DOCSLIB.ORG

Chester Himes Bibliography

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Chester Himes Bibliography Bibliography BIBLIOGRAPHY OF CHESTER HIMES (1909-1984) FICTION The Big Gold Dream. 1960. New York: Thunder's Mouth Press, 1996. Print. Blind Man With a Pistol. New York: Vintage Books, 1989. Print. The Collected Stories of Chester Himes. New York: Thunder's Mouth Press, 1990. Print. Cotton Comes To Harlem. 1965. New York: Vintage Books, 1988. Print. The Crazy Kill. 1959. London: Alison and Busby, 1976. Print. If He Hollers Let Him Go. New York: Doubleday, 1945. New York: Thunder's Mouth Press, 1986. Print. "He Knew." Abbott's Monthly and Illustrated News 6 (Oct.1933):15. Print. Lonely Crusade. New York: Knopf, 1947. New York: Thunder's Mouth Press, 1986. Print. "The Meanest Cop in the World." The Collected Stories of Chester Himes. New York: Thunder's Mouth Press, 1990. 209-13. Print. "Naturally, The Negro." The Collected Stories of Chester Himes. New York: Thunder's Mouth Press, 1990. 381-85. Print. Pinktoes. New York: G.P. Putnam's Sons, 1961. Print. Plan B. Jackson: UP of Mississippi, 1993. Print. The Primitive. New York: New American Library, 1955. Print. A Rage in Harlem [For Love of Imabelle]. 1957. New York: Vintage Crime, 1991. Print. Run Man Run. New York: Carroll & Graf, 1966. Print. "To What Red Hell." The Collected Stories of Chester Himes. New York: Thunder's Mouth Press, 1990. 280-89. Print. NON-FICTION The Quality of Hurt. The Autobiography of Chester Himes, vol. 1. New York: Thunder's Mouth Press, 1971. Print. My Life of Absurdity. The Autobiography of Chester Himes, vol. 2. New York: Thunder's Mouth Press, 1976. Print. "Negro Martyrs Are Needed." The Crisis 51 (1944): 159-174. Print. SECONDARY BIBLIOGRAPHY Bandler, Michael J. "Portrait of a Man Reading." Conversations With Chester Himes. Ed. Michael Fabre and Robert E. Skinner. Jackson: UP of Mississippi, 1995. 108-111. Print. Fabre, Michel and Robert E. Skinner. Introduction. Plan B. by Chester Himes. Jackson: UP of Mississippi, 1993. v-xxx. Print. Franklin, H. Bruce. "PORTRAIT OF THE ARTIST AS A YOUNG CONVICT." Rutgers-Newark. Web. 3 October 2012. <www.andromeda.rutgers.edu/~hbf/himes.html> Hairston, Loyle. "Chester Himes—'Alien' in Exile." Freedomways 17 (1977): 14-18. Print. Henderson, Mae G. In Another Country: Afro-American Expatriate Novelists in France 1946-1974. Diss. Yale U, 1982. Print. Hochkeppel, Willi. "Conversations with Chester Himes, the American Crime Writer." Conversations with Chester Himes. Ed. Michel Fabre and Robert E. Skinner. Jackson: UP of Mississippi, 1995. 26-28. Print. Knippling, James. Chester Himes in the Twentieth Century. Diss. U of Pittsburgh, 1990. Print. Lundquist, James. Chester Himes. New York: Frederick Ungar Publishing CO. 1976. Print. Margolies, Edward. "Experiences of the Black Expatriate Writer: Chester Himes." CLA Journal XV (1972):421-27. Print. Margolies, Edward, and Michel Fabre. The Several Lives of Chester Himes. Jackson: UP of Mississippi, 1997. Print. Milliken, Stephen F. Chester Himes, A Critical Appraisal. Columbia: U of Missouri P, 1976. Print. Muller, Gilbert H. Chester Himes. Boston: Twayne Publishers, 1989. Print. Nelson, Raymond. "Domestic Harlem: The Detective Fiction of Chester Himes." Virginia Quarterly Review 48 (Spring 1972): 260-76. Print. Oakes, Philip. "The Man Who Goes Too Fast." Conversations with Chester Himes. Ed. Michel Fabre and Robert E. Skinner. Jackson: UP of Mississippi, 1995. 