DOCSLIB.ORG

World of Sound Catalog #1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

WORLD OF SOUND CATALOG #1 ORGANIZED IN ORDER BASED ON THE FOLLOWING GENRES: African American Music ◊ African American Spoken ◊ American Folk ◊ American History ◊ American Indian ◊ American Popular ◊ Bluegrass ◊ Blues ◊ Cajun ◊ Caribbean ◊ Celtic ◊ Children's ◊ Classical ◊ Contemporary & Electronic ◊ Country ◊ Documentary ◊ Drama ◊ Gospel ◊ Hawai'i ◊ Historical Song ◊ Holiday ◊ Humor ◊ India ◊ Jazz & Ragtime ◊ Judaica ◊ Language Instruction ◊ Latin ◊ Miscellany ◊ Music Instruction ◊ Old Time ◊ Oral History & Biography ◊ Poetry ◊ Prose ◊ Psychology & Health ◊ Sacred ◊ Science & Nature ◊ Sounds ◊ Soundtracks & Musicals ◊ Spoken Word ◊ Struggle & Protest ◊ World ◊ World History ADDITIONAL CATEGORIES: Books ◊ Box Sets ◊ Classic Series ◊ DVD/VHS (Video) ◊ Vinyl ◊ T-Shirts *NOTE: Price is included here but other formats may also be available including Downloads, and Cassette. Published 12/30/2014 African American Music CATALOG NO. ALBUM TITLE ALBUM ARTIST YEAR CD PRICE* BRI00001 Virginia Traditions: Non-Blues Secular Black Music Various Artists 1978 $16.98 BRI00003 Virginia Traditions: Western Piedmont Blues Various Artists 1981 $16.98 BRI00006 Virginia Traditions: Tidewater Blues Various Artists 1982 $16.98 BRI00007 Virginia Traditions: Virginia Work Songs Various Artists 1983 $16.98 BRI00008 Virginia Traditions: Southwest Virginia Blues Various Artists 1988 $16.98 FW02024 Lead Belly's Legacy, Vol. 3: Early Recordings Lead Belly 1951 $16.98 FW02038 Spirituals with Dock Reed and Vera Hall Ward Vera Hall and Dock Reed 1953 $16.98 FW02372 Fisk Jubilee Singers Fisk Jubilee Singers 1955 $16.98 FW02457 Bernice Reagon; Folk Songs: The South Bernice Johnson Reagon 1965 $16.98 FW02650 Music from the South, Vol. 1: Country Brass Bands Various Artists 1955 $16.98 FW02654 Music from the South, Vol. 5: Song, Play, and Dance Various Artists 1956 $16.98 FW02655 Music from the South, Vol. 6: Elder Songsters, 1 Various Artists 1956 $16.98 FW02656 Music from the South, Vol. 7: Elder Songsters, 2 Various Artists 1956 $16.98 FW02657 Music from the South, Vol. 8: Young Songsters Various Artists 1956 $16.98 FW02658 Music from the South, Vol. 9: Song and Worship Various Artists 1956 $16.98 FW02659 Music from the South, Vol. 10: Been Here and Gone Various Artists 1960 $16.98 FW02691 Music Down Home: An Introduction to Negro Folk Music, U.S.A. Various Artists 1965 $21.98 FW02692 Afro-American Music: A Demonstration Recording Various Artists 1970 $21.98 FW02694 Roots of Black Music in America Various Artists 1972 $21.98 FW03537 Elizabeth Cotten, Volume 3: When I'm Gone Elizabeth Cotten 1979 $16.98 Tambourines to Glory: Gospel Songs by Langston Hughes and Jobe Second Canaan Baptist Church FW03538 Huntley Porter Singers 1958 $16.98 FW03840 John's Island, South Carolina: Its People and Songs Various Artists 1973 $16.98 FW03841 Sea Island Folk Festival: Moving Star Hall Singers and Alan Lomax The Moving Star Hall Singers 1964 $16.98 FW03843 F. D. Kirkpatrick Hosts the Louisiana Folk Fest Various Artists 1978 $16.98 FW04225 Music from Saramaka: A Dynamic Afro-American Tradition Various Artists 1977 $16.98 FW04233 Creole Music of Surinam Various Artists 1978 $16.98 FW04238 Traditional African Ritual Music of Guyana Various Artists 1982 $16.98 FW04332 The Music of Capoeira: Mestre Acordeon Mestre Acordeon 1985 $16.98 FW04344 Slave Shout Songs from the Coast of Georgia The McIntosh County Shouters 1984 $16.98 FW04376 Afro-Hispanic Music from Western Colombia and Ecuador Various Artists 1967 $16.98 FW04418 Negro Folk Music of Alabama, Vol. 2: Religious Music Various Artists 1956 $16.98 FW04474 Negro Folk Music of Alabama, Vol. 6: Ring Game Songs and Others Various Artists 1955 $16.98 FW04475 Negro Prison Camp Worksongs Various Artists 1956 $16.98 1-888-FOLKWAYS(1-888-365-5929) www.folkways.si.edu [email protected] FW04500 Negro Folk Music of Africa and America Various Artists 1951 $16.98 FW04502 African and Afro-American Drums Various Artists 1954 $16.98 FW04602 Black Music of Two Worlds Various Artists 1977 $21.98 FW05252 Songs of the American Negro Slaves Michel LaRue 1960 $16.98 FW05488 Lest We Forget, Vol. 3: Sing For Freedom Various Artists 1980 $16.98 FW05519 How Many More? Serious Bizness 1985 $16.98 FW05520 For Your Immediate Attention! Serious Bizness 1982 $16.98 FW05581 Music in the Streets Tony Schwartz 1957 $16.98 FW05591 We Shall Overcome: Songs of the Freedom Riders and the Sit-Ins Various Artists 1961 $16.98 FW05594 Freedom Songs: Selma, Alabama Various Artists 1965 $16.98 FW05804 Black American History in Ballad, Song & Prose Various Artists 1977 $21.98 FW07307 Music Time with Charity Bailey Charity Bailey 1952 $16.98 FW07406 Follow the Sunset Charity Bailey and Robert Emmett 1953 $16.98 Yvonne Cheek Johnson, Betty FW07518 Moving Makes Me Magic Mosley, and Joella Mosley 1979 $16.98 FW07528 More Music Time and Stories Charity Bailey 1970 $16.98 Innovative Rhythmic and Tonal Textures for Developing Creative FW07535 Motor Skill Activities Bilal Abdurahman 1976 $16.98 FW07540 Sound, Rhythm, Rhyme and Mime for Children Bilal Abdurahman 1971 $16.98 FW07555 Getting it Together and Other Nursery Songs Edgar Kendricks 1974 $16.98 FW07556 Edgar Kendricks Sings for the Very Young Edgar Kendricks 1976 $16.98 FW07623 Square Dance with Soul Frederick Douglass Kirkpatrick 1969 $16.98 Frederick Douglass Kirkpatrick, Pete Seeger, and Jeanne FW07751 Ballads of Black America Humphries 1972 $16.98 FW07770 Snoopycat: The Adventures of Marian Anderson's Cat Snoopy Marian Anderson 1963 $16.98 FW08460 African Musical Instruments Bilal Abdurahman 1980 $16.98 FW0RBF5 An Introduction to Gospel Song Various Artists 1962 $16.98 Juanita Johnson and the Gospel FW31037 Climbing High Mountains Tones 1974 $16.98 FW31306 The Nuru Taa African Musical Idiom: Played on the Mama-Likembi Nadi Qamar 1975 $16.98 Rev. Audrey Bronson and Becky FW32425 Are You Ready for Christmas? Carlton 1979 $16.98 FW33580 Dreams About Life Guy Davis 1978 $16.98 FW33868 The Montgomery Movement The Montgomery Express 1974 $16.98 FW34010 Black American Religious Music from Southeast Georgia Various Artists 1983 $16.98 FWRBF20 Roots: Rhythm and Blues Various Artists 1966 $16.98 MON00335 Baptist Shouts and Gospel Songs Brother John Sellers $16.98 MON61580 The Collector's Paul Robeson Paul Robeson $16.98 PAR01038 ...And Ain't I a Woman? New Harmony Sisterhood Band 1977 $16.98 SFW40010 Lead Belly Sings Folk Songs Lead Belly 1989 $14.98 Been in the Storm So Long: A Collection of Spirituals, Folk Tales and SFW40031 Children's Games from Johns Island, SC Various Artists 1990 $14.98 Sing For Freedom: The Story of the Civil Rights Movement Through Its