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The Decline of New York City Nightlife Culture Since the Late 1980S
1 Clubbed to Death: The Decline of New York City Nightlife Culture Since the Late 1980s Senior Thesis by Whitney Wei Fulfillment of the Requirements For the Degree of BA Economic and Social History Barnard College of Columbia University New York, New York 2015 2 ii. Contents iii. Acknowledgement iv. Abstract v. List of Tables vi. List of Figures I. Introduction……………………………………………………………………7 II. The Limelight…………………………………………………………………12 III. After Dark…………………………………………………………………….21 a. AIDS Epidemic Strikes Clubland……………………..13 b. Gentrification: Early and Late………………………….27 c. The Impact of Gentrification to Industry Livelihood…32 IV. Clubbed to Death …………………………………………………………….35 a. 1989 Zoning Changes to Entertainment Venues…………………………36 b. Scandal, Vilification, and Disorder……………………………………….45 c. Rudy Giuliani and Criminalization of Nightlife………………………….53 V. Conclusion ……………………………………………………………………60 VI. Bibliography………………………………………………………………..…61 3 Acknowledgement I would like to take this opportunity to thank Professor Alan Dye for his wise guidance during this thesis process. Having such a supportive advisor has proven indispensable to the quality of this work. A special thank you to Ian Sinclair of NYC Planning for providing key zoning documents and patient explanations. Finally, I would like to thank the support and contributions of my peers in the Economic and Social History Senior Thesis class. 4 Abstract The purpose of this thesis is to investigate the impact of city policy changes and the processes of gentrification on 1980s nightlife subculture in New York City. What are important to this work are the contributions and influence of nightlife subculture to greater New York City history through fashion, music, and art. I intend to prove that, in combination with the city’s gradual revanchism of neighborhood properties, the self-destructive nature of this after-hours sector has led to its own demise. -
The Last Gay Man on Earth -- Can the Mainstreaming of a Culture Be Responsible for Its Demise?
City University of New York (CUNY) CUNY Academic Works Capstones Craig Newmark Graduate School of Journalism Fall 12-16-2016 The Last Gay Man on Earth -- Can the mainstreaming of a culture be responsible for its demise? Muri Assunção Cuny Graduate School of Journalism How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gj_etds/162 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] The Last Gay Man on Earth Can the mainstreaming of a culture be responsible for its demise? by Muri Assunção My life-changing moment happened at the summer of 2016, at The Pavilion. The brighter-than-usual strobelights probably had something to do with it, I wasn't sure, but at that moment my entire gay life flashed before my eyes: the Madonna concerts, the weekends in South Beach, the passion fruit margaritas on 8th Avenue, the $950 pair of Dita sunglasses. I was in the middle of a dance floor full of shirtless muscled torsos, with still hours of friends, fun and fabulousness ahead of me. I also had a boyfriend whom I loved, and who loved me back—when did that ever happened? Besides, I still held on to my 29” waist, 43 years and counting, and I was not letting it go. My life was homo-textbook perfection. But still, something was missing. After spending the weekend listening to Daniel—the one who loved me back— make fun at the recent baby trend in the gay community that was taking over Fire Island (“by ‘watersports’ now, they mean ‘beach soccer’”), it suddenly hit me: the only thing better than holding a Puncher’s Punch cocktail at the island's legendary Tea Dance, would be to hold a newborn close to my chest, and to hear the words: “DADA.” I wanted to have a child. -
Misstress Barbara's Biography Updated Dec 07
