DOCSLIB.ORG

2013 Annual Foal Registration Reports

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2013 Annual Foal Registration Reports State of Illinois Department of Agriculture Robert F. Flider, Director STATE OF ILLINOIS BREEDERS FUND PROGRAMS 2013 ANNUAL FOAL REGISTRATION REPORTS Robert F. Flider, Director Bureau of County Fairs and Horse Racing State Fairgrounds • P.O. Box 19281 • Springfield, IL 62794-9281 ♦ General Information 217/782-4231 • County Fairs 217/524-0666 Standardbred • Thoroughbred • Quarter Horse 217/785-0106 ♦ TDD 217/524-6858 ♦ Fax 217/524-6194 Dear Breeders and Owners: We are pleased to present the Illinois Department of Agriculture’s 2013 foal registration Annual Report. This year we have combined all breeds into one report. This information has been compiled to provide an easy reference tool for foals eligible to be included in our breeding and registration programs. The horse racing industry across the country has had some highs and lows over the last few years. The Governor and the Department continue to stand behind those involved in the Illinois horse racing industry. Whether you are raising Quarter Horses, Standardbreds or Thoroughbreds, we share your hope that the upcoming breeding year brings greater incentives to be involved in the Illinois breeding programs. We thank all those involved in this great industry and for your continued support and participation. We look forward to working with each of you to make Illinois’ breeding and racing programs the best they can be. Sincerely, Charlyn Fargo Bureau Chief County Fairs and Horse Racing TABLE OF CONTENTS PAGE QUARTER HORSE BREEDERS FUND ILLINOIS CONCEIVED AND FOALED: ……………………………………….. 1 Nominated Foals Recapitulation: ……………………………………….. 4 Alphabetical Listing By: Dam …….…………………………. 5 Owner …….……………………… 6 Stallion ………..………………….. 7 STANDARDBRED BREEDERS FUND ILLINOIS CONCEIVED AND FOALED: ……….……………………………… 8 Nominated Foals Recapitulation: ….………….…….………………….. 11 Alphabetical Listing By: Dam …….…………………………. 12 Owner …….……………………… 31 Stallion ………..………………….. 39 THOROUGHBRED BREEDERS FUND ILLINOIS CONCEIVED AND FOALED: ……….……………………………… 43 Nominated Foals Recapitulation: ….………….…….………………….. 49 Alphabetical Listing By: Dam …….…………………………. 50 Owner …….……………………… 57 Stallion ……..…………………….. 61 ILLINOIS FOALED: ……….……………………………… 63 Nominated Foals Recapitulation: ….………….…….………………….. 63 Alphabetical Listing By: Dam …….…………………………. 64 Owner …….……………………… 75 Stallion ……..…………………….. 80 Foal Registration Summarization: ……………………………………... 83 ILLINOIS DEPARTMENT OF AGRICULTURE ILLINOIS RACING QUARTER HORSE BREEDERS FUND 2013 Foal Registrations of Illinois Conceived and Foaled Quarter Horses ILLINOIS DEPARTMENT OF AGRICULTURE Illinois Quarter Horse Breeders Fund Program Registrations YEAR MARES REGISTERED FOALS REGISTERED STALLIONS LICENSED 2003 325 121 87 2004 257 113 76 2005 232 97 74 2006 229 56 52 2007 117 41 38 2008 68 24 38 2009 53 27 39 2010 36 23 39 2011 46 16 33 2012 33 18 33 2013 49 18 30 2014 55 ILLINOIS DEPARTMENT OF AGRICULTURE HORSE RACING PROGRAMS 2012 ILLINOIS QUARTER HORSE BREEDERS FUND PURSES PAID Non Wagering