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The Hard Bop Trombone: an Exploration of the Improvisational Styles of the Four Trombonist Who Defined the Genre (1955-1964)
Graduate Theses, Dissertations, and Problem Reports 2019 The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett Curtis Goods West Virginia University, [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Music Performance Commons Recommended Citation Goods, Emmett Curtis, "The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964)" (2019). Graduate Theses, Dissertations, and Problem Reports. 7464. https://researchrepository.wvu.edu/etd/7464 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett C. Goods Dissertation submitted to the School of Music at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Trombone Performance H. -
Cassie Slater Teaching Resume May 2014
CASSIE SLATER (773) 590-1358 [email protected] __________________________________________________________________________________________ OBJECTIVE As a teaching artist I want to use my skills as an actor and singer to excite young people so that they may find their own unique voice as an artist and thinking person. I want to continue to challenge my students to explore their own unique gifts as performing individuals – using theatre, music, and improvisation to advance their minds as artist citizens of the world. __________________________________________________________________________________________ EDUCATION * The Theatre School at DePaul University B.F.A. Acting June 2003 * The Neighborhood Playhouse Summer Intensive Certificate August 2002 __________________________________________________________________________________________ EXPERIENCE Stomp and Shout Chicago Chicago, IL OWNER/DIRECTOR: August 2013 – Present Stomp and Shout Chicago offers creative music and theatre classes for hip, urban kids ages 8 months - 11 years. Stomp And Shout Kids Curriculum development and creative output for an original music and creative play program for kids ages 8 months – 4 years. Our mission is to innovate inspiring and challenging ways to bring music, art, and imagination to kids and their families. Our programming encourages creative thinkers. Laying the ground work for high self esteem, strong team work, problem solving, and big beautiful imaginations. The Studio at Stomp and Shout programs thought provoking (fun!) music, theatre, & improv classes for grades K - 5. Our classes provide instruction in the fundamentals of the performing arts while offering our students opportunities to explore the world they live in through the lens of these imaginative mediums. Classes are lead by dynamic teachers who are active professionals in the Chicago theatre community. -
Improvisation for the Theater: a Handbook of Teaching and Directing Techniques Pdf, Epub, Ebook
IMPROVISATION FOR THE THEATER: A HANDBOOK OF TEACHING AND DIRECTING TECHNIQUES PDF, EPUB, EBOOK Paul Sills, Viola Spolin | 416 pages | 28 Jul 1999 | Northwestern University Press | 9780810140080 | English | Evanston, United States Improvisation for the Theater: A Handbook of Teaching and Directing Techniques PDF Book Improvisations move through fear, boredom, laziness, and distraction to a sustained awareness of creative options. It then focuses on how we can use creativity, with a particular focus on co-creativity, to pave the way for new visions of the future and innovative solutions, and explores how storytelling can be applied to teamwork and presentations. With 53 specific, usable tools this book will improve your improv coaching, directing or teaching right away. Therefore, you will see the original copyright references, library stamps as most of these works have been housed in our most important libraries around the world , and other notations in the work. Northwestern University Press , - Performing Arts - pages. My improv training has helped me more in my life and my career than most of my formal training. Improvisation acting journal, perfect to wear to acting class at school, during acting exercises and acting games. This in-depth look at the techniques, principles, theory and ideas behind what they do is both authoritative and entertaining. Max Schaefer is a distinguished full-time teacher, actor, programmer, and president of Underdog Educational Software company. The result is both an ideas book and a fascinating exploration of the nature of spontaneous creativity. Sort order. This new edition of a highly acclaimed handbook, last published in and widely used by theater teachers and directors, is sure to be welcomed by members of the theater profession. -
