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Symposium Programme
Singing a Song in a Foreign Land a celebration of music by émigré composers Symposium 21-23 February 2014 and The Eranda Foundation Supported by the Culture Programme of the European Union Royal College of Music, London | www.rcm.ac.uk/singingasong Follow the project on the RCM website: www.rcm.ac.uk/singingasong Singing a Song in a Foreign Land: Symposium Schedule FRIDAY 21 FEBRUARY 10.00am Welcome by Colin Lawson, RCM Director Introduction by Norbert Meyn, project curator & Volker Ahmels, coordinator of the EU funded ESTHER project 10.30-11.30am Session 1. Chair: Norbert Meyn (RCM) Singing a Song in a Foreign Land: The cultural impact on Britain of the “Hitler Émigrés” Daniel Snowman (Institute of Historical Research, University of London) 11.30am Tea & Coffee 12.00-1.30pm Session 2. Chair: Amanda Glauert (RCM) From somebody to nobody overnight – Berthold Goldschmidt’s battle for recognition Bernard Keeffe The Shock of Exile: Hans Keller – the re-making of a Viennese musician Alison Garnham (King’s College, London) Keeping Memories Alive: The story of Anita Lasker-Wallfisch and Peter Wallfisch Volker Ahmels (Festival Verfemte Musik Schwerin) talks to Anita Lasker-Wallfisch 1.30pm Lunch 2.30-4.00pm Session 3. Chair: Daniel Snowman Xenophobia and protectionism: attitudes to the arrival of Austro-German refugee musicians in the UK during the 1930s Erik Levi (Royal Holloway) Elena Gerhardt (1883-1961) – the extraordinary emigration of the Lieder-singer from Leipzig Jutta Raab Hansen “Productive as I never was before”: Robert Kahn in England Steffen Fahl 4.00pm Tea & Coffee 4.30-5.30pm Session 4. -
Customizable • Ease of Access Cost Effective • Large Film Library
CUSTOMIZABLE • EASE OF ACCESS COST EFFECTIVE • LARGE FILM LIBRARY www.criterionondemand.com Criterion-on-Demand is the ONLY customizable on-line Feature Film Solution focused specifically on the Post Secondary Market. LARGE FILM LIBRARY Numerous Titles are Available Multiple Genres for Educational from Studios including: and Research purposes: • 20th Century Fox • Foreign Language • Warner Brothers • Literary Adaptations • Paramount Pictures • Justice • Alliance Films • Classics • Dreamworks • Environmental Titles • Mongrel Media • Social Issues • Lionsgate Films • Animation Studies • Maple Pictures • Academy Award Winners, • Paramount Vantage etc. • Fox Searchlight and many more... KEY FEATURES • 1,000’s of Titles in Multiple Languages • Unlimited 24-7 Access with No Hidden Fees • MARC Records Compatible • Available to Store and Access Third Party Content • Single Sign-on • Same Language Sub-Titles • Supports Distance Learning • Features Both “Current” and “Hard-to-Find” Titles • “Easy-to-Use” Search Engine • Download or Streaming Capabilities CUSTOMIZATION • Criterion Pictures has the rights to over 15000 titles • Criterion-on-Demand Updates Titles Quarterly • Criterion-on-Demand is customizable. If a title is missing, Criterion will add it to the platform providing the rights are available. Requested titles will be added within 2-6 weeks of the request. For more information contact Suzanne Hitchon at 1-800-565-1996 or via email at [email protected] LARGE FILM LIBRARY A Small Sample of titles Available: Avatar 127 Hours 2009 • 150 min • Color • 20th Century Fox 2010 • 93 min • Color • 20th Century Fox Director: James Cameron Director: Danny Boyle Cast: Sam Worthington, Sigourney Weaver, Cast: James Franco, Amber Tamblyn, Kate Mara, Michelle Rodriguez, Zoe Saldana, Giovanni Ribisi, Clemence Poesy, Kate Burton, Lizzy Caplan CCH Pounder, Laz Alonso, Joel Moore, 127 HOURS is the new film from Danny Boyle, Wes Studi, Stephen Lang the Academy Award winning director of last Avatar is the story of an ex-Marine who finds year’s Best Picture, SLUMDOG MILLIONAIRE. -