17-22. Print. Reilly, John M. "Chester Himes' Harlem Tough Guys." Journal of Popular Culture 9 (Spring 1976): 935-47. Print. Skinner, Robert E. Two Guns from Harlem: The Detective Fiction of Chester Himes. Bowling Green: Bowling Green State U Popular Press, 1989. Print. Soitos, Stephen F. The Blues Detective, A Study of African American Detective Fiction. Amherst: U of Massachusetts P, 1996. Print. Williams, John A. "My Man Himes: An Interview with Chester Himes." Conversations with Chester Himes. Ed. Michel Fabre and Robert E. Skinner. Jackson: UP of Mississippi, 1995. 29-82. Print. SELECTED GENERAL BIBLIOGRAPHY Baker, Houston A., Jr. Introduction. Twentieth Century Interpretations of Native Son. Ed. Houston A. Baker, Jr. Englewood Cliffs, NJ: Prentice-Hall, 1972. 1-20. Print. Baldwin, James. The Fire Next Time. New York: The Dial Press, 1963. Print. Blocker, H. Gene. The Metaphysics of Absurdity. Washington, D.C.: UP of America, 1979. Print. Campbell, Donna M. “Naturalism in American Literature.” Literary Movements. Dept. of English, Washington State University. 7/27/2010. Web. 3 Oct. 2012. Chatterjee, Margaret. "Introducing Existentialism." Existentialism in American Literature. ED. Ruby Chatterji. Atlantic Highlands, NJ: Humanities P, Inc., 1983. 17-30. Print. Darwin, Charles. The Origin of Species. 1859. New York: New American Library, 1958. Print. Dreiser, Theodore. An American Tragedy. 1925. New York: New American Library, 1981. Print. ---. "What I Believe." The Forum LXXXII (1929): 279-320. Print. Eliot, T.S. "Tradition and the Individual Talent." Selected Essays 5th ed. New York: Harcourt Brace, 1964. Print. Fabre, Michel. The World of Richard Wright. Jackson, MI: UP of Mississippi, 1985. Print. Fauset, Jessie Redmon. Plum Bun, a Novel Without a Moral. New York: Frederick A. Stokes Company, 1928. Boston: Beacon Press, 1990. Print. Finkelstein, Sidney. Existentialism and Alienation in American Literature. New York: International Publishers, 1965. Print. Fisher, Philip. Hard Facts: Setting and Form in the American Novel. New York: Oxford UP, 1985. Print. Friedberg, Michael. "Hemingway and the Modern Metaphysical Tradition." Hemingway In Our Time. Ed. Richard Astro and Jackson J. Benson. Corvallis: Oregon State UP, 1974. 175-189. Print. Gamache, Lawrence B. "Toward a Definition of 'Modernism.'" The Modernists. Ed. Lawrence B. Gamache and Ian S. MacNiven. London: Associated UP, 1987. 32-45. Print. Gibson, Donald. "Wright's Invisible Native Son." American Quarterly XXI (1969): 728-38. Print. Gregory, Sinda. Private Investigations: The Novels of Dashiell Hammett. Carbondale, IL: Southern Illinois UP, 1985. Print. Hammett, Dashiell. The Maltese Falcon. 1930. New York: Vintage Crime/Black Lizard, 1992. Print. ---. The Dain Curse. 1928. New York: Vintage Crime, 1989. Print. Hemingway, Ernest. A Farewell to Arms. New York: Charles Scribner's Sons, 1929. Print. ---. For Whom the Bell Tolls. Philadelphia: The Blakiston Co., 1940. Print. ---. The Old Man and the Sea. 1952. New York: Scribner Paperback Fiction, 1995. Print. ---. The Sun Also Rises. New York: Charles Scribner's Sons, 1926. Print. Lehan, Richard. "Hemingway Among the Moderns." Hemingway In Our Time. Ed. Richard Astro and Jackson J. Benson. Corvallis: Oregon State UP, 1974. 191-213. Print. Holman, C. Hugh and William Harmon. A Handbook to Literature. 6th ed. New York: MacMillan Publishing Company, 1992. Print. Margolies, Edward. "Richard Wright: Native Son and Three Kinds of Revolution." Native Sons: A Critical Study of Twentieth Century Negro-American Authors. Philadelphia: Lippincott, 1968 65-86. Print. Matthews, J. H. "From Naturalism to the Absurd: Edmond De Goncourt and Albert Camus." Symposium XXII (Fall 1968): 241-55. Print. McKay, Claude. Home to Harlem. New York: Harper, 1928. Boston: Northeastern UP, 1987. Print. Nevins, Francis M. Jr. Foreword. Private Investigations: The Novels of Dashiell Hammett. Carbondale, IL: Southern Illinois UP, 1985. ix- xi. Print. O'Neill, Eugene. All God's Chillun Got Wings. New York: Boni and Liveright, 1924. Print. Pizer, Donald. "American Naturalism in Its 'Perfected' State: The Age of Innocence and An American Tragedy." Edith Wharton: New Critical Essays. Ed. Alfred Bendixen and Annette Zilversmit. New York: Garland, 1992. 