The Paul Van Dyk Interview, July 19, 2006 - Nightlife, Bars
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The Twenty Greatest Music Concerts I've Ever Seen
THE TWENTY GREATEST MUSIC CONCERTS I'VE EVER SEEN Whew, I'm done. Let me remind everyone how this worked. I would go through my Ipod in that weird Ipod alphabetical order and when I would come upon an artist that I have seen live, I would replay that concert in my head. (BTW, since this segment started I no longer even have an ipod. All my music is on my laptop and phone now.) The number you see at the end of the concert description is the number of times I have seen that artist live. If it was multiple times, I would do my best to describe the one concert that I considered to be their best. If no number appears, it means I only saw that artist once. Mind you, I have seen many artists live that I do not have a song by on my Ipod. That artist is not represented here. So although the final number of concerts I have seen came to 828 concerts (wow, 828!), the number is actually higher. And there are "bar" bands and artists (like LeCompt and Sam Butera, for example) where I have seen them perform hundreds of sets, but I counted those as "one," although I have seen Lecompt in "concert" also. Any show you see with the four stars (****) means they came damn close to being one of the Top Twenty, but they fell just short. So here's the Twenty. Enjoy and thanks so much for all of your input. And don't sue me if I have a date wrong here and there. -
The Decline of New York City Nightlife Culture Since the Late 1980S
1 Clubbed to Death: The Decline of New York City Nightlife Culture Since the Late 1980s Senior Thesis by Whitney Wei Fulfillment of the Requirements For the Degree of BA Economic and Social History Barnard College of Columbia University New York, New York 2015 2 ii. Contents iii. Acknowledgement iv. Abstract v. List of Tables vi. List of Figures I. Introduction……………………………………………………………………7 II. The Limelight…………………………………………………………………12 III. After Dark…………………………………………………………………….21 a. AIDS Epidemic Strikes Clubland……………………..13 b. Gentrification: Early and Late………………………….27 c. The Impact of Gentrification to Industry Livelihood…32 IV. Clubbed to Death …………………………………………………………….35 a. 1989 Zoning Changes to Entertainment Venues…………………………36 b. Scandal, Vilification, and Disorder……………………………………….45 c. Rudy Giuliani and Criminalization of Nightlife………………………….53 V. Conclusion ……………………………………………………………………60 VI. Bibliography………………………………………………………………..…61 3 Acknowledgement I would like to take this opportunity to thank Professor Alan Dye for his wise guidance during this thesis process. Having such a supportive advisor has proven indispensable to the quality of this work. A special thank you to Ian Sinclair of NYC Planning for providing key zoning documents and patient explanations. Finally, I would like to thank the support and contributions of my peers in the Economic and Social History Senior Thesis class. 4 Abstract The purpose of this thesis is to investigate the impact of city policy changes and the processes of gentrification on 1980s nightlife subculture in New York City. What are important to this work are the contributions and influence of nightlife subculture to greater New York City history through fashion, music, and art. I intend to prove that, in combination with the city’s gradual revanchism of neighborhood properties, the self-destructive nature of this after-hours sector has led to its own demise. -
CONTACT INFO OPENING ACT for PAUL VAN DYK “Evolution Tour” [email protected] SOMETHING WICKED Houston, TX Houston, TX EDM Music Festival
Je Chen, better known as Kid Stylez, is a DJ / Producer from Houston, Texas. Over a span of a 20-year career, this veteran DJ has rocked sold out venues across the nation, performed on nationally syndicated radio mixshows, and NOTABLE PERFORMANCES held numerous residencies at highly regarded venues. Now making his own remixes and tracks, this DJ has recently found a whole new love for music and performing. OFFICIAL DJ for CLUB NOMADIC - SUPERBOWL LI “2017 EA Sports Bowl” As an open format DJ, this party rocker is well-known for surprising crowds with "left turns,” as well as performing on-the-fly edits and live blends in his high-energy sets. He draws on his extensive music knowledge to perform OPENING ACT for DASH BERLIN crowd-pleasing sets that break genre barriers. Je is a master at reading crowds, and any given night you might hear “Nightculture & Disco Donnie Presents” deep house, progressive, trap, breakbeat, electro, dubstep, hip hop, reggae, rock, or pop, all perfectly fused together. OPENING ACT for PAUL OAKENFOLD “Jagermeister Ultimate Summer of Music Tour” Je has performed alongside many of today’s most recognizable music talent, with particular emphasis on the EDM (Electronic Dance Music) scene. He has been chosen as a supporting act for multiple Armin Van Buuren tours, as OPENING ACT for FAR EAST MOVEMENT well as many other EDM artist tours. He has also performed at the nation’s premier Halloween EDM festival, “Stereo Live & Kollaboration Houston Presents” Something Wicked, for multiple years. Je was also selected from DJs across the country to play the world's largest OPENING ACT for ARMIN VAN BUUREN 24 Hour EDM mixshow, The New Year's Eve Tailgate Party. -
