A Grimm Evolution by Kylee Sullivan
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Teacher Resource Guide
Theater at Monmouth 2015 Page to Stage Tour Teacher Resource Guide Inside This Guide 1 From the Page to the Stage 6 Who’s Who in the Play 2 Little Red Riding Hood 7 Map of Red’s Journey 3 The True History of Little Red 8 Before the Performance 4 From Cautionary to Fairy Tale 9 After the Performance 5 Who’s Afraid of the Big Bad Wolf 10 Resources & Standards From the Page to the Stage This season, the Theater at Monmouth’s Page to Stage Tour brings a world premiere adaptation of classic literature to students across Maine. The True Story of Little Red (grades Pre-K-8) was adapted to build analytical and literacy skills through the exploration of verse and playwriting, foster creativity and inspire imaginative thinking. Page to Stage Tour workshops and extended residencies offer students the opportunity to study, explore, and view classic literature through performance. TAM’s Education Tours and complimentary programming challenge learners of all ages to explore the ideas, emotions, and principles contained in classic texts and to discover the connection between classic theatre and our modern world. Teacher Resource Guide information and activities were developed to help students form a personal connection to the play before attending the production; standards- based activities are included to explore the plays in the classroom before and after the performance. The best way to appreciate classic literature is to explore. That means getting students up on their feet and physically, emotionally, and vocally exploring the words. The kinesthetic memory is the most powerful—using performance-based activities will help students with a range of learning styles to build a richer understanding of the language and identify with the characters and conflicts of the plays. -
Mother Goose, Inc
MOTHER GOOSE, INC. Story, music and lyrics by Stephen Murray Performance Rights It is an infringement of the federal copyright law to copy in anyway or perform this play without royalty payment. All rights are controlled by Eldridge Publishing Co. Inc. Call the publisher for further scripts and licensing information. On all programs and advertising the author’s name must appear as well as this notice: “Produced by special arrangement with Eldridge Publishing Co.” PUBLISHED BY ELDRIDGE PUBLISHING COMPANY INC. www.histage.com © 1996 by Stephen Murray Download your complete script from Eldridge Publishing http://www.histage.com/playdetails.asp?PID=1244 Mother Goose, Incorporated 2 STORY OF THE PLAY Mother Goose and the Brothers Grimm have been in competition for over 200 years and the friction between them doesn’t seem to be abating. The poor Big Bad Wolf is caught in the middle of all this feuding. He has 12 cubs to feed and is working on the sly for both Mother Goose and the Brothers Grimm. He is constantly falling asleep at the wrong times. The war is heating up so Mother Goose has been pretty cranky lately, and her employees beg her to take a vacation. She takes off to a beautiful island resort leaving Simple Simon in charge. Simon lets the power go to his head and spends money like crazy, and the Goose employees go on strike. The only way Simon can bring them back to work and get the company out of the red is to agree to appear on a fairy tale TV special with the Brothers Grimm employees. -
Fairy Tale Females: What Three Disney Classics Tell Us About Women