SFW40032 Songs Various Artists 1990 $14.98 SFW40044 Where Did You Sleep Last Night: Lead Belly Legacy, Vol. 1 Lead Belly 1996 $14.98 SFW40049 Give Your Hands to Struggle Bernice Johnson Reagon 1997 $14.98 Wade in the Water, Vol. 1: African-American Spirituals: The Concert SFW40072 Tradition Various Artists 1994 $14.98 SFW40073 Wade in the Water, Vol. 2: African-American Congregational Singing Various Artists 1994 $14.98 Wade in the Water, Vol. 3: African-American Gospel: The Pioneering SFW40074 Composers Various Artists 1994 $14.98 SFW40075 Wade in the Water, Vol. 4: African-American Community Gospel Various Artists 1994 $14.98 SFW40076 Wade in the Water: African American Sacred Music Traditions Vol. I-IV Various Artists 1996 $69.98 SFW40079 Black Banjo Songsters of North Carolina and Virginia Various Artists 1998 $14.98 Voices of the Civil Rights Movement: Black American Freedom Songs SFW40084 1960-1966 Various Artists 1997 $22.98 SFW40090 Anthology of American Folk Music<sup>&reg;</sup> Various Artists 1997 $78.98 SFW40095 Kindness Toshi Reagon 1997 $14.98 Saints Paradise: Trombone Shout Bands from the United House of SFW40117 Prayer Various Artists 1999 $14.98 SFW40134 Classic Blues from Smithsonian Folkways Various artists 2003 $11.98 SFW40148 Classic Blues from Smithsonian Folkways, Vol. 2 Various Artists 2003 $11.98 SFW40176 On the Right Road Now The Paschall Brothers 2007 $14.98 SFW40178 On My Journey: Paul Robeson's Independent Recordings Paul Robeson 2007 $14.98 1-888-FOLKWAYS(1-888-365-5929) www.folkways.si.edu [email protected] SFW40179 Richmond Blues Cephas and Wiggins 2008 $14.98 SFW40181 Rappahannock Blues John Jackson 2010 $14.98 SFW40183 Classic Sounds of New Orleans from Smithsonian Folkways Various Artists 2010 $11.98 SFW40191 Classic African-American Ballads Various Artists 2006 $11.98 SFW40194 Classic African American Gospel from Smithsonian Folkways Various Artists 2008 $11.98 SFW40196 Classic Piano Blues from Smithsonian Folkways Various Artists 2008 $11.98 SFW40197 Classic Protest Songs from Smithsonian Folkways Various Artists 2009 $11.98 SFW40198 Classic Appalachian Blues from Smithsonian Folkways Various Artists 2010 $11.98 Grupo de Capoeira Angola SFW40465 Capoeira Angola from Salvador, Brazil Pelourinho 1996 $14.98 SFW45047 Lead Belly Sings for Children Lead Belly 1999 $14.98 SFW45050 Here I Stand: Elders' Wisdom, Children's Song Various Artists 1996 $14.98 SFW45067 African American Legacy Series: A Life of Song Ella Jenkins 2011 $14.98 SFW90002 I Sing Because I'm Happy Mahalia Jackson 1992 $16.98 African American Spoken CATALOG NO. ALBUM TITLE ALBUM ARTIST YEAR CD PRICE* Child Development Group of FW02690 Head Start: With the Child Development Group of Mississippi Mississippi 1967 $21.98 FW03586 His Story - Big Bill Broonzy Interviewed by Studs Terkel Big Bill Broonzy 1957 $16.98 Been in the Storm So Long - Spirituals & Shouts, Children's Game FW03842 Songs, and Folktales The Moving Star Hall Singers 1967 $16.98 FW05401 Angela Davis Speaks Angela Davis 1971 $16.98 FW05402 Huey!: Listen Whitey! Huey P. Newton 1972 $16.98 FW05403 From the Cold Jaws of Prison Various Artists 1971 $16.98 The View from the End of the World: Live Interviews of Life in Prison FW05404 with James Carr James Carr 1975 $16.98 Lest We Forget, Vol.
Recommended publications
  • Finding Aid for the Sheldon Harris Collection (MUM00682)

