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Opera-Comique OPERA-COMIQUE Répertoire numérique détaillé du versement 20110267 établi par la Mission des archives du ministère de la Culture et de la Communication Première édition électronique Archives nationales (France) Pierrefitte-sur-Seine 2011 1 https://www.siv.archives-nationales.culture.gouv.fr/siv/IR/FRAN_IR_055050 Cet instrument de recherche a été rédigé avec un logiciel de traitement de texte. Ce document est écrit en ilestenfrançais.. Il est conforme à la norme ISAD(G) et aux règles d'application de la DTD EAD (version 2002) aux Archives nationales. 2 Archives nationales (France) INTRODUCTION Référence 20110267/1-20110267/82 Niveau de description groupe de documents Intitulé Dossiers des spectacles produits ou co-produits par l'Opéra-Comique entre 1960 et 2007. Date(s) extrême(s) 1937-2007 Nom du producteur • Théâtre national de l'Opéra-Comique (Paris ; 1714-....) Importance matérielle et support 8,66 mètres linéaires, 26 cartons dimabs Localisation physique Fontainebleau Conditions d'accès Librement communicable Conditions d'utilisation La photocopie peut être autorisée lorsque l'état matériel des documents le permet DESCRIPTION Présentation du contenu Ce fonds contient principalement des dossiers de spectacles produits ou co-produits par l'Opéra-Comique entre 1960 et 2007. Compte tenu de l'aspect lacunaire du versement, ce fonds ne saurait être le fidèle reflet d'une programmation exhaustive de l'Opéra-Comique mais retrace toutefois par ses programmes, livrets, conduites de spectacles et revues de presse des moments forts de la scène de l'Opéra-Comique au cours de cette seconde moitié du XXe siècle. Langue des documents • Français Institution responsable de l'accès intellectuel Archives nationales HISTORIQUE DU PRODUCTEUR L'Opéra Comique est créé sous le règne de Louis XIV, en 1714. Il s'agit de l'une des plus anciennes institutions théâtrales et musicales de France avec l'Opéra de Paris (anciennement Académie royale de musique) et la Comédie- Française. A partir de 1783, l'Opéra Comique présente ses saisons dans un théâtre qui a pris le nom d'un fameux auteur de livrets, Charles-Simon Favart. Par deux fois, en 1838 et 1887, la salle Favart brûle puis est reconstruite sur le même terrain Inaugurée le 7 décembre 1898, la troisième salle fut reconstruite, à l'emplacement où se trouve encore 3 Archives nationales (France) aujourd'hui le théâtre national de l'Opéra-Comique, place Boieldieu dans le 2e arrondissement de Paris, par l'architecte Louis Bernier avec une riche statuaire. Les difficultés financières du théâtre dans les années 1930 entraînent l'intervention de l'Etat qui, le 13 août 1936, rapproche par décret l'Opéra-Comique du théâtre national de l' Opéra pour former la Réunion des théâtres lyriques nationaux (RTLN). Le 17 janvier 1939, la nouvelle structure devient un établissement public à part entière, placée sous l'égide du ministère de l'Education nationale. Après une première fermeture en 1971, l'Opéra-Comique cesse son activité le 30 novembre 1972 pour devenir de 1974 à 1978, un lieu de formation pour les jeunes chanteurs sous le nom d'Opéra-Studio créé par Rolf Liebermann et avec Louis Erlo comme directeur. La Réunion des théâtres lyriques nationaux est dissoute le 7 février 1978 au profit d'une nouvelle structure : le Théâtre national de l'Opéra. La salle Favart devient alors la seconde salle de spectacle de l'Opéra et c'est dans ce contexte qu'a lieu la recréation d'Atys de Lully par William Christie et Jean-Marie Villégier en 1987. La salle Favart recouvre son indépendance en 1990 sous forme d'une association loi de 1901 et est successivement dirigée par Thierry Fouquet (1989-1994), Pierre Médecin (1994-2000) et Jérôme Savary (2000-2007). Par décret n° 2004-132 du 20 novembre 2004, le théâtre national de l'Opéra-Comique devient, à compter du 1er janvier 2005, un établissement public à caractère industriel et commercial (EPIC), placé sous la tutelle du ministre chargé de la culture. Il a pour mission d'assurer, en direction du public le plus large, la production et la diffusion d'oeuvres lyriques et de spectacles et de mettre en valeur la diversité des expressions, de l'opéra baroque à la création contemporaine et le patrimoine de l'Opéra-Comique. Depuis le 27 juin 2007, l'Opéra-Comique est dirigé par Jérôme Deschamps. ENTREE ET CONSERVATION Modalités d'entrée Versement 09V08 du 9 janvier 2008 Historique de la conservation Ce fonds a été récupéré à la Bibliothèque - musée de l'Opéra Garnier. C'est l'administration de Jérôme Savary, directeur de l'Opéra-Comique de 2000 à 2007, qui l'a transmis sans tri préalable et sans liste. Ces dossiers ont donc été inventoriés par la Mission des archives du ministère de la culture. SOURCES ET REFERENCES Sources complémentaires • Les versements suivants des archives de l'Opéra de Paris versés au centre des archives contemporaines de Fontainebleau pourront également être consultés pour l'Opéra-Comique : 19930358 pour la programmation et production de spectacles entre 1981 et 1990, 19910060 pour les spectacles montés en 1982 et 1983, 19900457 pour la mise en place de l'Opéra-Studio (1973-1977) et les caisses de retraites du personnel de l'Opéra-Comique (1945-1977). 