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ANALES De Arqueología Cordobesa
21/22 ANALES de Arqueología Cordobesa 2010 - 2011 21/22 de Arqueología Cordobesa de ANALES Gerencia Municipal de Urbanismo Área de Arqueología 2010 Grupo de investiGación sísifo 2011 Área de arqueoloGía. facultad de filosofía y letras. universidad de córdoba ANALES DE ARQUEOLOGÍA CORDOBESA núm. 21-22 (2010-2011) GRUpO de iNvEStiGACióN SÍSifO ÁREA de Arqueología. FacultAD de filosofÍA y LEtras. UNiversidad de Córdoba M.ª Teresa Amaré Tafalla In memoriam comité de redacción ANALES Director: DE ARQUEOLOGÍA Desiderio VAQUERIZO GIL Catedrático de Arqueología. Universidad de Córdoba CORDOBESA núm. 21-22 (2010-2011) Secretarios: José Antonio GARRIGUET Mata Universidad de Córdoba Alberto LEón MUñOZ Universidad de Córdoba Revista de periodicidad Vocales: anual, publicada por el Lorenzo ABAD CASAL Universidad de Alicante Grupo de Investigación Sí- Carmen ARAnEGUI GASCó Universidad de Valencia sifo (HUM-236, Plan An- Manuel BEnDALA GALÁn Universidad Autónoma de Madrid daluz de Investigación), Juan M. CAMPOS CARRASCO Universidad de Huelva de la Universidad de Cór- José L. JIMÉnEZ SALVADOR Universidad de Valencia doba, en el marco de su Pilar LEón-CASTRO ALOnSO Universidad de Sevilla convenio de colaboración Jesús LIZ GUIRAL Universidad de Salamanca con la Gerencia Municipal José María LUZón nOGUÉ de Urbanismo del Ayunta- Universidad Complutense de Madrid miento de la ciudad. Carlos MÁRQUEZ MOREnO Universidad de Córdoba Manuel A. MARTÍn BUEnO Universidad de Zaragoza Juan Fco. MURILLO REDOnDO Gerencia Municipal de Urbanismo. Ayto. de Córdoba Mercedes -
The Eternal Fire of Vesta
2016 Ian McElroy All Rights Reserved THE ETERNAL FIRE OF VESTA Roman Cultural Identity and the Legitimacy of Augustus By Ian McElroy A thesis submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Master of Arts Graduate Program in Classics Written under the direction of Dr. Serena Connolly And approved by ___________________________________________ ___________________________________________ ___________________________________________ New Brunswick, New Jersey October 2016 ABSTRACT OF THE THESIS The Eternal Fire of Vesta: Roman Cultural Identity and the Legitimacy of Augustus By Ian McElroy Thesis Director: Dr. Serena Connolly Vesta and the Vestal Virgins represented the very core of Roman cultural identity, and Augustus positioned his public image beside them to augment his political legitimacy. Through analysis of material culture, historiography, and poetry that originated during the principate of Augustus, it becomes clear that each of these sources of evidence contributes to the public image projected by the leader whom Ronald Syme considered to be the first Roman emperor. The Ara Pacis Augustae and the Res Gestae Divi Augustae embody the legacy the Emperor wished to establish, and each of these cultural works contain significant references to the Vestal Virgins. The study of history Livy undertook also emphasized the pathetic plight of Rhea Silvia as she was compelled to become a Vestal. Livy and his contemporary Dionysius of Halicarnassus explored the foundation of the Vestal Order and each writer had his own explanation about how Numa founded it. The Roman poets Virgil, Horace, Ovid, and Tibullus incorporated Vesta and the Vestals into their work in a way that offers further proof of the way Augustus insinuated himself into the fabric of Roman cultural identity by associating his public image with these honored priestesses. -
The Imperial Cult and the Individual
THE IMPERIAL CULT AND THE INDIVIDUAL: THE NEGOTIATION OF AUGUSTUS' PRIVATE WORSHIP DURING HIS LIFETIME AT ROME _______________________________________ A Dissertation presented to the Faculty of the Department of Ancient Mediterranean Studies at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by CLAIRE McGRAW Dr. Dennis Trout, Dissertation Supervisor MAY 2019 The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled THE IMPERIAL CULT AND THE INDIVIDUAL: THE NEGOTIATION OF AUGUSTUS' PRIVATE WORSHIP DURING HIS LIFETIME AT ROME presented by Claire McGraw, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. _______________________________________________ Professor Dennis Trout _______________________________________________ Professor Anatole Mori _______________________________________________ Professor Raymond Marks _______________________________________________ Professor Marcello Mogetta _______________________________________________ Professor Sean Gurd DEDICATION There are many people who deserve to be mentioned here, and I hope I have not forgotten anyone. I must begin with my family, Tom, Michael, Lisa, and Mom. Their love and support throughout this entire process have meant so much to me. I dedicate this project to my Mom especially; I must acknowledge that nearly every good thing I know and good decision I’ve made is because of her. She has (literally and figuratively) pushed me to achieve this dream. Mom has been my rock, my wall to lean upon, every single day. I love you, Mom. Tom, Michael, and Lisa have been the best siblings and sister-in-law. Tom thinks what I do is cool, and that means the world to a little sister. -
HSAR 252 - Roman Architecture with Professor Diana E
HSAR 252 - Roman Architecture with Professor Diana E. E. Kleiner Lecture 6 – Habitats at Herculaneum and Early Roman Interior Decoration 1. Title page with course logo. 2. Map of Italy in Roman times. Credit: Yale University. 3. Herculaneum, aerial view of ancient remains. Credit: Google Earth. 4. Herculaneum, view of ancient remains with modern apartment houses. Image Credit: Diana E. E. Kleiner. 5. Herculaneum, view of ancient remains. Image Credit: Diana E. E. Kleiner. 6. Casa a Graticcio, Herculaneum, general view. Image Credit: Diana E. E. Kleiner. Wooden partition, Herculaneum [online image]. Wikimedia Commons. http://commons.wikimedia.org/wiki/File:Herculaneum_Casa_del_Tramezzo_di_Legno_-8.jpg (Accessed January 29, 2009). Bed, Herculaneum [online image]. Wikimedia Commons. http://commons.wikimedia.org/wiki/File:Herculaneum_Casa_del_Tramezzo_di_Legno_Letto.jpg (Accessed January 29, 2009). 7. Skeletons, Herculaneum. Reproduced from National Geographic vol. 165, no. 5, May 1984, p. 556. Photograph by O. Louis Mazzatenta. Skeletons, Herculaneum. Reproduced from National Geographic vol. 165, no. 5, May 1984, p. 562. Photograph by O. Louis Mazzatenta. 8. Rings, Herculaneum. Reproduced from National Geographic vol. 165, no. 5, May 1984, p. 560 (bottom). Photograph by O. Louis Mazzatenta. Bracelets, Herculaneum. Reproduced from National Geographic vol. 165, no. 5, May 1984, p. 561. Photograph by O. Louis Mazzatenta. Skeleton of woman, Herculaneum. Reproduced from National Geographic vol. 165, no. 5, May 1984, p. 560 top. Photograph by O. Louis Mazzatenta. 9. Skeleton of pregnant woman with fetus, Herculaneum. Reproduced from National Geographic vol. 165, no. 5, May 1984, p. 564. Photograph by O. Louis Mazzatenta. 10. Crib with skeletal remains of an infant, Herculaneum. -
PDF Hosted at the Radboud Repository of the Radboud University Nijmegen
PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/85949 Please be advised that this information was generated on 2021-10-07 and may be subject to change. KLIO 92 2010 1 65––82 Lien Foubert (Nijmegen) The Palatine dwelling of the mater familias:houses as symbolic space in the Julio-Claudian period Part of Augustus’ architectural programme was to establish „lieux de me´moire“ that were specifically associated with him and his family.1 The ideological function of his female relativesinthisprocesshasremainedunderexposed.2 In a recent study on the Forum Augustum, Geiger argued for the inclusion of statues of women among those of the summi viri of Rome’s past.3 In his view, figures such as Caesar’s daughter Julia or Aeneas’ wife Lavinia would have harmonized with the male ancestors of the Julii, thus providing them with a fundamental role in the historical past of the City. The archaeological evi- dence, however, is meagre and literary references to statues of women on the Forum Augustum are non-existing.4 A comparable architectural lieu de me´moire was Augustus’ mausoleum on the Campus Martius.5 The ideological presence of women in this monument is more straight-forward. InmuchthesamewayastheForumAugustum,themausoleumofferedAugustus’fel- low-citizens a canon of excellence: only those who were considered worthy received a statue on the Forum or burial in the mausoleum.6 The explicit admission or refusal of Julio-Claudian women in Augustus’ tomb shows that they too were considered exempla. -