Student, Player, Spect-Actor: Learning from Viola Spolin and Augusto Boal: Theatre Practice As Non-Traditional Pedagogy
STUDENT, PLAYER, SPECT-ACTOR: LEARNING FROM VIOLA SPOLIN AND AUGUSTO BOAL: THEATRE PRACTICE AS NON-TRADITIONAL PEDAGOGY by EMILY GAMMON B.A., University of Maine, Orono, 2006 M.A., University of Colorado at Boulder, 2012 Advisor: Dr. Bud Coleman A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Theatre 2012 This thesis entitled: Student, Player, Spect-actor: Learning from Viola Spolin and Augusto Boal: Theatre Practice as Non-Traditional Pedagogy written by Emily Gammon has been approved for the Department of Theatre and Dance Bud Coleman Oliver Gerland Date The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. Gammon, Emily (M.A., Theatre) Student, Player, Spect-actor: Learning from Viola Spolin and Augusto Boal: Theatre Practice as Non-Traditional Pedagogy Thesis directed by Dr. Bud Coleman This thesis explores the possibility that by adapting a model of disciplined improvisation, the secondary classroom will become an engaging learning environment where a wider variety of student learning preferences and styles will be honored and cultivated. I believe that effective pedagogical theory and structure aligns with that of improvisational theatre models and by examining these models more closely and by comparing them with the theories of predominant educational theorists and psychologists, we will find both commonalities and effective teaching models and strategies. The theory and practice of Viola Spolin and Augusto Boal, supported by the theory of Lev Vygotsky and of Paulo Freire, respectively, provide two examples of non - traditional pedagogy for the secondary classroom. -
The Hard Bop Trombone: an Exploration of the Improvisational Styles of the Four Trombonist Who Defined the Genre (1955-1964)
The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett C. Goods Dissertation submitted to the School of Music at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Trombone Performance H. Keith Jackson, DMA, Committee Chair Constinia Charbonnette, EDD David Taddie, Ph.D. Michael Vercelli, DMA Mitchell Arnold, DMA Music Morgantown, West Virginia 2019 Keywords: Hard Bop, Trombone, Jazz, Jazz Improvisation Copyright 2019 Emmett C. Goods The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964). Emmett C. Goods This dissertation examines the improvisational stylings of Curtis Fuller, Locksley “Slide” Hampton, Julian Priester and Grachan Moncur III from 1955 through 1964. In part one of this study, each musician is presented through their improvisational connections to J.J. Johnson, the leading trombonist of the Bebop era. His improvisational signatures are then traced through to the musical innovations of the Hard-Bop Trombone Era. Source material for this part of the study includes published books, dissertations, articles, online sources, discographies and personal interviews. Part two of this paper analyzes selected solos from each of the four subjects to identify the defining characteristics of the Hard-Bop Trombone Era. Evidence for these claims is bolstered by interviews conducted with the four men and their protégés. In a third and final part, a discography has been compiled for each artists during the defined era. Through historical analysis of these four artists’ music and recording of first-hand accounts from the artists themselves, this document attempts to properly contextualize the Hard-Bop Trombone Era as unique and important to the further development of the jazz trombone. -