    Finding Aid for the Sheldon Harris Collection (MUM00682)

    University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Sheldon Harris Collection (MUM00682) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding aid for the Sheldon Harris Collection MUM00682 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Note Harris, Sheldon Arrangement Title Administrative Information Sheldon Harris Collection Related Materials Date [inclusive] Controlled Access Headings circa 1834-1998 Collection Inventory Extent Series I. 78s 49.21 Linear feet Series II. Sheet Music General Physical Description note Series III. Photographs 71 boxes (49.21 linear feet) Series IV. Research Files Location: Blues Mixed materials [Boxes] 1-71 Abstract: Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris' person collecting and research. Prefered Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction of the late Dr.
  • TCC VCU Articulation Agreement AFA Music

    TCC VCU Articulation Agreement AFA Music

    VIRGINIA COMMONWEALTH UNIVERSITY/ TIDEWATER COMMUNITY COLLEGE ARTICULATION AGREEMENT I. Purpose This agreement between Virginia Commonwealth University and Tidewater Community College is intended to facilitate the transfer of students from TCC’s Associate of Fine Arts (Music) (plan 560) to VCU’s Bachelor of Arts in Music or Bachelor of Music with a concentration in performance. II. General Admission Requirements and Eligibility a. To be eligible to enroll at Virginia Commonwealth University, students must meet admission criteria and processes as set forth by the Department of Music of Virginia Commonwealth University under the terms of this agreement. For general transfer information for applicants to the music programs, visit http://arts.vcu.edu/admissions/how-to-apply/transfer/music-transfers/ b. Students planning on transferring to VCU under this articulation agreement must submit a Letter of Interest 90 days prior to transfer, and enroll within one year of completing a transfer oriented associate degree. Visit http://ugrad.vcu.edu/apply/transfer/letter-of-interest.aspx. c. Students applying must complete a transfer application by the designated VCU deadline, visit http://arts.vcu.edu/admissions/how-to-apply/transfer/music-transfers/. d. Applicants applying to VCU will have completed the Associate of Fine Arts in Music at TCC. e. Students transferring must have a minimum cumulative GPA of 2.5 and have completed TCC Associate of Fine Arts (Music) degree courses with a minimum grade of “C” applicable to their associate degree. f. Students must schedule an audition with the Department of Music to determine: admission status, degree program (Bachelor of Arts in Music or Bachelor of Music with a concentration in performance), applied instrument level, plus placement exam diagnostics in written music theory, aural skills and keyboard skills, and the number of credits applied toward the music degree program requirements.
  • Repor 1 Resumes