FFAAIIRRYY TTAALLEE FFEEMMAALLEESS:: WHAT THREE DISNEY CLASSICS TELL US ABOUT WOMEN Spring 2002 Debbie Mead http://members.aol.com/_ht_a/ vltdisney?snow.html?mtbrand =AOL_US www.kstrom.net/isk/poca/pocahont .html www_unix.oit.umass.edu/~juls tar/Cinderella/disney.html Spring 2002 HCOM 475 CAPSTONE Instructor: Dr. Paul Fotsch Advisor: Professor Frances Payne Adler FAIRY TALE FEMALES: WHAT THREE DISNEY CLASSICS TELL US ABOUT WOMEN Debbie Mead DEDICATION To: Joel, whose arrival made the need for critical viewing of media products more crucial, Oliver, who reminded me to be ever vigilant when, after viewing a classic Christmas video from my youth, said, “Way to show me stereotypes, Mom!” Larry, who is not a Prince, but is better—a Partner. Thank you for your support, tolerance, and love. TABLE OF CONTENTS Once Upon a Time --------------------------------------------1 The Origin of Fairy Tales ---------------------------------------1 Fairy Tale/Legend versus Disney Story SNOW WHITE ---------------------------------------------2 CINDERELLA ----------------------------------------------5 POCAHONTAS -------------------------------------------6 Film Release Dates and Analysis of Historical Influence Snow White ----------------------------------------------8 Cinderella -----------------------------------------------9 Pocahontas --------------------------------------------12 Messages Beauty --------------------------------------------------13 Relationships with other women ----------------------19 Relationships with men --------------------------------21 -
Snow White & Rose
Penguin Young Readers Factsheets Level 2 Snow White Teacher’s Notes and Rose Red Summary of the story Snow White and Rose Red is the story of two sisters who live with their mother in the forest. One cold winter day a bear comes to their house to shelter, and they give him food and drink. Later, in the spring, the girls are in the forest, and they see a dwarf whose beard is stuck under a tree. The girls cut his beard to free him, but he is not grateful. Some days after, they see the dwarf attacked by a large bird and again rescue him. Next, they see the dwarf with treasure. He tells the bear that they are thieves. The bear recognizes the sisters and scares the dwarf away. After hugging the sisters, he turns into a prince. The girls go to his castle, marry the prince and his brother and their mother joins them. About the author The story was first written down by Charles Perrault in the mid seventeenth century. Then it was popularized by the Grimm brothers, Jacob Ludwig Karl Grimm, 1785-1863, and Wilhelm Karl Grimm, 1786-1859. They were both professors of German literature and librarians at the University of Gottingen who collected and wrote folk tales. Topics and themes Animals. How big are bears? How strong are they? Encourage the pupils to research different types of bears. Look at their habitat, eating habits, lives. Collect pictures of them. Fairy tales. Several aspects from this story could be taken up. Feelings. The characters in the story go through several emotions: fear, (pages 1,10) anger, (page 5) surprise (page 11). -
Revenge and Punishment: Legal Prototype and Fairy Tale Theme
Circles: Buffalo Women's Journal of Law and Social Policy Volume 6 Article 4 1-1-1998 Revenge and Punishment: Legal Prototype and Fairy Tale Theme Kimberly J. Pierson Follow this and additional works at: https://digitalcommons.law.buffalo.edu/circles Part of the Law Commons, and the Legal Studies Commons Recommended Citation Pierson, Kimberly J. (1998) "Revenge and Punishment: Legal Prototype and Fairy Tale Theme," Circles: Buffalo Women's Journal of Law and Social Policy: Vol. 6 , Article 4. Available at: https://digitalcommons.law.buffalo.edu/circles/vol6/iss1/4 This Article is brought to you for free and open access by the Law Journals at Digital Commons @ University at Buffalo School of Law. It has been accepted for inclusion in Circles: Buffalo Women's Journal of Law and Social Policy by an authorized editor of Digital Commons @ University at Buffalo School of Law. For more information, please contact [email protected]. CIRCLES 1998 Vol. VI REVENGE AND PUNISHMENT: LEGAL PROTOTYPE AND FAIRY TALE THEME By Kimberly J. Pierson' The study of the interrelationship between law and literature is currently very much in vogue, yet many aspects of it are still relatively unexamined. While a few select works are discussed time and time again, general children's literature, a formative part of a child's emerging notion of justice, has been only rarely considered, and the traditional fairy tale2 sadly ignored. This lack of attention to the first examples of literature to which most people are exposed has had a limiting effect on the development of a cohesive study of law and literature, for, as Ian Ward states: It is its inter-disciplinary nature which makes children's literature a particularly appropriate subject for law and literature study, and it is the affective importance of children's literature which surely elevates the subject fiom the desirable to the necessary. -
