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Rcr Arquitectes RCR ARQUITECTES: Essências Atmosféricas, entre a Abstracção Poética e a Autenticidade Geométrica. Sandra Raquel Abreu Boloto Dissertação de Mestrado Integrado em Arquitectura. Faculdade de Arquitectura da Universidade do Porto. Ano Lectivo de 2011 | 2012. Palavras-Chave: Arquitectura Catalã; RCR Arquitectes; Abstracção Poética; Autenticidade Geométrica; Processo Criativo; Linguagem; Fotografia de Arquitectura; Interpretação de Contexto. RCR ARQUITECTES: [1] Essências Atmosféricas, entre a Abstracção Poética e a Autenticidade Geométrica. Sandra Raquel Abreu Boloto Dissertação Orientada por Arq.º António Madureira. Dissertação de Mestrado Integrado em Arquitectura. Faculdade de Arquitectura da Universidade do Porto. Ano Lectivo de 2011 | 2012. Imagem de Capa: [1] Anfiteatro da Adega de Bell-Lloc (RCR Arquitectes). À minha mãe, a força de um amor incondicional. Ao meu pai, um gesto e um caminho. Ao meu irmão, distância sentida. Um profundo e sincero agradecimento ao atelier Aranda Pigem Vilalta RCR ARQUITECTES pela sua amabilidade, pelo apoio fundamental e pela contribuição e inspiração neste mundo de sonhos e de números. Um profundo agradecimento repleto de amizade pelo apoio e presença fundamental no meu percurso académico ao Arq. Arménio Sabença, colega entusiástico da obra dos RCR, entre outros. Um profundo e sincero agradecimento pela constante paciência, apoio e companhia a Fábio Pinto. Um profundo agradecimento repleto de admiração pelo constante acompanhamento e interesse mostrado ao meu docente orientador, Arq. António Madureira. 8 Resumo RCR Arquitectes: Essências Atmosféricas, entre a Abstracção Poética e a Autenticidade Geométrica 9 RESUMO Tomou-se como premissa basilar desta proposta para a obtenção do Mestrado Integrado em Arquitectura, um enorme interesse manifestado na linguagem e estética de um atelier de arquitectura em expansão – RCR ARQUITECTES – consolidando, deste modo, a oportunidade de aprofundar o conhecimento sobre o mesmo e contribuir para o seu reconhecimento e consequente estudo dentro da classe académica portuguesa. Perante a premente procura de analisar, viver, sentir e transmitir em palavras o tema seleccionado, foi estabelecido o horizonte/projecto, enquanto investigadora, de visitar todas as obras construídas deste atelier, de modo a obter um conhecimento mais completo e genuíno, através da observação directa do contexto e da obra, incluindo a visita ao atelier e contacto directo com os arquitectos. As reportagens fotográficas tomaram-se como elemento fundamental para melhor ilustrar e comunicar a experiência observada e vivida, possibilitando a narratividade singular e mais precisa das obras, explorando a contribuição mútua entre estes dois mundos de criação: Arquitectura e Fotografia. Durante o desenvolvimento da investigação sentiram-se contudo, outras necessidades, nomeadamente a fundamentação da filosofia estética adoptada e da consequente linguagem arquitectónica. Desenvolveu-se assim, um plano de estudo focado em compreender e cartografar, acima de tudo, a sua génese criativa e o modo como esta se desenvolve e define. Pretendeu- se inclusive contextualizar as origens do atelier: o percurso biográfico individual e colectivo dos arquitectos; a visão crítica (externa e interna) e o processo criativo em que se sustentam (filosofia ideológica e método de trabalho). A sua arquitectura exclui o supérfluo para tentar desvelar o essencial, o autêntico, definindo e fundando-se no conceito inicial (filosófico, objectivo, imagético) do objecto/obra a produzir, onde o recurso à abstracção procura captar a sua essência formal, produzindo um sentido atmosférico e sensorial verdadeiramente singular. 10 Abstract RCR Arquitectes: Essências Atmosféricas, entre a Abstracção Poética e a Autenticidade Geométrica 11 ABSTRACT As the fundamental premise of the proposal to obtain the Integrated Master Degree in Architecture, it was considered an enormous interest expressed in the language and aesthetics of a growing architecture studio – RCR ARQUITECTES – wich consolidated the opportunity to deepen the knowledge about that subject and to contribute to its recognition and subsequent study within the Portuguese academic class. Given the pressing demand to examine, experience, feel and convey into words the selected theme, it was established, as a researcher, the horizon/project of visiting all the infrastructures built by this studio in order to obtain a more complete and genuine knowledge, through direct observation of the context and its architecture, including a visit to the actual place of work and direct contact with the concerning architects. The photographic reports were taken as a fundamental element to better illustrate and communicate the observed and lived experience, enabling a more