127-141. Print. Press, Marcia. "Black Man-White Woman, The 'Lynch Pattern' as Morality Play." Text and Presentation. Ed. Karelisa Hartigan. New York: UP of America, 1988. Print. Proefriedt, William A. "The Immigrant or 'Outsider' Experience as Metaphor for Becoming An Educated Person in the Modern World: Mary Antin, Richard Wright and Eva Hoffman." MELUS 16.2 (1989- 90): 77-90. Print. Robinson, James A. "Psychological Determinism in The Age of Innocence." The Markham Review 5 (Fall 1975): 1-5. Print. Rubin, Larry. "Aspects of Naturalism in Four Novels by Edith Wharton." Twentieth Century Literature 2 (January 1957): 182-197. Print. Singh, Amritjit. "Richard Wright's The Outsider: Existentialist Exemplar or Critique?" CLA Journal XXVII.4 (1984): 357-63. Print. Spencer, Herbert. "Essays Speculative and Practical." Popular Science Literature 70 (June1885): 573-625. Print. Stein, Gertrude. Everybody's Autobiography. New York: Vintage Press, 1973. Print. Symons, Julian. Dashiell Hammett. San Diego: Harcourt Brace, 1985. Print. Teepen, Tom. “Imprisoned by Our Politics.” The Tampa Tribune 6 March 2008, A9. Print. “To Secure These Rights” The Report of President Harry S Truman’s Committee on Civil Rights. 1947. Ed. Steven F. Lawson. Boston: Bedford/St. Martin’s Press, 2004. Print. Wharton, Edith. The House of Mirth. New York: Literary Classics of the US, 1985. Print. .
Load more

Recommended publications
  • Notable Alphas Fraternity Mission Statement
    ALPHA PHI ALPHA NOTABLE ALPHAS FRATERNITY MISSION STATEMENT ALPHA PHI ALPHA FRATERNITY DEVELOPS LEADERS, PROMOTES BROTHERHOOD AND ACADEMIC EXCELLENCE, WHILE PROVIDING SERVICE AND ADVOCACY FOR OUR COMMUNITIES. FRATERNITY VISION STATEMENT The objectives of this Fraternity shall be: to stimulate the ambition of its members; to prepare them for the greatest usefulness in the causes of humanity, freedom, and dignity of the individual; to encourage the highest and noblest form of manhood; and to aid down-trodden humanity in its efforts to achieve higher social, economic and intellectual status. The first two objectives- (1) to stimulate the ambition of its members and (2) to prepare them for the greatest usefulness in the cause of humanity, freedom, and dignity of the individual-serve as the basis for the establishment of Alpha University. Table Of Contents Table of Contents THE JEWELS . .5 ACADEMIA/EDUCATORS . .6 PROFESSORS & RESEARCHERS. .8 RHODES SCHOLARS . .9 ENTERTAINMENT . 11 MUSIC . 11 FILM, TELEVISION, & THEATER . 12 GOVERNMENT/LAW/PUBLIC POLICY . 13 VICE PRESIDENTS/SUPREME COURT . 13 CABINET & CABINET LEVEL RANKS . 13 MEMBERS OF CONGRESS . 14 GOVERNORS & LT. GOVERNORS . 16 AMBASSADORS . 16 MAYORS . 17 JUDGES/LAWYERS . 19 U.S. POLITICAL & LEGAL FIGURES . 20 OFFICIALS OUTSIDE THE U.S. 21 JOURNALISM/MEDIA . 21 LITERATURE . .22 MILITARY SERVICE . 23 RELIGION . .23 SCIENCE . .24 SERVICE/SOCIAL REFORM . 25 SPORTS . .27 OLYMPICS . .27 BASKETBALL . .28 AMERICAN FOOTBALL . 29 OTHER ATHLETICS . 32 OTHER ALPHAS . .32 NOTABLE ALPHAS 3 4 ALPHA PHI ALPHA ADVISOR HANDBOOK THE FOUNDERS THE SEVEN JEWELS NAME CHAPTER NOTABILITY THE JEWELS Co-founder of Alpha Phi Alpha Fraternity; 6th Henry A. Callis Alpha General President of Alpha Phi Alpha Co-founder of Alpha Phi Alpha Fraternity; Charles H.
