khayat TIFFG Press Office Lily Cheung Chris Kennedy Damian Tran Petra Chevrier Jane Kim Trinity Square Video Alicia Chia Paul Kim + staff at Daniel Cockburn, V-Tape Chris Chin Print Three 481 University Video Out Dot Chin Rockey Kim Mike Viglione Andy Choi Yushin Kim Wyndham Wise Ian Choi Eyan Logan Marcus Woodley Brian Chiu Chris McDonald Leslie Yip Natalie Couto Rebecca McGowan David Yu, Tour East Holidays Liz Czach Kevin McLaughlin Chi-hui Yang + San Francisco Sherrie Dai Tani Miki International Asian American Ian Danzig Lindsay Miller Film Festival staff Jason Ebanks Roy Mitchell Far East Film Festival, Udine all our FantastiC volunteers! welCome to tHe 8tH toronto reel asian international Film Festival message From tHe exeCutive direCtor Welcome to the 8th annual edition of the Toronto Reel Asian International Film Festival, featuring five evenings and four days of fabulous films, videos, artist talks and of course, parties. Programmer Stephen Lan and the Reel Asian Screening Committee have spent months watching hundreds of submissions, researching titles and attending other screenings and festivals to bring you the best in contemporary independent Asian cinema from all over the world. Reel Asian is especially proud to welcome a record number of artists to this year’s festival, with guests from as far away as Beijing, Hong Kong, Thailand, California and New York joining local directors to watch each others’ work and meet with Toronto fans of Asian cinema and culture. As our reputation and audience numbers grow, our challenge has been to maintain our identity as a community-based festival where audiences, artists and festival organizers can have a genuine exchange of ideas and get to know one another throughout the course of the festival. I sincerely hope that all of you will help to uphold Reel Asian’s reputation as Toronto’s Best Small Festival, which has as much to do with the special energy our audiences bring to the festival as it does our programming. from left to right: At the start of every planning cycle, the festival exists only as a crazy idea. Throughout the year, I Programmer Stephen Lan festival manager Grace Bai have the honour and privilege of working with some very talented and dedicated people, many who Executive Director Sally Lee volunteer their time, energy and skills, or donate the money, goods or services required to make Reel Asian a reality. At some point while you’re going through this programme guide to have a look at all the wonderful events that are going on, I ask that you take a few moments to give your attention to the Masthead, Thank You’s and the Sponsors’ section. Without the individuals, organizations and companies listed there, Reel Asian as you know it just simply would not happen. And since we’re not able to include the names of all the volunteers you’ll be encountering over the course of the next five days, I would also like to take this opportunity to acknowledge their vital contribution to the success of the festival. I look very much forward to joining you at the screenings and other events and hope that you will enjoy yourselves as much as all of us at Reel Asian have enjoyed putting it all together for you! Sally Lee, Executive Director message From tHe programmer A colleague once made an off-the-cuff remark that Toronto is plagued with too many film festivals.
Recommended publications
  • Apichatpong Weerasethakul

    Apichatpong Weerasethakul

    UNKNOWN FORCES: APICHATPONG WEERASETHAKUL April 18 – June 17, 2007 hold of and ask what I should do. I am consulting a fortune teller now for what the next film should be. She told me the main character (light skin, wide forehead), the locations (university, sports stadium, empty temple, mountain), and the elements (the moon and the water). RI: The backdrops of much of your work accentuate feelings of aloneness and isolation from others. Films like Tropical Malady (2004) and Worldly Desires (2005) traverse remote recesses of distant, even enchanted jungles. In FAITH (2006), you leave earth entirely in search of greater solitude in outer space. You seem interested in or at least drawn to obscure or enigmatic sites that have been left relatively unexplored, untouched, unimagined… AW: That’s what I got from the movies. When you are in a dark theater, your mind drifts and travels. In my hometown when I was growing up, there was nothing. The movie theater was a sanctuary where I was mostly addicted to spectacular and disaster films. Now, as a filmmaker, I am trying to search for similar feelings of wonder, of dreams. It’s quite a personal and isolated experience. Tropical Malady is more about a journey into one’s mind rather than Apichatpong Weerasethakul a real jungle. Or sometimes it is a feeling of “watching” movies. RI: Can you speak about your use of old tales and mythologies in your work? What significance do they hold for you? AW: It’s in the air. Thailand’s atmosphere is unique. It might be hard to understand for foreigners.
  • Annual Report and Accounts 2004/2005