Into the Woods Character Descriptions
Into The Woods Character Descriptions Narrator/Mysterious Man: This role has been cast. Cinderella: Female, age 20 to 30. Vocal range top: G5. Vocal range bottom: G3. A young, earnest maiden who is constantly mistreated by her stepmother and stepsisters. Jack: Male, age 20 to 30. Vocal range top: G4. Vocal range bottom: B2. The feckless giant killer who is ‘almost a man.’ He is adventurous, naive, energetic, and bright-eyed. Jack’s Mother: Female, age 50 to 65. Vocal range top: Gb5. Vocal range bottom: Bb3. Browbeating and weary, Jack’s protective mother who is independent, bold, and strong-willed. The Baker: Male, age 35 to 45. Vocal range top: G4. Vocal range bottom: Ab2. A harried and insecure baker who is simple and loving, yet protective of his family. He wants his wife to be happy and is willing to do anything to ensure her happiness but refuses to let others fight his battles. The Baker’s Wife: Female, age: 35 to 45. Vocal range top: G5. Vocal range bottom: F3. Determined and bright woman who wishes to be a mother. She leads a simple yet satisfying life and is very low-maintenance yet proactive in her endeavors. Cinderella’s Stepmother: Female, age 40 to 50. Vocal range top: F#5. Vocal range bottom: A3. The mean-spirited, demanding stepmother of Cinderella. Florinda And Lucinda: Female, 25 to 35. Vocal range top: Ab5. Vocal range bottom: C4. Cinderella’s stepsisters who are black of heart. They follow in their mother’s footsteps of abusing Cinderella. Little Red Riding Hood: Female, age 18 to 20. -
Tracing Fairy Tales in Popular Culture Through the Depiction of Maternity in Three “Snow White” Variants
University of Louisville ThinkIR: The University of Louisville's Institutional Repository College of Arts & Sciences Senior Honors Theses College of Arts & Sciences 5-2014 Reflective tales : tracing fairy tales in popular culture through the depiction of maternity in three “Snow White” variants. Alexandra O'Keefe University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/honors Part of the Children's and Young Adult Literature Commons, and the Comparative Literature Commons Recommended Citation O'Keefe, Alexandra, "Reflective tales : tracing fairy tales in popular culture through the depiction of maternity in three “Snow White” variants." (2014). College of Arts & Sciences Senior Honors Theses. Paper 62. http://doi.org/10.18297/honors/62 This Senior Honors Thesis is brought to you for free and open access by the College of Arts & Sciences at ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in College of Arts & Sciences Senior Honors Theses by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. O’Keefe 1 Reflective Tales: Tracing Fairy Tales in Popular Culture through the Depiction of Maternity in Three “Snow White” Variants By Alexandra O’Keefe Submitted in partial fulfillment of the requirements for Graduation summa cum laude University of Louisville March, 2014 O’Keefe 2 The ability to adapt to the culture they occupy as well as the two-dimensionality of literary fairy tales allows them to relate to readers on a more meaningful level. -
Fall 2020Fall 2020
