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Limited Edition Platinum Prints of Iconic Images by Robert Capa
PRESS RELEASE Contact : Amy Wentz Ruder Finn Arts & Communications Counselors [email protected] / 212-715-1551 Limited Edition Platinum Prints of Iconic Images by Robert Capa, Henri Cartier-Bresson, George Rodger and David Seymour to be Published in Unique Hand-Bound Collector’s Book Magnum Founders, In Celebration of Sixty Years Provides Collectors Once-in-a-Lifetime Opportunity to Own Part of Photographic History Santa Barbara, California, June 6, 2007 – Verso Limited Editions, a publisher of handcrafted books that celebrate the work of significant photographers, announced the September 2007 publication of Magnum Founders, In Celebration of Sixty Years . Magnum Founders will include twelve bound and one free-standing rare platinum, estate-stamped prints of iconic images by four visionary photographers who influenced the course of modern photographic history – Robert Capa, Henri Cartier-Bresson, George Rodger and David “Chim” Seymour. The collector’s book celebrates the 60 th anniversary of Magnum Photos, a photographic co- operative founded by these four men and owned by its photographer-members. Capa, Cartier- Bresson, Rodger and Seymour created Magnum in 1947 to reflect their independent natures as both people and photographers – the idiosyncratic mix of reporter and artist that continues to define Magnum today. The first copy of Magnum Founders will be privately unveiled on Thursday, June 21 at the Museum of Modern Art, New York – birthplace of Magnum Photos – during the “Magnum Festival,” a month-long series of events celebrating the art of documentary photography. Magnum Founders will also be on view to the public at the Howard Greenberg Gallery, 41 East 52 nd St., New York, beginning on Friday, June 22. -
Expanding the Cultural Imagination Through Photography ICS [3] 1
Impact case study (REF3b) Institution: University of Brighton Unit of Assessment: D34 Art and Design: History, Practice and Theory Title of case study: Expanding the Cultural Imagination through Photography ICS [3] 1. Summary of the impact Our research has harnessed the power of photography to expand the cultural imagination, creating new works and interpretive practices that enrich, illuminate and challenge perceptions of society and the world in which we live. Through exhibition, publication, and public and community engagement, our research has: 1) created cultural legacies for major public (Millennium Dome, Treasury) and commercial (Airbus) projects; 2) provided enhanced cultural experiences to multiple audiences and specific communities in the UK and Europe, provoking reflection on ideas of place and identity, and contributing to processes of cultural memory and reconciliation (Association of Jewish Refugees, Healing Through Remembering) and; 3) expanded photography within the cultural economy, working in partnership (Photoworks, Multistory) to build and sustain audiences for photography within and beyond the region. 2. Underpinning research University of Brighton (UoB) research in photography comprises three interlocking strands: the positioning of photography as a medium of critical artistic significance within the wider cultural economy and public sphere; the development of forms of visual storytelling that shape contemporary narratives of place, and; photography as a mode of enquiry into cultural history and memory. In 2003, in partnership with Photoworks and the University of Sussex, UoB was instrumental in founding the Brighton Photo Biennial to raise the public and professional profile of photography. In parallel, Photoforum (2003), launched by GREEN and LOWRY, provided the intellectual underpinning for developments in practice that fostered a critical debate around the medium’s changing uses and increasing cultural prominence. -
MAGNUM PHOTOS and PICTO 1950-2020
70 Years of Correspondences: MAGNUM PHOTOS and PICTO 1950-2020 NEW YORK, NY / ACCESSWIRE / Oct 26, 2020 / RICHARD TAITTINGER GALLERY is pleased to announce the exhibition 70 YEARS OF CORRESPONDENCES: MAGNUM PHOTOS AND PICTO 1950-2020, curated by photography historian Carole Naggar. This exhibition is a collaboration with MAGNUM PHOTOS and PICTO and a celebration of the seventy years of partnership between two important institutions in the photo world. This exhibition consists of three parts - YESTERDAY, TODAY and TOMORROW - and is an overview of this continuous collaboration since 1950. It is presented through the work of nineteen photographers and more than 100 prints (vintage and modern). Curated by Carole Naggar October 29 - December 20, 2020 Opening: October 29, 2020, 2 p.m. - 9 p.m. MAGNUM PHOTOS was founded in Paris in 1947 by Robert Capa, Henri Cartier-Bresson, George Rodger and David 'Chim' Seymour in response to World War II and the need to observe and report on the state of the world. Today her agency has 89 international members (past and present). Founded in 1950 by Pierre and France Gassmann, PICTO produced works for Magnum's founders such as Henri Cartier-Bresson, Robert Capa and Chim, as well as other notable artists such as William Klein, Willy Ronis, Robert Doisneau and Edouard Boubat. Photography is an innovative medium that records history and change and deals with them. This exhibition celebrates leading figures in the field and offers a journey through the medium of the past 70 years that invites us to imagine its future. 70 YEARS OF CORRESPONDENCES: MAGNUM PHOTOS AND PICTO 1950-2020 will be on display at RICHARD TAITTINGER GALLERY, 154 Ludlow Street, from October 29th to December 20th, 2020. -
