DOCSLIB.ORG

The Stray Cat

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Stray Cat WIVES SHOULD REMEMBER. An Ocean Mystery. po flashing like a streak of fire up tin firmly declined one day to longer re THE WOMAN IN THE ROAD Stray Undoubtedly the exYraordbv The Cat. broad central 6lairway. "By Jove:" tain the cat. nvt That Adam was made first. a:y all riysterles la perfectly 'I've had her three weeks now," ib Henderson drove slowly. There wer of the of the ea Ah, me, to (alter before a girl, he ejaculated. "What a That "he pays the freight." I've grown very fond of uer. several small carts in the road, driven the fate of the crew of the ship Marl you stunning girl!" said, "and Whose shy lids never would let we. That "blessed are the meet" In the Indolent, unintelligent, rustis Celeste, a more fantastic creation, ap- rang, duly admitted, But Gaiaeta doesn't belong to know, Then he wa3 That nine men in ten detest gossip. t ou her away." fashion, and little groups villagers. parently, than novelk-b- aver wove. and found una-sel- f must take oi 8ave (or the lashes willful curl, firmally announced, That all angels are not of your sex, Fhe left New York In 1S87 for Europe, her But. he protested, "I would be tax- All were going in the same direction, ,Thc pansy-purpl- e asleep below! bowing to his hostess and That confidence begets conndence. he- - ing away your good luck."' turning la at the gates of the drive. personel being thirteen, Including - Kate Putnam Osgood. magnilUant daughter. I bat men sometimes have "nerved." "I'm not sure It is good lurk see Henderson had seen the notices of the the captain's wlie and child. Two "I so deeply regret," he declared, there should he no place like Steva never could remember to wallc has brought me," the girl cried, aer lliat sale of auction displayed on the outer vecks fater a British bark sighted her "that I must apologize for my friend. borne. ben she was in a hurry. If any idea eyes grown suddenly moist, la that walls of the garden. Everything ap In the Atlantic; there was no sign of re- Captain Slannard received a telegram Inat it takes two to prolong a fam- of decorum did slumber in the Instant Dever divined the enibarrass-nie- nt parently was to be soli, and everything Iiif cn loard. A boat was sent to her d late this afternoon which required an ily jar. cesses of her mind, it had been his visi might aave caused Included a motor car. It might be and a most exhaustive searce proved post. He - discovery immediate return to his That the least said is the sootcst he;- d by the nature of her tu-r-. worth while to look at it. Hendercon to be as silont as the tomb, as desired me to convey bis regrets to mended. and the necessity for conveying thai ' Well, she brought me good luck." wanted a more powerful car than the as a pes', house. Everything was yon and to Miss Eleanor." That with all bis faults you '.o?a discovery Into the nouse undetected. he declared stubbornly. If it w:.j one he was driving, and there might in its place, even the boats at tho da- bin- - tho vwiile murmuring him still. So raced around the corner of But perfunctorily not for tlio excuse the cat gave zv be other things that he would iike to vits. The hull was undamaged, the speeches, gaxo That you should have no secrets treet, nnd along the fashionable the pol.ie his abstracted for speaking to you. I might never hav. buy. In any case, these auction sales cat go untouched. Rigging and spars room. She from him. boulevard, to the surprised amusement was wandering around the known you. Tor I never should have were frequently amusing. v.crc Intact; the sails were all set f the occupant of a carriage tha'. had said she did not belong there. t'hat husbands have troubles of thei. objected to thirteen at table I'm v.e A dealer came up to him as be The crew's weekly wash hung abovo was moving in the same direction. Faith, she didn't in a way! the honored own. least superstitious of mortals If it was stepped out of his car and asked him the forecast le;aa awning covered th The great stone residence, up the steps guest told himself wiih scant deferent-- ? That hes "all right" when yea not for the glimpse of your eyes I if he could execute any commission. poop. Binnacle nnd wheel and rudder at which the girl flew, was