HarE JoHn HarE Students dressed is a freelance illustrator and in deep-sea diving graphic designer who works on Field Trip suits travel to the a range of projects. He lives in ocean deep in a yellow Gladstone, Missouri, with his submarine school bus. wife and two children. When they get there, they are introduced to creatures like T PRAISE FOR Field Trip to the Moon o luminescent squids and giant T he isopods, and discover an old ocean deep shipwreck. But when it’s time to return to the submarine bus, one student lingers to take a photo of a treasure chest and A Junior Library Guild Selection falls into a deep ravine. Luckily, A School Library Journal Best Book of the Year the child is entertained by a The Horn Book Fanfare List mysterious sea creature until ★ “Hare’s picture book debut is a winner . being retrieved by the teacher. A beautifully done wordless story about BOOKS FERGUSON MARGARET In his follow-up to Field Trip to a field trip to the moon with a sweet and funny alien encounter.”—School Library the Moon, John Hare’s rich, Journal, starred review atmospheric art in this wordless “[An] auspicious debut presents a world picture book invites children where a yellow crayon box shines Holiday House to imagine themselves in the like a beacon.”—Booklist story—a story full of surprises. MARGARET FERGUSON BOOKS BOOKS FOR YOUNG PEOPLE US $17.99$17.99 / CAN / CAN $23.99 $23.99 ISBN: 978-0-8234-4630-8 Holiday House Publishing, Inc. 5 1 7 9 9 HolidayHouse.com EAN Fall 2020 Printed in China 9 780823 446308 0408 Reinforced Illustration © 2020 by John Hare from Field Trip to the Ocean Deep HOLIDAY HOUSE Apples Gail Gibbons Summary Find out where your favorite crunchy, refreshing fruit comes from in this snack-sized book. -
Rockin Snow White Script
!1 THE ROCKIN TALE OF SNOW WHITE This script belongs to: __________________________ CHARACTERS: Forest Animals: Ribbon Peddler Roonie Rabbit Comb Peddler Mother Donnie Deer Fruit Peddler Josh Billy Bunny Peggy Sue Chip Chipmunk Little Bird SONGS: King Young Queen Huntsman Snow White’s Hip-Hop, Doctor Angel Doo-Wop, Be-Bop, Funky Devil Little Rockin’ Tale Ladies in Waiting: Meredith Villagers: Ladies in Waiting Molly Rock Mary Stone The Seven Dwarves Work Maureen Pebble Song Martha Brick Judy Have Ya Heard? Dwarves: Evil Queen Zip A Pinch of This Snow White Kip Mirror Tip Celebrate Pip Romantic Hero Prince Flip Snow White Reprise His People Chip Big Mike !2 SONG: SNOW WHITE HIP-HOP, DOO WOP, BE-BOP, FUNKY LITTLE ROCKIN’ TALE ALL: Once upon a time in a legendary kingdom, Lived a royal princess, fairest in the land. She would meet a prince. They’d fall in love and then some. Such a noble story told for your delight. ’Tis a little rockin’ tale of pure Snow White! They start rockin’ We got a tale, a magical, marvelous, song-filled serenade. We got a tale, a fun-packed escapade. Yes, we’re gonna wail, singin’ and a-shoutin’ and a-dancin’ till my feet both fail! Yes, it’s Snow White’s hip-hop, doo-wop, be-bop, funky little rockin’ tale! GIRLS: We got a prince, a muscle-bound, handsome, buff and studly macho guy! GUYS: We got a girl, a sugar and spice and-a everything nice, little cutie pie. ALL: We got a queen, an evil-eyed, funkified, lean and mean, total wicked machine. -
Characters' Actions and Reactions
Dear Family Member, Welcome to our next unit of study, “Characters’ Actions and Reactions.” We are beginning our second unit of study in the Benchmark Advance program. As a reminder, each three-week unit features one topic. As with the previous unit, I am providing suggested activities you and your child can do together at home to build on the work we’re doing in class. In our second unit of study, “Characters’ Actions and Reactions,” your child will explore how characters drive the action of a plot. For example, in the fairy tale “Snow White Meets the Huntsman,” students discover the lengths that the queen is willing to go to destroy Snow White, all due to her envy and vanity. Your child will also explore some of the morals and messages in Aesop’s Fables, where are character-driven stories meant to teach children centuries ago how to behave and lead their own lives. his will help students begin thinking about how they come across as characters in their own lives, with actions and reactions similar to those of characters they read about. he selections include a variety of genres, including fables, fairy tales, fantasy, animal fantasy, and informational texts. I’m looking forward to this exciting unit, exploring with your children the wide range of characters we encounter in literature. It will be fun to discover how the children connect with the various characters as well as recognize the historical signifcance of some of our favorite children’s tales. As always, should you have any questions about our reading program or about your child’s progress, please don’t hesitate to contact me. -