Photography and Britishness
international conference Photography and Britishness November 4–5, 2016 Yale Center for British Art, New Haven, CT This conference is co-organized by the Yale Center for British Art, New Haven; the Paul Mellon Centre for Studies in British Art, London; and The Huntington Library, Art Collections, and Botanical Gardens, San Marino friday, november 4, 2016 The leveling aesthetic of photography—its capacity to draw heterogeneous peoples into what Christopher Pinney has termed a “common epistemological space”—meant that it could serve as a visual register for the elusive conn- session 1 | 11 am–12:30 pm ective tissue of imperial subjecthood, effectively reifying a useful political abstraction. Yet, as much as British sovereign authority could be embodied Imperial Britishness by this visual logic, British identity could simultaneously be dissolved by the homogenizing grammar of the medium. This paper therefore examines how colonials grappled with photography’s technical and formal possibilities in chair Martina Droth, Yale Center for British Art ways that attempted to forge a viable imperial polity while preserving a sense martina droth is Deputy Director of Research and Curator of Sculpture of privileged Britishness. Looking in particular at the palliative, diplomatic role at the Yale Center for British Art, and co-editor of British Art Studies, an played by the photographic portraiture of Dr. John Nicholas Tresidder in the open-access online journal jointly published by Center and the Paul Mellon immediate aftermath of the Indian Rebellion (1857–58), this paper assesses Centre for Studies in British Art. Her work as an art historian and curator how the new visual technology inflected imperial Britishness in complex and focuses on sculpture and questions about interdisciplinary approaches to unpredictable ways. -
2010 Exhibition Schedule
2010 Exhibition Schedule John Singer Sargent: Portraits in Praise of Women (May 29, 2010 - December 31, 2010) The Fenimore Art Museum presents the first major exhibition on the topic of portraits of women by the well-known American artist John Singer Sargent (1856-1925). The exhibition explores Sargentʼs range of styles and depth of characterization in his portraits of society women, as well as his fascination with exotic working-class women of Venice and Capri. The paintings and drawings provide an intimate glimpse into the lives of these women of the late 19th and early 20th centuries. Included will be drawings of Madame Gautreau, the mysterious subject of Sargent's famous portrait Madame X. Empire Waists, Bustles and Lace: A Century of New York Fashion (April 1, 2010 – December 31, 2010) Empire Waists, Bustles and Lace is an exciting exhibition of the Museumʼs collection of historic dresses. When viewed in conjunction with the John Singer Sargent exhibition, the show enables visitors to see and experience a broader historical context of menʼs and womenʼs fashion. Even though upstate New York was considered the edge of the western frontier in the 19th century, residents of the area kept up with New York City and the world in terms of fashion. The exhibition includes the oldest known example of a dress with a label, stunning examples of Empire, Romantic and Civil War era dresses and turn-of-the-20th century (Sargent era) items. Additionally, visitors will be able to peek at what was worn underneath the dresses which were vital to giving them their distinctive shapes. -
TPG Exhibition List
Exhibition History 1971 - present The following list is a record of exhibitions held at The Photographers' Gallery, London since its opening in January 1971. Exhibitions and a selection of other activities and events organised by the Print Sales, the Education Department and the Digital Programme (including the Media Wall) are listed. Please note: The archive collection is continually being catalogued and new material is discovered. This list will be updated intermittently to reflect this. It is for this reason that some exhibitions have more detail than others. Exhibitions listed as archival may contain uncredited worKs and artists. With this in mind, please be aware of the following when using the list for research purposes: – Foyer exhibitions were usually mounted last minute, and therefore there are no complete records of these brief exhibitions, where records exist they have been included in this list – The Bookstall Gallery was a small space in the bookshop, it went on to become the Print Room, and is also listed as Print Room Sales – VideoSpin was a brief series of worKs by video artists exhibited in the bookshop beginning in December 1999 – Gaps in exhibitions coincide with building and development worKs – Where beginning and end dates are the same, the exact dates have yet to be confirmed as the information is not currently available For complete accuracy, information should be verified against primary source documents in the Archive at the Photographers' Gallery. For more information, please contact the Archive at [email protected] -
