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Impulse Songlist
west coast music Impulse SPECIAL/PROTOCOL DANCES: Please note that we will need to have your special dance requests (i.e. First Dance, Father/Daughter Dance, etc) FOUR WEEKS prior to your event so that we can confirm the band will be able to perform the song(s) and so that we have enough time to locate sheet music and an audio sample of the song. In cases where sheet music is not available or an arrangement for the full band is needed, this gives us time to properly prepare the music. General song requests are not required, as many of our clients simply ask that the band read & react based on their guest's dance response. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs or artists they like and want played or avoided. If you wish to maintain the highest degree of control (allowing the band to only play within the margin of songs requested) we would ask for a minimum of 80 requests from the band’s songlist. 'LOW ROTATION' REQUESTS: General requests chosen from the 'Low Rotation' section of this songlist (pages 7-12) must be submitted at least FOUR WEEKS prior to your event. The songs from the 'Low Rotation' section are not in the current ‘IMPULSE’ song rotation, so the band would need extra preparation time. Please call us should you have any questions - West Coast Music 2010’s: SONG: ARTIST: 24K Magic Bruno Mars A Thousand Years Christina Perry All About That Bass Meghan Trainor All Of Me John Legend Attention Charlie Puth Bad Guy Billie Eilish Bad Romance Lady Gaga Beautiful Day Michael BuBle Blinding Lights The Weeknd Blurred Lines RoBin Thicke Booty Swing Parov Stelar Born This Way Lady Gaga Break My Heart Dua Lipa Cake By the Ocean DNCE California Gurlz Katy Perry Call Me MayBe Carly Rae Jepsen Can't Hold Us Macklemore Can’t Stop the Feeling Justin Timberlake Chained to the Rhythm Katy Perry Circles Post Malone Classic MKTO Closer The Chainsmokers CluB Can't Handle Me Flo Rida / David Guetta Counting Stars OneRepuBlic Dancing On My Own RoByn Despacito Luis Fonsi feat. -
The Decline of New York City Nightlife Culture Since the Late 1980S
1 Clubbed to Death: The Decline of New York City Nightlife Culture Since the Late 1980s Senior Thesis by Whitney Wei Fulfillment of the Requirements For the Degree of BA Economic and Social History Barnard College of Columbia University New York, New York 2015 2 ii. Contents iii. Acknowledgement iv. Abstract v. List of Tables vi. List of Figures I. Introduction……………………………………………………………………7 II. The Limelight…………………………………………………………………12 III. After Dark…………………………………………………………………….21 a. AIDS Epidemic Strikes Clubland……………………..13 b. Gentrification: Early and Late………………………….27 c. The Impact of Gentrification to Industry Livelihood…32 IV. Clubbed to Death …………………………………………………………….35 a. 1989 Zoning Changes to Entertainment Venues…………………………36 b. Scandal, Vilification, and Disorder……………………………………….45 c. Rudy Giuliani and Criminalization of Nightlife………………………….53 V. Conclusion ……………………………………………………………………60 VI. Bibliography………………………………………………………………..…61 3 Acknowledgement I would like to take this opportunity to thank Professor Alan Dye for his wise guidance during this thesis process. Having such a supportive advisor has proven indispensable to the quality of this work. A special thank you to Ian Sinclair of NYC Planning for providing key zoning documents and patient explanations. Finally, I would like to thank the support and contributions of my peers in the Economic and Social History Senior Thesis class. 4 Abstract The purpose of this thesis is to investigate the impact of city policy changes and the processes of gentrification on 1980s nightlife subculture in New York City. What are important to this work are the contributions and influence of nightlife subculture to greater New York City history through fashion, music, and art. I intend to prove that, in combination with the city’s gradual revanchism of neighborhood properties, the self-destructive nature of this after-hours sector has led to its own demise. -
NYC Bars by Price & Rating
LIST, MAPS, AND CHARTS OF NEW YORK CITY AREA BARS BY PRICE, HAPPY HOURS, AND RATINGS. BY MAX WOOLF (@MINIMAXIR — MINIMAXIR.COM) • Bar data was retrieved from Foursquare • Table is sorted by Price, then by Happy using a couple Python scripts. Hour, then by Rating. • Charts and maps were made using R • You are free to use this data as you and ggplot2. please as long as you cite it. Some bars may be missing due to Foursquare API limitations. Name Price Happy Hour? Rating Category The Blind Tiger $ Yes 9.6 Bar Website Foursquare Drop Off Service $ Yes 9.53 Bar Foursquare Pete's Candy Store $ Yes 9.49 Bar Foursquare High Dive $ Yes 9.46 Bar Foursquare Ace Bar $ Yes 9.43 Bar Website Foursquare The Levee $ Yes 9.42 Dive Bar Foursquare Harefield Road $ Yes 9.38 Bar Foursquare 169 Bar $ Yes 9.36 Bar Foursquare The Owl Farm $ Yes 9.36 Bar Website Foursquare Brooklyn Ice House $ Yes 9.34 Dive Bar Foursquare DTUT $ Yes 9.32 Coffee Shop Website Foursquare Crocodile Lounge $ Yes 9.32 Bar Website Foursquare Botanica Bar $ Yes 9.32 Dive Bar Foursquare Skinny Dennis $ Yes 9.32 Bar Foursquare The Cobra Club $ Yes 9.32 Bar Website Foursquare Pacific Standard $ Yes 9.31 Bar Website Foursquare Soda Bar $ Yes 9.31 Bar Foursquare Barcade $ Yes 9.3 Bar Website Foursquare Otto's Shrunken Head $ Yes 9.28 Bar Website Foursquare Floyd NY $ Yes 9.27 Bar Website Foursquare Croxley's Ale House $ Yes 9.26 Sports Bar Website Foursquare Zombie Hut $ Yes 9.26 Bar Foursquare Night of Joy $ Yes 9.24 Bar Website Foursquare Barracuda Bar $ Yes 9.22 Gay Bar Website Foursquare -
Postmodern Jukebox Performing Live at Mesa Arts Center November 27, 2016
Media Contact: Casey Blake 480-644-6620 [email protected] Postmodern Jukebox Performing Live at Mesa Arts Center November 27, 2016 Mesa, AZ (April 19, 2016) – Scott Bradlee’s Postmodern Jukebox (PMJ) have announced a 45- date North American headlining tour which includes a one-night-only performance at Mesa Arts Center on Sunday, November 27 at 7:00 p.m. Fans can pre-order tickets Wednesday, April 20 via PMJ’s official site, postmodernjukebox.com. Tickets go on sale to the general public on Friday, April 22 at 10:00 a.m. and will be available at Mesa Arts Center’s Box Office, at mesaartscenter.com and by calling 480-644-6500. The tour follows PMJ’s current 75-date almost completely sold-out international run, which wraps this June. In 2015, the group's sold-out tours of Australia and the United States prompted the Buffalo News to proclaim, “Postmodern Jukebox is literally a postmodern success, extending its reach from the virtual to the real world, touring and performing around the globe for an ever-growing fan base.” Created by Bradlee, the rotating collective of Postmodern Jukebox has spent the past few years amassing more than 450 million YouTube views and 1.9 million subscribers, performed on “Good Morning America,” topped iTunes and Billboard charts and played hundreds of shows to packed-house crowds around the world. As NPR put it, they’ve done this by “taking current Top 40 hits and re-imagining them as coming from older eras of popular music.” In one such remake, Bradlee and Postmodern Jukebox turned Miley Cyrus’ “We Can’t Stop” into a doo-wop ditty that’s garnered over 15.4 million views. -
Shinedownthe Biggest Band You've Never Heard of Rocks the Coliseum
JJ GREY & MOFRO DAFOE IS VAN GOGH LOCAL THEATER things to do 264 in the area AT THE PAVILION BRILLIANT IN FILM PRODUCTIONS CALENDARS START ON PAGE 12 Feb. 28-Mar. 6, 2019 FREE WHAT THERE IS TO DO IN FORT WAYNE AND BEYOND THE BIGGEST BAND YOU’VE NEVER SHINEDOWN HEARD OF ROCKS THE COLISEUM ALSO INSIDE: ADAM BAKER & THE HEARTACHE · CASTING CROWNS · FINDING NEVERLAND · JO KOY whatzup.com Just Announced MAY 14 JULY 12 JARED JAMES NICHOLS STATIC-X AND DEVILDRIVER GET Award-winning blues artist known for Wisconsin Death Trip 20th Anniversary energetic live shows and bombastic, Tour and Memorial Tribute to Wayne Static arena-sized rock 'n' roll NOTICED! Bands and venues: Send us your events to get free listings in our calendar! MARCH 2 MARCH 17 whatzup.com/submissions LOS LOBOS W/ JAMES AND THE DRIFTERS WHITEY MORGAN Three decades, thousands of A modern day outlaw channeling greats performances, two Grammys, and the Waylon and Merle but with attitude and global success of “La Bamba” grit all his own MARCH 23 APRIL 25 MEGA 80’S WITH CASUAL FRIDAY BONEY JAMES All your favorite hits from the 80’s and Grammy Award winning saxophonist 90’s, prizes for best dressed named one of the top Contemporary Jazz musicians by Billboard Buckethead MAY 1 Classic Deep Purple with Glenn Hughes MAY 2 Who’s Bad - Michael Jackson Tribute MAY 4 ZoSo - Led Zeppelin Tribute MAY 11 Tesla JUNE 3 Hozier: Wasteland, Baby! Tour JUNE 11 2 WHATZUP FEBRUARY 28-MARCH 6, 2019 Volume 23, Number 31 Inside This Week LIMITED-TIME OFFER Winter Therapy Detailing Package 5 Protect your vehicle against winter Spring Forward grime, and keep it looking great! 4Shinedown Festival FULL INTERIOR AND CERAMIC TOP COAT EXTERIOR DETAILING PAINT PROTECTION Keep your car looking and Offers approximately four feeling like new. -
Musician's Rescue
MUSICIAN’S RESCUE KIT - Earning Online Income As A Musician In Times Of COVID-19 and Beyond By Scott Bradlee www.patreon.com/tourbusuniversity FOREWORD I wanted to write this guide for all my fellow musicians out there during this crazy, gig- less time. My own act, Postmodern Jukebox, was one of the first acts to pull a national tour off the road when the Coronavirus began circulating in the United States, and since then, the threat that it has posed to the concert industry has become quite apparent. In reality, the music industry is likely to be one of the last industries to return to normalcy; after all, we’re an industry that is primarily built on getting groups of people together in a room. This is really bad news for all of us that make the majority of our income from performing live — whether it’s as a drummer in a jazz trio, an actor in a Broadway show, a DJ playing nightclubs, a headliner on a concert tour, and everything in between. The good news is that it’s entirely possible to make a great living from music online. In this guide, I’m going to share the system that I use, with a few updates for 2020. MINIMUM REQUIREMENTS TO EARN MONEY ONLINE AS A MUSICIAN For the sake of this guide, I’m going to assume some minimum requirements on your part: 1) You’ve already put in the work as a musician, and already have at least a couple fans. Having more fans just means you’re that much closer to your goal of making a living from music. -
Sep/Oct 2016 Volume 20, Issue 4
Bimonthly Publication of the Central Florida Jazz Society BLUE SEP/OCT 2016 VOLUME 20, ISSUE 4 NOTES in NBC was the most adventurous network in music programming throughout the 1950s, particularly through Steve Allen's efforts to present pop, jazz and classical artists on the Tonight Show. Allen also hosted an NBC special, All Star Jazz, in December 1957. Like Allen, Ed Sullivan featured a number of black acts on his Talk of the Town variety show in the 1950s. Although most acts were comics and dancers, musical performers included W. C. Handy, Billy Eckstine, Lena Horne and T-Bone Walker. On 1 April 1949, ABC affiliate WENR in Chicago began airing Happy Pappy, a jazz-oriented revue that featured an all-black cast, and three years later an ABC special with Billy Daniels was the first network television program to feature a black entertainer as star. Nat "King" Cole became the first black to host a regular network series (on NBC from 1956 to 1957), yet the program failed to attract a national sponsor and was boycotted by several stations in the North and South. As a result, blacks largely were relegated to guest shots on variety shows. No black performer would host a network variety series until Sammy Davis, Jr. in 1966. Jazz enjoyed greater exposure during the waning years of 1950s. CBS aired Stan Kenton's Music '55 as a summer replacement series, and the success of the NBC special All-Star Jazz in December 1957 led to a jazz boomlet the following year. 100 S. Eola Drive, Suite 100 in Orlando’s Thornton Park See JAZZ IN TV on page 5 Valet Parking $5 CFJS 3208 W. -
Skyline Orchestras