    Annual Report and Accounts 2004/2005

    THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to
  • Overview of Programs and Exhibitions, Late May–June 2019

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    CALENDAR ADVISORY OVERVIEW OF PROGRAMS AND EXHIBITIONS, LATE MAY–JUNE 2019 Please see below for major screening series, highlighted events, and current exhibitions. Additional programs will be added as confirmed. SCREENING SERIES Panorama Europe Film Festival THROUGH MAY 19, 2019 The eleventh edition of the annual festival of new films from Europe, co-presented by MoMI and the European Union National Institutes of Culture (EUNIC), features seventeen films, including nine directed by women. Upcoming films include: Baikonur, Earth from Italian director Andrea Sorini, who will appear in person; Light as Feathers, from Dutch writer/director Rosanne Pel; Several Conversations About a Very Tall Girl, considered the first Romanian film to feature a lesbian love story, with director Bogdan Theodor Olteanu appearing in person; Babis Makridis’s Pity, which was co-written with Yorgos Lanthimos’s frequent writing partner Efthimis Filippou; from Hungary, One Day (Egy Nap), with director Zsófia Szilágyi in person; and Salomé Lamas’s acclaimed Extinction. Press Release | Schedule & Tickets See It Big! Action THROUGH JULY 7 See It Big! Action offers up favorites of the action-film genre, highlighting work from some of the form's greatest practitioners, including John Woo, Michael Mann, Steven Spielberg, Akira Kurosawa, Kathryn Bigelow, Jackie Chan, and much more. Upcoming: a Memorial Day weekend marathon of all six Mission: Impossible films; Police Story, 48 Hrs., Heat, Miami Vice, Big Trouble in Little China, Hard Boiled, Face/Off, Die Hard, Death Proof, Hooper, Point Break, Haywire, Three the Hard Way, Coffy, and Set It Off. See It Big! is the Museum’s signature big-screen series, co-programmed by Curator of Film Eric Hynes and Reverse Shot editors Jeff Reichert and Michael Koresky.
  • Tropical Malady: Film & the Question of the Uncanny Human-Animal

    Tropical Malady: Film & the Question of the Uncanny Human-Animal

    etropic 10(2011): Creed, Tropical Malady | 131 Tropical Malady: Film & the Question of the Uncanny Human-Animal “The tiger trails you like a shadow/ his spirit is starving and lonesome/I see you are his prey and his companion” – Tropical Malady. Barbara Creed University of Melbourne Abstract The acclaimed Thai film, Tropical Malady (2004), represents the tropics as a surreal place where conscious and unconscious are as inextricably entwined. Directed by Apichatpong Weerasethakul, Tropical Malady presents two interconnected stories: one a quirky gay love story; the other a strange disconnected narrative about a shape-shifting shaman, a man-beast and a ghostly tiger. This paper will argue that from it beginnings in the silent period, the cinema has created an uncanny zone of tropicality where human and animal merge. rom its beginnings in the early twentieth century the cinema has expressed an F enduring fascination with the tropics as an imaginary space. While many filmmakers have envisaged the tropics as an unspoiled paradise (Bird of Paradise, 1932, 1951; The Moon of Manakoora, 1943; South Pacific, 1958), a view which has its origins in classical times, others have represented the tropics as a deeply uncanny zone where familiar and unfamiliar coalesce. It is as if the heat and intensity of the tropics has liquefied matter until normally incommensurate forms are able to dissolve almost imperceptibly into each other. In this process the boundaries between different systems of thought, ideas and ethics similarly dissipate, creating a space for new and often subversive ideas to flourish. As Driver and Martins state, the meaning of “tropicality” is so elastic a number of discourses have been able to shape it to suit their own purposes.
  • 71 Ans De Festival De Cannes Karine VIGNERON