42Nd Street Center for Performing Arts
Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 5-25-1996 42nd Street Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "42nd Street" (1996). Center for Performing Arts Memorabilia. Book 82. http://opus.govst.edu/cpa_memorabilia/82 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. 42ND STREET Saturday, May 25 IP Ml" :• i fi THE CENTER FOR ARTS AND TECHNOLOGY AT GOVERNORS STATE UNIVERSITY The Troika Organization, Music Theatre Associates, The A.C. Company, Inc., Nicholas Hovvey, Dallett Norris, Thomas J. Lydon, and Stephen B. Kane present Music by Lyrics by HARRY WARREN AL DUBIN Book by MICHAEL STEWART & MARK BRAMBLE Based on the novel by BRADFORD ROPES Original Direction and Dances by Originally Produced on Broadway by GOWER CHAMPION DAVID MERRICK Featuring ROBERT SHERIDAN REBECCA CHRISTINE KUPKA MICHELLE FELTEN MARC KESSLER KATHY HALENDA CHRISTOPHER DAUPHINEE NATALIE SLIPKO BRIANW.WEST SHAWN EMAMJOMEH MICHAEL SHILES Scenic Design by Costume Design by Lighting Design by JAMES KRONZER NANZI ADZIMA MARY JO DONDLINGER Sound Design by Hair and Makeup Design by Asst. Director/Choreographer KEVIN HIGLEY JOHN JACK CURTIN LeANNE SCHINDLER Orchestral & Vocal Arranger Musical Director & Conductor STEPHEN M. BISHOP HAMPTON F. KING, JR. -
Broadway Bound with Garrett Stack
Originating on WMNR Fine Arts Radio [email protected] Playlist* Program is archived 24-48 hours after broadcast and can be heard Broadway Bound with Garrett Stack free of charge at Public Radio Exchange, > prx.org > Broadway Bound *Playlist is listed alphabetically by show (disc) title, not in order of play. Show #: 269 Broadcast Date: May 27, 2017 Time: 16:00 - 18:00 # Selections: 27 Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Holiday Release Date Date Played Date Played Copy 3:24 Menken|Ashman|Rice|Beguelin Somebody's Got Your Back James Monroe Iglehart, Adam Jacobs & Aladdin Original Broadway Cast Disney 2014 Opened 3/20/2014 CDS Aladdin 15 2014 8/16/14 12/6/14 1/7/17 5/27/17 3:17 Irving Berlin Anything You Can Do Bernadette“friends” Peters and Tom Wopat Annie Get Your Gun - New Broadway Cast Broadway Angel 1999 3/4/1999 - 9/1/2001. 1045 perf. 2 Tony Awards: Best Revival. Best Actress, CDS Anni none 18 1999 6/7/08 5/27/17 Bernadette Peters. 3:30 Cole Porter Friendship Joel Grey, Sutton Foster Anything Goes - New Broadway Cast 2011 Ghostlight 2011 Opened 4/7/11 at the Stephen Sondheim Theater. THREE 2011 Tony Awards: Best Revival CDS Anything none 9 2011 12/10/113/31/12 5/27/17 of a Musical; Best Actress in a Musical: Sutton Foster; Best Choreography: Kathleen 2:50 John Kander/Fred Ebb Two Ladies Alan Cumming, Erin Hill & Michael Cabaret: The New Broadway Cast Recording RCA Victor 1998 3/19/1998 - 1/4/2004. -
Maria Conchita Alonso, Jami Gertz, Jenny O'hara, Harriet
MARIA CONCHITA ALONSO, JAMI GERTZ, JENNY O’HARA, HARRIET SANSOM HARRIS AND CHRISTINE LAHTI JOIN CAST OF LOVE, LOSS AND WHAT I WORE Fifth Cast will Perform Nora Ephron and Delia Ephron’s Fashion-Focused Hit Through September 26 LOS ANGELES, August 25, 2010 — Nora Ephron and Delia Ephron’s Love, Loss, and What I Wore attracts a whole new cast of actresses as it continues its Los Angeles run in the Audrey Skirball Kenis Theater at the Geffen Playhouse through the month of September. The new cast includes Jenny O’Hara, who is known for her Broadway roles in The Odd Couple and Promises, Promises and was most recently seen on the big screen in M. Night Shyamalan’s Devil, as the narrator Gingy; Oscar and Emmy Award winner Christine Lahti, best known in the theater world for her collaboration