ANALES Incomplete Senate Building of DE ARQUEOLOGÍA Domitian? CORDOBESA El Complejo Constructivo Imperial De Núm
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repositorio Institucional de la Universidad de Córdoba iSSN: 1130-9741 ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– 57 THe IMperIaL buildinG CoMpLeX oF s. MarIa anTIqUa In roMe – an ANALES InCoMpLeTe senaTe buildinG oF DE ARQUEOLOGÍA DoMITIan? CORDOBESA eL CoMpLejo ConsTructivo IMperIaL De núm. 21-22 (2010-2011) sTa. María anTIqUa en roMa ¿Un edificio InCoMpLeTo DeL senaDo De Domiciano? MiChAEL hEiNzelmann UnIVersITäT ZU KöLn ✉: [email protected] Fecha de recepción: 14 / 09 / 2010 / Fecha de aceptación: 18 / 11 / 2010 abstract: Behind the temple of the Dioscuri lies the extensive imperial building complex of S. Maria Antiqua, which was initiated by Do- mitian but never completed. Until today it has only been partially investigated and convincing explanations for its orginal intended function are missing. By analyzing its structural characteristics and spatial relationships with the Palatine and the Forum Roma- num a new interpretation of the building complex as a new Curia of the Roman Senate attached to the imperial palaces is proposed. Keywords: S. Maria Antiqua, imperial building complex, Do- mitian, Curia, Roman Senate. resUmen: Detrás del templo de los Dioscuros se sitúa el gran complejo arquitectónico de Santa María Antiqua, iniciado por Domiciano pero nunca completado. Hasta la fecha sólo ha sido investigado parcialmente y carecemos de explicaciones convincentes acerca de la función para la que se diseñó. Mediante el análisis de sus características estructurales y relaciones espaciales con el Palati- no y el Foro Romano se propone una novedosa interpretación del complejo como la nueva Curia del Senado Romano anexa a los palacios imperiales. -
Social Science
Myth at the heart of the Roman Empire The House of Augustus Rome Map: house of Augustus Augustus was an emperor: Caesar Augustus, one of the emperors of Rome. Augusto era imperatore: Caesar Augusto, era uno degli imperatori di Roma. He was the first emperor. As a child he was also seen as the future saviour of Rome. E' stato il primo imperatore che e' stato visto anche come il bambino che avrebbe salvato Roma. The house of Augustus is right next to the entrance to the Roman Forum. C'e' la casa di Augusto proprio nell'entrata del Foro Romano. Chris Smith: So this is the House of Augustus. It's an incredibly exciting site, because what we get to see here is the choices that an emperor has made about where he wants to live. Chris Smith: Through to the green that you can see underneath the archway here is effectively the end of the palatine, edge of the palatine. That leads you down into this incredibly rich sacral landscape. Which ultimately leads to the Tiber. And of course the Lupercal. The Lupercal, the place where Romulus and Remus wound up after they'd been put into a little boat and sent off to die. That's where they were suckled by a wolf, taken in by a shepherd and so forth, so there's a direct story of Romulus and Remus at the Lupercal there. Chris Smith: At the same time, if we look down this line here, what we're effectively seeing is a row of temples, and there's another behind us over there, which contextualise this house in a highly religious topography from the middle republic to contemporary with Augustus. -
Integrating Radar and Laser-Based Remote Sensing Techniques for Monitoring Structural Deformation of Archaeological Monuments