    Repor 1 Resumes

    REPOR 1RESUMES ED 018 277 PS 000 871 TEACHING GENERAL MUSIC, A RESOURCE HANDBOOK FOR GRADES 7 AND 8. BY- SAETVEIT, JOSEPH G. AND OTHERS NEW YORK STATE EDUCATION DEPT., ALBANY PUB DATE 66 EDRS PRICEMF$0.75 HC -$7.52 186P. DESCRIPTORS *MUSIC EDUCATION, *PROGRAM CONTENT, *COURSE ORGANIZATION, UNIT PLAN, *GRADE 7, *GRADE 8, INSTRUCTIONAL MATERIALS; BIBLIOGRAPHIES, MUSIC TECHNIQUES, NEW YORK, THIS HANDBOOK PRESENTS SPECIFIC SUGGESTIONS CONCERNING CONTENT, METHODS, AND MATERIALS APPROPRIATE FOR USE IN THE IMPLEMENTATION OF AN INSTRUCTIONAL PROGRAM IN GENERAL MUSIC FOR GRADES 7 AND 8. TWENTY -FIVE TEACHING UNITS ARE PROVIDED AND ARE RECOMMENDED FOR ADAPTATION TO MEET SITUATIONAL CONDITIONS. THE TEACHING UNITS ARE GROUPED UNDER THE GENERAL TOPIC HEADINGS OF(1) ELEMENTS OF MUSIC,(2) THE SCIENCE OF SOUND,(3) MUSICAL INSTRUMENTS,(4) AMERICAN FOLK MUSIC, (5) MUSIC IN NEW YORK STATE,(6) MUSIC OF THE THEATER,(7) MUSIC FOR INSTRUMENTAL GROUPS,(8) OPERA,(9) MUSIC OF OTHER CULTURES, AND (10) HISTORICAL PERIODS IN MUSIC. THE PRESENTATION OF EACH UNIT CONSISTS OF SUGGESTIONS FOR (1) SETTING THE STAGE' (2) INTRODUCTORY DISCUSSION,(3) INITIAL MUSICAL EXPERIENCES,(4) DISCUSSION AND DEMONSTRATION, (5) APPLICATION OF SKILLS AND UNDERSTANDINGS,(6) RELATED PUPIL ACTIVITIES, AND(7) CULMINATING CLASS ACTIVITY (WHERE APPROPRIATE). SUITABLE PERFORMANCE LITERATURE, RECORDINGS, AND FILMS ARE CITED FOR USE WITH EACH OF THE UNITS. SEVEN EXTENSIVE BE.LIOGRAPHIES ARE INCLUDED' AND SOURCES OF BIBLIOGRAPHICAL ENTRIES, RECORDINGS, AND FILMS ARE LISTED. (JS) ,; \\',,N.k-*:V:.`.$',,N,':;:''-,",.;,1,4 / , .; s" r . ....,,'IA, '','''N,-'0%')',", ' '4' ,,?.',At.: \.,:,, - ',,,' :.'v.'',A''''',:'- :*,''''.:':1;,- s - 0,- - 41tl,-''''s"-,-N 'Ai -OeC...1%.3k.±..... -,'rik,,I.k4,-.&,- ,',V,,kW...4- ,ILt'," s','.:- ,..' 0,4'',A;:`,..,""k --'' .',''.- '' ''-.
  • A Selective Study of Negro Worksongs in the United States Margaret E

    A Selective Study of Negro Worksongs in the United States Margaret E

    Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1976 A Selective Study of Negro Worksongs in the United States Margaret E. Hilton Eastern Illinois University This research is a product of the graduate program in Music at Eastern Illinois University. Find out more about the program. Recommended Citation Hilton, Margaret E., "A Selective Study of Negro Worksongs in the United States" (1976). Masters Theses. 3429. https://thekeep.eiu.edu/theses/3429 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. A SELECTIVE STUDY OF NEGRO WORKSONGS IN THE UNITED STATES (TITLE) BY MARGARET E. HILTON THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENlS FOR THE DEGREE OF MASTER OF ARTS IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY CHARLESTON, ILLINOIS 1976 YEAR I HEREBY RECOMMEND THIS THESIS BE ACCEPTED AS FULFILLING THIS PART OF THE GRADUATE DEGREE CITED ABOVE 5'/t.. g�,.i� 1 ADVISER �t9/t '"(' •err 8'4r: DEPARTMENT HEAD I PAPER CERTIFICATE #2 TO: Graduate Degree Candidates who have written formal theses. SUBJECT: Permission to reproduce theses. ' The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holding s . Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permission to lend my thesis to a.
  • Early Blues Bibliography

    Early Blues Bibliography

    EARLY BLUES BIBLIOGRAPHY In any selection of books the choice must inevitably be subjective as to what to include or exclude. This selection has ommitted some choices that other might have included. Also there are many articles, periodicals and magazines that provide information for the researcher that cannot be included here but are, perhaps, in Robert Ford's 'Blues Bibliography' or Edward Komara's '100 Books Every Blues Fan Should Have'. This selection is based very much on my own collection of books found in markets, second hand book shops but more recently through Amazon and the web site 'Abe Books' Many books are out of print, have reached the third, fourth or later edition but details are included here that will allow the collector to locate and purchase their own choice. I have not sought to comment on the accuracy, usefulness or expertise of each publication and care should be taken on choice of purchase as many are price inflated when a little more research will lead to better value for money. Where possible I have tended to provide details of hard cover books but many are also available in soft cover at a much reduced price. It should also be remembered that any list such as this is out of date the moment that it is produced. New books are regularly published. The University Presses of America provide a sound source of academic work under the general priciple of 'Publish or Perish' which reflects the wide range of books from the very simple history to the in depth difficult to read study of an aspect of my favourite genre of music - The Blues.
  • Loretta Lynn: Writin' Life Article 1