Columbia Chronicle College Publications
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 12-7-2009 Columbia Chronicle (12/07/2009) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (12/7/2009)" (December 7, 2009). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/774 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. Chicago’s Improv granddaddy celebrates 50 years of laughter » PAGE 20 CHECK OUT THE THE COLUMBIA MULTIMEDIA hronicle SECTION ONLINE c ON ColumbiaChronicle.com The Of cial News Source of Columbia College Chicago December 7, 2009 Volume 45 Number 14 THEWEB Politicians Manifest’s destiny question poll accuracy Controversial candidate may file lawsuit against respected polling agency by Spencer Roush Assistant Metro Editor ONE REPUBLICAN candidate running for President Barack Obama’s former Senate seat in the 2010 election is raising ques- tions about the accuracy of polls and how the results are being disseminated to the public. In fact, many Web sites on both sides of the partisan aisle, such as Demo- craticUnderground.com and FreeRepub- lic.com, claim to be leery of some polling Lenny Gilmore THE CHRONICLE results because of favoring one political Students show off hacked Manifest T-shirt ensembles, which were built under direction of the Spectacle Build Shop at a Manifest informational meeting on party over another or producing faulty Dec. -
It Might As Well Be Swing the New Musical Bandstand Brings the Sound of 1940’S Swing Music to the Broadway Stage This Month
Volume 45 • Issue 4 April 2017 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Corey Cott and Laura Osnes star in Bandstand. Photo © Jeremy Daniel. It Might As Well Be Swing The new musical Bandstand brings the sound of 1940’s swing music to the Broadway stage this month. Jersey Jazz’s Sanford Josephson has a preview of the show (p. 26) which had its critically acclaimed first run at the Paper Mill Playhouse in Short Hills, NJ last fall. New JerseyJazzSociety in this issue: New Jersey Jazz socIety Prez Sez .......................... 2 Bulletin Board ...................... 2 NJJS Calendar ...................... 3 Jazz Trivia ......................... 4 Prez Sez Editor’s Pick/Deadlines/NJJS Info ....... 6 Change of Address/Support NJJS/ By Mike Katz President, NJJS Volunteer/Join NJJS ............. 41 Crow’s Nest ...................... 42 he Oscars were almost a very good night for jazz, in had a jazz program for quite a few years, although is not New/Renewed Members ............ 44 Tthat the winner of the Best Picture award was a full major as such. Musicians from the program have temporarily announced as La La Land, a throwback to often appeared at the September Princeton JazzFeast storIes the era of Hollywood musicals whose characters included which is co-sponsored by NJJS. They have scheduled Bandstand Opens on Broadway .... cover a jazz pianist (played by Ryan Gosling) struggling to several jazz programs this spring at Princeton which are Big Band in the Sky ................. 8 survive by stringing together various less than satisfying free and open to the public. We wish Professor Don Braden at Luna Stage .......... -
Catalogo Xpress
Descrizione LP Casa discografica Label Codice AA VV: Dixieland Time 1ducale jazzDJZ 35912001 AA VV: Esquire's all american hot jazz 1rca victorLPM 3404012002 AA VV: History of classics jazz 5riversideRB 00512003 AA VV: Jazz and hot dance in Italy 1919-48 1harlequinHQ 207812004 AA VV: Jazz in the movies 1milanA 37012005 AA VV: Swing street 4columbiaJSN 604212006 AA VV: The Changing face of Harlem 2savoySJL 220812007 AA VV: The Ellingtonians 1pausaPR 903312008 AA VV: The golden book of classic swing 3brunswich87 097 9912009 AA VV: The golden book of classic swing (vol. II) 3brunswich87 094 9612010 AA VV: The Royal Jazz Band 1up internationalLPUP 506712011 AA VV: A bag of sleepers (volume 1) - Friday night 1arcadia200312012 AA VV: A bag of sleepers (volume 2) - Hot licks 1arcadia200412013 AA VV: Tommy Dorsey a Tribute 1sounds greatSG 