MISSTRESS BARBARA BIO October, 2006 that included salsa, bossa nova, foho, latino, pop and rock, Misstress Barbara fused her sharp melodic instincts with influences from these misstressbarbara.com diverse genres and channeled the product into the electronic She’s a licensed pilot medium. Although notorious with a degree in for her consistently “hard” communication studies beats, her music has evolved specializing in cinema, a stylistically from a self- passion for interior design and described “funky pumpin’ an unfulfilled childhood dream techno” vibe to one which she of becoming an actress. If feels is more “groovy, techy she’s not riding her Ducati and minimal”. The flavor of Monster 620 Dark motorcycle, Misstress Barbara’s craft, snowboarding, indulging her however, is in perpetual passion and love for cooking motion as she continually and great food, she can be pushes her own artistic found DJing Techno at a boundaries in search of the packed nightclub in a next unique sound. cosmopolitan city somewhere Past Events/Venues around the globe. • Twilo (NYC, USA) • Crobar (NYC, USA) • Velvet Underground (London, UK) She’s known • The End (London, UK) internationally in the music • The Womb (Tokyo, Japan) • Fuse (Brussels, Belgium) industry as Misstress Barbara, • Stereo (Montreal, Canada) an alias she concocted for • Florida 135 (Fraga, Spain) • Loft (Barcelona, Spain) herself by combining the words • Zouk (Singapore) ‘miss’ with ‘stress’. • Rex (Paris, France) • Aloca (Sao Paulo, Brazil) • Lov. E (Sao Paulo, Brazil) Born in 1975, this • Sonar (Spain) • Awakenings (Holland) Sicilian-turned-Montrealer • I Love Techno (Belgium) always knew she had a knack • Monegros (Spain) • Fashion Cares (Toronto, Canada) for producing evocative and • Piknic Eletronic (Montreal, Canada) innovative music. -
Clubbing in Los Angeles Jonny Coleman Tackles the Multi-Farious Scene in One of America's Biggest Cities
Clubbing in Los Angeles Jonny Coleman tackles the multi-farious scene in one of America's biggest cities. Los Angeles has always been a capital of pop culture. Outside of rave, however, it's never had much of a reputation for its dance music culture. Until recently, that is. The efforts of local promoters have given rise to enormous EDM festivals, the Low End Theory-driven beat scene and thriving techno and house crews—and have led to the city finally becoming internationally recognized. Now, it seems, a place that houses four million people inside the city limits and 18 million in the greater Southland area, is finally representing itself on the world stage. True to its geography—a set of suburbs fronting as a megalopolis—Los Angeles doesn't have a dominant sound or theme. Instead, there are many scenes tugging for attention and battling over the few legitimate dance venues the city has to offer. It's enormously difficult to acquire a liquor license in LA, thanks in no small part to club-owning cowboys like Eddie Nash (of Wonderland murder fame), and those that do can't serve all that late anyway. Most nights last from 10 until 2 or 3 AM (a reality that often results in seeing your headlining DJ for two hours). It doesn't help that many of the historical clubs/bars in places like Hollywood and West Hollywood are a tough sell to fans of underground music, as the price points, degree of parking difficulty and douchebaggery quotient are all high. That means that many parties of note take place downtown or in other east side neighborhoods (if not a private estate). -
Fears of Lawsuits Hold Back Sandy Help a Humbling for Brand King Cole