Journal of Archaeological Science 40 (2013) 176e189 Contents lists available at SciVerse ScienceDirect Journal of Archaeological Science journal homepage: http://www.elsevier.com/locate/jas Integrating radar and laser-based remote sensing techniques for monitoring structural deformation of archaeological monuments Deodato Tapete a,*, Nicola Casagli a, Guido Luzi a,1, Riccardo Fanti a, Giovanni Gigli a, Davide Leva b a Department of Earth Sciences, University of Firenze, Via La Pira 4, I-50121 Firenze, Italy b ellegi srl e LiSALab, Legnano, Milan, Italy article info abstract Article history: Ground-Based Synthetic Aperture Radar Interferometry (GBInSAR) and Terrestrial Laser Scanning (TLS) Received 12 November 2011 were purposely integrated to obtain 3D interferometric radar point clouds to facilitate the spatial Received in revised form interpretation of displacements affecting archaeological monuments. The paper describes the procedure 30 June 2012 to implement this integrated approach in the real-world situations of surveillance of archaeological and Accepted 3 July 2012 built heritage. Targeted tests were carried out on the case study of the Domus Tiberiana sited along the northern side of the Palatino Hill in the central archaeological area of Rome, Italy, and displacements of Keywords: the monument were monitored over almost one year of acquisition. The GBInSAR e TLS integration Ground-Based Synthetic Aperture Radar Radar Interferometry provided updated information about the condition of the archaeological structures in relation to their Terrestrial Laser Scanning history of instability mechanisms, and did not highlighted a general worsening for the stability of the Monitoring entire monument. Point-wise and prompt detection of displacement anomalies and/or sudden changes Cultural heritage in displacement trends proved the suitability of the method to support early warning procedures, also to Conservation evaluate effects on the masonry due to human activities. -
“Empire Without End”: Augustan Rome and the Founding of the Principate Humanities and Religious Studies 196A
“Empire without End”: Augustan Rome and the Founding of the Principate Humanities and Religious Studies 196A A focused study of Roman cultural history at the time of the transition, orchestrated primarily by the emperor Augustus, from the republic to the principate (or empire). Emphasis will be on understanding Augustan values through attention to the literature, visual arts, architecture, and governmental, social, and economic policies that helped to establish the principate according to Augustus’ vision. Course time in Rome will be devoted primarily to visiting archaeological sites, monuments, and museum collections, and to ongoing discussion of their relationship to important literary works (to be studied prior to departure), and of the relevance of all these various manifestations of Augustan culture to the emperor’s program of reform. Expected Learning Outcomes Students will be able to: • Summarize the historical framework of the late republican and early imperial periods (i.e., 133 BCE to 68 CE) and explain key historical events for understanding Augustan culture • Define auctoritas as it applies to Augustus and the Augustan period, and cite examples drawn from various forms of literature and material culture • Identify traditional Roman values that Augustus emphasized, and explain how these values were manifested in Augustan culture • Describe a wide variety of literary works, archaeological sites, and architectural and artistic achievements from the Augustan period • Differentiate the main political and social components of the republican period from those of the early principate • Identify examples of Augustan influence on subsequent historical developments, as manifested in cultural features of Rome Course Requirements Required readings • Karl Galinsky, Augustan Culture • Selected readings to be assigned by instructor (e.g. -
Ancient Rome & the Renaissance