    71 Ans De Festival De Cannes Karine VIGNERON

    71 ans de Festival de Cannes Titre Auteur Editeur Année Localisation Cote Les Années Cannes Jean Marie Gustave Le Hatier 1987 CTLes (Exclu W 5828 Clézio du prêt) Festival de Cannes : stars et reporters Jean-François Téaldi Ed du ricochet 1995 CTLes (Prêt) W 4-9591 Aux marches du palais : Le Festival de Cannes sous le regard des Ministère de la culture et La 2001 Salle Santeuil 791 (44) Mar sciences sociales de la communication Documentation française Cannes memories 1939-2002 : la grande histoire du Festival : Montreuil Média 2002 Salle Santeuil 791 (44) Can l’album officiel du 55ème anniversaire business & (Exclu du prêt) partners Le festival de Cannes sur la scène internationale Loredana Latil Nouveau monde 2005 Salle Santeuil 791 (44) LAT Cannes Yves Alion L’Harmattan 2007 Magasin W 4-27856 (Exclu du prêt) En haut des marches, le cinéma : vitrine, marché ou dernier refuge Isabelle Danel Scrineo 2007 Salle Santeuil 791 (44) DAN du glamour, à 60 ans le Festival de Cannes brille avec le cinéma Cannes Auguste Traverso Cahiers du 2007 Salle Santeuil 791 (44) Can cinéma (Exclu du prêt) Hollywood in Cannes : The history of a love-hate relationship Christian Jungen Amsterdam 2014 Magasin W 32950 University press Sélection officielle Thierry Frémaux Grasset 2017 Magasin W 32430 Ces années-là : 70 chroniques pour 70 éditions du Festival de Stock 2017 Magasin W 32441 Cannes La Quinzaine des réalisateurs à Cannes : cinéma en liberté (1969- Ed de la 1993 Magasin W 4-8679 1993) Martinière (Exclu du prêt) Cannes, cris et chuchotements Michel Pascal
  • DOWNRANGE Réalisé Par Ryuhei Kitamura Avec Kelly Connaire, Stephanie Pearson, Rod Hernandez-Farella, Anthony Kirlew, Alexa Yeames, Jason Tobias

    DOWNRANGE Réalisé Par Ryuhei Kitamura Avec Kelly Connaire, Stephanie Pearson, Rod Hernandez-Farella, Anthony Kirlew, Alexa Yeames, Jason Tobias

    DOWNRANGE Réalisé par Ryuhei Kitamura Avec Kelly Connaire, Stephanie Pearson, Rod Hernandez-Farella, Anthony Kirlew, Alexa Yeames, Jason Tobias Victimes d’une crevaison, six étudiants en covoiturage sont contraints d’arrêter leur véhicule au milieu de nulle part. Mais le pneu n’a pas crevé par accident… Et soudain les balles pleuvent : un mystérieux sniper les a pris pour cible. Ils sont seuls. Sans défense. Un terrible jeu du chat et de la souris commence… SI VOUS LE VOYEZ, IL EST DÉJÀ TROP TARD. Magnifié par une mise en scène virtuose et un genre saisissant, le désert n’a jamais été aussi oppressant ! Ryuhei Kitamura (Midnight Meat Train) vous rendra claustrophobe au cours de ces 90 min d’angoisse sans relâche. Une promesse d’effroi et d’hémoglobine réussie où les feux de détresse ne servent à rien… Acclamé dans tous les festivals du genre, DOWNRANGE est un choc à découvrir de toute urgence ! En Blu-ray, DVD & VOD le 25 Juillet Matériel promotionnel disponible sur demande - Images et visuels disponibles dans l’Espace Pro via www.wildside.fr [ Édition DVD ] [Édition Blu-ray ] CARACTÉRISTIQUES TECHNIQUES DVD CARACTÉRISTIQUES TECHNIQUES Blu-ray Format image : 2.40, 16/9e comp 4/3 Format image : 2.40 - Résolution film : 1080 25p Format son Anglais DTS 5.1 & Dolby Digital 2.0, Format son : Français & Anglais DTS HD Master Audio 5.1 Français Dolby Digital 5.1 - Sous-titres : Français Durée : 1h25 Sous-titres : Français - Durée : 1h30 Prix public indicatif : 19,99 € le DVD Prix public indicatif : 19,99 € le Blu-ray WILD SIDE VIDEO - [ SERVICE
  • God Loves Uganda | the Hooping Life | Tim’S Vermeer | the Address | Life According to Sam | the Story of the Jews Scene & He D

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  • Godzilla Dossier Presse.Pdf