precise and unique narration from those works, by exploiting the mutual contribution between these two creation worlds: Architecture and Photography. During the development of the research there were felt, however, other needs, namely the grounding, the substantiation of the adopted aesthetic philosophy and the resulting architectural language. This way, a study plan focused on understanding and mapping, above all, its creative genesis and how it is defined and developed. It was intended to also contextualize the origins of the studio: the individual and collective biographic route of the architects; the critical view (external and internal) and the creative process in which they are supported (ideological philosophy and working method). Their architecture excludes the superfluous to try to uncover the essential, the authentic, defining and basing themselves in the initial (philosophic, objective, imagistic) concept of the object/work to produce, where the use of abstraction tries to capture its formal essence, producing a truly unique atmospheric and sensorial feeling. 12 Linguagem Arquitectónica 1 HELDER, Herberto, poema Prefácio de “A Colher na Boca” in: Poesia Toda, ed. Assírio e Alvim, Março, 1996, pp. 9-11. 2 BACHELARD, Gaston, A Poética do Espaço, ed. Martin Fontes, Fevereiro, 2000, p. 236. RCR Arquitectes: Essências Atmosféricas, entre a Abstracção Poética e a Autenticidade Geométrica 13 “Falemos de casas, do sagaz exercício de um poder tão firme e silencioso como só houve no tempo mais antigo. Estes são os arquitectos, aqueles que vão morrer, sorrindo com ironia e doçura no fundo de um alto segredo que os restitui à lama. De doces mãos irreprimíveis. – Sobre os meses, sonhando nas últimas chuvas, as casas encontram seu inocente jeito de durar contra a boca subtil rodeada em cima pela treva das palavras. (...) Estas são as casas. E se vamos morrer nós mesmos, espantamo-nos um pouco, e muito, com tais arquitectos que não viram as torrentes infindáveis das rosas, ou as águas permanentes, ou um sinal de eternidade espalhado nos corações rápidos. – Que fizeram estes arquitectos destas casas, eles que vagabundearam pelos muitos sentidos dos meses, dizendo: aqui fica uma casa, aqui outra, aqui outra, para que se faça uma ordem, uma duração, uma beleza contra a força divina? (...) Falemos de casas como quem fala da sua alma, entre um incêndio, junto ao modelo das searas, na aprendizagem da paciência de vê-las erguer e morrer com um pouco, um pouco de beleza.”1 “Não nasceram de uma vontade de espantar. Por mais extraordinárias que sejam, trazem a marca de uma primitividade. (...) Essas imagens apagam o mundo e não têm passado. (...) Estamos certos de que são metapsicológicas. Dão-nos uma lição de solidão. É preciso, por um instante, tomá-las apenas para nós (...)”2 14 Índice Nenhuma parte desta dissertação pode ser copiada ou reproduzida sem os respectivos créditos, apoiando-se numa ética de autoria e valorização expressa numa investigação inédita. No caso de utilização de imagem e/ou texto, deverá apresentar esta fonte bibliográfica: “BOLOTO, Sandra, “RCR Arquitectes: Essências Atmosféricas, entre a Abstracção Poética e a Autenticidade Geométrica”, Dissertação de Mestrado Integrado em Arquitectura apresentada à Faculdade de Arquitectura da Universidade do Porto - FAUP, Porto, 2011/2012 (texto policopiado). Em caso de dúvida ou esclarecimento poderá contactar o email: [email protected]. RCR Arquitectes: Essências Atmosféricas, entre a Abstracção Poética e a Autenticidade Geométrica 15 ÍNDICE Pág. 009. R E S U M O 011. A B S T R A C T 017. I N T R O D U Ç ÃO 021. G É N E S E R E F E R E N C I A L [1] 023. Contexto histórico e sócio-cultural 027. Enquadramento biográfico e formativo 033. V I S Ã O C R Í T I C A E P R O C E S S O C R I A T I V O [2] 035. Reflexão sobre crítica relevante 043. Referências e analogias conceptuais 061. Filosofia ideológica do atelier 065. Método de trabalho colectivo 069. L I N G U A G E M A R Q U I T E C T Ó N I C A [3] 071. Reflexão sobre obra observada 291. Expressão Arquitectónica e Materais 295. C O N C L U S Ã O 301. F O N T E S B I B L I O G R Á F I C A S 303. Fontes da Bibliografia Fundamental 303. Fontes da Bibliografia Periódica 304. Fontes da Bibliografia Complementar 305. Fontes da Referência Electrónica 306. Fontes das Imagens 311. Créditos das Imagens 313. A N E X O S 315. Anexo I: Cronologia Biográfica 325. Anexo II: Críticos Relevantes 327. Anexo III: Cronologia da Obra Construída 329. Anexo IV: Ficha Técnica das Obras Construídas 333. Anexo V: Esencias Atmosféricas: Una conversación con RCR Arquitectes 357. Anexo VI: Uma Conversa com Arménio Sabença e Tiago Oliveira 367. Anexo VII: Entrevista a Isabel Azevedo 369. Anexo VIII: Evolução Estética e Conceptual 16 Introdução RCR
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