IF THE GLASS SHOE FITS ... SELL IT Broadway Cinderella makes marketing magic CRAIN’S® PAGE 3 NEW YORK BUSINESS VOL. XXIX, NO. 8 WWW.CRAINSNEWYORK.COM FEBRUARY 25-MARCH 3, 2013 PRICE: $3.00 REBUILDING NY Fears of lawsuits hold back Sandy help Architects say state’s tough tort laws are barrier to free advice after a disaster hits BY MATT CHABAN On Nov.2,three days after Superstorm Sandy hit New York City, the local chapter of the American Institute of Architects dispatched FOURTH-GEN an urgent email to FAMILY members under the COMPANY subject line “Architects FINDS POST- and engineers needed STORM BIZ. for post-hurricane SMALL building evaluations.” BUSINESS. Overnight, hun- PAGE 25 dreds of architects stepped forward, all prepared to apply their expertise to the task of assessing storm-damaged properties. Yet in the end, few of them ever went anywhere near the tens of thou- See SAMARITANS on Page 28 As NYC grows into a mecca for film and TV, local studio bosses increasingly call the shots A humbling BY ANNIE KARNI for brand In early February, Girls producer Ilene Landress reclaimed her old office space, having re- turned to Silvercup Studios in Queens, where the HBO series shot its debut season before moving to Steiner Studios in Brooklyn. king Cole The show is back in Long Island City for its third run, rebuilding its sets on two stages recently vacated by Gossip Girl. The back-and-forth between New York City studios was costly for the production, and it wasn’t the way Ms. -
MINIMAL VIOLENCE Killer Tunes
573 DJMAG.COM LIVING & BREATHING DANCE MUSIC! DJMAG.COM EVERYBODY IN THE PLACE! HOLD TIGHT WITH THE OLD SKOOL ORIGINALS CREDIT TO THE EDIT 50 YEARS OF CUT & PASTE RUNNING * MUSIC BACK WITH TONY HUMPHRIES * CLUBS MIDLAND’S PERFECT MIX * TECHNOLOGY TECHNOLOGY tINI & HER GANG TAKE IBIZA * SHARAM BACK TO THE UNDERGROUND BATTLE OF THE DECKS! INDUSTRY-STANDARD PLAYERS GO HEAD-TO-HEAD Charlotte ALL THE NOMINEES PROFILED! No. 573 de Witte September 2017 techno’s next-gen superstar VOTE NOW! No.573 September 2017 £4.95 £4.95 JULIA GOVOR, MARTIN SOLVEIG, JAY CLARKE, WALKER & ROYCE, DOC DANEEKA, BLONDES PLUS: HOUSEKEEPING, ART OF NOISE, GERD JANSON, HAUSCHKA, NOSAJ THING & MORE cover_1.indd 1 18/08/2017 14:02 THANKS FOR YOUR SUPPORT WWW.AFROJACK.COM Untitled-1 1 16/06/2017 12:40 DJMag2017_UK-1_v1.indd 1 16-06-17 10:17 CONTENTS 026 BORN IDENTITY Since adopting her real name, Charlotte de Witte has become the new face of techno. We head to Brussels to fi nd out what makes her tick... Cover shot: MARIE WYNANTS FEATURES 120 ELECTRIC CASTLE 119 FARR FESTIVAL 032 PART OF THE GANG! We catch up with tINI to get the low- down on all things Ibiza... 036 COOL RUNNINGS Legendary DJ, Tony Humphries, chats about his new Running Back comp... 042 CLOSE TO THE EDIT 50 years deep and the edit scene is bigger than ever, DJ Mag investigates... 049 PITCH PERFECT 036 TONY HUMPHRIES Graded boss Midland chats self- acceptance and living up to the hype... 055 BACK TO THE ROOTS Sharam discusses the ever-changing industry and his own career moves.. -
Theatres of Memory: the Politics and Poetics of Improvised Social
2014年3月27日 Theatres of Memory: The Politics and Poetics of Improvised Social Dancing in Queer Clubs Theatres of Memory: The Politics and Poetics of Improvised Social Dancing in Queer Clubs Theresa Smalec © 2003 PMC 14.1 Review of: Buckland, Fiona. Impossible Dance: Club Culture and Queer World-Making. Middletown, CT: Wesleyan UP, 2002. 1. Scholars who take up Fiona Buckland's Impossible Dance: Club Culture and Queer World-Making will step into the vastly underexplored arena that Buckland defines as "improvised social dancing in queer clubs" (2). Based on four years (1994-1998) of fieldwork and detailed interviews with New York's queer club-goers, her book describes the forms of preparation, performance, and politicized exchange that transpire in these volatile sites. As Buckland observes from the start, "the subject of improvised social dancing has been relegated to the sidelines in scholarship, not least because of its perceived impossibility--that is, its resistance to discursive description" (2). Formal, scored modes of social dance such as the tango are difficult enough to translate into words. What, then, about the spontaneous, often ineffable actions and gestures that transpire in queer clubs? How does one forge a theory of value for the affective knowledge that emerges from this seemingly inchoate mode of performance? What promises, possibilities, and ways of relating to others does such movement signify to its diverse practitioners? How does ephemeral dance set enduring politics in motion? 