Managing Critical Factors Causing Delays in Public Construction Projects in the Kingdom of Saudi Arabia

Total Page:16

File Type:pdf, Size:1020Kb

Managing Critical Factors Causing Delays in Public Construction Projects in the Kingdom of Saudi Arabia School of Design and the Built Environment Managing Critical Factors Causing Delays in Public Construction Projects in the Kingdom of Saudi Arabia Nasser Obaid M Alotaibi This thesis is presented for the Degree of Doctor of Philosophy of Curtin University April 2018 DECLARATION To the best of my knowledge and belief, this thesis contains no material previously published by any other person, except where due acknowledgement has been made. This thesis includes no material which has been accepted for the award of any different degree or diploma in any university. In accordance with the Australian National Health and Medical Research Council’s guidelines for research involving humans, ethics approval for this research was obtained in 2015. The proposed research study received human research ethics approval from the Curtin University Human Research Ethics Committee (EC00262), Approval Number #RDHU-172-15. Signature: Nasser Obaid Alotaibi Date : 29 March 2018 i DEDICATED TO: My Mum, my beloved wife and my kids (Joud, Naif and Thaar) for their patience and understanding during the long journey to achieve this project. Thank you for your support through the difficult time spent on my studies. I would also like to dedicate my work to my brother, Abdullah, and my other siblings who have always been supporting and encouraging me to complete this journey. Thank you all for your understanding during the time that I was committed to my academic work. ii ACKNOWLEDGEMENTS I would like to take this opportunity to thank everyone who has made my journey to produce this thesis possible. First, I would like to express my sincere gratitude to my supervisor, Associate Professor Monty Sutrisna, for mentoring and guiding me through my PhD dissertation program and for providing his precious support to help me achieve this work. He has shown great wisdom in his guidance to me. I would like to express my heartfelt thanks to my co-supervisor, Dr Heap-Yih Chong (John), and Associate Supervisor, Dr. Oluwole Olatunji, for their encouragement, guidance, immense assistance and support from the initial to final stages of this study. I would like to thank all the people at Curtin University who have made it possible for me to conduct my research work. I am also grateful to the Kingdom of Saudi Arabia government for their scholarship to undertake my high-degree studies. Many others have helped and inspired me during my studies outside of the university setting. Most importantly, I want to thank my wife, my kids and my family, who have given me their unfailing love and support throughout my life; this thesis would have been impossible without them. Special thanks go out to all the participants in this study, notably, the individuals that I interviewed. I appreciate the valuable knowledge that you have shared with me. Thank you for making it possible for me to make significant contributions to the field. Lastly, for those that I forget to mention, I offer my regards and blessings to all of you for showing your support to me, in one way or another, during my PhD studies. iii ABSTRACT Construction projects have remained as essential drivers of economic and social development globally. The importance of construction projects is further demonstrated as the other segments of the economy depend on them to attain their objectives. The growing demands for buildings, roads, commercial and residential homes, and hospitals, amongst others, to fast-track the developmental goals of several nations have led to rapid increases in the number of construction projects. However, this situation has also brought many challenges to the implementation of these construction projects. In Saudi Arabia, there has been widespread cases of construction delays reported over the last four decades. The prevalence of delays within public construction projects in the Kingdom of Saudi Arabia (KSA) is now a source of concern for governments in the KSA, especially as the nation has recently lost significant income due to the falling prices of petroleum