lighted a to the (harms of the other young wo- know him. had when you were explaining about He took Henderson to see the big were complete. The sailors' kits and though for some fcstil event. men present. was not one half That woman s best weapon Is aer Thre the cat. But now that I do know you motor car. "Mr. Jasper only drove it dinners were seen in the forecastle, so graceful or so pretty-n- ot one' weakness. "Goodness!" she gasped, striving to I love you! Although, lor the mat- about a month," dealer. Tu the cagin was a sewing rtachine, Unr la half wlia: said the Then, as despair at not seeing That home more than o retain hold of the struggling burden. ter of that, it was love at first sight." "Why is being vlth a child's garmentundertheneed-l- him, lie you make it sold?" while she plunged her fingers Into tie again loomed blackly before Those eyes drooped under the ardor it and on the table a half eaten meal gel "Everything is being sold. Mr. Jas g was seized by ai' Illuminating inspira- That he is just as anxious to shopping-ba- pendent from her belt, in of his own. "You were surprise per is a bankrupt and is In prison The chronometer ticked undisturbed latch-ke- tion,. rich as you are. tr an evasive "I'd forgot- Into speaking to me When you recog- now." in the chart room; the cash box un- evening! exclaimed That wives are unusually favorei ten there was a dinner this "My aear Mrs. Hunt!" he nized Galatea" It wa a 36 ified. The logbook, posted to within in this country. modern horse t wish I'd gone around to the side "how verv unfortunate! Wo uie "Is that her name?" power car over forty-eigh- t hours of the visit, showed That this typewriter cannot help if and Henderson went it loor. But now that I'm here" thirteen I never should dare to be one "You said it was," she reminded with an engineer's critical eye and the passage ti have been favorable; contrariety Is If she is pretty. In accordance with the of thirteen to sit down to dinner. him, reproachfully. could find no fault. When his pro the ship's appearance proved rjhero may call That he likes to hear tnat the baby of things inanimate at a critical mo there no one on whom we f'Dld longed examination was finished, he had been no storm. Evidence of gresp, he pause J, Is bis dead image. ment, the key slipped from her to fill the vacancy?" Then It may have been considered that decided if went 400 he Struggle or pliacy or murder there That six pairs of slippers are enough that it for and dropped witJi a tinkle on the step. breathless. their mutual lnterctt In the cat gave would buy It. believed were none. Yet thirteen poopla had for any one man. He that it At the same instant the man in carte "There was a n dialogue right to come nearer very disappeared as If spirited away by Mm the your would fetch much more, but at thc alight- ween, That a man likes neatness in vercoat and high hut. who had lief. the hostess nnd Eleanor. iiear. country one never knew. tr.me supernatural agency, and from attire at all times. sales ed from the carriage, stooped :ecover Regarding them, an assert io'i of Geo "h was only proper that you should He gave the dealer his instructions, thnt day to ihU the mystery has nev- off men- fhat randy In excess Is worse than Hie elusive littlo object. He swept rge, Eliot's Hashed across Pever's wish your uncle to have back his cat'' the bought the for hitn er teen unraveled, although tha Unit rum in moderation. and dealer car Is hat. and Bmiled. "May I artist tal consciousness. "The mother of'ca He forced her to look at him. ed States govenment spared no ef That you should not run up bills for 93. jrou?" he asked. But as nil glance st.inds behind her daughter a dark "Sweetheart-- my uncle hasn't any forts to solve It. McClure's Magazine. knowledge. Now then," said Henderson to the tell upon the animal she carried, in prophecy To this also will you come knout his cat!" - dealer, "tell me what's wrong." "' That "a baby In the house is a well- xclamntlou of astonishment broke It was undeniably probable tisat iuo "Oh! And thin your uncle -- "There's nothing wrong that a sen A Farmer and His Teeth. he ashed, overdressed over way. spring of pleasure." Broke from him. "Where," such an overblown, He sealed her lips in a lover's sible person would any notice Of.