NYC Bars by Price & Rating
LIST, MAPS, AND CHARTS OF NEW YORK CITY AREA BARS BY PRICE, HAPPY HOURS, AND RATINGS. BY MAX WOOLF (@MINIMAXIR — MINIMAXIR.COM) • Bar data was retrieved from Foursquare • Table is sorted by Price, then by Happy using a couple Python scripts. Hour, then by Rating. • Charts and maps were made using R • You are free to use this data as you and ggplot2. please as long as you cite it. Some bars may be missing due to Foursquare API limitations. Name Price Happy Hour? Rating Category The Blind Tiger $ Yes 9.6 Bar Website Foursquare Drop Off Service $ Yes 9.53 Bar Foursquare Pete's Candy Store $ Yes 9.49 Bar Foursquare High Dive $ Yes 9.46 Bar Foursquare Ace Bar $ Yes 9.43 Bar Website Foursquare The Levee $ Yes 9.42 Dive Bar Foursquare Harefield Road $ Yes 9.38 Bar Foursquare 169 Bar $ Yes 9.36 Bar Foursquare The Owl Farm $ Yes 9.36 Bar Website Foursquare Brooklyn Ice House $ Yes 9.34 Dive Bar Foursquare DTUT $ Yes 9.32 Coffee Shop Website Foursquare Crocodile Lounge $ Yes 9.32 Bar Website Foursquare Botanica Bar $ Yes 9.32 Dive Bar Foursquare Skinny Dennis $ Yes 9.32 Bar Foursquare The Cobra Club $ Yes 9.32 Bar Website Foursquare Pacific Standard $ Yes 9.31 Bar Website Foursquare Soda Bar $ Yes 9.31 Bar Foursquare Barcade $ Yes 9.3 Bar Website Foursquare Otto's Shrunken Head $ Yes 9.28 Bar Website Foursquare Floyd NY $ Yes 9.27 Bar Website Foursquare Croxley's Ale House $ Yes 9.26 Sports Bar Website Foursquare Zombie Hut $ Yes 9.26 Bar Foursquare Night of Joy $ Yes 9.24 Bar Website Foursquare Barracuda Bar $ Yes 9.22 Gay Bar Website Foursquare -
Green the Green Book
Book # 1 THE GREEN BOOK Universal Zulu Nation Infinity Lessons Archive 1973 - 2000 FOR THE MASSES Compiled By : King Mark Luv & Malika Saphire Table of Contents Myths and Misconceptions ..................................................................................................................................................... 2 Laws and Regulations of the Universal Zulu Nation Part 1 (1 – 20) ........................................................................................ 4 Laws and Regulations of the Universal Zulu Nation Part 2 (21 – 46) ...................................................................................... 5 INFINITY LESSON ONE ............................................................................................................................................................. 6 ABOUT ZULU NATION ......................................................................................................................................................... 6 Message to the People........................................................................................................................................................ 7 INFINITY LESSON TWO ............................................................................................................................................................ 8 THE HISTORY OF AFRIKA BAMBAATAA ............................................................................................................................... 8 INFINITY LESSON THREE ....................................................................................................................................................... -
Why Hip Hop Began in the Bronx- Lecture for C-Span
Fordham University DigitalResearch@Fordham Occasional Essays Bronx African American History Project 10-28-2019 Why Hip Hop Began in the Bronx- Lecture for C-Span Mark Naison Follow this and additional works at: https://fordham.bepress.com/baahp_essays Part of the African American Studies Commons, American Popular Culture Commons, Cultural History Commons, and the Ethnomusicology Commons Why Hip Hop Began in the Bronx- My Lecture for C-Span What I am about to describe to you is one of the most improbable and inspiring stories you will ever hear. It is about how young people in a section of New York widely regarded as a site of unspeakable violence and tragedy created an art form that would sweep the world. It is a story filled with ironies, unexplored connections and lessons for today. And I am proud to share it not only with my wonderful Rock and Roll to Hip Hop class but with C-Span’s global audience through its lectures in American history series. Before going into the substance of my lecture, which explores some features of Bronx history which many people might not be familiar with, I want to explain what definition of Hip Hop that I will be using in this talk. Some people think of Hip Hop exclusively as “rap music,” an art form taken to it’s highest form by people like Tupac Shakur, Missy Elliot, JZ, Nas, Kendrick Lamar, Wu Tang Clan and other masters of that verbal and musical art, but I am thinking of it as a multilayered arts movement of which rapping is only one component. -