4 Archives nationales (France) Répertoire numérique détaillé du versement 20110267 20110267/1-20110267/22 REUNION DES THEATRES LYRIQUES NATIONAUX (RTLN) 1937-1978 20110267/1-20110267/19 Salle Favart (jusqu'à la fermeture) - Opéra-Comique 20110267/1 Administration générale 1937-1951 Notes de service. 20110267/2 Fermeture 1971 Coupures de presse. 20110267/3 Affaires financières 1959-1960 1964-1965 Recettes. - Titres de recettes journalières : bulletins. Historique de la conservation (un échantillonnage a été établi : seul les bulletins des saisons 1959-1960 et 1964-1965 ont été conservés) 20110267/4-20110267/10 Gestion des ressources humaines 1963-1973 20110267/4 Artistes des choeurs 1973 Convention collective de travail. 20110267/5-20110267/6 Artistes lyriques 1963-1972 Recrutement 20110267/5 Candidatures spontanées 1963-1967 curriculum vitae, répertoire, coupures de presse. 5 Archives nationales (France) 20110267/6 Candidatures proposées par les agents artistiques 1968-1970 listes d'artistes, répertoires, correspondances. - A.L.C.I. - A.M.I.L.C. - Ansaloni Francesco [Organizzazione Spettacoli Lirici] - Artists International Management - Bureau de concerts de Paris - Deniau - Gorlinsky S.A. LTD - Norman Mc Cann Limited - Les productions lyriques de Paris [Marie-Jeanne Sarrade] - Rapicault Janine - Remillet de Rosznay Jacqueline - S.A.M. [secrétariat d'artistes de musique classique] - Studio Press • - Marcel de Valmalète, bureau de concerts - Maurice Werner. Type de classement Classement par agent 20110267/7-20110267/10 Figuration 1969-1972 Feuilles de présence journalière. 20110267/7 1969 20110267/8 1970 20110267/9 1971 20110267/10 1er trimestre 1972 20110267/11 Affaires mobilières 1968 Décors, costumes, accessoires. - Ouvrages à conserver : listes. 20110267/12-20110267/18 6 Archives nationales (France) Spectacles lyriques, de ballets, récitals, concerts 1964-1971 Organisation. 20110267/12 Saison 1964-1965 1965 « Casse-noisette » de P.I. Tchaikovsky [avril/mai 1965] : carton d'invitation, texte de présentation, listes des accessoires et costumes, plan de travail (1965) « Le prisonnier du Caucase » de A. Khatchatourian [mai/juin 1965] : distribution, décisions, note, correspondances (1965) Type de classement Classement chronologique 20110267/13 Saison 1965-1966 1965-1966 « Orphée » de C.W. Glück (s.d.) : feuille d'argument (s.d.) « La fille de Madame Angot » de C. Lecocq [octobre 1965] : distribution, plan de travail, recettes, critiques de presse (1965) « Les contes d'Hoffmann » de J. Offenbach [novembre décembre 1965] : distribution, planning, plan de travail, effectif des choeurs, liste des accessoires, plans décors, critiques de presse (1965) • « Les fourmis » - ballet de Claude Bessy - musique de Pierre Sancan [janvier 1966] : liste des costumes, coupures de presse (1966)« Le médecin malgré lui » de C. Gounod et « Les noces de Jeannette » de V. Massé [mai 1966] : contrat, distribution, correspondances, plans décors, coupures de presse (1966)Des photographies des spectacles « Les fourmis » « Le médecin malgé lui » ont été extraites des dossiers et sont conservées dans le versement 20110276 articles 1 et 3 Type de classement Classement chronologique 20110267/14 Saison 1966-1967 1966-1967 «Le triptyque : « Il tabarro » « Soeur Angélique » « Gianni Schicchi » de G. Puccini [décembre 1966, février 1967 ] : plan de travail, distribution, devis, coupures de presse (1967) « La mer » de C. Debussy et « Le bal des cadets » de J. Strauss [mai 1967] : distribution, correspondances, notes manuscrites (1967) Type de classement Classement chronologique Documents de même provenance Des photographies du spectacle « Le triptyque » ont été extraites du dossier et sont conservées dans le versement 20110276 article 4. 7 Archives nationales (France) 20110267/15 Saison 1967-1968 1967-1968 « Le medium » de G.C. Menotti [avril 1968] : liste des accessoires, note de service, correspondances, coupures de presse (1968) Ballets de Milko Sparemblek [Pro-Bach - Le mandarin merveilleux - Les sept péchés capitaux] [mai 1968].: distribution, texte de présentation, plan de travail, convention, correspondances, coupures de presse (1968) Type de classement Classement chronologique 20110267/16 Saison 1968-1969 1968-1969 « L'heure espagnole » de M. Ravel et « La voix humaine » de F. Poulenc : [octobre 1968 et Première 4 octobre 1968] : programme,
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