resources in the recent years (the mainstay of the country’s economy). Consequently, the governments are becoming more interested in the implementation of construction projects that deliver on their cost, schedule, environmental, and quality objectives. This research study was conceived with the primary aim of minimising delay and improving the performance of public construction projects in the KSA, so that maximum benefits can be derived from them. In order to develop an understanding that could be employed to address the problem of delays plaguing public construction projects in the KSA, four objectives were designed for this study. These objectives are to: identify the critical factors causing the delay in construction projects in the KSA and their relative importance; study the current use of project management knowledge, tools and techniques in managing delays in public construction projects in the KSA; evaluate the association between the application of project time management tools and incidence of project delays in the KSA’s public construction industry; and to develop a framework that could be used to minimise the likelihood of delays and support the effective time management of delays in public construction projects in the KSA. To satisfy the objectives mentioned above, the following: a triangulation of three research methods, a literature review, quantitative and qualitative studies, were undertaken. Thus, this research was conducted in three phases. In the first phase, an in-depth study of the existing literature was performed to identify the issues concerning: construction projects; delays; the magnitude of construction delays; types of construction delays; construction delay factors; sources of construction delays in the KSA; and iv gaps in the study of construction delays. Further in this stage, updated project management knowledge, tools, and techniques that could be potentially employed to address the problem of construction delays were re-examined. Following the conceptual understanding of the problem area from the review of the relevant literature, a quantitative study was designed and carried out in phase two to address this research’s objectives. A questionnaire acted as a research instrument for this phase and was developed based on the information gathered from the literature review. The data collected from the quantitative study were statistically analysed using Structural Equation Modelling and Mean Ranking. To assure the reliability and validity, a few tests such as Cronbach Alpha and Average Variance Extracted were undertaken. The results of the analyses revealed that the factors contributing to delays in KSA’s public construction projects to be: slowness in decision-making; lack of qualifications; lowest bidding system; design issues; financial difficulties; ineffective project planning and scheduling; change orders; and workers’ inexperience. Also, the current knowledge and application of project management tools and techniques in the management of delays were found to be inadequate and ineffective. Moreover, this study revealed that an effective implementation of project management knowledge, tools and techniques could lead to a reduction in the likelihood of the occurrence of delays in public construction projects in the KSA. In phase three of this study, the research objectives were again addressed using four rigorously selected cases of tertiary institution buildings that were currently being constructed in the KSA. In addition to analysing documentary evidence on the cases studied, interviews were conducted for 16 professionals (four for each case project) involved in their implementation. The results obtained in the analysis of these qualitative data were found to validate those reported in the quantitative study, thereby reinforcing the need to address the problem of public construction delays in the KSA. Also, the delay factors identified in the case studies were the same as those found in the quantitative research. Various project management tactics were identified as essential for minimising the delay factors. Essentially, this study established that an application of project management tools and techniques such as Work Breakdown Structure (WBS), Critical Path Management (CPM), Bottom-up Estimation, Gantt charts, and Earned Value Management (EVM) is crucial for minimising delay issues in the KSA’s construction sector. Minimising strategies for specific delay factors were also v identified. For the issue of slow decision-making, the minimising approaches included prioritising decision requests, decentralising the decision-making process, as well as assigning deadlines to the finalisation of decisions. Moreover, assessing the financial capacity of contractors and a periodic revisit of contractual agreements were identified as important strategies for addressing delays induced by the lowest bidding system. Tactics that can be used to reduce financial difficulties were found to include ensuring reliable financing options, alternative sources of funds such as public- private partnership, and stakeholder engagement. The approach identified to be useful for addressing delay issues arising from a lack of qualifications was pre-determination of the needed requirements for the contractor and consultants at the pre-project phase. Furthermore, for delays induced by workers’ inexperience, they can be reduced by identifying and clarifying roles and responsibilities, establishing an active line of reporting and staff development
Recommended publications
  • CUERPO DIRECTIVO Dr
    CUERPO DIRECTIVO Dr. Claudio Llanos Reyes Pontificia Universidad Católica de Valparaíso, Chile Directores Dr. Juan Guillermo Mansilla Sepúlveda Dr. Werner Mackenbach Universidad Católica de Temuco, Chile Universidad de Potsdam, Alemania Dr. Francisco Ganga Contreras Universidad de Costa Rica, Costa Rica Universidad de Tarapacá, Chile Mg. Rocío del Pilar Martínez Marín Editor Universidad de Santander, Colombia Drdo. Juan Guillermo Estay Sepúlveda Editorial Cuadernos de Sofía, Chile Ph. D. Natalia Milanesio Universidad de Houston, Estados Unidos Editor Científico Dr. Luiz Alberto David Araujo Ph. D. Maritza Montero Pontificia Universidade Católica de Sao Paulo, Brasil Universidad Central de Venezuela, Venezuela Editor Europa del Este Dra. Eleonora Pencheva Dr. Aleksandar Ivanov Katrandzhiev Universidad Suroeste Neofit Rilski, Bulgaria Universidad Suroeste "Neofit Rilski", Bulgaria Dra. Rosa María Regueiro Ferreira Cuerpo Asistente Universidad de La Coruña, España Traductora: Inglés Dr. Andrés Saavedra Barahona Lic. Pauline Corthorn Escudero Universidad San Clemente de Ojrid de Sofía, Bulgaria Editorial Cuadernos de Sofía, Chile Dr. Efraín Sánchez Cabra Portada Academia Colombiana de Historia, Colombia Lic. Graciela Pantigoso de Los Santos Editorial Cuadernos de Sofía, Chile Dra. Mirka Seitz Universidad del Salvador, Argentina COMITÉ EDITORIAL Ph. D. Stefan Todorov Kapralov Dr. Jaime Bassa Mercado South West University, Bulgaria Universidad de Valparaíso, Chile COMITÉ CIENTÍFICO INTERNACIONAL Dra. Heloísa Bellotto Universidad de Sao Paulo, Brasil Comité Científico Internacional de Honor Dra. Nidia Burgos Dr. Adolfo A. Abadía Universidad Nacional del Sur, Argentina Universidad ICESI, Colombia Mg. María Eugenia Campos Dr. Carlos Antonio Aguirre Rojas Universidad Nacional Autónoma de México, México Universidad Nacional Autónoma de México, México Dr. Francisco José Francisco Carrera Dr. Martino Contu Universidad de Valladolid, España Universidad de Sassari, Italia Dr.
    [Show full text]
  • NOTA: Las Canciones Que Dicen (Pista) Es Porque Solo Esta El
    NOTA: Las Canciones Que Dicen (Pista) Es Porque Solo Esta El Audio, Si Queres Una De Estas Canciones Asegurate De Saber La Letra Ya Que No Va A Aparecer En La Pantalla... A.Q.M Resistire ABEL PINTOS Aventura Cactus La Llave Por Una Gota De Tu Voz Todo Esta En Vos ABUELOS DE LA NADA Costumbres Argentinas Lunes Por La Madrugada Mil Horas Sin Gamulan ADELE Make You Feel My Love Set Fire To The Rain Someone Like You Turning Tables AGAPORNIS Donde Están Corazon Por Amarte Asi Si Te Vas Tan Solo Tu Todo Esta En Vos AGUSTIN ALMEYDA En Tí Nunca Mas ALCIDES Violeta ALEJANDRO FERNANDEZ Amor Gitano - Beyonce - Alejandro Fernandez - Canta Corazon Me Dedique A Perderte (Salsa) Me Dedique A Perderte Que Lastima Si Tu Supieras Te Voy A Perder ALEJANDRO FILIO Vienes Con El Sol ALEJANDRO LERNER Amarte Asi Despues De Ti Mil Veces Lloro Todo A Pulmon Volver A Empezar ALEJANDRO SANZ Amiga Mia Aprendiz Corazon