Races Wagering Races Purses PARI-MUTUAL RACETRACKS 0 0 $ 0 NON PARI-MUTUAL EVENTS County Fairs Perry Co Fair June 11 1 $ 1,350 McLeansboro Fair June 18 1 $ 1,350 Clark Co Fair August 1 1 $ 1,500 Effingham Co Fair August 10 1 $ 1,350 Cumberland Co. Fair August 20 1 $ 1,350 Total Fairs 5 $ 6,900 2012 GRAND TOTALS $ 6,900 These 2012 figures are only for events restricted to Illinois Conceived and Foaled horses (ICF) that are properly registered with the Department of Agriculture, and do not include purses won by ICF horses in open competition. ILLINOIS QUARTERHORSE BREEDERS FUND PROGRAM 2013 NOMINATED FOALS Totals Month # of Foals January 0 February 1 March 5 April 6 May 4 June 2 July 0 August 0 September 0 October 0 November 0 December 0 Total Nominated 18 Total Owned In Illinois 16 Total Owned Out Of Illinois 2 Total Colt 12 Total Filly 6 Total Gelding 0 Total Ridgling 0 Total Bay 4 Total Gray 0 Total Black 0 Total Brown 0 Total Chestnut 4 Total Roan 0 Foals Conceived By Transported Fresh Semen 0 FOALS OF 2013 NOMINATED TO THE ILLINOIS QUARTERHORSE BREEDERS FUND PROGRAM DAM NAME FILE-NO COLOR SEX FOAL-DATE FOAL NAME SIRE NAME OWNER NAME ADDRESS CITY STATE ZIP DASHIN THE CASH 20130001 CHESTNUT FILLY 3/17/2013 YAWLS SPECIAL GAME VENEGAS RAUL 2574 CO RD 700 E. DEWEY IL 61840 ERINS BULLY EFFORT 20130002 SORREL FILLY 5/26/2013 ASHARP PERKS YAWL COLE COLLEEN R. 142 HORSE LANE FILLMORE IL 62032 FLICKA BAR BUG 20130003 CHESTNUT COLT 2/22/2013 FACT BOOK BOYER MIKE 1125 W. OUTER 21 RD ARNOLD MO 63010 MISS DIAMONDS KING 20130004 DUN COLT 4/9/2013 GENUINE REINER PAYNE PHILLIP & ROSEMARY R R 1 BOX 9 MACEDONIA IL 62860 MISS JUDE 20130005 PALOMINO COLT 4/1/2013 GENUINE REINER PAYNE CHAD R R 1 BOX 172A MACEDONIA IL 62860 MISS POCO SPARK 20130006 SORREL FILLY 6/7/2013 GENUINE REINER PAYNE CHAD R R 1 BOX 172A MACEDONIA IL 62860 PEP BAR CHICK 20130007 PALOMINO COLT 4/20/2013 GENUINE REINER PAYNE CHAD R R 1 BOX 172A MACEDONIA IL 62860 PEPPY SAN SAM 20130008 SORREL FILLY 5/26/2013 CAT CREEK SLEW OXFORD LARRY D 8480 US HWY 45 NORTH ELDORADO IL 62930 RRR DAWNS FANCY CHICK 20130009 RED DUN COLT 4/6/2013 GENUINE REINER MULLINS GARY & HELEN R R 1 BOX 78 DAHLGREN IL 62828 SANDRA'S GUESS 20130010 BAY COLT 6/21/2013 GENUINE REINER PAYNE CHAD R R 1 BOX 172A MACEDONIA IL 62860 SMART BOSTON MAC 20130011 SORREL COLT 3/11/2013 GENUINE REINER PAYNE PHILLIP & ROSEMARY R R 1 BOX 9 MACEDONIA IL 62860 SMART LOOKIN LENA 20130012 SORREL COLT 5/9/2013 GENUINE REINER PAYNE TAMI R R 1 BOX 172A MACEDONIA IL 62860 SPECTACULAR GLO 20130013 CHESTNUT COLT 4/4/2013 XH CISCO COWBOY SNYDER WILEY 5328 POPE ROAD SANDOVAL IL 62882 TIFFANYS SUNSET 20130014 BUCKSKIN COLT 5/6/2013 SLIDIN HIGH CAT EBLIN DOUGLAS R 4576 BASOM RD SALEM IL 62881 TWO HOT POCO 20130015 BAY FILLY 4/18/2013 SLIDIN HIGH CAT BASS KATHLEEN C & REUBEN G P O BOX 622 TRILBY FL 33593 TWO ID MISTY 20130016 BAY COLT 3/21/2013 GENUINE REINER PAYNE CHAD R R 1 BOX 172A MACEDONIA IL 62860 WINNAMUCCA 20130017 BAY COLT 3/11/2013 HURRYN ON HOME DUTY BRIAN 12510 PAULTON RD PITTSBURG IL 62974 ZANS CHARMER 20130018 CHESTNUT FILLY 3/6/2013 SLIDIN HIGH CAT EBLIN DOUGLAS R 4576 BASOM RD SALEM IL 