with Wendy Wasserstein in The Heidi Chronicles; Broadway vet Harriet Sansom Harris, who won a Tony Award for her role in Thoroughly Modern Millie; Jami Gertz, who is well-recognized for her film work in Twister and The Lost Boys as well as a recent stint on HBO’s Entourage; and Maria Conchita Alonso best known for television work on Desperate Housewives. Love, Loss and What I Wore, an intimate collection of stories covering some of life’s most poignant moments and their corresponding wardrobe, is directed by Jenny Sullivan. The evening of vignettes, which is based on the best-selling book of the same name by Ilene Beckerman as well as personal reminiscences from the Ephrons and their friends, features a rotating cast of five actresses who share tales to which every woman can relate. -
Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr. -
Putting It Together
46th Season • 437th Production SEGERSTROM STAGE / September 11 - October 11, 2009 David Emmes Martin Benson Producing ArtiStic director ArtiStic director presents PUTTING IT TOGETHER words and music by Stephen Sondheim devised by Stephen Sondheim and Julia McKenzie Thomas Buderwitz Soojin Lee Steven Young Drew Dalzell Scenic deSign coStume deSign Lighting deSign Sound deSign Joshua Marchesi Jamie A. Tucker* Production mAnAger StAge mAnAger musical direction by Dennis Castellano directed by Nick DeGruccio Dr. S.L. and Mrs. Betty Eu Huang Huang Family Foundation honorAry ProducerS corPorAte Producer Putting It Together is presented through special arrangement with music theatre international (mti). All authorized performance materials are also supplied by mti. 421 West 54th Street, new york, ny 10019; Phone: 212-541-4684 Fax: 212-397-4684; www.mtiShows.com Putting It Together• SOUTH COA S T REPE R TO R Y P1 THE CAST (in order of appearance) Matt McGrath* Harry Groener* Niki Scalera* Dan Callaway* Mary Gordon Murray* MUSICIANS Dennis Castellano (conductor/keyboards), John Glaudini (synthesizer), John Reilly (woodwinds), Louis Allee (percussion) SETTING A New York penthouse apartment. Now. LENGTH Approximately two hours including one 15-minute intermission. PRODUCTION STAFF Casting ................................................................................ Joanne DeNaut, CSA Dramaturg .......................................................................... Linda Sullivan Baity Assistant Stage Manager ............................................................. -
New Studio on Broadway: Music Theatre and Acting
® ® 2019 CELEBRATING JIMMY NEDERLANDER James M. Nederlander or “Jimmy,” Chairman of The Nederlander Organization, was the visionary theatrical impresario who built one of the largest private live entertainment companies in the world known for producing and presenting world-class entertainment since 1912. Jimmy started working in the theatre at age 7 sweeping floors for his father, David Tobias (D.T.) Nederlander, in Detroit, Michigan. During a career that spanned over 70 years, Jimmy amassed a network of premier legitimate theatres including nine on Broadway: the Brooks Atkinson, Gershwin, Lunt-Fontanne, Marquis, Minskoff, Nederlander, Neil Simon, Richard Rodgers, and the world famous Palace; in Los Angeles: The Pantages; in London: the Adelphi, Aldwych, and Dominion; and in Chicago: the Auditorium, Broadway Playhouse, Cadillac Palace, and CIBC Theatres, and the Oriental Theatre which this year was renamed the James M. Nederlander Theatre in Jimmy’s honor. He produced over one hundred acclaimed Broadway musicals and plays including Annie, Applause, La Cage aux Folles, Les Liaisons Dangereuses, Me and My Girl, Nine, Noises Off, Peter Pan, Sweet Charity, The Life and Adventures of Nicholas Nickelby, The Will