Partido Cuando Nadie Me Ve El Alma Al Aire Pisando Fuerte Quiero Morir En Tu Veneno SI TU ME MIRAS Una Noche - Corrs Y Alejandro Sanz Viviendo De Prisa Y Si Fuera Ella Y Solo Se Me Ocurre Amarte ALEKS SINTEK Duele El Amor Te Soñe ALEX UBAGO A Gritos De Esperanza Aunque No Te Pueda Ver Dame Tu Aire Me Arrepiento Por Esta Ciudad Que Pides Tu Sabes Siempre En Mi Mente Sin Miedo A Nada - Alex Ubago Y Natali ALEXANDER ACHA Te Amo ALEXANDRE PIRES Amame Usted Se Me Llevo La Vida AMAR AZUL El Polvito Yo Me Enamore AMARAL Como Hablar Dias De Verano El Universo Sobre Mí Si Tu No Vuelves - Amaral Y Chetes (Miguel Bose) Sin Ti No Soy Nada Te Necesito ANDREA BOCELLI
    [Show full text]
  • ¿Donde Está La Música Chilena? * Entrevistas A
    * ¿Donde está la música chilena? * Entrevistas a Margot Loyola, José Oplustil, Rodrigo Torres, José Perez de Arce y Claudio Mercado * ¿Tiene ritmo la historia de Chile? * Escriben Rodolfo Parada-Lillo, Octavio Hasbún, Fabio Salas y David Ponce Dirección de Bibliotecas, Archivos y Museos # 49 Año XIII Primavera 2008 $1.600 yo no canto por cantar... Patrimonio Cultural N° 49 (Año XIII) Primavera de 2008 Revista estacional de la Dirección de Bibliotecas, Archivos y Museos (Dibam), Ministerio de Educación de Chile. Directora y representante legal: Nivia Palma. Consejo editorial: Ricardo Abuauad, José Bengoa, Marta Cruz Coke, Diamela Eltit, Humberto Giannini, Ramón Griffero, Pedro Güell, Marta Lagos, Pedro Milos, Jorge Montealegre, Micaela Navarrete y Pedro Pablo Zegers. Comité editor: Claudio Aguilera, Grace Dunlop, Gloria Elgueta, Michelle Hafemann, Virginia Jaeger, Leonardo Mellado y Delia Pizarro. Colaboran: Gabinete y Departamento de Prensa y RR.PP. Dibam; Extensión Cultural de la Biblioteca Nacional; Museo Histórico Nacional. Editora: Grace Dunlop ([email protected]). Periodista: Virginia Jaeger ([email protected], [email protected]). Ventas y suscripciones: Myriam González ([email protected]) Carmen Santa María ([email protected]) Diseño: Junta Editorial de las Comunas Unidas (www.juntaeditorial.cl) Corrección de textos: Héctor Zurita Dirección: Alameda Bernardo O’Higgins 651 (Biblioteca Nacional, primer piso), Santiago de Chile. Teléfonos: 360 53 84 – 360 53 30 Fono-Fax: 632 48 03 Correo electrónico: [email protected] Sitio web: www.patrimoniocultural.cl En el diseño de esta publicación se utilizan las tipografías Fran Pro de Francisco Gálvez y Digna Sans de Rodrigo Ramírez, ambos pertenecientes al colectivo www.tipografia.cl Esta revista tiene un tiraje de 5.000 ejemplares que se distribuyen en todo el país, a través de la red institucional de la Dibam, suscripciones y librerías.
    [Show full text]
  • Por El Mejor Camino
    Diario del AltoAragón Domingo, 10 de agosto de 2008 Domingo 15 A todo ritmo Kudai / El grupo chileno publica un nuevo disco, ‘Nhada’, y prepara gira mundial Fiebre adolescente ESTOS CHICOS, QUE EMPEZARON HACIENDO VERSIONES ITALIANAS, HAN SIDO PREMIADOS POR LA MTV LATINOAMÉRICA COMO MEJOR GRUPO POP, Y ACUMULAN DISCOS DE ORO Y PLATINO COMO SI NADA. HA LLEGADO EL MOMENTO DE SU CONFIRMACIÓN. El joven grupo Kudai nació en el año 2000 bajo el nombre de Ciao, y acaba de sacar su tercer trabajo: Nhada. La banda Kudai, que significa minaciones a los Premios MTV dos premios en los MTV Vídeos Gran parte de las composicio- mocional, Kudai desea ser la voz “joven trabajador” en la lengua Latinoamérica y ser disco de pla- Musicales Latinoamérica, como nes del disco, que salió a la venta juvenil que canta “más allá de de los indígenas sur-americanos tino por sus ventas en Chile. Mejor artista pop y Mejor artista en Estados Unidos y Puerto Rico hablar del amor”, pues el tema mapuche, nació en el año 2000 Con su segundo trabajo, So- central. el pasado martes, fueron escritas aborda el tema del calentamiento bajo el nombre de Ciao. Canta- brevive (2006), obtuvieron un El reto de comenzar en un junto con el compositor chile- global. ban temas de grupos italianos, disco de oro en Chile y vendie- nuevo país y con el apoyo de la no Koko Stambuk. “Es un tipo Además se valieron de la expe- pero con arreglos diferentes para ron unas 350.000 copias en todo discográfica multinacional EMI que de ideas súper locas, agarra riencia del reconocido productor que los niños pudieran escuchar- el mundo.