Load more

Recommended publications
  • Camp Parody in the British Long Eighteenth Century
    GREAT AFFECTATIONS: CAMP PARODY IN THE BRITISH LONG EIGHTEENTH CENTURY A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Sarah Lynn Cote January 2014 © 2014 Sarah Lynn Cote GREAT AFFECTATIONS: CAMP PARODY IN THE BRITISH LONG EIGHTEENTH CENTURY Sarah Lynn Cote, Ph.D. Cornell University 2014 My dissertation explains that, despite the nominal anachronism, camp has always inhabited literature of the long eighteenth century, namely those examples that were created from and, to some degree, for those experiencing the world from a socially or sexually marginal perspective. To interpret as camp is to not only account for the excesses of style that often infuriate and discompose aesthetic and generic categories of the time period, although it can provide an explanatory motive for noticeably disruptive and even flamboyant literary style. A camp reading can also bring together seemingly disparate texts under the umbrella of alterity. It provides an ideal and common language for discussing formal and generic literary styles alongside feminist, queer, and cultural interpretations. Camp in the eighteenth century is particularly well-positioned to make important contributions to ongoing discussions about the public sphere, the shifts in audience and reception among all media, and the influences of realism, especially relating to the bourgeois representations of affects and emotions. To me, camp is a parodic project, which means that it must bear a symbiotic relationship to the normative text or value that it plays up. Its parody is reliant on those modes opposed as “other” to their marginalized selves; in my examples, the target ranges among the heteronormative family, the orderly body, the sexual object, temporal mastery, aesthetic ownership, sentimental empathy, and even the self.
    [Show full text]
  • Galatea : a Pastoral Romance
    Presented to the UNIVERSITY OF TORONTO LIBRARY by the ONTARIO LEGISLATIVE LIBRARY 1980 V C V GALA MIGUEL DE CERVANTES SAAYEDRA 1ITERALLY TEANSLATED FROM THE SPANISH BY GORDON W1LLOUGHBY JAMES GYLL, "A TRACTATE OK "THE HISTORY OF AUTHOR OF LANGUAGE," WRAYSBUBT , HORTON, AND COLNBROOK, BUCKS," ETC. LONDON: GEORGE BELL & SONS, YORK ST., COVENT GARDEN. AND NEW YORK. 1892. ^ LONDON : REPRINTED FROM STEREO-PLATES BY WILLIAM CLOWES AND SONS, LIMITED. STAMFORD STREET AND CHARING CROSS. TRANSLATOE'S PEEFACE. IN this translation of the Galatea of Cervantes, the object has been to convey the story in language as closely as pos- sible to the original. The translator fears he may not alway have succeeded in completely rendering the narratives ot the various incidents which characterise this simple pastoral epic, and that also he may have to apologise for somewhat ot roughness in his transfusion of the poetry, which has found its equivalent, where the lines have been long, in blank verse. The other portions of the poetry he has rendered literally, but wherever the two dialects assimilated he has thought it sufficient to furnish only a kind of metrical rhythm. This elegant and simple production, the earliest from the pen of the eminent poet and novelist of Spain, pour- traying young, fresh, and vivid scintillations of genius, has never been translated into any language. We have only its shadow in the French production of Florian, which is based on the Spanish story, and though written in an en- gaging and graceful style, is not that mature and elegant child of the brain of Cervantes which is now for the first time presented to the English reader.
    [Show full text]
  • Activities Council Sponsors Popular Informal Tea Dance
    MUShare The Phoenix Campus Newspaper Collection 3-1-1942 The Phoenix, Vol. V, No. 3 (March, 1942) Marian University - Indianapolis Follow this and additional works at: https://mushare.marian.edu/phnx Recommended Citation Marian University - Indianapolis, "The Phoenix, Vol. V, No. 3 (March, 1942)" (1942). The Phoenix. 104. https://mushare.marian.edu/phnx/104 This Book is brought to you for free and open access by the Campus Newspaper Collection at MUShare. It has been accepted for inclusion in The Phoenix by an authorized administrator of MUShare. For more information, please contact [email protected]. Marian Guild Pygmalion and Spring Fete Galatea April 9 The Phoenix April 19 Vol. V Marian College, Indianapolis, Indiana, March, 1942 No. 3 Lectures, Reception Concertized Opera Marian Enriches Curricula; Top Recent Events Sets Music Pace Introduces 12-Week Term On Sodality Program Voice students, Bel Canto en­ semble, and Glee Chorus are prepar­ Faculty Increase, New Courses, U.S.O. Enrollment The Sodality observed Vocation ing a concertized version of Gounod's Week March 8-14. The chairman of grand opera, Faust. For the or­ Extend College Facilities For Emergency Service the research committee, Rosemary chestra, Gounod and Strauss selec­ Responding to the challenge made to higher education by the present Mackinaw, and assistant, Anna tions lead. Mehn, prepared interesting displays crisis, Marian has introduced a number of new courses this semester. of books on various vocations. Erna Features on the Marian Concert Among these are the popular Current International Relations, Social Se­ Santarossa and Licia Toffolo de­ program, May 24, are: solos for curity, First Aid, Home Nursing, and Social Aspects of Personality.