PRESENTS… SKYLINE Thank you for joining us at our showcase this evening. Tonight, you’ll be viewing the band Skyline, led by Ross Kash. Skyline has been performing successfully in the wedding industry for over 10 years. Their experience and professionalism will ensure a great party and a memorable occasion for you and your guests. In addition to the music you’ll be hearing tonight, we’ve supplied a song playlist for your convenience. The list is just a part of what the band has done at prior affairs. If you don’t see your favorite songs listed, please ask. Every concern and detail for your musical tastes will be held in the highest regard. Please inquire regarding the many options available. Skyline Members: • VOCALS AND MASTER OF CEREMONIES…………………………..…….…ROSS KASH • VOCALS……..……………………….……………………………….….BRIDGET SCHLEIER • VOCALS AND KEYBOARDS..………….…………………….……VINCENT FONTANETTA • GUITAR………………………………….………………………………..…….JOHN HERRITT • SAXOPHONE AND FLUTE……………………..…………..………………DAN GIACOMINI • DRUMS, PERCUSSION AND VOCALS……………………………….…JOEY ANDERSON • BASS GUITAR, VOCALS AND UKULELE………………….……….………TOM MCGUIRE • TRUMPET…….………………………………………………………LEE SCHAARSCHMIDT • TROMBONE……………………………………………………………………..TIM CASSERA • ALTO SAX AND CLARINET………………………………………..ANTHONY POMPPNION www.skylineorchestras.com (631) 277 – 7777 DANCE: 24K — BRUNO MARS A LITTLE PARTY NEVER KILLED NOBODY — FERGIE A SKY FULL OF STARS — COLD PLAY LONELY BOY — BLACK KEYS AIN’T IT FUN — PARAMORE LOVE AND MEMORIES — O.A.R. ALL ABOUT THAT BASS — MEGHAN TRAINOR LOVE ON TOP — BEYONCE BAD ROMANCE — LADY GAGA MANGO TREE — ZAC BROWN BAND BANG BANG — JESSIE J, ARIANA GRANDE & NIKKI MARRY YOU — BRUNO MARS MINAJ MOVES LIKE JAGGER — MAROON 5 BE MY FOREVER — CHRISTINA PERRI FT. ED SHEERAN MR. SAXOBEAT — ALEXANDRA STAN BEST DAY OF MY LIFE — AMERICAN AUTHORS NO EXCUSES — MEGHAN TRAINOR BETTER PLACE — RACHEL PLATTEN NOTHING HOLDING ME BACK — SHAWN MENDES BLOW — KE$HA ON THE FLOOR — J. -
Music by the Lake Announces 2016 Summer Lineup
Contact: Amy Schrage 630-844-5244 [email protected] FRIDAY, APRIL 8, 2016 MUSIC BY THE LAKE ANNOUNCES 2016 SUMMER LINEUP Season features weekend events June 26 through August 20 in the Ferro Pavilion on the shores of Wisconsin’s Geneva Lake Events include a community showcase with the Lake Geneva Symphony; Micky Dolenz, the voice of the Monkees; YouTube sensation Postmodern Jukebox; interactive family show with television stars Imagination Movers; the songs of Rodgers and Hammerstein with the Chicago Philharmonic and Broadway vocalists; and all-male vocal phenomenon Straight No Chaser. Williams Bay, Wis. — Outdoor summer entertainment venue Music by the Lake, presented by George Williams College of Aurora University, announces its 16th annual season presenting artist debuts and a range of musical genres and shows, including classical, dance, contemporary and nostalgic pop, Broadway, and star vocalists. The season, which includes weekend events from June 26 through August 20, features performances for all generations to enjoy. Tickets for all summer events go on sale to festival donors at 9:00 a.m. on April 26. Support the festival at the Friend level or above and receive early access to tickets. Visit musicbythelake.com/support. Public ticket sales begin at 9:00 a.m. on May 10. Patrons can purchase their tickets at musicbythelake.com or by contacting the Music by the Lake ticket office at 262-245-8501. Music by the Lake does not charge a service fee on ticket orders. CHICAGO PHILHARMONIC PRESENTS AN EVENING OF RODGERS AND HAMMERSTEIN BROADWAY HITS WITH STAR VOCALISTS ‘Oh, what a beautiful’… evening it will be when the Chicago Philharmonic, under the baton of Artistic Director Scott Speck, performs a program of Rodgers and Hammerstein favorites at 7:30 p.m. -
Karaoke Version Song Book
Karaoke Version Songs by Artist Karaoke Shack Song Books Title DiscID Title DiscID (Hed) Planet Earth 50 Cent Blackout KVD-29484 In Da Club KVD-12410 Other Side KVD-29955 A Fine Frenzy £1 Fish Man Almost Lover KVD-19809 One Pound Fish KVD-42513 Ashes And Wine KVD-44399 10000 Maniacs Near To You KVD-38544 Because The Night KVD-11395 A$AP Rocky & Skrillex & Birdy Nam Nam (Duet) 10CC Wild For The Night (Explicit) KVD-43188 I'm Not In Love KVD-13798 Wild For The Night (Explicit) (R) KVD-43188 Things We Do For Love KVD-31793 AaRON 1930s Standards U-Turn (Lili) KVD-13097 Santa Claus Is Coming To Town KVD-41041 Aaron Goodvin 1940s Standards Lonely Drum KVD-53640 I'll Be Home For Christmas KVD-26862 Aaron Lewis Let It Snow, Let It Snow, Let It Snow KVD-26867 That Ain't Country KVD-51936 Old Lamplighter KVD-32784 Aaron Watson 1950's Standard Outta Style KVD-55022 An Affair To Remember KVD-34148 That Look KVD-50535 1950s Standards ABBA Crawdad Song KVD-25657 Gimme Gimme Gimme KVD-09159 It's Beginning To Look A Lot Like Christmas KVD-24881 My Love, My Life KVD-39233 1950s Standards (Male) One Man, One Woman KVD-39228 I Saw Mommy Kissing Santa Claus KVD-29934 Under Attack KVD-20693 1960s Standard (Female) Way Old Friends Do KVD-32498 We Need A Little Christmas KVD-31474 When All Is Said And Done KVD-30097 1960s Standard (Male) When I Kissed The Teacher KVD-17525 We Need A Little Christmas KVD-31475 ABBA (Duet) 1970s Standards He Is Your Brother KVD-20508 After You've Gone KVD-27684 ABC 2Pac & Digital Underground When Smokey Sings KVD-27958 I Get Around KVD-29046 AC-DC 2Pac & Dr. -
Music of Yesterday for the Youth of Today
Music of Yesterday for the Youth of Today While writing this contest, we here at Good Time in Vegas wanted to make sure the youth of today could get our songs for the on-airs - after all, kids today probably know Lil’ Jon better than Little Richard. But that ends today! Just for you, we’re going to ask about songs that were probably released during your lifetimes (20 years ago, for the most part) that reference, sample, parody, or even steal the hits of yesteryear! Part 1: Questions 1. The first song covered by Scott Bradlee’s Postmodern Jukebox that wasn’t released in the 21st century was what Guns ‘n’ Roses song? 2. Skee-Lo stops wishing in “I Wish” long enough to say, “Hey, you, what’s that sound? Everybody look what’s going down.” This line is an allusion to what protest song, also sampled in Public Enemy’s “He Got Game”? 3. Melanie Martinez name-drops and samples Lesley Gore’s “It’s My Party” in what song? 4. Somehow hitting #1 on the Billboard Hot 100 for two weeks, “Butterfly” by Crazy Town samples the instrumental “Pretty Little Ditty.” This is from what band’s 1989 album Mother’s Milk? 5. #1 around the same time as “Butterfly”, “Angel” by Shaggy uses TWO samples! One is the bassline from a Steve Miller Band song and the other is the chorus medley from a song that charted highest with Juice Newton. Name either song. 6. The 2014 Tony-nominated musical Beautiful (including a Best Leading Actress win for Jessie Mueller) documents the life of what musician? 7. -
California Counties Photography Collection
http://oac.cdlib.org/findaid/ark:/13030/kt4d5nc64d No online items Guide to the California Counties Photography Collection PC-CO: Box [number] Trina Lopez, Wendy Welker, Brenda Baldwin, and Mary Morganti. California Historical Society 2004 678 Mission Street San Francisco, CA 94105 [email protected] URL: http://californiahistoricalsociety.org/ Guide to the California Counties PC-CO: Box [number] 1 Photography Collection PC-CO: Box [number] Language of Material: English Contributing Institution: California Historical Society Title: California Counties Photography collection, Identifier/Call Number: PC-CO: Box [number] Physical Description: 650 Linear Feet(108 boxes, 16 oversize boxes) Date (inclusive): circa 1850-1980 Date (bulk): 1870-1970 Abstract: Contains photographs and postcards depicting views of specific locations, structures, people, events, and general subjects relating to cities and towns in every county of California from the 1850s to the 1980s except for San Francisco, which is collected separately. Collection is stored onsite. Language of Material: English. Access Collection is open for research. Publication Rights All requests to reproduce, publish, quote from or otherwise use collection materials must be submitted in writing to the Director of Library and Archives. Consent is given on behalf of the California Historical Society as the owner of the physical items and is not intended to include or imply permission from the copyright owner. Such permission must be obtained from the copyright owner. Restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes. Responsibility for any use, including copying, transmitting, or making any other use of protected images, rests exclusively with the user.