62881 OWNERS OF 2013 NOMINATED FOALS OWNER NAME DAM SIRE BASS KATHLEEN C & REUBEN G TWO HOT POCO SLIDIN HIGH CAT BOYER MIKE FLICKA BAR BUG FACT BOOK COLE COLLEEN R. ERINS BULLY EFFORT ASHARP PERKS YAWL DUTY BRIAN WINNAMUCCA HURRYN ON HOME EBLIN DOUGLAS R TIFFANYS SUNSET SLIDIN HIGH CAT ZANS CHARMER SLIDIN HIGH CAT MULLINS GARY & HELEN RRR DAWNS FANCY CHICK GENUINE REINER OXFORD LARRY D PEPPY SAN SAM CAT CREEK SLEW PAYNE CHAD MISS JUDE GENUINE REINER MISS POCO SPARK GENUINE REINER PEP BAR CHICK GENUINE REINER SANDRA'S GUESS GENUINE REINER TWO ID MISTY GENUINE REINER PAYNE PHILLIP & ROSEMARY MISS DIAMONDS KING GENUINE REINER SMART BOSTON MAC GENUINE REINER PAYNE TAMI SMART LOOKIN LENA GENUINE REINER SNYDER WILEY SPECTACULAR GLO XH CISCO COWBOY VENEGAS RAUL DASHIN THE CASH YAWLS SPECIAL GAME SIRE LISTING OF 2013 REGISTERED ILLINOIS CONCEIVED AND FOALED QUARTER HORSES STALLION (# OF FOALS) DAM OF FOAL ASHARP PERKS YAWL (1) ERINS BULLY EFFORT (FILLY) CAT CREEK SLEW (1) PEPPY SAN SAM (FILLY) FACT BOOK (1) FLICKA BAR BUG (COLT) GENUINE REINER (9) MISS DIAMONDS KING (COLT) MISS JUDE (COLT) MISS POCO SPARK (FILLY) PEP BAR CHICK (COLT) RRR DAWNS FANCY CHICK (COLT) SANDRA'S GUESS (COLT) SMART BOSTON MAC (COLT) SMART LOOKIN LENA (COLT) TWO ID MISTY (COLT) HURRYN ON HOME (1) WINNAMUCCA (COLT) SLIDIN HIGH CAT (3) TIFFANYS SUNSET (COLT) TWO HOT POCO (FILLY) ZANS CHARMER (FILLY) XH CISCO COWBOY (1) SPECTACULAR GLO (COLT) YAWLS SPECIAL GAME (1) DASHIN THE CASH (FILLY) ILLINOIS DEPARTMENT OF AGRICULTURE ILLINOIS STANDARDBRED BREEDERS FUND 2013 Foal Registrations of Illinois Conceived and Foaled Standardbreds ILLINOIS STANDARDBRED BREEDERS FUND PROGRAM REGISTRATIONS MARES BRED FOALS YEAR (PREVIOUS YEAR) REGISTERED STALLIONS 1970 2,146 1,045 149 1971 2,156 1,019 160 1972 2,171 961 153 1973 2,153 984 187 1974 2,135 949 166 1975 2,198 978 165 The Horse Racing Act of 1975 1976 2,605 1,069 189 1977 3,124 1,251 220 1978 3,180 1,651 272 1979 3,680 1,936 285 1980 4,020 2,070 293 1981 3,975 2,044 300 1982 4,414 2,290 312 1983 4,451 2,468 313 1984 4,461 2,535 314 1985 4,508 2,463 313 1986 4,083 2,156 294 1987 3,580 2,025 280 1988 3,454 1,939 282 1989 3,395 1,997 277 1990 3,363 1,970 278 1991 3,299 1,934 256 1992 3,323 1,804 248 1993 3,242 1,952 234 1994 3,187 1,911 220 1995 3,201 2,000 220 1996 2,949 1,826 213 1997 2,934 1,774 189 1998 2,461 1,453 156 1999 2,025 1,222 146 2000 2,021 1,198 137 2001 2,157 1,349 136 2002 2,233 1,343 145 2003 2,271 1,348 142 2004 2,163 1,342 147 2005 2,322 1,367 139 2006 1,924 1,152 132 2007 1,806 977 111 2008 1,561 961 98 2009 1,377 769 86 2010 1,253 660 62 2011 1,220 549 63 2012 855 487 66 2013 861 492 69 ILLINOIS DEPARTMENT OF AGRIUCLUTRE HORSE RACING PROGRAM ILLINOS STANDARDBRED BREEDERS FUND 2012 PURSES AND AWARDS PAID TOTAL STAKES AND OWNERS’/ PURSES AND TRACK/ASSOCIATION LATE CLOSERS OVERNITES BREEDERS BONUS BREEDER’S RACES PURSES RACES PURSES AWARDS AWARDS AWARDS BALMORAL PARK Balmoral Racing Club 118 $3,673,650 41 $212,700 $400,739 $374,400 $4,661,489 MAYWOOD PARK Maywood Park Trotting 30 $ 752,770 210 $1,018,600 $252,095 $243,880 $2,267,345 Association, Inc ILLINOIS STATE FAIR Dept.