    Loretta Lynn: Writin' Life Article 1

    Online Journal of Rural Research & Policy Volume 5 Issue 4 Loretta Lynn: Writin' Life Article 1 2010 Loretta Lynn: Writin’ Life Danny Shipka Louisiana State University Follow this and additional works at: https://newprairiepress.org/ojrrp This work is licensed under a Creative Commons Attribution 4.0 License. Recommended Citation Shipka, Danny (2010) "Loretta Lynn: Writin’ Life," Online Journal of Rural Research & Policy: Vol. 5: Iss. 4. https://doi.org/10.4148/ojrrp.v5i4.205 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Online Journal of Rural Research & Policy by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. The Online Journal of Rural Research and Policy Vol. 5, Issue 4 (2010) Loretta Lynn: Writin‟ Life DANNY SHIPKA Louisiana State University Recommended Citation Style: Shipka, Danny. “Loretta Lynn: Writin‟ Life.” The Online Journal of Rural Research and Policy 5.4 (2010): 1-15. Key words: Loretta Lynn, Van Leer Rose, Country Music, Content Analysis, Textual Analysis This is a peer- reviewed essay. Abstract The release of Loretta Lynn‟s 2004 album Van Leer Rose welcomed back after 33 years one of the premier feminist voices in recorded music. The songs that Loretta wrote in 60s and early 70s were some of the most controversial and politically charged to hit the airwaves. They encompassed a microcosm of issues that rural women were facing including the changing sexual roles of women, ideas on marriage, the ravages of war and substance abuse.
  • Moses and Frances Asch Collection, 1926-1986

    Moses and Frances Asch Collection, 1926-1986

    Moses and Frances Asch Collection, 1926-1986 Cecilia Peterson, Greg Adams, Jeff Place, Stephanie Smith, Meghan Mullins, Clara Hines, Bianca Couture 2014 Ralph Rinzler Folklife Archives and Collections Smithsonian Center for Folklife and Cultural Heritage 600 Maryland Ave SW Washington, D.C. [email protected] https://www.folklife.si.edu/archive/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement note............................................................................................................ 3 Biographical/Historical note.............................................................................................. 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Correspondence, 1942-1987 (bulk 1947-1987)........................................ 5 Series 2: Folkways Production, 1946-1987 (bulk 1950-1983).............................. 152 Series 3: Business Records, 1940-1987.............................................................. 477 Series 4: Woody Guthrie
  • La Nueva Canción and Its Significance

    La Nueva Canción and Its Significance

    Excerpt * Temple University Press 1 La Nueva Canción and Its Significance uring the 1960s and 1970s, profound political changes were taking place in Chile and in other parts of Latin America. New political Dand social movements of students, workers, peasants, urban shanty- town dwellers, and other groups mobilized to demand rights and political inclusion along with deeper democratization and structural changes in elit- ist systems. The 1960s were marked by the Cuban Revolution and the war in Vietnam, and many young people in Chile, as in other countries, were strongly anti-imperialist and in favor of progressive social change. These popular movements coalesced to form a powerful force that was instrumen- tal in electing the democratic socialist Salvador Allende president in 1970. Allende’s goal was to preside over a peaceful, constitutional path to social- ism in Chile. He served for three turbulent years, attempting to implement a program to reduce social inequalities, until he was overthrown in the U.S.- backed military coup of 1973. Political and Social Context In Chile in the early 1960s, social divisions were severe. Some 25 percent of the population had access to sewage services, and only 10–11 percent of rural populations had supplied drinking water. In 1960, 16.4 percent of the population was illiterate.1 Tens of thousands of people had built crude, leaky shacks to live in on the outskirts of Santiago that lacked plumbing, run- ning water, and electricity. Workers had few rights and lived in overcrowded Excerpt * Temple University Press 2 Chapter 1 tenements, shantytowns, or single-room company housing; miners lived in company towns near the mines, enduring harsh conditions.
  • Still on the Road Session Pages: 1961