801412014 Abeel Dave, Tailgate King Joe, Wix Tommy, Goodwin Ralph, Calla Ernie, Price Jay: A night with The Knights - The Knights of Dixieland 1 jazzology J 004 12015 Adams Pepper, Byrd Donald, Jones Elvin, Watkins Doug, Timmons Bobby: 10 to 4 at the 5-Spot 1 riverside SMJ 6129 12016 Adderley Cannonball: Cannonball and Eight Giants 2 milestone HB 6077 12017 Adderley Cannonball: Coast to Coast 2 milestone HB 6030 12018 Adderley Cannonball: Discoveries 1 savoy SJL 1195 12019 Adderley Cannonball: Live in Paris April 23, 1966 1 ulysse AROC 50709 12020 Adderley Cannonball: The Cannonball Adderley Quintet Plus 1 riverside OJC 306 12021 Adderley Cannonball: The Sextet 1 milestone NM 3004 12022 Adderley Cannonball, Adderley -
Peter and the Starcatcher Production Handbook Is Here to Guide You Through All Aspects of Production: from Casting to Rehearsal to Design and Beyond
The Peter and the Starcatcher Production Handbook is here to guide you through all aspects of production: from casting to rehearsal to design and beyond. We at Disney Theatrical Group took what we learned from the Broadway production, as well as various high school pilots, to craft a guidebook for creating your own vision for the show. In the following pages, you’ll find resources that you can draw from as needed, including broad and specific ways to approach Peter’s story theater style. Whether Peter marks your first or 100th production, we hope this handbook inspires you to take risks, explore new methods of storytelling, and empower your cast to participate in the design and staging process. As Peter says, “This is gonna be one awfully big adventure.” We hope it’s one that brings you great joy. Julie Haverkate Editor &and Literary Coordinator Disney Theatrical Group Introduction……………………………………………………………......... 1 Synopsis…………………………………………………………………......... 2 Casting…………………………………………………………………............6 Rehearsal Exercises…….…………………………...………………........ 9 Music Direction……………………………………………………........... 17 Staging & Directing Tips…...…………..……………….…………...... 20 Design…………………………………………………………………........... 33 Beyond the Stage................…………………………………………......... 50 Resources................…………………………………………………............77 Credits……………………………………………………………….............. 80 “Suppose all these planks and ropes are now the British Empire… use your thoughts to hoist the sails and deck the ships awaiting us…” — Act One: Prologue Green Valley High School Henderson, NV n 2007, excited at the prospect of escaping a hot New York summer, I agreed to meet with Roger Rees and Alex Timbers in Massachusetts to discuss a project they were going to direct together, based on a novel by Dave Barry and Ridley Pearson. I hopped on a train, and four hours later, weary and travel-stained, I found myself at the door at Williamstown Theatre Festival. -
Title Format Released & His Orchestra South Pacific 12" 1958 Abdo
Title Format Released & His Orchestra South Pacific 12" 1958 Abdo, George & The Flames of Araby Orchestra Joy of Belly Dancing 12" 1975 Abdo, Geroge & The Flames of Araby Orchestra Art of Belly Dancing 12" 1973 Abney, Don, Jimmy Raney, Oscar Pettiford Music Minus One: A Rhythm Background Record For Any Musician Or Vocalist 12" 19NA Abrams, Muhal Richard Duet 12" 1981 Adderley, Cannonball The Cannonball Adderley Collection - Vol. 7: Cannonball in Europe 12" 1986 Somethin' Else 12" 1984 Domination 12" 1964 Cannonball Adderley Quintet In Chicago 12" 1959 African Waltz 12" 1961 Cannonball Takes Charge 12" 1959 Adderley, Cannonball Quintet Mercy, Mercy, Mercy! Live at 'The Club' 12" 19NA Ade, King Sunny Synchro System 12" 1983 Adelade Robbins Trio, Barbara Carroll Trio Lookin' for a Boy 12" 1958 Akiyosh, Toshiko-Lew Tabackin Big Band Road Time 12" 2 LPs 1976 Akiyoshi, Toshiko Lew Tabackin Big Band Tales of a Courtesan (Oirantan) 12" 1976 Albam, Manny Jazz Heritage: Jazz Greats of Our Time, Vol. 2 12" 1958 Alexander, Monty Alexander The Great 12" 1965 Facets 12" 1980 Monty Strikes Again: Monty Alexander Live In Germany 12" 1976 Duke Ellington Songbook 12" 1984 Spunky 12" 1965 