Load more

Recommended publications
  • Camp Parody in the British Long Eighteenth Century
    GREAT AFFECTATIONS: CAMP PARODY IN THE BRITISH LONG EIGHTEENTH CENTURY A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Sarah Lynn Cote January 2014 © 2014 Sarah Lynn Cote GREAT AFFECTATIONS: CAMP PARODY IN THE BRITISH LONG EIGHTEENTH CENTURY Sarah Lynn Cote, Ph.D. Cornell University 2014 My dissertation explains that, despite the nominal anachronism, camp has always inhabited literature of the long eighteenth century, namely those examples that were created from and, to some degree, for those experiencing the world from a socially or sexually marginal perspective. To interpret as camp is to not only account for the excesses of style that often infuriate and discompose aesthetic and generic categories of the time period, although it can provide an explanatory motive for noticeably disruptive and even flamboyant literary style. A camp reading can also bring together seemingly disparate texts under the umbrella of alterity. It provides an ideal and common language for discussing formal and generic literary styles alongside feminist, queer, and cultural interpretations. Camp in the eighteenth century is particularly well-positioned to make important contributions to ongoing discussions about the public sphere, the shifts in audience and reception among all media, and the influences of realism, especially relating to the bourgeois representations of affects and emotions. To me, camp is a parodic project, which means that it must bear a symbiotic relationship to the normative text or value that it plays up. Its parody is reliant on those modes opposed as “other” to their marginalized selves; in my examples, the target ranges among the heteronormative family, the orderly body, the sexual object, temporal mastery, aesthetic ownership, sentimental empathy, and even the self.
    [Show full text]
  • Galatea : a Pastoral Romance
    Presented to the UNIVERSITY OF TORONTO LIBRARY by the ONTARIO LEGISLATIVE LIBRARY 1980 V C V GALA MIGUEL DE CERVANTES SAAYEDRA 1ITERALLY TEANSLATED FROM THE SPANISH BY GORDON W1LLOUGHBY JAMES GYLL, "A TRACTATE OK "THE HISTORY OF AUTHOR OF LANGUAGE," WRAYSBUBT , HORTON, AND COLNBROOK, BUCKS," ETC. LONDON: GEORGE BELL & SONS, YORK ST., COVENT GARDEN. AND NEW YORK. 1892. ^ LONDON : REPRINTED FROM STEREO-PLATES BY WILLIAM CLOWES AND SONS, LIMITED. STAMFORD STREET AND CHARING CROSS. TRANSLATOE'S PEEFACE. IN this translation of the Galatea of Cervantes, the object has been to convey the story in language as closely as pos- sible to the original. The translator fears he may not alway have succeeded in completely rendering the narratives ot the various incidents which characterise this simple pastoral epic, and that also he may have to apologise for somewhat ot roughness in his transfusion of the poetry, which has found its equivalent, where the lines have been long, in blank verse. The other portions of the poetry he has rendered literally, but wherever the two dialects assimilated he has thought it sufficient to furnish only a kind of metrical rhythm. This elegant and simple production, the earliest from the pen of the eminent poet and novelist of Spain, pour- traying young, fresh, and vivid scintillations of genius, has never been translated into any language. We have only its shadow in the French production of Florian, which is based on the Spanish story, and though written in an en- gaging and graceful style, is not that mature and elegant child of the brain of Cervantes which is now for the first time presented to the English reader.