    [Show full text]
  • Blaxploitation and the Cinematic Image of the South
    Antoni Górny Appalling! Terrifying! Wonderful! Blaxploitation and the Cinematic Image of the South Abstract: The so-called blaxploitation genre – a brand of 1970s film-making designed to engage young Black urban viewers – has become synonymous with channeling the political energy of Black Power into larger-than-life Black characters beating “the [White] Man” in real-life urban settings. In spite of their urban focus, however, blaxploitation films repeatedly referenced an idea of the South whose origins lie in antebellum abolitionist propaganda. Developed across the history of American film, this idea became entangled in the post-war era with the Civil Rights struggle by way of the “race problem” film, which identified the South as “racist country,” the privileged site of “racial” injustice as social pathology.1 Recently revived in the widely acclaimed works of Quentin Tarantino (Django Unchained) and Steve McQueen (12 Years a Slave), the two modes of depicting the South put forth in blaxploitation and the “race problem” film continue to hold sway to this day. Yet, while the latter remains indelibly linked, even in this revised perspective, to the abolitionist vision of emancipation as the result of a struggle between idealized, plaintive Blacks and pathological, racist Whites, blaxploitation’s troping of the South as the fulfillment of grotesque White “racial” fantasies offers a more powerful and transformative means of addressing America’s “race problem.” Keywords: blaxploitation, American film, race and racism, slavery, abolitionism The year 2013 was a momentous one for “racial” imagery in Hollywood films. Around the turn of the year, Quentin Tarantino released Django Unchained, a sardonic action- film fantasy about an African slave winning back freedom – and his wife – from the hands of White slave-owners in the antebellum Deep South.
    [Show full text]
  • Richard Wright's and Chester Himes's Treatment of the Concept of Emerging Black Masculinity in the 20Th Century
    City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2017 Richard Wright's and Chester Himes's Treatment of the Concept of Emerging Black Masculinity in the 20th Century Peter M. Brown CUNY City College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/696 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Richard Wright's and Chester Himes's Treatment of the Concept of Emerging Black Masculinity in the 20th Century By Peter M. Brown A Thesis Submitted in partial fulfillment of the requirements for the degree of Master of Arts of the City College of the City University of New York May 2017 Table of Contents Chapter 1: Introduction 1 Chapter 2: Native Son 9 Chapter 3: Finding Bigger Thomas 19 Chapter 4: Black Literature Leading to the Rage and Honesty of Chester Himes 30 Chapter 5: If He Hollers 52 Chapter 1: Introduction In order to do justice to their subject matter, in order to depict Negro life in all of its manifold and intricate relationships, a deep, informed and complex consciousness is necessary, a consciousness which draws for its strength upon the fluid lore of a great people, and moulds this lore with concepts that move and direct the forces of history today. Every short story, novel, poem, and play should carry within its lines, implied or explicit, a sense of the oppression of the Negro people, the danger of war, of fascism, of the threatened destruction of culture and civilization; and, too, the faith and necessity to build a new world.