Princess Stories Easy Please Note: Many Princess Titles Are Available Under the Call Number Juvenile Easy Disney
Princess Stories Easy Please note: Many princess titles are available under the call number Juvenile Easy Disney. Alsenas, Linas. Princess of 8th St. (Easy Alsenas) A shy little princess, on an outing with her mother, gets a royal treat when she makes a new friend. Andrews, Julie. The Very Fairy Princess Takes the Stage. (Easy Andrews) Even though Gerry is cast as the court jester instead of the crystal princess in her ballet class’s spring performance, she eventually regains her sparkle and once again feels like a fairy princess. Barbie. Barbie: Fairytale Favorites. (Easy Barbie) Barbie: Princess charm school -- Barbie: a fairy secret -- Barbie: a fashion fairytale -- Barbie in a mermaid tale -- Barbie and the three musketeers. Child, Lauren. The Princess and the Pea in Miniature : After the Fairy Tale by Hans Christian Andersen. (Easy Child) Presents a re-telling of the well-known fairy tale of a young girl who feels a pea through twenty mattresses and twenty featherbeds and proves she is a real princess. Coyle, Carmela LaVigna . Do Princesses Really Kiss Frogs? (Easy Coyle) A young girl takes a hike with her father, asking many questions along the way about what princesses do. Cuyler, Margery. Princess Bess Gets Dressed. (Easy Cuyler) A fashionably dressed princess reveals her favorite clothes at the end of a busy day. Disney. 5-Minute Princess Stories. (Easy Disney) Magical tales about princesses from different Walt Disney movies. Disney. Princess Adventure Stories. (Easy Disney) A collection of stories from favorite Disney princesses. Edmonds, Lyra. An African Princess. (Easy Edmonds) Lyra and her parents go to the Caribbean to visit Taunte May, who reminds her that her family tree is full of princesses from Africa and around the world. -
Creating Little Red Riding Hood : Morality, Sexuality, and The
Creating Little Red Riding Hood : Morality, Sexuality, and the Evolution of a Classic Tale Julia Gralczyk HON 395 Spring Quarter 2017 Thesis submitted in completion of Honors Senior Capstone requirements for the DePaul University Honors Program Thesis Director James Choi, Digital Cinema Faculty Reader Nancy Grossman, Honors 1 THESIS ABSTRACT Little Red Riding Hood is a classic tale commonly known about a young girl in a red cape and a big, bad wolf. The story’s simple plot however, has given it way to considerable changes and adaptations depending on cultural beliefs, regional dialects, and personal interpretations. For my final Honors Program assignment, I would like to create a creative thesis in the form of a short film that incorporates my personal interpretations surrounding the tale. I will be researching themes and motifs that explore Little Red as an older character struggling with the thresholds of innocence and womanhood, lust and seduction, and the relationship between the sexes. 2 TABLE OF CONTENTS 1. INTRODUCTION………………………………………………………………….3 2. PERRAULT & THE GRIMM BROTHERS……………………………………..4 3. FREEWAY & RED RIDING HOOD (2011)...........................................................5 4. MEANINGS AND SYMBOLS ……………………………………………………7 5. PERSONAL INTERPRETATIONS & CREATING MY STORY……………....8 6. CONCLUSION ……………………………………………………………………..9 7. REFERENCES……………………………………………………………………..11 3 1. Introduction In 1697 French writer, Charles Perrault, published the earliest known printed version of Red Riding Hood. The invention of the tale cannot be credited to Perrault however, for many scholars have insisted Little Red Riding Hood has ancient origins as a spoken folklore shared by local peasants in Europe as early as the 10th century. Nonetheless, Perrault set the president for a story that will later be told, retold, and remade for centuries to come, with her perennial popularity accredited to her ability to adapt to the times.