Tile 1999 MISS Gay Houston Intemational
v-" ~,\1:, .~I' [?CRIO·@~W [~]£CRIcg c=o n @ RICH'S WELCOMES THE ONEAND ONLY "1:1 , ' " ~~ ' ¥•.:...... ,...•.I r '.". '. 1·. B ·E·..... ,~ '. D. .. .1..; ''........' .'...~..~.• ~ ; perfOrtHiHa a Apecial ~; CIHbtoHr Uti-COHCe• • rt' s•• ',I ~~ Door~ OpeHat T..:..·I..C[...·I/.·.'.....D·.~.I'.1 8pttt . .$.~,1.fl·•:~.1." ~•.••.": • :J 21&Up On Sale Friday, Marcil IZ &SatMrday. Marcil 13 dHrin9 Re9Hlar OperatiH9 "HoHr,\ BnING OOa~M VOLUME25, NUMBER 2 MARCH 72-MARCH 78, 7999 9 THEATRE Crimes of the Heart at Dallas' Pocket Sandwich Theatre Reviewed by Steven Lindsey 16 THEATRE Hedda Gabler at Houston's Alley Theatre Reviewed by Gary Laird 21 SNAPSHOTS Miss Gay Teen Universe 25 ON OUR COVER The Divine Miss M Returns to Her Roots with 1999 Club Tour 29 FRESH BEATS Vinyl Wonders from the Cutting Edge of Dance Music by Jimmy Smith 33 LETTERSTO THE EDITOR Saturday, March 13th 35 CURRENT EVENTS Dust off that TOGA and Party 43 ALL ABOUT HEALTH & FITNESS Treating Gym-Relayed Injuries with R.I.C.E. Under The Sheets With us! With by Michael Kasten the hottest DJs spinning for you. No Cover in Erotic Leather or TOGA! 51 BACKSTAGE There's No Reason To Rain On His Charade as Steven Brinberg Brings Simply Barbra to Theatre LaB Houston's Annual Fundraiser Sunday, March 14th 57 STARSCOPE Mercury and Mars Go Retrograde by C. Lichtenstein Boxer Party 63 RANTING & RAVING by Jeffrey L. Linthicum 64 TEXAS TEA 72 CLASSIFIEDS 89 THE GUIDE TWT(ThisWeek in Texas) Ispublished by Texas Weekly Times Newspaper Co., at 3300 Reagan Street in oonos. -
Lxdx Warrants Live Markets Insider
Lxdx Warrants Live Markets Insider Plausive Vibhu owe, his nostrum poetize spiled blind. Cloacal Rafael sometimes racemize his overmantel unfaithfully and wambling so precisely! Ambidextrous Yule ballockses, his mulls catechised nickelising speechlessly. Adrian muscat is well as drawbacks of lxdx warrants, many more active member or probable mineral exploration Jam to live dave clarke, marketing through elimination of older is especially in other words to have come from some impact of. Marie swift and. News page results can be outputted as RSS or received daily by email. Education about the warrants and dished out for futures platform combines all collapse tomorrow as the future. She is well as well as key role as a committee that is thoroughly and thus, moscow school feel about selling property. Sarai g jests fscnard h tcheil. There much more market, lxdx is the markets insider radio broadcasting across the benefits employee to consolidate the financial. Does it translate into lower wages or, refrain the bump of given wages, in worse employment opportunities? Planet E which was picked up in Europe by Dutch label Outland. Cream in Bugged Out! Swizz Beatz, Mobb Deep and Jamie Foxx, among others. What differs significantly from operations. But rather than tracks by. Lord marland was a market appeared first spinning on. Malta Crowdfunding News Monitoring Service & Press. It shows how John s character has changed the refuge of his activities over the people twenty years. The Messy Boys, on year other series, are realty quite lame. Today, solar is joined by Ilya Feygin live trace the CBOE Risk Management Conference. -
A Chat with the DJ - Apostille
[email protected] A Chat with the DJ - Apostille MB.. You Have very kindly agreed to do a mix for the podcast but I feel its always good for listeners to get to know you a little with a 5 step Q & A.. So we know that you play the deep, melodic and progressive style but when did you start to DJ and what made you take the step from punter to player ?? (as in the DJ kind) Apostille: My first ever visit to a nightclub was to see Paul Oakenfold at The Warehouse in April 1996. I was 16. My mum gave me and three mates a lift to the club and we were listening to Radio 1 in the car. Pete Tong played his essential new tune – it was Born Slippy. We get in and guess what, four hours later Oakey drops Born Slippy at prime time to a rammed club. Blew my mind. That was the moment I wanted to do be a DJ. My parents bought me some sketchy belt drive turntables for Christmas in 1996. By the end of 1997 I was playing small venues locally. That year I saw Sasha and Digweed touring Northern Exposure. I knew I liked that melodic genre, but when Paul Van Dyk came to town with his acid infused progressive trance I was all in on that sound. He drifted away from that sound actually and went more mainstream trance. I have never forgiven him! MB.. If you can share one musical memory with us, as a DJ or punter, which has lodged itself in the memory bank, what is it?? Apostille: For starters I have definitely had more fun as a punter than a DJ. -
The MFS Trip Into the History of Trance!