    [Show full text]
  • Dur 13/07/2020
    LUNES 13 DE JULIO DE 2020 2 ETCÉTERA TOP TOP SPOTIFY Kudai vuelve con BILLBOARD nuevos sonidos para NO. 1 La jeepeta (remix) NO. 1 Anuel AA, Nio García y sus fans Myke Towers con Brray y Rockstar Juanka DaBaby y Roddy Ricch La agrupación retoma los escenarios con temas “refrescados”. NO. 2 NO. 2 Relación Whats Poppin Sech Jack Harlow NO. 3 NO. 3 Azul Blinding Lights J Balvin The Weeknd NO. 4 NO. 4 Blinding Lights Savage The Weeknd Megan Thee Stallion y NO. 5 Beyonce Safaera NO. 5 BadBunny,Jowell& Randy y Nengo Flow Roses SAINt JHN NO. 6 Yoperreo sola NO. 6 AGENCIAS Bad Bunny Say So EFE Doja Cat y Nicki Minaj Santiago de Chile Inicios Premios Regreso NO. 7 Kudai se formó al La década de los 2000 Hace tres años Luego de una década de re- NO. 7 principio de los años los llevó a distintos decidieron retomar el ceso y para celebrar sus 20 Rojo 2000 integrado por paísesyacosechar proyecto y fue así que años de carrera, el grupo Intentions J Balvin Pablo Holman, Tomás galardones como Mejor en 2019 sacaron un de pop chileno Kudai re- Justin Bieber y Quavo Manzi, Bárbara artista en los Premios nuevo disco, titulado gresa con una nueva ver- Sepúlveda y Natalino MTV Latinoamérica. ‘Laberinto’. NO. 8 sión musical de su primer NO. 8 Elegí éxito, ‘Sin Despertar’, y con el deseo de no solo re- Watermelon vienen, ¿este material va El año pasado sacaron Dalex, Dímelo Flow, conectar con sus fans his- cia, pero creo que en gene- Sugar Lenny Tavárez, Rauw tóricos, sino de llegar a las dirigido a los fanáticos ral la música es atemporal un nuevo álbum y se ha Alejandro generaciones más jóvenes.
    [Show full text]
  • The Identity of the British Immigrants in Valparaíso in the Star of Chile
    THE IDENTITY OF THE BRITISH IMMIGRANTS IN VALPARAÍSO 1 Universidad de Chile Facultad de Filosofía y Humanidades Departamento de Lingüística The Identity of the British immigrants in Valparaíso in The Star of Chile (1904-1906) Informe final de Seminario de Grado para optar al grado de Licenciado en Lengua y Literatura Inglesas Autores Cristian Andres Arancibia Lagos Lucia Paz Araya Machuca Jenisse Carolina Cárdenas Soto Constanza Antonia Escaida Solis Saggia Alessandra Failla Cubillos Luz María Ignacia Martínez Altamirano Michela del Pilar Rojas Madrid Malva Soto Blamey Profesora guía Ana María Burdach R. Santiago, Chile Diciembre, 2017 THE IDENTITY OF THE BRITISH IMMIGRANTS IN VALPARAÍSO 2 Abstract The study of identity has been widely examined within several fields of linguistics and also among the social sciences. However discourse analysis applied to newspapers is a relatively recent field. Thus, the present study based on the framework of evaluation in language developed by Martin and Rose (2008) focuses on the means by which editorials of the newspaper The Star of Chile convey a sense of identity of the British community in Valparaíso at the turn of the 20th century. To develop this study, five editorials of the The Star of Chile from the years 1904, 1905 and 1906 were selected for the analysis. Each of them representing relevant aspects of the British immigrants’ culture, religious and political beliefs, and significant historical events of that time. The analysis included the tracking of the participants and the options used by the author for their appraisal with the aim of unveiling their identity. The results elucidate how the British immigrants perceived themselves and how they depicted those outside their immediate community at the beginning of the twentieth-century in Valparaiso.