    [Show full text]
  • Activities Council Sponsors Popular Informal Tea Dance
    MUShare The Phoenix Campus Newspaper Collection 3-1-1942 The Phoenix, Vol. V, No. 3 (March, 1942) Marian University - Indianapolis Follow this and additional works at: https://mushare.marian.edu/phnx Recommended Citation Marian University - Indianapolis, "The Phoenix, Vol. V, No. 3 (March, 1942)" (1942). The Phoenix. 104. https://mushare.marian.edu/phnx/104 This Book is brought to you for free and open access by the Campus Newspaper Collection at MUShare. It has been accepted for inclusion in The Phoenix by an authorized administrator of MUShare. For more information, please contact [email protected]. Marian Guild Pygmalion and Spring Fete Galatea April 9 The Phoenix April 19 Vol. V Marian College, Indianapolis, Indiana, March, 1942 No. 3 Lectures, Reception Concertized Opera Marian Enriches Curricula; Top Recent Events Sets Music Pace Introduces 12-Week Term On Sodality Program Voice students, Bel Canto en­ semble, and Glee Chorus are prepar­ Faculty Increase, New Courses, U.S.O. Enrollment The Sodality observed Vocation ing a concertized version of Gounod's Week March 8-14. The chairman of grand opera, Faust. For the or­ Extend College Facilities For Emergency Service the research committee, Rosemary chestra, Gounod and Strauss selec­ Responding to the challenge made to higher education by the present Mackinaw, and assistant, Anna tions lead. Mehn, prepared interesting displays crisis, Marian has introduced a number of new courses this semester. of books on various vocations. Erna Features on the Marian Concert Among these are the popular Current International Relations, Social Se­ Santarossa and Licia Toffolo de­ program, May 24, are: solos for curity, First Aid, Home Nursing, and Social Aspects of Personality.
    [Show full text]
  • CUPID by Laura Jepsen a Thesis Submitted in Partial Fulfillment of The
    CUPID By Laura Jepsen A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts, in the Department of Classical Languages, in the Graduate College of the State University of Iowa July 1936 PREFACE I express my appreciation to Professor W. Leigh Sowers of the Department of English of the State University of Iowa, under whose direction this play became a thesis. Laura Jepsen Davenport May 3, 1936 ACT I ACT I The workshop of Pygmalion, which is the scene of our opening Act, is at the top of a rather high cliff in the hills of Mount Parnassus. We have a right to place it where we will, and the reason Parnassus is chosen is that poets live there. So did we, in former days when Ovid’s “Metamorphoses” was on exquisite flight for the imagination; and some desire to pay a little tribute to that poet’s genius, as well as some compulsion to recapture the curious native spirit of the place, drags us back to those unforgettable heights known as Mount Parnassus. Pygmalion, therefore, lives on Parnassus. To get there, some of the more sophisticated of us will have to turn back the time several decades and all of us will have to put on our winged sandals, for Parnassus is more than a question of geography. That done, we are at the foot of a flight of stone steps leading to the workshop of Pygmalion. It is an old house, one which must have started falling in the time of Homer and shows no signs of stopping.
    [Show full text]
  • A Study of the British Library Manuscripts of the Roman De Troie by Benoit De Sainte-Maure: Redaction, Decoration, and Reception
    A Study of the British Library Manuscripts of the Roman de Troie by Benoit de Sainte-Maure: Redaction, Decoration, and Reception Sian Prosser Doctor of Philosophy University of Sheffield Department of French January 2010 IMAGING SERVICES NORTH Boston Spa/ Wetherby West Yorkshire/ LS23 7BQ www.bl.uk THIS THESIS CONTAINS A CD IMAGING SERVICES NORTH Boston Spa, Wetherby West Yorkshire, LS23 7BQ www.bl.uk PAGE NUMBERING AS ORIGINAL Summary Recent studies of the Roman de Troie have highlighted the need for more research on the extant manuscripts, because of the unreliable nature of the critical edition and the importance of the text to scholars of twelfth -century literature. This study seeks to contribute to knowledge of one of the most popular versions of the Troy legend in medieval France by describing and analysing two little-known manuscripts of the text. London, British Library, Additional 30863 (L2) presents an abridged version of the poem that provides insights into the reception of the poem in the early thirteenth century. London, British Library, Harley 4482 (L 1) contains a series of decorated initials which exhibit a higher than suspected level of engagement with the text on the part of the manuscript's makers. Part I of the thesis concentrates on L2, beginning in chapter 1 with a codicological and palaeographical description, and a discussion of its likely provenance. Chapter 2 develops the codicological analysis, looking at specific evidence of scribal editing and comparing the manuscript with its closest relative to see which abridgments are unique to L2. It concludes with case studies that illustrate the scribe's abridgement techniques via the presentation of the principal female characters.
    [Show full text]
  • HANDEL Acis and Galatea
    SUPER AUDIO CD HANDEL ACIS AND GALATEA Lucy Crowe . Allan Clayton . Benjamin Hulett Neal Davies . Jeremy Budd Early Opera Company CHANDOS early music CHRISTIAN CURNYN GEOR G E FRIDERICH A NDEL, c . 1726 Portrait attributed to Balthasar Denner (1685 – 1749) © De Agostini / Lebrecht Music & Arts Photo Library GeoRge FRIdeRIC Handel (1685–1759) Acis and Galatea, HWV 49a (1718) Pastoral entertainment in one act Libretto probably co-authored by John Gay, Alexander Pope, and John Hughes Galatea .......................................................................................Lucy Crowe soprano Acis ..............................................................................................Allan Clayton tenor Damon .................................................................................Benjamin Hulett tenor Polyphemus...................................................................Neal Davies bass-baritone Coridon ........................................................................................Jeremy Budd tenor Soprano in choruses ....................................................... Rowan Pierce soprano Early Opera Company Christian Curnyn 3 COMPACT DISC ONE 1 1 Sinfonia. Presto 3:02 2 2 Chorus: ‘Oh, the pleasure of the plains!’ 5:07 3 3 Recitative, accompanied. Galatea: ‘Ye verdant plains and woody mountains’ 0:41 4 4 Air. Galatea: ‘Hush, ye pretty warbling choir!’. Andante 5:57 5 5 [Air.] Acis: ‘Where shall I seek the charming fair?’. Larghetto 2:50 6 6 Recitative. Damon: ‘Stay, shepherd, stay!’ 0:21 7 7 Air. Damon: ‘Shepherd, what art thou pursuing?’. Andante 4:05 8 8 Recitative. Acis: ‘Lo, here my love, turn, Galatea, hither turn thy eyes!’ 0:21 9 9 Air. Acis: ‘Love in her eyes sits playing’. Larghetto 6:15 10 10 Recitative. Galatea: ‘Oh, didst thou know the pains of absent love’ 0:13 11 11 Air. Galatea: ‘As when the dove’. Andante 5:53 12 12 Duet. Acis and Galatea: ‘Happy we!’. Presto 2:48 TT 37:38 4 COMPACT DISC TWO 1 14 Chorus: ‘Wretched lovers! Fate has past’.
    [Show full text]
  • FIVE DIAMONDS Barn 2 Hip No. 1
    Consigned by Three Chimneys Sales, Agent Barn Hip No. 2 FIVE DIAMONDS 1 Dark Bay or Brown Mare; foaled 2006 Seattle Slew A.P. Indy............................ Weekend Surprise Flatter................................ Mr. Prospector Praise................................ Wild Applause FIVE DIAMONDS Cyane Smarten ............................ Smartaire Smart Jane........................ (1993) *Vaguely Noble Synclinal........................... Hippodamia By FLATTER (1999). Black-type-placed winner of $148,815, 3rd Washington Park H. [G2] (AP, $44,000). Sire of 4 crops of racing age, 243 foals, 178 starters, 11 black-type winners, 130 winners of 382 races and earning $8,482,994, including Tar Heel Mom ($472,192, Distaff H. [G2] (AQU, $90,000), etc.), Apart ($469,878, Super Derby [G2] (LAD, $300,000), etc.), Mad Flatter ($231,488, Spend a Buck H. [G3] (CRC, $59,520), etc.), Single Solution [G3] (4 wins, $185,039), Jack o' Lantern [G3] ($83,240). 1st dam SMART JANE, by Smarten. 3 wins at 3 and 4, $61,656. Dam of 7 registered foals, 7 of racing age, 7 to race, 5 winners, including-- FIVE DIAMONDS (f. by Flatter). Black-type winner, see record. Smart Tori (f. by Tenpins). 5 wins at 2 and 3, 2010, $109,321, 3rd Tri-State Futurity-R (CT, $7,159). 2nd dam SYNCLINAL, by *Vaguely Noble. Unraced. Half-sister to GLOBE, HOYA, Foamflower, Balance. Dam of 6 foals to race, 5 winners, including-- Taroz. Winner at 3 and 4, $26,640. Sent to Argentina. Dam of 2 winners, incl.-- TAP (f. by Mari's Book). 10 wins, 2 to 6, 172,990 pesos, in Argentina, Ocurrencia [G2], Venezuela [G2], Condesa [G3], General Lavalle [G3], Guillermo Paats [G3], Mexico [G3], General Francisco B.