Impact Campaigns, Summarised in Impact Reports Which Are Published on Our Website
@britdoc britdoc.org 2 The Art of Impact. STORIES CAN CONQUER FEAR, YOU KNOW. THEY CAN MAKE BEN OKRI POET THE HEART LARGER. 04 The Art of Impact. The Impact of Art. 05 OUR ABOUT FUNDS OUR BRITDOC p34 p06 FILMS p40 Helping good films be great Engaging new HELLO partners GOOD PITCH p82 IMPACT Sharing our FIELD GUIDE learning p124 We are a nonprofit, founded in 2005, committed to enabling great Building new documentary films and connecting audiences them to audiences. Doing and measuring Based in London and New York, we work with filmmakers and partners globally, reaching IMPACT DOC audiences all over the world. AWARD ACADEMY p118 p94 In this book you can find out SOMETHING more about what we do and IMPACT REAL how it fits into our five DISTRIBUTION p102 interconnected strategic areas. p106 06 The Art of Impact. The Impact of Art. 07 “For many years, BRITDOC has spotted and supported the most urgent projects – OUR MISSION OUR DRIVING PRINCIPLE nurturing them with love, ensuring they make a difference. But gradually We befriend great filmmakers, Great documentaries enrich BRITDOC became more support great films, broker the lives of individuals. They than a fund. It is, by now, new partnerships, build have a unique ability to the forum for our most important conversations new business models, share engage and connect people, in nonfiction cinema.” knowledge and develop transform communities and Joshua Oppenheimer Director audiences globally. improve societies. “ BRITDOC are experts in We aim to lead by example — That’s why we are dedicated collaboration, innovation and rapid prototyping.” innovate, share and be copied, to the Impact of Art, and the Cara Mertes and innovate again. -
Press Information February 2010
Press Information February 2010 Deutsche Börse Photography Prize 2010 Exhibition dates: 12 February – 18 April 2010 Winner announced: 17 March 2010 Location: The Photographers’ Gallery, 16 – 18 Ramillies St, London, W1 Contents: • Deutsche Börse Photography Prize 2010 o Introductory Text o Sophie Ristelhueber (wall text and list of works) o Anna Fox (wall text and list of works) o Zoe Leonard (wall text and list of works) o Donovan Wylie (wall text and list of works) • Talks & Events Programme • Print Sales: Indre Serpytyte • Visitor Information For further information or press images please contact the Press Office: Sam Trenerry Call: +44 (0)20 7087 9333 or Email: [email protected] visit: www.photonet.org.uk 1 Deutsche Börse Photography Prize 2010 Anna Fox, Zoe Leonard, Sophie Ristelhueber, Donovan Wylie The Deutsche Börse Photography Prize seeks to acknowledge today’s leading international photographers and artists and to raise the profile of photography within the visual arts by acting as a focus for debate and discussion. The aim of the Prize is also to increase audiences for exhibitions of contemporary photography and to explore photography’s wider role in society. The Photography Prize History Founded in 1996, and now in its fourteenth year, the Prize has become one of the most prestigious international arts awards and has launched and established the careers of many photographers over the years. Previously known as the Citigroup Photography Prize, the Gallery is delighted to have been collaborating with Deutsche Börse Group as sponsors of the Photography Prize since 2005. Deutsche Börse has developed a major corporate collection of contemporary photography – a collection that includes the work of many photographers who have been shortlisted for the Prize in the past. -
New York New Belfast Conference 2019 P
CHARITY PARTNER 8 1 e g a New York New Belfast Conference 2019 P / 9 1 0 2 , 8 1 - 2 1 E N U All the very best from Belfast J / o A chairde The Belfast Agenda – our targeted community h c plan - has ambitions to see a Belfast reimagined, E h s At my recent installation as Lord Mayor of Belfast, I well-connected, culturally vibrant, and a magnet for i r I spoke of my determination to build on the economic talent. And whilst building our city for its citizens, / prosperity essential to supporting peace and driving those ambitions provide a wealth of opportunities for m o c forward progress. our partners in North America and, as we have . o h That prosperity has been bolstered by the very already seen, in the beating heart of New York. c e h transatlantic partnerships that bring you together One of the many friends of Belfast, Tom diNapoli – s i r i here at the tenth New York New Belfast conference. and this year a New York New Belfast Be The Bridge . w w Forged by our community champions, in honouree – has as State Comptroller for New York w business, arts and culture, the relationships between State, explored those avenues of opportunity. With our great cities thrive and flourish in this investments in the city currently totalling (30 million environment. This is where the talking begins, where dollars) his commitment highlights the city’s the discussion and debates grow, on how our aspiration and ambition as well as its steady growth camaraderie and connections translate into mutually and success. -