    Still on the Road Session Pages: 1961

    STILL ON THE ROAD 1961 FEBRUARY OR MARCH East Orange, New Jersey The Home of Bob and Sid Gleason, “The East Orange Tape” MAY 6 Branford, Connecticut Montewese Hotel, Indian Neck Folk Festival Minneapolis, Minnesota Unidentified coffeehouse, “Minnesota Party Tape 1961” JULY 29 New York City, New York Riverside Church, Hootenanny Special SEPTEMBER 6 New York City, New York Gaslight Café, “The First Gaslight Tape” Late New York City, New York Gerde's Folk City 30 New York City, New York Columbia Recording Studios, Carolyn Hester studio session OCTOBER 29 New York City, New York WNYC Radio Studio Late New York City, New York Folklore Center NOVEMBER 4 New York City, New York Carnegie Chapter Hall 20, 22 New York City, New York Studio A, Columbia Recordings, Bob Dylan recording sessions Late New York City, New York Unidentified Location, Interview conducted by Billy James 23 New York City, New York The Home Of Eve and Mac McKenzie DECEMBER 4 New York City, New York The Home Of Eve and Mac McKenzie 22 Minneapolis, Minnesota The Home Of Bonnie Beecher, Minnesota Hotel Tape Bob Dylan sessions 1961 20 The Home of Bob and Sid Gleason East Orange, New Jersey February or March 1961 1. San Francisco Bay Blues (Jesse Fuller) 2. Jesus Met The Woman At The Well (trad.) 3. Gypsy Davey (trad., arr Woody Guthrie) 4. Pastures Of Plenty (Woody Guthrie) 5. Trail Of The Buffalo (trad., arr Woody Guthrie) 6. Jesse James (trad.) 7. Car, Car (Woody Guthrie) 8. Southern Cannonball (R. Hall/Jimmie Rodgers) 9. Bring Me Back, My Blue-Eyed Boy (trad.) 10.
  • Prestige Label Discography

    Prestige Label Discography

    Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron.
  • An Approach to Latin American Music a Research

    An Approach to Latin American Music a Research

    NORTHWESTERN UNIVERSITY THE CONCEPT OF IDENTITY: AN APPROACH TO LATIN AMERICAN MUSIC A RESEARCH DOCUMENT SUBMITTED TO THE BIENEN SCHOOL OF MUSIC IN PARTIAL FULFILLMENT OF THE REQUIREMENTS for the degree DOCTOR OF MUSICAL ARTS Program of Composition By José Miguel Arellano EVANSTON, ILLINOIS February, 2018 This work is licensed under the Creative Commons Attribution-NonCommercial 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/4.0/. 1 ABSTRACT The Concept of Identity: An Approach to Latin American Music José Miguel Arellano Since the beginning of the 21st century, the idea of building a Latin American musical discourse has returned to the artistic discussion, taking into account the peculiarities of cultural syncretism that manifest in the different countries of the region. From the most diverse aesthetics and through different musical media, a great number of composers have begun to rethink the possibility of articulating their artistic language through different mechanisms that could be considered as typical of Latin American culture: rediscovery of Aboriginal music, utilization of vernacular instruments, non-tempered melodic and harmonic systems, rhythmic irregularities, and mixture between art forms among many different other approaches. This dissertation proposes a historical review of different moments in Latin American history in which composers, artists and intellectuals tried to elaborate a local identity, analyzing the diverse problems that might have arisen from the cultural, social, and political contexts of the different periods studied. A second part of this work will be the articulation of a personal approach to the study of music and processes of identity formation in Latin America, with a special emphasis on the particular case of Chile and its development from the late 19th century to the present day.
  • Table of Contents

    Table of Contents

    1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis­ A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas.