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CONTACT INFO OPENING ACT for PAUL VAN DYK “Evolution Tour” [email protected] SOMETHING WICKED Houston, TX Houston, TX EDM Music Festival
Je Chen, better known as Kid Stylez, is a DJ / Producer from Houston, Texas. Over a span of a 20-year career, this veteran DJ has rocked sold out venues across the nation, performed on nationally syndicated radio mixshows, and NOTABLE PERFORMANCES held numerous residencies at highly regarded venues. Now making his own remixes and tracks, this DJ has recently found a whole new love for music and performing. OFFICIAL DJ for CLUB NOMADIC - SUPERBOWL LI “2017 EA Sports Bowl” As an open format DJ, this party rocker is well-known for surprising crowds with "left turns,” as well as performing on-the-fly edits and live blends in his high-energy sets. He draws on his extensive music knowledge to perform OPENING ACT for DASH BERLIN crowd-pleasing sets that break genre barriers. Je is a master at reading crowds, and any given night you might hear “Nightculture & Disco Donnie Presents” deep house, progressive, trap, breakbeat, electro, dubstep, hip hop, reggae, rock, or pop, all perfectly fused together. OPENING ACT for PAUL OAKENFOLD “Jagermeister Ultimate Summer of Music Tour” Je has performed alongside many of today’s most recognizable music talent, with particular emphasis on the EDM (Electronic Dance Music) scene. He has been chosen as a supporting act for multiple Armin Van Buuren tours, as OPENING ACT for FAR EAST MOVEMENT well as many other EDM artist tours. He has also performed at the nation’s premier Halloween EDM festival, “Stereo Live & Kollaboration Houston Presents” Something Wicked, for multiple years. Je was also selected from DJs across the country to play the world's largest OPENING ACT for ARMIN VAN BUUREN 24 Hour EDM mixshow, The New Year's Eve Tailgate Party. -
Lxdx Warrants Live Markets Insider
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A Chat with the DJ - Apostille
[email protected] A Chat with the DJ - Apostille MB.. You Have very kindly agreed to do a mix for the podcast but I feel its always good for listeners to get to know you a little with a 5 step Q & A.. So we know that you play the deep, melodic and progressive style but when did you start to DJ and what made you take the step from punter to player ?? (as in the DJ kind) Apostille: My first ever visit to a nightclub was to see Paul Oakenfold at The Warehouse in April 1996. I was 16. My mum gave me and three mates a lift to the club and we were listening to Radio 1 in the car. Pete Tong played his essential new tune – it was Born Slippy. We get in and guess what, four hours later Oakey drops Born Slippy at prime time to a rammed club. Blew my mind. That was the moment I wanted to do be a DJ. My parents bought me some sketchy belt drive turntables for Christmas in 1996. By the end of 1997 I was playing small venues locally. That year I saw Sasha and Digweed touring Northern Exposure. I knew I liked that melodic genre, but when Paul Van Dyk came to town with his acid infused progressive trance I was all in on that sound. He drifted away from that sound actually and went more mainstream trance. I have never forgiven him! MB.. If you can share one musical memory with us, as a DJ or punter, which has lodged itself in the memory bank, what is it?? Apostille: For starters I have definitely had more fun as a punter than a DJ. -
The MFS Trip Into the History of Trance!