Introducing Choose your travel companions | Select your dates Private Departures: Opt for 3-, 4-, or 5-star accommodations Ancient Rome & the Renaissance: Art, Architecture & Cuisine Five nights in Rome | Two nights in Naples | Three nights in Amalfi © L-BBE © Derbrauni Archaeology-focused tours for the curious to the connoisseur. Dear Traveler, Schedule your own, private AIA Tour that fits your travel dates and your budget. Travel with expert local guides who also handle all of the logistics, so you can relax and immerse yourself in learning and experiencing ancient and Renaissance art and architecture, including numerous UNESCO World Heritage sites. Enjoy delicious food and wine, and hand-picked 3-, 4-, or 5-star hotels, all perfectly located for exploring on your own during free time: five nights in central Rome, two nights in Naples (where 4- and 5-star hotels overlook the Bay of Naples), and three nights in Amalfi overlooking the Tyrrhenian Sea. © WolfgangRieger Your wonderful, expert-guided excursions are many and include: Above: Mosaic at Naples Archaeological Museum. Below: A courtyard at Rome's • The Roman Forum, with a private visit to the Temple of Antoninus and Faustina; Capitoline Museums. • Special entry to the Colosseum's upper levels and underground tunnels; • Stunning paintings and mosaics at the Palatine Hill and House of Augustus; • The Capitoline Museums, with their magnificent Classical and Renaissance art; • Outstanding Renaissance sculptures and paintings at the Borghese Gallery; • Breakfast within the Vatican Museums -
Re Claiming an Industrial Area of Mira Lanza in the City of Rome
Re_Claiming an industrial area of Mira Lanza in the city of Rome Rediscovery of historical urban evidence Reuse of abandoned industrial heritage Strategy of urban design TU Delft, 2017 Faculty of Architecture and the Built Environment Chair of Architecture and Public Building Nikoleta Stankovic Chapter 1. Preservation. One of the things about Rome that immediately attracts attention is the number of tourists in the city center. The attraction of Rome as a cultural hotspot has made it one of the most popular destinations on the globe. In fact, Rome is the fourth most visited city in Europe1. However, the influx of the tourists has grown so much over recent years that the city has become endangered through overcrowding. And the mass tourist numbers make life very unpleasant for locals trying to go about their daily lives. ‘The commercialization of culture can undermine the soul of a tourist destination. Local traditions that have a rich cultural heritage are reduced to wearing costumes and putting on acts for the tourists in return for money.’2 It is not far-fetched to say that Rome city center has become occupied by tourists. Central Rome started loosing its identity due to their enormous number. Everything the city has to offer is on offer. But the demand became too high. There are thousands of hotels to accommodate the visitors, international shopping giants that sell clothing produced in other countries, countless overpriced restaurants with food that is loosing any similarities with Italian cuisine. The tourist excess is becoming unmanageable and it feels like central Rome no longer belongs to its citizens. -
Rome Architecture Guide 2020
WHAT Architect WHERE Notes Zone 1: Ancient Rome The Flavium Amphitheatre was built in 80 AD of concrete and stone as the largest amphitheatre in the world. The Colosseum could hold, it is estimated, between 50,000 and 80,000 spectators, and was used The Colosseum or for gladiatorial contests and public spectacles such as mock sea Amphitheatrum ***** Unknown Piazza del Colosseo battles, animal hunts, executions, re-enactments of famous battles, Flavium and dramas based on Classical mythology. General Admission €14, Students €7,5 (includes Colosseum, Foro Romano + Palatino). Hypogeum can be visited with previous reservation (+8€). Mon-Sun (8.30am-1h before sunset) On the western side of the Colosseum, this monumental triple arch was built in AD 315 to celebrate the emperor Constantine's victory over his rival Maxentius at the Battle of the Milvian Bridge (AD 312). Rising to a height of 25m, it's the largest of Rome's surviving ***** Arch of Constantine Unknown Piazza del Colosseo triumphal arches. Above the archways is placed the attic, composed of brickwork revetted (faced) with marble. A staircase within the arch is entered from a door at some height from the ground, on the west side, facing the Palatine Hill. The arch served as the finish line for the marathon athletic event for the 1960 Summer Olympics. The Domus Aurea was a vast landscaped palace built by the Emperor Nero in the heart of ancient Rome after the great fire in 64 AD had destroyed a large part of the city and the aristocratic villas on the Palatine Hill.