Rogers Follies, Woman of the Year, and many more. “Generous,” “loyal” and “trusted” are just a few of the accolades his friends use to describe him. Jimmy was beloved by the industry and the recipient of many distinguished honors including an Honorary Doctorate of Fine Arts from the University of Connecticut (2014), the Exploring the Arts Foundation Award (2014), the United Nations Foundation Champion Award (2012), The Broadway League’s Schoenfeld Vision for Arts Education Award (2011), the New York Pop’s Man of the Year (2008), and the special Tony Award for Lifetime Achievement (2004). -
• September 29, 2003 Q1
www.ExpressGayNews.com • September 29, 2003 Q1 Q_COVERstory All in the Gay Family ‘It’s All Relative’ Breaks the Next TV Barrier—Gays as Parents By Christopher Lisotta explains. “We wanted the characters to be writing sitcoms you have to stick to basic they are just the unknown,” Harris says of Special to The Express more real.” themes in order to get your story across. her character’s reaction to Philip and Simon For the past few years, Will Truman and Zadan and Meron kept meeting potential “We really think there’s an upside to that, and their long-term relationship. “It’s so not Jack McFarland have been the cutting edge writers before sitting down with Chuck and we can use it to our advantage,” Ranberg a part of her world. She’s got a great life, when it comes to gay sensibility on Ranberg and Anne Flett-Giordano, writing says of the fabulous gay male stereotype. loves her family and just never thought about television. No longer psycho killers or tragic partners who spent several seasons on “Particularly in a comedy, it helps you to start it.” victims, Will & Grace proved that gay Frasier and other well-received sitcoms. out at least with characters who are clearly Harris, who won a Tony for Thoroughly characters could be the central figures on a Although Zadan is quick to point out It’s All recognized archetypes.” Modern Millie and is known to TV audiences well-regarded and, more importantly for the Relative is its own show, the sensibility Christopher Sieber, who plays Simon, as Frasier’s hardcore agent Bebe, sees a networks, profitable situation comedy Ranberg and Flett-Giordano showed on notes that there is plenty to delineate this gay difference between the gaggle of gay-themed without bringing about widespread criticism Frasier struck them as the perfect fit for couple in terms of character. -
Lyrics and Music
Soundtrack for a New Jerusalem Lyrics and Music By Lily Meadow Foster and Toliver Myers EDITED by Peter Daniel The 70th Anniversary of the National Health Service 1 Jerusalem 1916 England does not have a national anthem, however unofficially the beautiful Jerusalem hymn is seen as such by many English people. Jerusalem was originally written as a preface poem by William Blake to his work on Milton written in 1804, the lyrics were added to music written by Hubert Parry in 1916 during the gloom of WWI when an uplifting new English hymn was well received and needed. Blake was in- spired by the mythical story Jesus, accompanied by Joseph of Arimathea, once came to England. This developed its major theme that of creating a heaven on earth in En- galnd, a fairer more equal country that would abolish the exploitation of working people that was seen in the ‘dark Satin mills’ of the Industrial revolution. The song was gifted by Hubert Parry to the Suffragette movement who were inspired by this vi- sion of equality. 2 Jerusalem William Blake lyrics Hubert Parry Music 1916 And did those feet in ancient time Walk upon England's mountains green? And was the holy Lamb of God On England's pleasant pastures seen? And did the countenance divine Shine forth upon our clouded hills? And was Jerusalem builded here Among those dark Satanic Mills? Bring me my bow of burning gold! Bring me my arrows of desire! Bring me my spear! O clouds, unfold! Bring me my chariot of fire! I will not cease from mental fight Nor shall my sword sleep in my hand Till we have built Jerusalem In England's green and pleasant Land Hubert Parry 1916 Words by William Blake 1804 3 Jerusalem 1916 4 Jerusalem 1916 5 Jerusalem 1916 William Blake imagined a time when Britain would be a fairer more equal society. -