    [Show full text]
  • CUPID by Laura Jepsen a Thesis Submitted in Partial Fulfillment of The
    CUPID By Laura Jepsen A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts, in the Department of Classical Languages, in the Graduate College of the State University of Iowa July 1936 PREFACE I express my appreciation to Professor W. Leigh Sowers of the Department of English of the State University of Iowa, under whose direction this play became a thesis. Laura Jepsen Davenport May 3, 1936 ACT I ACT I The workshop of Pygmalion, which is the scene of our opening Act, is at the top of a rather high cliff in the hills of Mount Parnassus. We have a right to place it where we will, and the reason Parnassus is chosen is that poets live there. So did we, in former days when Ovid’s “Metamorphoses” was on exquisite flight for the imagination; and some desire to pay a little tribute to that poet’s genius, as well as some compulsion to recapture the curious native spirit of the place, drags us back to those unforgettable heights known as Mount Parnassus. Pygmalion, therefore, lives on Parnassus. To get there, some of the more sophisticated of us will have to turn back the time several decades and all of us will have to put on our winged sandals, for Parnassus is more than a question of geography. That done, we are at the foot of a flight of stone steps leading to the workshop of Pygmalion. It is an old house, one which must have started falling in the time of Homer and shows no signs of stopping.
    [Show full text]
  • A Study of the British Library Manuscripts of the Roman De Troie by Benoit De Sainte-Maure: Redaction, Decoration, and Reception
    A Study of the British Library Manuscripts of the Roman de Troie by Benoit de Sainte-Maure: Redaction, Decoration, and Reception Sian Prosser Doctor of Philosophy University of Sheffield Department of French January 2010 IMAGING SERVICES NORTH Boston Spa/ Wetherby West Yorkshire/ LS23 7BQ www.bl.uk THIS THESIS CONTAINS A CD IMAGING SERVICES NORTH Boston Spa, Wetherby West Yorkshire, LS23 7BQ www.bl.uk PAGE NUMBERING AS ORIGINAL Summary Recent studies of the Roman de Troie have highlighted the need for more research on the extant manuscripts, because of the unreliable nature of the critical edition and the importance of the text to scholars of twelfth -century literature. This study seeks to contribute to knowledge of one of the most popular versions of the Troy legend in medieval France by describing and analysing two little-known manuscripts of the text. London, British Library, Additional 30863 (L2) presents an abridged version of the poem that provides insights into the reception of the poem in the early thirteenth century. London, British Library, Harley 4482 (L 1) contains a series of decorated initials which exhibit a higher than suspected level of engagement with the text on the part of the manuscript's makers. Part I of the thesis concentrates on L2, beginning in chapter 1 with a codicological and palaeographical description, and a discussion of its likely provenance. Chapter 2 develops the codicological analysis, looking at specific evidence of scribal editing and comparing the manuscript with its closest relative to see which abridgments are unique to L2. It concludes with case studies that illustrate the scribe's abridgement techniques via the presentation of the principal female characters.