    [Show full text]
  • Hetcmmcps9 Song List
    Enter-Tech Spanish Chip #9 Song List # Song Title Artist 2185 ¿QUIEN ME IBA A DECIR? DAVID BISBAL 2186 A ESA PIMPINELA 2187 A LA PRIMERA PERSONA ALEJANDRO SANZ 2188 A QUIEN LE IMPORTA THALIA 2189 A TRAVES DEL TIEMPO DIEGO TORRES 2190 ABRAZAME CAMILA 2191 ACCIÓN Y REACCIÓN THALIA 2192 ADIOS CHICO DE MI BARRIO TORMENTA 2193 ADOLESCENTE TIERNO TORMENTA 2194 AL FINAL SUIT DOBLE 2195 AMOR DE MADRE AVENTURA 2196 AMOR GITANO ALEJANDRO FERNANDEZ FT BEYONCE 2197 AMORES DE BARRA ELLA BAILA SOLA 2198 ANDA SOLA DON OMAR 2199 ANDANDO DIEGO TORRES 2200 ANGEL BELINDA 2201 ANGELITO DON OMAR 2202 ANTOLOGÍA SHAKIRA 2203 ATRÉVETE TE TE RESIDENTE CALLE 13 2204 AUN HAY ALGO RBD 2205 AYUDAME A OLVIDAR ABRACADABRA 2206 AZÚCAR AMARGO FEY 2207 AZUL TANGO INDIA 2208 BAILA MI VIDA FAUSTO MIÑO 2209 BEAUTIFUL LIAR SHAKIRA FT BEYONCÉ 2210 BELLA RICKY MARTIN 2211 BELLA TRAICIÓN BELINDA 2212 BIG GIRL'S DON'T CRY FERGIE 2213 CADA MAÑANA REIK 2214 CANDY MAN CHRISTINA AGUILERA 2215 CARITO CARLOS VIVES 2216 CELESTIAL RBD 2217 CELOS MARC ANTHONY 2218 CHARLY SANTA BÁRBARA 2219 CIERRA LOS OJOS Y JUNTOS RECORDEMOS IRACUNDOS 2220 CLOSE WESTLIFE 2221 COMO AMA UNA MUJER JENNIFER LÓPEZ 2222 COMO ME DUELE LA FACTORIA 2223 COMPAÑERA ADRIAN GOIZUETA 2224 COMPLICATED AVRIL LAVINGNE AceKaraoke.com Enter-Tech Spanish Chip #9 Song List 2225 CONDICIÓN ABRACADABRA 2226 CORAZÓN RICKY MARTIN 2227 CORAZÓN ES UN GITANO NICOLA DI BARI 2228 CUANDO LOS SAPOS BAILEN FLAMENCO ELLA BAILA SOLA 2229 CUANDO NO ES CONTIGO CHRISTINA AGUILERA 2230 CUANDO VOLVERÁS AVENTURA 2231 CUMBIA DE LOS ABURRIDOS CALLE
    [Show full text]
  • Campbell, Joseph
    El héroe de las mil caras PSICOANÁLISIS DEL MITO FONDO DE CULTURA ECONÓMICA MÉXICO Primera edición en inglés, 1949 Primera edición en español, 1959 Primera reimpresión, 1972 Traducción de LUISA JOSEFINA HERNÁNDEZ Título de esta obra The Hero with a Thousand Faces . © 1949 Bollingen Foundation Inc., Nueva York D. R. © 1959 FONDO DE CULTURA ECONÓMICA Av. de la Universidad 975, México 12, D. F. Impreso en México Nota de esta edición digital : Entre corchetes se ubica el paginado original, como si el número estuviera en la parte superior de la página. 2 ÍNDICE PREFACIO ............................................................................................................................................................... 8 PRÓLOGO.............................................................................................................................................................. 10 EL MONOMITO.................................................................................................................................................... 10 1. El mito y el sueño............................................................................................................................................. 10 2. Tragedia y comedia .......................................................................................................................................... 22 3. El héroe y el dios .............................................................................................................................................