Alexander, Monty & Ernest Ranglin Just Friends 12" 1981 Alexandria, Lorez The Band Swings Lorez Sings 12" 1988 Alexandria the Great 12" 1964 Lorez Sings Pres: A Tribute to Lester Young 12" 1987 For Swingers Only 12" 1963 Page 1 of 67 Title Format Released Alexandria, Lorez This Is Lorez 12" 1958 More Of The Great Lorez Alexandria 12" 1964 Allen, "Red" With Jack Teagarden And Kid Ory At Newport 12" 1982 Allen, Henry "Red" Giants Of Jazz 3 LP Box Set 1981 Ride, Red, Ride in Hi-Fi 12" 1957 Ridin' With Red 10" 1955 Allison, Mose V-8 Ford Blues 12" 1961 Back Country Suite 12" 1957 Western Man 12" 1971 Young Man Mose 12" 1958 Almeida, Laurindo with Bud Shank Brazilliance, Vol. -
Pop / Rock Misto
CATALOGO LP prezzo POP / ROCK MISTO 2967 BRITISH EUROPEAN LP 3LP 100-TH WINDOW - MASSIVE ATTACK EUR 120,00 209 CASTLE BRITISH EUROPEAN 2LPLP ACKER BILK:THE COLLECTION EUR 23,30 35 BRITISH EUROPEAN LP AGNES BERNELLE - FATHER'S LYING DEAD ON THE IRONINGEUR BOARD 15,50 8283 ARISTA AIR SUPPLY - JUST AS I AM EUR 19,50 9564 ARISTA (Audiophile LP) ALLMAN BROTHERS BAND - BROTHERS ON THE ROAD EUR 19,50 505 FLYING FISH USA AZTEC TWO-STEP/SEE IT WAS LIKE THIS...AN ACOUSTIC RETROSPEC.EUR 14,50 163 CASTLE BRITISH EUROPEAN 2LPLP BARBARA DICKSON EUR 23,30 8620 ART BILL HALEY - GREATEST HITS EUR 15,50 15 BRITISH EUROPEAN LP - Heavy VinylBILL WELLS TRIO - ALSO IN WHITE EUR 22,50 4 AUDIOPHARM 3 LP BRAZILECTRO 3 - Artisti Vari - Jazz-Samba and Electronic Music: EURBossa & Latin 34,00 - composta da uno dei più popolari DJ nel mondo - Paco De La Cruz 5 AUDIOPHARM 3 LP BRAZILECTRO 4 - Artisti Vari - Jazz-Samba and Electronic Music: EURBossa & Latin 34,00 - - composta da uno dei più popolari DJ nel mondo - Paco De La Cruz 18 CASTLE BRITISH EUROPEAN LP CHICAGO: CHICAGO 8 \ STREET PLAYER EUR 23,30 8619 ART CLIFF RICHARD - GREATEST HITS EUR 15,50 71302 GOLD CASTLE COLLINS JUDY /TRUST YOUR HEART EUR 13,90 166 CASTLE BRITISH EUROPEAN 2LPLP ELKIE BROOKS EUR 23,30 74213 BRITISH EUROPEAN LP 2 LP FRANK ZAPPA - SAMPLER - YOU CAN'T DO THAT ON STAGE ANYMOREEUR 18,50 229 CASTLE BRITISH EUROPEAN 2LPLP GARY NUMAN - THE COLLECTION EUR 23,30 129 CASTLE BRITISH EUROPEAN 2LPLP JUDY GARLAND - THE COLLECTION - LIVE! EUR 23,30 130 CASTLE BRITISH EUROPEAN 2LPLP MANTOVANI AND HIS ORCHESTRA - THE COLLECTION EUR 23,30 4402 CARTHAGE REC. -
Toyota Corolla $35Per
VOLUME LI, NUMBER 8 Your Local News Source Since 1963 SERVING DUBLIN • LIVERMORE • PLEASANTON • SUNOL THURSDAY, FEBRUARY 20, 2014 Lab Project Explores Aerogels For Local Desalination Efforts By Jeff Garberson converting salty water to that are plagued by meager Nearly one-fifth of the the United Nations standard Find Out What's A small research effort fresh. supplies of brackish water world’s population lacks for basic needs, 13.4 gal- by Lawrence Livermore The world’s fresh water and lack the infrastructure fresh water today, and that lons per day. Africans, for Happening National Laboratory and challenge is immense. The required to operate large, ex- fraction may double by example, have access to 5.3 Check Out Section A Stanford University is try- research project makes no pensive desalination plants. 2050, according to some gallons per day. Section A is filled with ing to determine whether claim to offering a compre- The aerogel approach be- reports. These kinds of statistics information about arts, aerogels – solid materials hensive solution. ing examined at the Labora- While Americans typi- help motivate the Laborato- people, entertainment and that are so light that some Still, it shows early prom- tory has technical advantag- cally use 100 or more gal- ry’s research effort, accord- special events. There are varieties float in air -- might ise of someday helping in es that may make it suitable lons of water per day, there ing to Michael Stadermann, education stories, a variety help respond to one of hu- isolated surroundings like for small, out-of-the-way are large parts of the world a chemist who described the of features, and the arts and manity’s greatest problems, arid parts of Asia and Africa settlements.