    [Show full text]
  • HANDEL Acis and Galatea
    SUPER AUDIO CD HANDEL ACIS AND GALATEA Lucy Crowe . Allan Clayton . Benjamin Hulett Neal Davies . Jeremy Budd Early Opera Company CHANDOS early music CHRISTIAN CURNYN GEOR G E FRIDERICH A NDEL, c . 1726 Portrait attributed to Balthasar Denner (1685 – 1749) © De Agostini / Lebrecht Music & Arts Photo Library GeoRge FRIdeRIC Handel (1685–1759) Acis and Galatea, HWV 49a (1718) Pastoral entertainment in one act Libretto probably co-authored by John Gay, Alexander Pope, and John Hughes Galatea .......................................................................................Lucy Crowe soprano Acis ..............................................................................................Allan Clayton tenor Damon .................................................................................Benjamin Hulett tenor Polyphemus...................................................................Neal Davies bass-baritone Coridon ........................................................................................Jeremy Budd tenor Soprano in choruses ....................................................... Rowan Pierce soprano Early Opera Company Christian Curnyn 3 COMPACT DISC ONE 1 1 Sinfonia. Presto 3:02 2 2 Chorus: ‘Oh, the pleasure of the plains!’ 5:07 3 3 Recitative, accompanied. Galatea: ‘Ye verdant plains and woody mountains’ 0:41 4 4 Air. Galatea: ‘Hush, ye pretty warbling choir!’. Andante 5:57 5 5 [Air.] Acis: ‘Where shall I seek the charming fair?’. Larghetto 2:50 6 6 Recitative. Damon: ‘Stay, shepherd, stay!’ 0:21 7 7 Air. Damon: ‘Shepherd, what art thou pursuing?’. Andante 4:05 8 8 Recitative. Acis: ‘Lo, here my love, turn, Galatea, hither turn thy eyes!’ 0:21 9 9 Air. Acis: ‘Love in her eyes sits playing’. Larghetto 6:15 10 10 Recitative. Galatea: ‘Oh, didst thou know the pains of absent love’ 0:13 11 11 Air. Galatea: ‘As when the dove’. Andante 5:53 12 12 Duet. Acis and Galatea: ‘Happy we!’. Presto 2:48 TT 37:38 4 COMPACT DISC TWO 1 14 Chorus: ‘Wretched lovers! Fate has past’.
    [Show full text]
  • FIVE DIAMONDS Barn 2 Hip No. 1
    Consigned by Three Chimneys Sales, Agent Barn Hip No. 2 FIVE DIAMONDS 1 Dark Bay or Brown Mare; foaled 2006 Seattle Slew A.P. Indy............................ Weekend Surprise Flatter................................ Mr. Prospector Praise................................ Wild Applause FIVE DIAMONDS Cyane Smarten ............................ Smartaire Smart Jane........................ (1993) *Vaguely Noble Synclinal........................... Hippodamia By FLATTER (1999). Black-type-placed winner of $148,815, 3rd Washington Park H. [G2] (AP, $44,000). Sire of 4 crops of racing age, 243 foals, 178 starters, 11 black-type winners, 130 winners of 382 races and earning $8,482,994, including Tar Heel Mom ($472,192, Distaff H. [G2] (AQU, $90,000), etc.), Apart ($469,878, Super Derby [G2] (LAD, $300,000), etc.), Mad Flatter ($231,488, Spend a Buck H. [G3] (CRC, $59,520), etc.), Single Solution [G3] (4 wins, $185,039), Jack o' Lantern [G3] ($83,240). 1st dam SMART JANE, by Smarten. 3 wins at 3 and 4, $61,656. Dam of 7 registered foals, 7 of racing age, 7 to race, 5 winners, including-- FIVE DIAMONDS (f. by Flatter). Black-type winner, see record. Smart Tori (f. by Tenpins). 5 wins at 2 and 3, 2010, $109,321, 3rd Tri-State Futurity-R (CT, $7,159). 2nd dam SYNCLINAL, by *Vaguely Noble. Unraced. Half-sister to GLOBE, HOYA, Foamflower, Balance. Dam of 6 foals to race, 5 winners, including-- Taroz. Winner at 3 and 4, $26,640. Sent to Argentina. Dam of 2 winners, incl.-- TAP (f. by Mari's Book). 10 wins, 2 to 6, 172,990 pesos, in Argentina, Ocurrencia [G2], Venezuela [G2], Condesa [G3], General Lavalle [G3], Guillermo Paats [G3], Mexico [G3], General Francisco B.