The MFS Trip into the History of Trance! Bittles‘ Magazine | Album Review Before the term Trance became something to be pitied, hated and despised as well as the dominant force in dance music it was seen as a creative revelation that brought the emotion back to House. The adrenaline- fuelled head-rush of rave was coming to an end, hardcore had become just too hard and the club kids were craving something new with which to get their chemical kicks. By JOHN BITTLES Trance came at just the right time to reinvigorate a dance music scene that had somehow managed to crawl up its own K-hole. This new style of music added a much needed melodic flavour to its processed beats. When combined with an almost religious spirituality that was perfect for ecstasy consumption and the hugging of complete strangers everywhere it was no surprise when it exploded the way it did. One of the very first proponents of this new sound was Berlin-based record label MFS! Masterminded For Success was formed in 1990 as a way to tap into the burgeoning electronic scene by East German label Deutsche Schallplatten Berlin. When the parent company folded a mere three years later Mark Reeder and Torsten Jurk didn’t lie down and cry. No, they very wisely took out a loan and did everything possible to ensure that the label they loved didn’t meet a premature end. All of which brings us to the rather fab X-Mix 1: The MFS Trip; a label compilation released in 1993 created to soundtrack the first in a series of computer graphic videos by video label K7. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
MERCURIAL MIXING DJ Harvey Brings the White Isle to Your Living Room with His Comp for the Newly-Founded Pikes Records
MUSIC MERCURIAL MIXING DJ Harvey brings the White Isle to your living room with his comp for the newly-founded Pikes Records... p.146 DON’T STOP THE MUSIC The latest tracks reviewed p.122 FOR THE LONGEST TIME The best albums of October p.142 PHAT COMPTROLLER The compilations to gobble up this month p.146 Pic: DAN REID djmag.com 121 HOUSE BEN ARNOLD QUICKIES Urulu The Armadillo EP [email protected] Amadeus Records 8.0 Taylor Freels, aka Urulu, drops some first-rate balearic house music in the gently marvellous 'The Nautlus', while the busted-up beats of 'Cold Ravioli' will warm the soul. Dudley Strangeways & Luke Black MONEY Split EP Chord Records Iron Curtis SHOT! 7.5 Lights EP Proceed directly to 'Even Tides' from Dudley Hudd Traxx Strangeways here, via Luke Black's Chord 9.0 Records. It crunches and shuffles in all the right This is flawless work from places. Iron Curtis — aka Nürnberg- native Johannes Paluka — Gina Breeze delivered on the inimitable, from Scotland's Lord Of The own vinyl-only offshoot 22 After Dark EP Huddersfield-founded Hudd Isles and Frank T Butters are Digit LTD; a message of unity Classic Music Company Traxx. 'Lights', being the title excellent too. layered over bass thick enough 7.5 track here, is indeed a peak- to stand your spoon up in. Cracking debut on Luke Solomon and Derrick time colossus, all string stabs Felix Da Housecat Appleblim pulls out a brilliantly Carter's Classic from Homoelectric's very own and spine tingles. -
Sensation White Booklet
07/05/14 Dressed in White Together We Unite Become apart of the global dance phenomemon and join us for a night filled with peace, love, and dance music. Prepare to have your senses amazed with an experience unlike anything else. ID&T along with Product (Red) presents Sensation at the Staples Center. Dressed in all white, thousands of partygoers will not only have fun, but will do good by having fun. A portion of Sensation’s ticket and merchandise sales will go to benefit Product (Red), to help combat HIV/AIDS throughout Africa. Dress in White for (Red). Dance for Life. Kaskade The Carl Cox Tiesto DJs Armin van Buuren Paul van Dyk Benny Benassi 01 01 02 02 Kaskade Carl Cox Already one of America’s biggest house A legend in his own right, Carl Cox DJs, Kaskade’s career isn’t letting continues to be one the world’s up anytime soon. His melodic and leading techno DJs with a career that soothing beats accompanied by light spands nearly three decades. From and airy vocals create his signature headlining several major dance events sound, and it’s no wonder that he has ranging from Mayday, Sensation, become one of the most well-liked Ultra, and Tomorrowworld, Carl and succesful DJs in the U.S. In 2012 continues to bring the best in techno. he had a succesful residency at the Marquee nigh club in Las Vegas, and in 2013 returned to the city for another succesful run at the XS nightclub. Genre: House Genre: Techno 03 04 Tiesto Armin van Buuren A trance legend who now dabbles in Ranked as the #1 DJ in the world five several genres of dance music, Tiesto times in DJ Mag, Armin continues to remains a revered figure in the global bring uplifting and melodic trance tunes dance scene. -