    [Show full text]
  • Catalogue for Kentucky Winter Mixed
    Barn 5A-E Hip No. Consigned by Paramount Sales, Agent XXVI 1 Madame Music Northern Dancer Danzig . { Pas de Nom Brahms . Mr. Prospector { Queena . { Too Chic Madame Music . Illustrious Bay mare; Loustrous Bid . { Heavenly Ade foaled 2003 {Bid’s Femme . Devil’s Bag (1997) { Devil’s Swap . { For Femme By BRAHMS (1997), $731,797 in N.A., Hollywood Derby [G1], etc. Sire of 4 crops, including 2-year-olds of 2008, 7 black type winners, 118 winners, $4,241,663 & $638,641 (Can), including Arson Squad (at 4, 2007, $636,450, Swaps Breeders’ Cup S. [G2], etc.), Test Boy (to 4, 2007, $122,881& $116,400-Can), Up an Octave ($184,672), Zaylaway. 1st dam BID’S FEMME, by Loustrous Bid. Winner at 2 and 3, $152,730, Lady Fingers S. [R] (FL, $42,975), 3rd Joseph A. Gimma S. [R] (BEL, $6,039). Dam of 3 other foals of racing age, including a 2-year-old of 2008, one to race-- Iron Gate (g. by Langfuhr). Placed at 2, $9,194. 2nd dam DEVIL’S SWAP, by Devil’s Bag. 2 wins at 3, $41,375. Dam of 6 winners, incl.-- BID’S FEMME (f. by Loustrous Bid). Black type winner, see above. Tallulah Darling. Winner at 2 and 3, $101,741. Producer. Dangerous Devil. 3 wins at 4, 2007, $65,523. Marco’s Choice. 3 wins at 3, 2007, $27,033. 3rd dam FOR FEMME, by *Forli. Unraced. Sister to FORETAKE. Dam of 8 foals to race, 7 winners, including-- North Warning. 20 wins, 3 to 10, $169,754, 3rd Wadsworth Memorial H.
    [Show full text]
  • Galatea's Daughters: Dolls, Female Identity and the Material Imagination
    Galatea‘s Daughters: Dolls, Female Identity and the Material Imagination in Victorian Literature and Culture Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Maria Eugenia Gonzalez-Posse, M.A. Graduate Program in English The Ohio State University 2012 Dissertation Committee: David G. Riede, Advisor Jill Galvan Clare A. Simmons Copyright by Maria Eugenia Gonzalez-Posse 2012 Abstract The doll, as we conceive of it today, is the product of a Victorian cultural phenomenon. It was not until the middle of the nineteenth century that a dedicated doll industry was developed and that dolls began to find their way into children‘s literature, the rhetoric of femininity, periodical publications and canonical texts. Surprisingly, the Victorian fascination with the doll has largely gone unexamined and critics and readers have tended to dismiss dolls as mere agents of female acculturation. Guided by the recent material turn in Victorian studies and drawing extensively from texts only recently made available through digitization projects and periodical databases, my dissertation seeks to provide a richer account of the way this most fraught and symbolic of objects figured in the lives and imaginations of the Victorians. By studying the treatment of dolls in canonical literature alongside hitherto neglected texts and genres and framing these readings in their larger cultural contexts, the doll emerges not as a symbol of female passivity but as an object celebrated for its remarkable imaginative potential. The doll, I argue, is therefore best understood as a descendant of Galatea – as a woman turned object, but also as an object that Victorians constantly and variously brought to life through the imagination.