    [Show full text]
  • Catalogue for Kentucky Winter Mixed
    Barn 5A-E Hip No. Consigned by Paramount Sales, Agent XXVI 1 Madame Music Northern Dancer Danzig . { Pas de Nom Brahms . Mr. Prospector { Queena . { Too Chic Madame Music . Illustrious Bay mare; Loustrous Bid . { Heavenly Ade foaled 2003 {Bid’s Femme . Devil’s Bag (1997) { Devil’s Swap . { For Femme By BRAHMS (1997), $731,797 in N.A., Hollywood Derby [G1], etc. Sire of 4 crops, including 2-year-olds of 2008, 7 black type winners, 118 winners, $4,241,663 & $638,641 (Can), including Arson Squad (at 4, 2007, $636,450, Swaps Breeders’ Cup S. [G2], etc.), Test Boy (to 4, 2007, $122,881& $116,400-Can), Up an Octave ($184,672), Zaylaway. 1st dam BID’S FEMME, by Loustrous Bid. Winner at 2 and 3, $152,730, Lady Fingers S. [R] (FL, $42,975), 3rd Joseph A. Gimma S. [R] (BEL, $6,039). Dam of 3 other foals of racing age, including a 2-year-old of 2008, one to race-- Iron Gate (g. by Langfuhr). Placed at 2, $9,194. 2nd dam DEVIL’S SWAP, by Devil’s Bag. 2 wins at 3, $41,375. Dam of 6 winners, incl.-- BID’S FEMME (f. by Loustrous Bid). Black type winner, see above. Tallulah Darling. Winner at 2 and 3, $101,741. Producer. Dangerous Devil. 3 wins at 4, 2007, $65,523. Marco’s Choice. 3 wins at 3, 2007, $27,033. 3rd dam FOR FEMME, by *Forli. Unraced. Sister to FORETAKE. Dam of 8 foals to race, 7 winners, including-- North Warning. 20 wins, 3 to 10, $169,754, 3rd Wadsworth Memorial H.
    [Show full text]
  • Galatea's Daughters: Dolls, Female Identity and the Material Imagination
    Galatea‘s Daughters: Dolls, Female Identity and the Material Imagination in Victorian Literature and Culture Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Maria Eugenia Gonzalez-Posse, M.A. Graduate Program in English The Ohio State University 2012 Dissertation Committee: David G. Riede, Advisor Jill Galvan Clare A. Simmons Copyright by Maria Eugenia Gonzalez-Posse 2012 Abstract The doll, as we conceive of it today, is the product of a Victorian cultural phenomenon. It was not until the middle of the nineteenth century that a dedicated doll industry was developed and that dolls began to find their way into children‘s literature, the rhetoric of femininity, periodical publications and canonical texts. Surprisingly, the Victorian fascination with the doll has largely gone unexamined and critics and readers have tended to dismiss dolls as mere agents of female acculturation. Guided by the recent material turn in Victorian studies and drawing extensively from texts only recently made available through digitization projects and periodical databases, my dissertation seeks to provide a richer account of the way this most fraught and symbolic of objects figured in the lives and imaginations of the Victorians. By studying the treatment of dolls in canonical literature alongside hitherto neglected texts and genres and framing these readings in their larger cultural contexts, the doll emerges not as a symbol of female passivity but as an object celebrated for its remarkable imaginative potential. The doll, I argue, is therefore best understood as a descendant of Galatea – as a woman turned object, but also as an object that Victorians constantly and variously brought to life through the imagination.
    [Show full text]
  • To Horses Selling
    Index To Horses Selling Aelle ...................................................78 Filliano ...............................................90 African Legacy ...............................108 Firecard ...........................................144 All Day ...............................................71 Flewsy .............................................149 Ara Diamond .....................................49 Colt/Flying Kitty ..............................148 Filly/Aware And Beware ...............101 Frieda Zamba ...................................51 Barney R ...........................................43 G P S Navigator .............................111 Belcherville .....................................177 Glide Slope .....................................145 Colt/Best Punch .............................106 Gold Scat ..........................................45 Betta Trifecta ....................................76 Golden Slew ...................................151 Bid On A Dancer ............................133 Goldie’s Gift ......................................62 Gelding/Biscuits With Ham ...........107 Grace Lake .......................................92 Blondera ............................................86 Filly/Grace Lake .............................153 Blueberry Tart ..................................46 Grand Illusion .................................141 Brighton Lass .................................152 Colt/Gweneth ..................................155 Brinks Baby .......................................81 Hadastar ............................................26
    [Show full text]
  • (Thx) TC023 • 19Th Century Playbooks Collection Box Listing: Box
    (ThX) TC023 • 19th century Playbooks Collection box listing: Please cite the specific box when filling out the call slips. Box: Range of author/title: 1 Abarbanell, Joseph: A modell pair – A’Beckett, Gilbert Abbott. Unfortunate Miss Bailey. 2 A’Beckett, Gilbert Abbott: Wanted a brigand – Allingham, John Till: Til all a farce. 3 Allingham, John Till: The weathercock -- Andrews, Fred G. The mountebanks. 4 Andrews, George: The scarlet letter -- Auber: Fra-diavolo. 5 Austin, I.J.: John English -- Baker, George M.: A sea of troubles. 6 Baker, George M.: Sylvia’s soldier -- Barclay, James N.: A lesson in love. 7 Barclay, Rhoda S.: Mrs Swatten attends …, -- Barriere, Theodore.: Angel of midnight. 8 Barriere, Theodore. Old house on the bridge -- Bayly, Thomas Haynes: Ladder of love. 9 Bayly, Thomas Haynes: Mr Greenfinch – Becher, Martin: The two TJs. 10 Becker, Alta: Miss Nibb’s novelty shop – Bernard, William Bayle: Middy ashore. 11 Bernard, William Bayle: The mummy – Bickerstaff, Isaac: The hypocrite. 12 Bickerstaff, Isaac: Lionel and Clarissa – Boker, George H.: Calyanos. 13 Boker, George N.: Francesca da Rimini – Boucicault, Dion: Knight of Arva. 14 Boucicault, Dion: Led astray - to - The old Guard. 15 Boucicault, Dion: Old heads and young hearts – to – West End. 16 Boucicault, Dion: Willow copse – to – Broadhurst, George: Whatever happened to George? 17 Brockett, Alice W.: In music land – to – Brough, William: Conrad & Medora. 18 Brough, William: The Corsair – to – Brougham, John: Dombey and son. 19 Brougham, John: Flies in the web – to – Brown, J.S.: A southern rose. 20 Brown, John: Barbarossa – to – Buckstone, John Baldwin: The dead shot.
    [Show full text]
  • Jody Sheffield and Skip the Finances Bank at Sisters Rodeo
    JUNE 12, 2012 Volume 7 : Issue 23 In this issue... • CNFR Barrel Racing, page 2 • Nutralix Barrel Daze, page 11 • West Virginia Futurity, page 16 • Ultimate Barrel Race, page 22 ffastast hhorses,orses, ffastast nnewsews • WRAPN3, page 26 Published Weekly Online at www.BarrelRacingReport.com - Since 2007 Jody Sheffi eld and Skip The Finances Bank at Sisters Rodeo By Tanya Randall 2011 Wrangler National Finals Rodeo qualifi er Jody Sheffi eld of Rocket Wrangler Ogden, Utah, is back to her winning ways with a $3,952 victory at Dash For Cash si 97 the $10,000-added Sisters Rodeo, held June 8-10 in Sisters, Ore. si 114 Find A Buyer Sheffi eld and her homegrown star Skip The Finances (“Zoey”) Financially tb turned in a 17.43 to fi nish nearly 2/10ths ahead of the triumvirate si 98 of Danna Stovner, Brenda Mays and Christina Richman. The three Reb’s Policy ladies posted identical times of 17.61 to each pocket $2,568.80 of Dotties Tears tb the $18,376.80 total purse. si 91 “She ran really good,” Sheffi eld said of Zoey. “The ground was a Spanish Tears little bit dry and she felt like she had a little bit of hard time getting Skip The Finances a hold of it, but she must of handled it better than the rest.” 2004 Bay Mare Making the championship extra special was how Zoey handled Skipbar Supreme the walk-in start. Sisters uses a corner gate, so you have to enter the Skipbar Crystola arena to setup your run.
    [Show full text]