2. In her first chapter, "The Theatre of Queer World-Making," Buckland outlines the parameters that will enable her to archive the social worlds and practices encountered in the course of her research. -
REVIEW: Lea Luna & Quivver
2/16/2017 REVIEW: Lea Luna & Quivver - Arrest The DJ out on Magik Muzik/Black Hole recordings | Flux BPM Online Home (Http://Fluxbpmonline.Blogspot.Com/) About (Http://Fluxbpmonline.Blogspot.Co.Uk/P/Editorial.Html) Contact (Http://Fluxbpmonline.Blogspot.Co.Uk/P/Aboutcontact.Html) Alex Wright's Trance Encounters (Http://Fluxbpmonline.Blogspot.Co.Uk/Search/Label/Alex%20Wright%27s%20Trance%20Encounters) Best Of 2016 Interview Form (Http://Fluxbpmonline.Blogspot.Co.Uk/P/Loading.Html) ABOUT (HTTP://FLUXBPMONLINE.BLOGSPOT.CO.UK/P/EDITORIAL.HTML) (http://uxbpmonline.blogspot.com/)CONTACT (HTTP://FLUXBPMONLINE.BLOGSPOT.CO.UK/P/ABOUTCONTACT.HTML) REVIEWS (HTTP://) INTERVIEWS (HTTP://) FEATURES (HTTP://) EVENTS & FESTIVALS (HTTP://) ALEX WRIGHT (HTTP://) ADE 2016 (HTTP://) REVIEW: Tinlicker feat. Thomas Oliver - SoonREVIEW: You'll Pure NRG - Prophecy [Istoria 2017REVIEW: Anthem] Markus Schulz ft. Brooke Tomlinson - In Be Gone out on Anjunadeep on Black Hole Recordings The Night incl remixes out on Black Hole recordings (http:/2017/02/13/uxbpmonline.blogspot.com/2017/02/r(http:/2017/02/13eview-/uxbpmonline.blogspot.com/2017/02/r(http:/2017/02/11eview-/uxbpmonline.blogspot.com/2017/02/review- REVIEW: Lea Luna & Quivver - Arrest The DJ out on Magik Muzik/Black Hole recordings 1. Original Mix 2. Joman’s Arrest The DJ Mix 3. Quivver Remix Quivver is worldrenowned DJ / producer / songwriter / singer John Graham, but it is not surprising that any music John produces becomes in high demand by so many DJs. The fact he has penned a host of other monikers to record under, including Space Manoeuvres, Stoneproof, Skanna and Tilt, each representing a different shade of his sound, should give you an idea of his scope and versatility. -
George Acosta: the Clubplanet Interview 7/19/12 5:14 PM
George Acosta: the clubplanet interview 7/19/12 5:14 PM Follow us on CLUBS NEWS MUSIC EVENTS PHOTOS COMMUNITY PLAN YOUR PARTY Search GO [change city] US > New York > Features > George Acosta: the clubplanet interview Login | Join! George Acosta: the clubplanet interview by Clubplanet Single Woman Over 40? The Most Eligible Singles Over 40 NO 08.15.2000 Profile Needed MatureSinglesOnly.com The forceful energy source that drives the dance floor every weekend at Miami`s hottest Elegant sites Miami Marvelous sites at plain prices. 5 page nightclub, Shadow Lounge, is none other than DJ George Acosta. Internationally renown websites starting at $350 as both a DJ and producer, Acosta`s high-voltage music shocks listeners with a lightning Jeanyuhs.com bolt of melodic trance. Hotels in Quebec City Stay in charming Old Quebec City. 20% off for US citizens. Known and respected for his two-year residency at Shadow Lounge, he has sharpened www.hotelsjaro.com his DJ knife to diamond-like perfection. His pounding rhythms, along with the support of VIP Ft.Lauderdale Shuttle local fans that return month after month, year after year, have been instrumental in the Door to door Low price 24/7 MIAMI Airport/Seaport Call (954)479-6867 creation of a healthy dance music scene on South Beach. Although Acosta shuns www.vipfloridashuttle.com categorization of his work, his sound is a bit rougher with higher tempos and melodies that are more anthem than progressive house. Influenced by a mix of Taucher, Sasha, and Oakenfold, his sound has a German or Belgian flare. -