    [Show full text]
  • Race, Genre and Commodification in the Detective Fiction of Chester Himes
    Pulping the Black Atlantic: Race, Genre and Commodification in the Detective Fiction of Chester Himes A thesis submitted to The University of Manchester for the degree of PhD in the Faculty of Humanities 2010 William Turner School of Arts, Histories and Cultures 2 Contents Abstract…………………………………………………………………………... 3 Declaration/Copyright……………………………………………………………. 4 Acknowledgements……………………………………………………………… 5 Introduction: Chester Himes’s Harlem and the Politics of Potboiling…………………………. 6 Part One: Noir Atlantic 1. ‘I felt like a man without a country.’: Himes’s American Dilemma …………………………………………………….41 2. ‘What else can a black writer write about but being black?’: Himes’s Paradoxical Exile……………………………………………………….58 3. ‘Naturally, the Negro.’: Himes and the Noir Formula……………………………………………………..77 Part Two: ‘The crossroads of Black America.’ 4. ‘Stick in a hand and draw back a nub.’: The Aesthetics of Urban Pathology in Himes’s Harlem……………………….... 96 5. ‘If trouble was money…’: Harlem’s Hustling Ethic and the Politics of Commodification…………………116 6. ‘That’s how you got to look like Frankenstein’s Monster.’: Divided Detectives, Authorial Schisms………………………………………... 135 Part Three: Pulping the Black Aesthetic 7. ‘I became famous in a petit kind of way.’: American (Mis)recognition…………………………………………………….. 154 8. ‘That don’t make sense.’: Writing a Revolution Without a Plot…………………………………………… 175 Conclusion: Of Pulp and Protest……………………………………………………………...194 Bibliography……………………………………………………………………. 201 Word count: 85,936 3 Abstract The career path of African American novelist Chester Himes is often characterised as a u-turn. Himes grew to recognition in the 1940s as a writer of the Popular Front, and a pioneer of the era’s black ‘protest’ fiction. However, after falling out of domestic favour in the early 1950s, Himes emigrated to Paris, where he would go on to publish eight Harlem-set detective novels (1957-1969) for Gallimard’s La Série Noire.
    [Show full text]
  • White Is and White Ain't
    WHITE IS AND WHITE AIN’T: REPRESENTATIONS AND ANALYSES OF WHITENESS IN THE NOVELS OF CHESTER HIMES Scott M. Walter A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy December 2005 Committee: Dr. Ellen Berry Advisor Dr. Michael T. Martin Graduate Faculty Representative Dr. Donald McQuarie Dr. Donald Callen © Scott M. Walter All Rights Reserved iii ABSTRACT Dr. Ellen Berry, Advisor This dissertation borrows and paraphrases for its title from the marijuana-dream sermon in Ralph Ellison’s Invisible Man. As Ellison avers that “Black is, an’ black ain’t,” so too, I contend, “White is, and white ain’t.” Racial constructions are irrevocably embedded in each other. I trace this through selected novels of Chester Himes, who offers a specific way of reading whiteness, through his deployment and ultimate disruption of hard-boiled conventions, a style that other scholars have convincingly argued is a literary epitome of white male perspective. Chapter One is a biographical sketch, focusing upon those points in Himes’s life which best inform his representations and analysis of whiteness. Chapter Two engages Himes’s first published novel, If He Hollers Let Him Go in order to locate those tropes and figures of whiteness in both narrative and style which will later manifest themselves in his Harlem Cycle. Chapter Three moves to the Harlem Cycle itself. A Rage in Harlem is a transitional text of sorts, from the “social protest” conventions to the more absurdist aspects of the later novels.
    [Show full text]
  • African American Studies 1
    African American Studies 1 Assistant Professor of Theater; Assistant Professor, Feminist, Gender, and AFRICAN AMERICAN Sexuality Studies; Assistant Professor, African American Studies Ren Ellis Neyra STUDIES BA, Freed Hardeman College; PHD, SUNY at Stony Brook Associate Professor of English; Associate Professor, African American Studies The African American Studies major and minor offer a substantial interdisciplinary, comparative, and cross-cultural approach to the study of the Anthony Ryan Hatch experiences of people of African descent in the black Atlantic world, especially AB, Dartmouth College; MA, University of Maryland College Park; PHD, University in the United States and the Caribbean. The major and minor, which feature of Maryland College Park courses in the humanities, social sciences, and the arts, enables students Associate Professor of Science in Society; Chair, Science in Society; Associate to apply, critique, and reimagine the methodologies and insights of many Professor, African American Studies; Associate Professor, College of the disciplines to their understanding of the cultural, historical, political, and social Environment; Associate Professor, Sociology; Associate Professor, Environmental development of people of African descent. The curriculum enables students Studies; Coordinator, Sustainability and Environmental Justice to better understand the social structures and cultural traditions created by Africans in the diaspora and to better understand Western conceptualizations of Jay Clinton Hoggard race, the relationship
    [Show full text]
  • English (ENGH) 1
    English (ENGH) 1 ENGLISH (ENGH) 100 Level Courses Recommended Prerequisite: Admission to the Undergraduate ENGH 100: Composition for Multilingual Writers. 4 credits. International Pathway Program for international students. Intensive practice in drafting, revising, and editing expository essays Schedule Type: Lecture of some length and complexity. Studies logical, rhetorical, and linguistic structure of expository prose, with attention to particularly Grading: difficult aspects of the language for multilingual writers. Methods and This course is graded on the Undergraduate Special scale. (http:// conventions of preparing research papers. Notes: Students must attain catalog.gmu.edu/policies/academic/grading/) minimum grade of C to fulfill degree requirements. Offered by English (http://catalog.gmu.edu/colleges-schools/humanities-social-sciences/ ENGH 122: Enhanced Composition For Multilingual Writers of English II. 3 english/). Limited to three attempts. Equivalent to ENGH 101, ENGH 122. credits. Provides intensive practice in drafting, revising and editing essays in Mason Core: Written Communication (lower) (http://catalog.gmu.edu/ common academic genres such as argumentation and research based mason-core/) writing, with additional language support for building English fluency. Addresses logical, rhetorical, and linguistic structures of expository Schedule Type: Lecture, Recitation prose, and builds critical reading strategies. This course is the second Grading: of a two-part course for students in the Undergraduate International This course is graded on the Undergraduate Regular scale. (http:// Pathway Program. Notes: Students must attain minimum grade of C catalog.gmu.edu/policies/academic/grading/) to fulfill Mason Core degree requirement for written communication (lower level). Offered by English (http://catalog.gmu.edu/colleges- ENGH 101: Composition. 3 credits.