Microsoft Office Outlook
Eliot I. Bernstein Full Name: Above and Beyond First Name: Above and Beyond Job Title: James Grant - Manager Business: 44 20 8742 4950 E-mail: enquiries Categories: call ultrafest 09 20090319 cmb sent email to 20090319 cmb per recept not manager James Grant Media Ltd 94 Strand On The Green Chiswick London W4 3NN tel: 020 8742 4950 fax: 020 8742 4951 email: enquiries James Grant Music Management was formed in the early part of 2005 by Nick Worsley and Simon Hargreaves and is a joint venture with long established TV Management Company James Grant Media. Heading up the company are two former Sony Music Entertainment Executives - Nick Worsley who was Head of Radio Promotions and Simon Hargreaves who was Head Of Press and Publicity. Bringing together over 20 years of music industry experience across both Major labels and the Independent sector - James Grant Music delivers a fresh and extremely potent force in the Music Business and is already breaking new ground in the Music Management arena. 1 Eliot I. Bernstein Full Name: Alina First Name: Alina E-mail: [email protected] E-mail Display As: Alina ([email protected]) Categories: call ultrafest 09 20090319 cmb sent email to the email above AFFILIATION: Sequence Production BOOKING CONTACT: [email protected] BIOGRAPHY Alina Sequence career has begun in 1994 when it has started to work as the assistant to the arranger in a sound studio. Greater support was rendered by Andrey Ivanov (Triplex), having given many useful knowledge in the field of electronic tools, becoming first producer Alina. In 1997 Alina Sequence bases under the beginning a promo-label " Sequence Records " which is engaged in producing of young electronic musicians, and also release of releases of Russian electronic music. -
Kennedy Van Der Laan 28 March, 2017
Case 2:19-cv-04280-SVW-SS Document 11-2 Filed 06/24/19 Page 111 of 241 Page ID #:687 Answer to the Notice of Arbitration Paul van Dyk GmbH and Matthias Paul v. ALDA Events B.V. Kennedy Van der Laan 28 March, 2017 ANSWER TO THE NOTICE OF ARBITRATION Paul van Dyk GmbH and Matthias Paul v. ALDA Events B.V. March 28, 2017 1. INTRODUCTION 1.1. By Notice of Arbitration from March 7, 2017, Paul van Dyk GmbH and Matthias Paul p/k/a Paul van Dyk (individually referred to as “Claimant 1” and “Claimant 2”, respectively and jointly as “Claimants”), have notified the ICDR of their demand that a dispute between Claimants and ALDA Events B.V. (“Respondent”) is to be referred to arbitration. 1.2. In this Answer, Respondent shall briefly reply to such demand by raising several preliminary defenses against the validity of the arbitration agreement, the parties to this arbitration and the scope of the claims brought by Claimants. 1.3. After first addressing the particulars of the parties and Respondent’s representatives in chapter 2, Respondent shall put forward its preliminary defenses related to the lack of an arbitration agreement (chapter 3), the lack of standing of Claimant 2 (chapter 4) and the scope of the claims brought by Claimants in this Arbitration (chapter 5). Respondent will conclude this Answer with a few particulars and observations concerning the arbitrator (chapter 6) and other relevant matters (chapter 7). 1.4. Respondent submits one Exhibit with this Answer, numbered Exhibit R-1. -
Music 10378 Songs, 32.6 Days, 109.89 GB
Page 1 of 297 Music 10378 songs, 32.6 days, 109.89 GB Name Time Album Artist 1 Ma voie lactée 3:12 À ta merci Fishbach 2 Y crois-tu 3:59 À ta merci Fishbach 3 Éternité 3:01 À ta merci Fishbach 4 Un beau langage 3:45 À ta merci Fishbach 5 Un autre que moi 3:04 À ta merci Fishbach 6 Feu 3:36 À ta merci Fishbach 7 On me dit tu 3:40 À ta merci Fishbach 8 Invisible désintégration de l'univers 3:50 À ta merci Fishbach 9 Le château 3:48 À ta merci Fishbach 10 Mortel 3:57 À ta merci Fishbach 11 Le meilleur de la fête 3:33 À ta merci Fishbach 12 À ta merci 2:48 À ta merci Fishbach 13 ’¡¡ÒàËÇèÒ 3:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 14 ’¡¢ÁÔé’ 2:29 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 