    [Show full text]
  • Music Guide Music HISTORY There Was a Time When “Elevator Music” Was All You Heard in a Store, Hotel, Or Other Business
    Music Guide Music HisTORY There was a time when “elevator music” was all you heard in a store, hotel, or other business. Yawn. 1 1971: a group of music fanatics based out of seattle - known as Aei Music - pioneered the use of music in its original form, and from the original artists, inside of businesses. A new era was born where people could enjoy hearing the artists and songs they know and love in the places they shopped, ate, stayed, played, and worked. 1 1985: DMX Music began designing digital music channels to fit any music lover’s mood and delivered this via satellite to businesses and through cable TV systems. 1 2001: Aei and DMX Music merge to form what becomes DMX, inc. This new company is unrivaled in its music knowledge and design, licensing abilities, and service and delivery capability. 1 2005: DMX moves its home to Austin, TX, the “Live Music capital of the World.” 1 Today, our u.s. and international services reach over 100,000 businesses, 23 million+ residences, and over 200 million people every day. 1 DMX strives to inspire, motivate, intrigue, entertain and create an unforgettable experience for every person that interacts with you. Our mission is to provide you with Music rockstar service that leaves you 100% ecstatic. Music Design & Strategy To get the music right, DMX takes into account many variables including customer demographics, their general likes and dislikes, your business values, current pop culture and media trends, your overall décor and design, and more. Our Music Designers review hundreds of new releases every day to continue honing the right music experience for our clients.
    [Show full text]
  • Se Queda Silvia Navarro
    10949669 05/14/2007 10:40 p.m. Page 1 Televisión: Las mujeres llevan la batuta en “Sexo y otros secretos” | Pág. 3 Martes 15 de mayo de 2007 B Editor: EMMANUEL FÉLIX LESPRÓN Coeditor Gráfico: JESÚS ESPINOZA [email protected] “Sobrevive”SENCILLO | “DÉJAME GRITAR”, PRIMER CORTE DEL NUEVO DISCO SEMANA INTENSA GABRIELA Entérate de las actividades culturales ■ Edad: 22 años. que se avecinan estos días. ■ Le encanta ir al cine y es fan del cine latino. CULTURALES 4 ■ Entre sus actividades favoritas están hacer yoga, trotar y leer. ■ Como pasa mucho tiempo fuera de casa, utiliza el Internet para chatear con sus familiares y KudaiKudai amigos. Cuarteto chileno visitará México como parte de ando y viviendo. Muchas veces ■ Está en el medio desde muy ellos no se atreven a decirlo por pequeña: A los tres años hizo la promoción de su segundo álbum de estudio miedo al rechazo de la sociedad comerciales, luego tomó clases o de sus padres. de actuación e incluso tuvo la AGENCIA REFORMA rrera como solista en Ecuador. “Es mucha responsabilidad. oportunidad de participar en una A la cantante la conocieron Yo misma me he sentido un po- telenovela colombiana. MONTERREY, NUEVO LEÓN.- El gru- cuando ella les abrió una pre- co sicóloga de personas que han po chileno Kudai voló con su pri- sentación en su país. Al irse Ni- estado en problemas súper se- mer disco por los cielos de Lati- cole por motivos personales, la rios. Por ejemplo, gente cercana Aunque aumentan los rumores del cambio de noamérica y luego sobrevivió al invitación fue cedida a Gabriela.