Guide to the David Hadley Rockwell New York Disco Ephemera Collection
Guide to the David Hadley Rockwell New York Disco Ephemera Collection NMAH.AC.1342 Franklin A. Robinson, Jr. 2016 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Venue Advertisments and Invitations, 1983-2004, undated...................... 5 Series 2: Correspondence and Personal, 1988-2000, undated............................. 39 Series 3: Other Advertisements and Ephemera, 1983-2002, undated................... 40 David Hadley Rockwell New York Disco Ephemera Collection, NMAH.AC.1342 Collection Overview Repository: -
Juliana Moraes Date: July 18, 2018 Location: Rutgers - Newark
Queer Newark Oral History Project Interviewer: Kristyn Scorsone Interviewee: Juliana Moraes Date: July 18, 2018 Location: Rutgers - Newark Vetted by: Laura Hoge Date: 09/29/18 Kristyn Scorsone: Today is July 18, 2018. My name is Kristyn Scorsone, and I'm interviewing Juliana Moraes, at Rutgers Newark for the Queer Newark Oral History Project. First off, thank you for doing this. Juliana Moraes: Yeah, definitely. It’s a pleasure. Kristyn Scorsone: First question is just when and where were you born? Juliana Moraes: Rio, Brazil, 1980. Kristyn Scorsone: Okay. Who raised you? Juliana Moraes: Who raised me? Juliana Moraes: Yeah. Juliana Moraes: Well, besides my parents, I always had nannies. You know, babysitters. Kristyn Scorsone: You had both a mother and a father in your household? Juliana Moraes: Yes, in the household. Kristyn Scorsone: Did you have siblings? Juliana Moraes: Yes, I had a brother and a sister. Kristyn Scorsone: How long did you live in Brazil? Juliana Moraes: Till four years old. Kristyn Scorsone: Where’d you move to next? Juliana Moraes: Then we migrated here. We came through the old-fashioned way, which is the whole Central America, through Mexico. The way they're not letting people in now. Kristyn Scorsone: Oh, you had to—do you mean you walked, take trains, and stuff like that? Juliana Moraes: Yeah, to get from one place to another. Kristyn Scorsone: Do you remember? Juliana Moraes: Yeah, I have flashbacks. Kristyn Scorsone: Yeah? What do you remember of it? Juliana Moraes: I remember the sky being that dark purple right before sunrise. -
J D L Ilanrhratrr Mrralji
to - M ANCHESTER HERALD. Tuesday. July 9. 1985 MANCHESTER FOCUS U.S./WORLD WEATHER BUSINESS GOP to mount drive One shopper tests Baldrige listed as Cloudy skies tonight; ! for firehouse vote coupon machines Stockman successor less humid Thursday How to sift through data I ... page 8 ... page 13 ... page 2 -V ... page 2 New technology changes phone service Whether you're buying a telephone or an answerer, the owner is away and phones that remember you still n e ^ to install it. This means that whatever Since the breakup of American Telephone k numbers also are valuable. Telegraph — what increasingly appears to have been you buy must be compatible with your phone bne. If. for Instance, touch-tone service is not available a stupid move on the part of uninformed managers — • Phones with a switch to select touch tone, pulse you and I have been deluged with a bewildering array Your dialing or any combination of the two for access Jo where you live, you shouldn’t buy a touch-tone phone. of misinformation on telephones, their functions and long-distance services. Phones with these features But if your home is equipped with modular jaclu. Money's cost between $50 and $65 — but with the savings on the Installation is as easy as plugging in a lamp, u, ilanrhratrr MrralJi features. This has merely complicated the buying leasing and touch-tone charges. In addition to though, you have an older home, you may need extra • ___ y-Hi_______ * VA/oHnAftHAuWednesday, .liilwJuly 10, 1985 — Single copy: 25< process. Worth Manchester, Conn.