    [Show full text]
  • The Stray Cat
    WIVES SHOULD REMEMBER. An Ocean Mystery. po flashing like a streak of fire up tin firmly declined one day to longer re THE WOMAN IN THE ROAD Stray Undoubtedly the exYraordbv The Cat. broad central 6lairway. "By Jove:" tain the cat. nvt That Adam was made first. a:y all riysterles la perfectly 'I've had her three weeks now," ib Henderson drove slowly. There wer of the of the ea Ah, me, to (alter before a girl, he ejaculated. "What a That "he pays the freight." I've grown very fond of uer. several small carts in the road, driven the fate of the crew of the ship Marl you stunning girl!" said, "and Whose shy lids never would let we. That "blessed are the meet" In the Indolent, unintelligent, rustis Celeste, a more fantastic creation, ap- rang, duly admitted, But Gaiaeta doesn't belong to know, Then he wa3 That nine men in ten detest gossip. t ou her away." fashion, and little groups villagers. parently, than novelk-b- aver wove. and found una-sel- f must take oi 8ave (or the lashes willful curl, firmally announced, That all angels are not of your sex, Fhe left New York In 1S87 for Europe, her But. he protested, "I would be tax- All were going in the same direction, ,Thc pansy-purpl- e asleep below! bowing to his hostess and That confidence begets conndence. he- - ing away your good luck."' turning la at the gates of the drive. personel being thirteen, Including - Kate Putnam Osgood. magnilUant daughter. I bat men sometimes have "nerved." "I'm not sure It is good lurk see Henderson had seen the notices of the the captain's wlie and child.
    [Show full text]
  • To Horses Selling
    Index To Horses Selling Aelle ...................................................78 Filliano ...............................................90 African Legacy ...............................108 Firecard ...........................................144 All Day ...............................................71 Flewsy .............................................149 Ara Diamond .....................................49 Colt/Flying Kitty ..............................148 Filly/Aware And Beware ...............101 Frieda Zamba ...................................51 Barney R ...........................................43 G P S Navigator .............................111 Belcherville .....................................177 Glide Slope .....................................145 Colt/Best Punch .............................106 Gold Scat ..........................................45 Betta Trifecta ....................................76 Golden Slew ...................................151 Bid On A Dancer ............................133 Goldie’s Gift ......................................62 Gelding/Biscuits With Ham ...........107 Grace Lake .......................................92 Blondera ............................................86 Filly/Grace Lake .............................153 Blueberry Tart ..................................46 Grand Illusion .................................141 Brighton Lass .................................152 Colt/Gweneth ..................................155 Brinks Baby .......................................81 Hadastar ............................................26
    [Show full text]
  • (Thx) TC023 • 19Th Century Playbooks Collection Box Listing: Box
    (ThX) TC023 • 19th century Playbooks Collection box listing: Please cite the specific box when filling out the call slips. Box: Range of author/title: 1 Abarbanell, Joseph: A modell pair – A’Beckett, Gilbert Abbott. Unfortunate Miss Bailey. 2 A’Beckett, Gilbert Abbott: Wanted a brigand – Allingham, John Till: Til all a farce. 3 Allingham, John Till: The weathercock -- Andrews, Fred G. The mountebanks. 4 Andrews, George: The scarlet letter -- Auber: Fra-diavolo. 5 Austin, I.J.: John English -- Baker, George M.: A sea of troubles. 6 Baker, George M.: Sylvia’s soldier -- Barclay, James N.: A lesson in love. 7 Barclay, Rhoda S.: Mrs Swatten attends …, -- Barriere, Theodore.: Angel of midnight. 8 Barriere, Theodore. Old house on the bridge -- Bayly, Thomas Haynes: Ladder of love. 9 Bayly, Thomas Haynes: Mr Greenfinch – Becher, Martin: The two TJs. 10 Becker, Alta: Miss Nibb’s novelty shop – Bernard, William Bayle: Middy ashore. 11 Bernard, William Bayle: The mummy – Bickerstaff, Isaac: The hypocrite. 12 Bickerstaff, Isaac: Lionel and Clarissa – Boker, George H.: Calyanos. 13 Boker, George N.: Francesca da Rimini – Boucicault, Dion: Knight of Arva. 14 Boucicault, Dion: Led astray - to - The old Guard. 15 Boucicault, Dion: Old heads and young hearts – to – West End. 16 Boucicault, Dion: Willow copse – to – Broadhurst, George: Whatever happened to George? 17 Brockett, Alice W.: In music land – to – Brough, William: Conrad & Medora. 18 Brough, William: The Corsair – to – Brougham, John: Dombey and son. 19 Brougham, John: Flies in the web – to – Brown, J.S.: A southern rose. 20 Brown, John: Barbarossa – to – Buckstone, John Baldwin: The dead shot.
    [Show full text]