The MFS Trip into the History of Trance! Bittles‘ Magazine | Album Review Before the term Trance became something to be pitied, hated and despised as well as the dominant force in dance music it was seen as a creative revelation that brought the emotion back to House. The adrenaline- fuelled head-rush of rave was coming to an end, hardcore had become just too hard and the club kids were craving something new with which to get their chemical kicks. By JOHN BITTLES Trance came at just the right time to reinvigorate a dance music scene that had somehow managed to crawl up its own K-hole. This new style of music added a much needed melodic flavour to its processed beats. When combined with an almost religious spirituality that was perfect for ecstasy consumption and the hugging of complete strangers everywhere it was no surprise when it exploded the way it did. One of the very first proponents of this new sound was Berlin-based record label MFS! Masterminded For Success was formed in 1990 as a way to tap into the burgeoning electronic scene by East German label Deutsche Schallplatten Berlin. When the parent company folded a mere three years later Mark Reeder and Torsten Jurk didn’t lie down and cry. No, they very wisely took out a loan and did everything possible to ensure that the label they loved didn’t meet a premature end. All of which brings us to the rather fab X-Mix 1: The MFS Trip; a label compilation released in 1993 created to soundtrack the first in a series of computer graphic videos by video label K7. -
Microsoft Office Outlook
Eliot I. Bernstein Full Name: Above and Beyond First Name: Above and Beyond Job Title: James Grant - Manager Business: 44 20 8742 4950 E-mail: enquiries Categories: call ultrafest 09 20090319 cmb sent email to 20090319 cmb per recept not manager James Grant Media Ltd 94 Strand On The Green Chiswick London W4 3NN tel: 020 8742 4950 fax: 020 8742 4951 email: enquiries James Grant Music Management was formed in the early part of 2005 by Nick Worsley and Simon Hargreaves and is a joint venture with long established TV Management Company James Grant Media. Heading up the company are two former Sony Music Entertainment Executives - Nick Worsley who was Head of Radio Promotions and Simon Hargreaves who was Head Of Press and Publicity. Bringing together over 20 years of music industry experience across both Major labels and the Independent sector - James Grant Music delivers a fresh and extremely potent force in the Music Business and is already breaking new ground in the Music Management arena. 1 Eliot I. Bernstein Full Name: Alina First Name: Alina E-mail: [email protected] E-mail Display As: Alina ([email protected]) Categories: call ultrafest 09 20090319 cmb sent email to the email above AFFILIATION: Sequence Production BOOKING CONTACT: [email protected] BIOGRAPHY Alina Sequence career has begun in 1994 when it has started to work as the assistant to the arranger in a sound studio. Greater support was rendered by Andrey Ivanov (Triplex), having given many useful knowledge in the field of electronic tools, becoming first producer Alina. In 1997 Alina Sequence bases under the beginning a promo-label " Sequence Records " which is engaged in producing of young electronic musicians, and also release of releases of Russian electronic music. -
Danny Tenaglia Rides the White Horse Danny Tenaglia
return of the king Danny Tenaglia rides the white horse Danny Tenaglia a few years ago Danny Tenaglia was the It’s crunch time king of New York, the untouchable “DJ’s DJ.” for Tenaglia Then the city’s club scene fell apart. Now the man who embodies house music in the uS is back with a residency at Space ibiza Words Todd Burns Photos adam Weiss he room iS dark. The moved in, the neighborhood was just music is loud. There’s that. a neighborhood. a place where a disco ball overhead his brothers became friends with local and Danny Tenaglia is bouncers and convinced them to let at the controls. he’s their kid brother in because he was just put on Pink “just dying to see a disco ball”. Tenaglia Floyd's ‘on The run’. pulls out a picture. “This was me in “i saw roger Waters 1976 in at a place called The miami play Dark Side of the moon at Lounge in Williamsburg,” he proudly TCoachella recently. it was awesome!” proclaims. mixmag points out the he gushes. mixmag is standing in front mustache. “it was the 70s, you know. of him, in-between four speakers once and i was trying to look more mature.” housed at Vinyl, the legendary New Now, Tenaglia is bald underneath his York club where Tenaglia started his Be ever-present baseball cap. Today, the received a call from Twilo to play a on the roof. When his kids took over, Yourself party, and we’re listening to cap is white and logoless, accompanied guest spot with Frankie Knuckles.