    Godzilla Dossier Presse.Pdf

    présente un film de Ryuhei Kitamura avec Don Frye Rei Kikukawa Masahiro Matsuoka 124’ - Japon - 2004 - couleur - Cinémascope - Dolby SRD Sortie nationale le 31 août 2005 Distribution Presse PRETTY PICTURES BOSSA NOVA 100, rue de la Folie Méricourt Michel Burstein 75011 Paris 32, bd Saint Germain Tél: 01 43 14 10 00 75005 Paris Fax: 01 43 14 10 01 Tél: 01 43 26 26 26 [email protected] Fax: 01 43 26 26 36 www.prettypictures.fr [email protected] www.bossa-nova.info Les photos du film et le dossier de presse sont téléchargeables sur le site www.prettypictures.fr Suite à une vague incessante de guerres et à la croissance Masahiro MATSUOKA ...... Soldat Shin’ichi Ôzaki démesurée de la pollution, d’énormes monstres font leur apparition. Rei KIKUKAWA ................ Biologiste moléculaire Miyuki Otonashi Heureusement pour l’humanité, l’Armée Mondiale veille et emploie Akira TAKARADA ............. Secrétaire Général Naotarô Daigo des unités mutantes, la Force M, pour combattre la nouvelle menace. Kane KOSUGI ................. Militaire Katsunori Kazama Lorsque les différentes créatures gigantesques se mettent à attaquer Kazuki KITAMURA ........... Officier de la Planète X simultanément les diverses capitales de la planète, l’Armée Mondiale Maki MIZUNO ................. Présentatrice Anna Otonashi se retrouve soudainement impuissante face à l’énorme invasion. Masami NAGASAWA ....... Fées Shobijin Arrive alors un vaisseau spatial qui stoppe net la menace. À son bord, Don FRYE ....................... Douglas Gordon Capitaine du Gotengo les Xiliens, des extraterrestres humanoïdes venus prévenir la terre Kenji SAHARA ................. Paléontologiste Hachirô Jingûji d’une menace imminente : la collision avec un astéroïde gigantesque Kumi MIZUNO ................. Commandant Akiko Namikawa nommé Gorus.
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  • Godzilla and the Japanese After World War II: from a Scapegoat of the Americans to a Saviour of the Japanese

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  • Diplomarbeit

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  • Download Detailseite

    Download Detailseite

    Kinderfilmfest/14plus/IFB 2005 HANA & ALICE 14plus HANA & ALICE HANA & ALICE HANA & ALICE Regie: Shunji Iwai Japan 2004 Darsteller Hana Anne Suzuki Länge 135 Min. Alice Yu Aoi Format 35 mm, 1:1.85 Miyamoto Tomohiro Kaku Farbe Alices Mutter Shoko Aida Ihr Liebhaber Hiroshi Abe Stabliste Ihr Ehemann Sei Hiraizumi Buch Shunji Iwai Ryo Taguchi Takao Osawa Kamera Noburo Shinoda Lagerarbeiter Ryoko Hirosue Shinichi Tsunoda Schnitt, Musik Shunji Iwai Ton Naotaka Kishi Production Design Yohei Taneda Herstellungsltg. Kenichi Nakayama Produzent Shunji Iwai Associate Producer Koko Maeda Produktion Rockwell Eyes Inc Trentdeux #103, 5-2-5 Shironganedai, Minato-ku Yu Aoi, Anne Suzuki J-Tokyo 108-0071 Tel.: 3-34 44 70 11 Fax: 3-34 44 70 13 HANA & ALICE Hana und Alice kennen sich von klein auf. Alice ist die Lebhafte von den Weltvertrieb beiden. Sie hat ihren eigenen Kopf, und allzu oft ist es Hana, die kitten muss, Fortissimo Film Sales was Alice zerstört. Aber Alice hat auch ihre guten Seiten. Schließlich ist sie Veemarkt 77-79 es, die Hana zu ihrer ersten Liebesgeschichte verhilft. NL-1019 DA Amsterdam Tel.: 20-627 32 15 Ganz im Sinn ihres Vorsatzes der Liebe auf den ersten Blick folgt Alice einem Fax: 20-626 11 55 Angebeteten, die widerspenstige Hana immer im Schlepptau. Bei einer die- [email protected] ser Gelegenheiten legt Alice ihrer Freundin Hana nun Miyamoto, den Freund des Jungen, ans Herz. Und tatsächlich beginnt die widerstrebende Hana sich für den Oberschüler zu interessieren. Im April sind die Freundinnen endlich auch Schülerinnen der Oberschule. Um ihrem Angebeteten nahe zu sein, tritt Hana dem Club der Comic-Erzähler bei.