Research Report 2013
IWM RESEARCH REPORT 2013 Contents 1. Introduction 3 2. Fellowships, Collaborative Doctoral Awards and PhDs, successful research funding bids and other research initiatives 5 2.1. Fellowships 5 2.2. Collaborative Doctoral Partnership/Awards, IWM supported PhDs and commissioned research 5 2.3. Successful research funding bids 7 2.4 Other research initiatives 8 3. Publications, advice and representation 9 3.1. Books 9 3.2. Articles and chapters 10 3.3. Prefaces, forewords and editorials 11 3.4. Reviews and obituaries 11 3.5. Radio and television 12 3.6. Representation on advisory groups 15 3.7. Advice to publishers and authors 16 4. Exhibitions 17 5. Conferences, lectures and talks 18 5.1 Seminars and conferences 18 5.2 Individual representation 18 1. INTRODUCTION Roderick Suddaby, 1946–2013 Colleagues throughout IWM were deeply saddened by the death in June 2013 of Roderick Suddaby, who had worked as a Research Associate in the department since his retirement as Keeper of IWM’s Department of Documents. Rod had been a particularly supportive colleague during the Research Department’s early years, drawing on his long and extensive knowledge and experience to advise on how best to shape the new facility we were creating. Rod continued to supervise his Collaborative Doctoral Award student Lizzie Oliver and to invigilate the Reading Room until close to the end of his life. An obituary was published in The Times on 1 July 2013, and the many tributes paid on websites and in other publications bore witness to the enormous respect and great affection felt for Rod by the research community. -
Iwm Research Report 2011
IWM RESEARCH REPORT 2011 Contents 1. Introduction and overview 2 2 1.1 Introduction 2 1.2 Overview 3 2. Collaborative Doctoral Awards and PhDs 4 3. Publications 5 3.1 Publications by IWM staff 5 3.2 Media involvement by IWM staff 7 3.3 Expert assistance by IWM staff 9 4. Conferences, lectures, talks and other significant representation 10 2 1. Introduction and overview 1.1. Introduction The Department of Research in 2011 has continued to develop IWM’s longer-term strategies for Research under the guidance of the Research Board. These are still early days, but it is gratifying to note success across a number of fronts. The Department encourages the development of subject expertise across IWM, and fosters the expansion of collections-based research both by IWM staff and by external investigators. A new Research Associates scheme has been successfully launched, and all four of the Collaborative Doctorate Awards applications to the AHRC with which IWM was associated were successful. Eleven IWM staff members have reported 21 publications during the year, with several also making media appearances. 17 staff have given talks and papers, and the Department was represented at various conferences, including the Australian War Memorial’s conference Korea: In from the Cold, a colloquium at the Mémorial de Caen on representations of D Day and a further Federation of International Human Rights Museums (FIHRM) conference at the Museum of Slavery in Liverpool. A very successful ‘Voices of the First World War’ podcast series and an IWM Research Blog have been launched. The Department maintains partnerships and links with universities and other key external relationships, with outcomes including the successful seminar series, Reappraising the First World War, organised in partnership with King’s College London and Queen Mary University of London. -
The Cornell Capa Papers Dates: C
Collection Overview Creator: Cornell Capa Title: The Cornell Capa papers Dates: c. late 1800s-2008 (bulk 1946-1976) Call Number: ICP.001 Volume: 54 linear ft, 55.21 cubic ft. (77 boxes; 33 seven inch Hollinger boxes, 32 twelve inch banker boxes, 1 oversized and 8 “other” sized boxes) Location: Mana contemporary / Shelf 1A-4A, 1B Historical Abstract: The Cornell Capa papers cover the history of photojournalism and photography pedagogy. Capa worked on assignment or on staff for several agencies including Time-Life, Holiday, Sports Illustrated and more. He was the director or served as a founding member of Magnum Photos, The Associated Society of Magazine Photographers, and The Overseas Press Club. Capa wrote and photographed several photo essays as well as serving as the photographer for many books and corporate catalogs. He founded the Capa-Chim Memorial Foundation, the Fund for Concerned Photography, and eventually, the International Center of Photography, where he served as director until his death in 2008. Scope and Content Some multi-media materials have already been, or should be considered for Abstract: digital preservation including cassette tapes, VHS tapes, brittle and faded sheets. Ask archivists for digitized materials. Moldy letters have been removed from the collection, and replaced with photocopies on acid-free paper. Arrangement: Organized into 11 series: 1. Time-Life; 2. Assignments and published works; 3. American Society of Magazine Photographers (ASMP); 4. Overseas Press Club (OPC); 5. Missionary Projects; 6. Magnum; 7. Capa-Chim Photographic Foundation Inc.; 8. Israel trip, 1967; 9. International Fund for Concerned Photography; 10. International Center of Photography; and 11.