15 ’¡à¢Ò 1:33 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 16 ¢’ÁàªÕ§ÁÒ 1:36 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 17 à¨éÒ’¡¢Ø’·Í§ 2:07 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 18 ’¡àÍÕé§ 2:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 19 ’¡¡ÒàËÇèÒ 4:00 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 20 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:49 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 21 áÁèËÁéÒ¡ÅèÍÁÅÙ¡ 6:23 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 22 ¡ÅèÍÁÅÙ¡â€ÃÒª 1:58 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 23 ¡ÅèÍÁÅÙ¡ÅéÒ’’Ò 2:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 24 Ë’èÍäÁé 3:21 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 25 ÅÙ¡’éÍÂã’ÍÙè 3:55 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 26 ’¡¡ÒàËÇèÒ 2:10 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… 27 ÃÒËÙ≤˨ђ·Ãì 5:24 à≤ŧ¡ÅèÍÁÅÙ¡ªÒÇÊÂÒÁ ʶҺђÇÔ·ÂÒÈÒʵÃì¡ÒÃàÃÕÂ’… -
Chartsplus YE2003
? Platinum (600,000) ä Gold (400,000) 2002 è Silver (200,000) 2002 TITLE - Artist Label (Cat. No.) Entry Date High Wks 2002 TITLE - Artist Label (Cat. No.) Entry Date High Wks 3 1 ANYTHING IS POSSIBLE/EVERGREEN - Will Young ? 09/03/2002 13 39 51 WE'RE ON THE BALL - Ant & Dec 08/06/2002 3 25 ² S/RCA (74321926142) Columbia (6727312) 2 2 UNCHAINED MELODY - Gareth Gates ? 30/03/2002 14 35 52 WHEN YOU LOOK AT ME - Christina Milian 29/06/2002 3 16 ² S/RCA (74321930882) Def Soul (5829802) 3 HERO - Enrique Iglesias ? 02/02/2002 14 42 53 UNBREAKABLE - Westlife 09/11/2002 1 9 Interscope (IND97671) ² S/RCA (74321975182) 4 DILEMMA - Nelly featuring Kelly Rowland ? 26/10/2002 12 11 54 AIN'T IT FUNNY - Jennifer Lopez 23/03/2002 4 13 ² Universal (MCSTD40299) Epic (6724922) 5 A LITTLE LESS CONVERSATION - Elvis vs JXL ? 22/06/2002 14 21 55 LOVE AT FIRST SIGHT - Kylie Minogue 22/06/2002 2 20 ² RCA (74321943572) Parlophon e (CDRS6577) ä 3 6 ANYONE OF US (STUPID MISTAKE) - Gareth Gates 20/07/2002 1 17 56 MY SWEET LORD - George Harrison 26/01/2002 1 27 ² S/RCA (74321950602) Parlophone (CDR6571) ä 7 WHENEVER WHEREVER - Shakira 09/03/2002 2 26 57 CAUGHT IN THE MIDDLE - A1 02/02/2002 2 32 Epic (6724262) ² Columbia (6722322) 8 THE KETCHUP SONG (ASEREJE) - Las Ketchup 19/10/2002 1 12 58 LAZY - X-Press 2 featuring David Byrne 13/04/2002 2 20 ² Columbia (6731932) ² Skint (SKINT74CD) ä 9 JUST A LITTLE - Liberty X 25/05/2002 1 24 59 WHEREVER YOU WILL GO - The Calling 06/07/2002 3 13 ² V2 (VVR5018963) RCA (74321947652) ä è 10 WITHOUT ME - Eminem 01/06/2002 1 24 60 IN YOUR EYES - Kylie Minogue 02/03/2002 3 28 Interscope (4977282) ² Parlophone (CDR6569) ä 11 IF TOMORROW NEVER COMES - Ronan Keating 18/05/2002 1 29 61 FLY BY II - Blue 30/03/2002 6 14 ² Polydor (5707182) Innocent (SINCD33) ä 12 HOW YOU REMIND ME - Nickelback 09/03/2002 4 34 62 THE WORLD'S GREATEST - R. -
Formal Devices of Trance and House Music: Breakdowns
FORMAL DEVICES OF TRANCE AND HOUSE MUSIC: BREAKDOWNS, BUILDUPS AND ANTHEMS Devin Iler, B.M. Thesis Prepared for the Degree of MASTER OF MUSIC UNIVERSITY OF NORTH TEXAS December 2011 APPROVED: David B. Schwarz, Major Professor Thomas Sovik, Minor Professor Ana Alonso-Minutti, Committee Member Lynn Eustis, Director of Graduate Studies in the College of Music James Scott, Dean of the College of Music James D. Meernik, Acting Dean of the Toulouse Graduate School Iler, Devin. Formal Devices of Trance and House Music: Breakdowns, Buildups, and Anthems. Master of Music (Music Theory), December 2011, 121 pp., 53 examples, reference list, 41 titles. Trance and house music are sub-genres within the genre of electronic dance music. The form of breakdown, buildup and anthem is the main driving force behind trance and house music. This thesis analyzes transcriptions from 22 trance and house songs in order to establish and define new terminology for formal devices used within the breakdown, buildup and anthem sections of the music. Copyright 2011 by Devin Iler ii TABLE OF CONTENTS Page LIST OF EXAMPLES……………………………………………………………………iv CHAPTER 1—INTRODUCTION……………………………………………………......1 Definition of Terms/Theoretical Background…………………………………......1 A Brief Historical Context………………………………………………………...6 CHAPTER 2— TYPICAL BUILDUP FEATURES……………………………………...9 Snare Rolls and Bass Hits…………………………………………………………9 Bass + Snare + High Hat Leads and Rest Measures……………………………..24 CHAPTER 3— BUILDUPS WITHOUT TYPICAL FEATURES……………………...45 Synth Sweeps…………………………………………………………………….45