JULIA CARTA Hair Stylist and Make-Up Artist
JULIA CARTA Hair Stylist and Make-Up Artist www.juliacarta.com PRESS JUNKETS/PUBLICITY EVENTS Matt Dillon - Grooming - WAYWARD PINES - London Press Junket Jeremy Priven - Grooming - BAFTA Awards - London Christian Bale - Grooming - AMERICAN HUSTLE - BAFTA Awards - London Naveen Andrews - Grooming - DIANA - London Press Junket Bruce Willis and Helen Mirren - Grooming - RED 2 - London Press Conference Ben Affleck - Grooming - ARGO - Sebastián Film Festival Press Junket Matthew Morrison - Grooming - WHAT TO EXPECT WHEN YOU’RE EXPECTING - London Press Junket Clark Gregg - Grooming - THE AVENGERS - London Press Junket Max Iron - Grooming - RED RIDING HOOD - London Press Junket and Premiere Mia Wasikowska - Hair - RESTLESS - Cannes Film Festival, Press Junket and Premiere Elle Fanning - Make-Up - SUPER 8 - London Press Junket Jamie Chung - Hair & Make-Up - SUCKERPUNCH - London Press Junket and Premiere Steve Carell - Grooming - DESPICABLE ME - London Press Junket and Premiere Mark Strong and Matthew Macfayden - Grooming - Cannes Film Festival, Press Junket and Premiere Michael C. Hall - Grooming - DEXTER - London Press Junket Jonah Hill - Grooming - GET HIM TO THE GREEK - London Press Junket and Premiere Laura Linney - Hair and Make-Up - THE BIG C - London Press Junket Ben Affleck - Grooming - THE TOWN - London and Dublin Press and Premiere Tour Andrew Lincoln - Grooming - THE WALKING DEAD - London Press Junket Rhys Ifans - Grooming - NANNY MCPHEE: THE BIG BANG (RETURNS) - London Press Junket and Premiere Bruce Willis - Grooming - RED - London -
Title of Dissertation
SETTING UP CAMP: IDENTIFYING CAMP THROUGH THEME AND STRUCTURE A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy By Michael T. Schuyler January, 2011 Examining Committee Members: Cornelius B. Pratt, Advisory Chair, Strategic Communication John A. Lent, Broadcasting, Telecommunications & Mass Media Paul Swann, Film & Media Arts Roberta Sloan, External Member, Theater i © Copyright 2010 by Michael T. Schuyler All Rights Reserved ii ABSTRACT Camp scholarship remains vague. While academics don’t shy away from writing about this form, most exemplify it more than define it. Some even refuse to define it altogether, arguing that any such attempt causes more problems than it solves. So, I ask the question, can we define camp via its structure, theme and character types? After all, we can do so for most other genres, such as the slasher film, the situation comedy or even the country song; therefore, if camp relies upon identifiable character types and proliferates the same theme repeatedly, then, it exists as a narrative system. In exploring this, I find that, as a narrative system, though, camp doesn’t add to the dominant discursive system. Rather, it exists in opposition to it, for camp disseminates the theme that those outside of heteronormativity and acceptability triumph not in spite of but because of what makes them “different,” “othered” or “marginalized.” Camp takes many forms. So, to demonstrate its reliance upon a certain structure, stock character types and a specific theme, I look at the overlaps between seemingly disperate examples of this phenomenon.