    [Show full text]
  • Xerox University Microfilms Aoonor*Zmb
    INFORMATION TO USERS This material was producad from a microfilm copy of tha original document. While the most advanced technological means to photograph and reproduce this document have been used, tha quality is heavily dependant upon tha quality of tha original submitted. Tha following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. Tha sign or "target" for pages apparently lacking from tha document photographed is "Missing Page(s)". If it was possible to obtain the missing paga(s) or section, they are spliced into the film along with adjacent pages. This may have necanitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. Whan an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You w ill find a good image of the pega in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand comer of a large sheet and to continue photoing from left to right in equal sections w ith a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to tha understanding of the dissertation.
    [Show full text]
  • The Myth of the Automobile in Three Works by Chester Himes
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1992 Running on Empty: The Myth of the Automobile in Three Works by Chester Himes Christopher Blair Hailey College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation Hailey, Christopher Blair, "Running on Empty: The Myth of the Automobile in Three Works by Chester Himes" (1992). Dissertations, Theses, and Masters Projects. Paper 1539625707. https://dx.doi.org/doi:10.21220/s2-40nn-bd57 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. RUNNING ON EMPTY: THE MYTH OF THE AUTOMOBILE IN THREE WORKS BY CHESTER HIMES A Thesis Presented to The Faculty of the Department of American Studies The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Christopher Hailey 1992 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Author v Approved, May 1992 Robert J. Sdnolmck\ 1 w i lr ' Michael A. Faia Richard S . Lo^rfjry ABSTRACT The purpose of this thesis is to examine the use of the automobile as a symbolic and structural device in three works by Chester Bomar Himes. A careful survey of If He Hollers Let Him Go (1945), his first novel, All Shot Up (1961), a detective novella, and The Quality of Hurt (1973), the first volume of his autobiography, reveals a great distance between the popular myth of the automobile and the reality of the automobile's place in the lives of black Americans.
    [Show full text]
  • CONTEXTUALIZING CHESTER HIMES's TRAJECTORY of VIOLENCE WITHIN the HARLEM DETECTIVE CYCLE BAILEY ANNE CAPELLE Master of Arts In
    CONTEXTUALIZING CHESTER HIMES’S TRAJECTORY OF VIOLENCE WITHIN THE HARLEM DETECTIVE CYCLE BAILEY ANNE CAPELLE Master of Arts in English Cleveland State University August 2012 Submitted in partial fulfillment of requirements for the degree MASTERS OF ARTS IN ENGLISH at CLEVELAND STATE UNIVERSITY May 2015 We hereby approve this thesis of Bailey A. Capelle Candidate for the Master of Arts in English degree for the Department of ENGLISH and the CLEVELAND STATE UNIVERSITY College of Graduate Studies by _________________________________________________________________________ Thesis Chairperson, Dr. Julie M. Burrell _________________________________________ Department & Date _________________________________________________________________________ Thesis Committee Member, Dr. Rachel K. Carnell _________________________________________ Department & Date _________________________________________________________________________ Thesis Committee Member, Dr. James J. Marino _________________________________________ Department & Date Student’s Date of Defense: April 6, 2015 DEDICATION This thesis is dedicated to those who listen. ACKNOWLEDGEMENT Dr. Julie M. Burrell: A remarkable woman CONTEXTUALIZING CHESTER HIMES’S TRAJECTORY OF VIOLENCE WITHIN THE HARLEM DETECTIVE CYCLE BAILEY ANNE CAPELLE ABSTRACT Long Civil Rights Movement scholars have begun to reconstruct a more accurate representation of the literary left, filling in the gap in scholarship that previously existed between the Harlem Renaissance and the Black Arts Movement. With the aid of the backdrop set up by the “Long Movement” scholars, this study aims to add to the understanding of those authors who lives and works have yet to be fully explored because of the ramifications of the McCarthy era. This discussion focuses on Chester Himes, for his work is as influential as both Richard Wright and Ralph Ellison’s, yet Himes has only recently begun to receive the critical acclaim he deserves.