    [Show full text]
  • Tracklist Classic Project | Nanoblog.Net
    A pedido de mucha gente aqui pongo el TrackList o Lista de Temas o Lista de Canciones de los 9 Classic Project existentes, pronto tambien actualizare el blog con articulos sobre unos nuevos mix que estan circulando como el “My Personal Mix”, algunos mix de Dj Kroll y el “Unlimited Party 1″. Les contare mas sobre el Airsoft, nuevo deporte que estoy practicando con mucho entusiasmo desde Junio y varias otras cositas. Este articulo es de Septiembre 2007 y fue actualizado en reiteradas ocasiones siendo la ultima el dia 21 de Junio de 2009. Track List Classic Projects CLASSIC PROJECT 1 1. PHIL COLLINS – ONE MORE NIGHT 2. ALPHAVILLE – FOREVER YOUNG 3. BON JOVI – ALWAYS 4. EAGLES-HOTEL CALIFORNIA 5. CHRIS DE BURGH – LADY IN RED 6. NAZARETH – LOVE HURTS 7. BANGLES – ETERNAL FLAME 8. FOREIGNER – I WANNE KNOW WHAT LOVE IS 9. UB40 – CANT HELP FALLING IN LOVE WITH YOU 10. INNER CIRCLE – BAD BOYS 11. VAN HEALEN – WHY 12. MR MISTER – KYRIE 13. AHA – CRYING IN THE RAIN 14. TOTO – AFRICA 15. FALCO – ROCK ME AMADEUS 16. ROXETTE – THE LOOK 17. PHIL COLLINS – IN THE AIR TONIGHT 18. KC & THE SUNSHINE BAND – PLEASE DONT GO 19. STARSHIP – NOTHINGS GONNA STO US NOW 20. BERLIN – TAKE MY BREATH AWAY 21. PETER GABRIEL – SLEDGE HAMMER 22. TINA TURNER – WHATS LOVE GOT TO DO WITH IT 23. TEARS FOR FEARS – SHOUT 24. MADONNA – JUSTIFY MY LOVE 25. STEREO MCS – CONNECTED 26. CULTURE CLUB – DO YOU REALLY WANT TO HURT ME 27. MEN WITHOUT HATS – THE SAFETY DANCE 28. UB40 – KINGSTON TOWN 29.
    [Show full text]
  • Visual Foxpro
    THE LATIN ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS 9th Annual Latin GRAMMY ® Awards For recordings released during the Eligibility Year July 1, 2007 through June 30, 2008 The following information is confidential and is not to be copied, loaned or otherwise distributed. ACADEMIA LATINA DE ARTES Y CIENCIAS DE LA GRABACION, INC. LISTA FINAL DE NOMINACIONES 9a. Entrega Anual del Latin GRAMMY ® Para grabaciones lanzadas durante el año de elegibilidad 1° de julio del 2007 al 30 de junio del 2008 La siguiente información es confidencial y no debe ser copiada, prestada o distribuida de ninguna forma ACADEMIA LATINA DAS ARTES E CIÊNCIAS DA GRAVAÇÃO, INC. LISTA FINAL DOS INDICADOS 9 a Entrega Anual do Latin GRAMMY® Para gravações lançadas durante o Ano de Elegibilidade 1° de julho de 2007 a 30 de junho de 2008 As informações aqui contidas são confidenciais e não devem ser copiadas, emprestadas ou distribuídas por nenhum meio General Field Category 1 Category 2 Record Of The Year Album Of The Year Grabación Del Año Album Del Año Gravação Do Ano Álbum Do Ano Award to the Artist and to the Producer(s), Recording Engineer(s) Award to the Artist(s), and to the Album Producer(s), Recording and/or Mixer(s) if other than the artist. Engineer(s) / Mixer(s) & Mastering Engineer(s) if other than the artist. Premio al Artista(s), Productor(es) del Album y al Ingeniero(s) de Grabación. Premio al Artista(s), Productor(es) del Album y al Ingeniero(s) de Prêmios ao(s) Artista(s), Produtor(es) do Álbum e Engenheiro(s) de Grabación, Ingeniero(s) de Mezcla y Masterizadores, si es(son) otro(s) Gravação.
    [Show full text]