    [Show full text]
  • Paris Black Heritage Reading List
    A TWO-HUNDRED YEAR AFFAIR – AFRICAN-AMERICAN HISTORY IN PARIS For further reading and viewing… Author Chester Himes This list includes authors and creatives who have spent significant time or who have been affected by sojourns in Paris and France. This is not an exhaustive list, but a starting point! Mary Church Terrell, A Colored Woman in a White World, Washington, D.C.: Ransdell, 1940. W.E.B. Du Bois, An ABC of Color, New York: International Publishers (1963, 1989). Addie Hunton and Kathryn Johnson, Two Colored Women with the American Expeditionary Forces, (New York), 1920. The experiences of two YMCA workers sent to France to aid African-American troops serving in WWI. Claude McKay, Banjo, New York: Harper & Bros, 1929. Langston Hughes, The Big Sea (autobiography), 1940, New York: Hill and Wang, 1968. Michel Fabre, From Harlem to Paris: Black American Writers in France, 1840-1980, Urbana and Chicago: University of Illinois Press, 1991. James Baldwin, Notes of a Native Son, Boston: Beacon Press, 1955 renewed 1983. Ollie Harrington, Why I Left America and Other Essays, University Press of Mississippi, 1993. James Campbell, Paris Interzone – Richard Wright, Lolita, Boris Vian and Others on the Left Bank, 1946-60, London: Secker & Warburg, 1994. Gertrude Stein, Three Lives, (1909), New York: Dover Publications, 1994 **The story ‘Melanctha’ led Richard Wright to Stein, who became his doorway to Paris. Petrine Archer-Straw, Negrophilia - Avant-Garde Paris and Black Culture in the 1920s, London: Thames & Hudson, 2000. Chester Himes, The Collected Stories of Chester Himes, Da Capo Press; 1 edition, 2000 Marcus Bruce, Henry Ossawa Tanner – A Spiritual Biography, New York: Crossroad Publishing Company, 2002.
    [Show full text]
  • Chester Himes: Chronicler of the Black-Experience
    -CHESTER -HIMES: CHRONICLER OF THE BLACK EXPERIENCE By VEICHAL JEROME EVANS 'I Bachelor of Arts in Education Langston University Langston, Oklahoma 1968 Master of Arts Central State University Edmond, Oklahoma 1976 Master of Arts Central State University Edmond, Oklahoma 1978 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requiremerits for the Degree of DOCTOR OF PHILOSOPHY December, 1980 CHESTER HIMES: CHRONICLER OF THE BLACK-EXPERIENCE Thesis Approved: ~! Thesis Adviser ~{L)~ Dean of the Graduate College 1079604 i i PREFACE This study is concerned with the analysis of Chester Himes' autobio­ graphy, The Quality of Hurt, two major novels, J.i. ~Hollers Let Him Go and Lonely Crusade, and two short stories, 11 Lunching at the Ritzmore11 and 11 0ne More Way to Die. 11 The primary objective of this study is twofold: first, to orient the reader to Chester Himes as a writer and to show how Himes' social fiction was an organic and cathartic outgrowth of the vio­ lent social forces that affected his 1 ife, and second, to show how Himes as a social chronicler of the 1940's, explored and registered all of the crucial human events and conditions on the national and state levels that were important to as well as happening to black people across the country. In short, it is the goal of this study to demonstrate the manner in which Chester Himes captured a microcosm of the urban black experience by set­ ting his social fiction in California, which during the early years of the second World War, was a racial melting pot and a cultural crossroads of the country.
    [Show full text]