Jemel Mcwilliams Resume

Total Page:16

File Type:pdf, Size:1020Kb

Jemel Mcwilliams Resume jemel mcwilliams choreographer selected credits contact: (818) 509-0121 TELEVISION / COMMERCIAL Lincoln with Jon Batiste - Commercial Choreographer Jon Batiste Today Show Performance Director/Choreographer Mickey Guyton Grammy Performance 2021 Choreographer/Movement Coach Janelle Monae Ralph Lauren Spring 2021 Creative Director/Movement John Legend and Family: A Bigger Love Father’s Day Special Choreographer The Late Show with Stephen Colbert-Janelle Monae “Turntables” Creative Director/Movement The Oscar’s 2020 – Janelle Monae Opening Number Artistic Dir./Choreographer LIZZO-Brit Awards 2020 Choreographer The Grammy’s 2020 – LIZZO “Truth Hurts & Cuz I Love You” Choreographer The Voice – John Legend (Season 17 Finale) Choreographer Saturday Night Live – LIZZO “Truth Hurts” & “Good As Hell” Choreographer American Music Awards 2019 – LIZZO “Jerome” Choreographer The Today Show – John Legend “Bring Me Love” Choreographer UK Celebrity X-Factor – LIZZO “Good As Hell” Choreographer The Ellen DeGeneres Show – John Legend “Bring Me Love” Choreographer BYU Christmas Special – John Legend Choreographer Absolut Juice ft. LIZZO Commercial Choreographer The Today Show – LIZZO Choreographer MTV VMA’s 2019 – LIZZO “Truth Hurts/Good As Hell” Choreographer MTV Movie & TV Awards 2019 - LIZZO “Juice” Choreographer BET Awards 2019 – LIZZO “Truth Hurts” Choreographer BET Awards 2019 – DJ Khaled, YG and John Legend Choreographer The Voice (Italy) – LIZZO Choreographer 30th Annual GLAAD Media Awards – LIZZO Co-Creative/Choreographer iHeart Music Awards – John Legend “Preach” Choreographer Grammy’s 2019 – Janelle Monáe “Make Me Feel” Artistic Dir./Choreographer The Tonight Show with Jimmy Fallon – John Legend Choreographer The Tonight Show with Jimmy Fallon – LIZZO “Juice” Co-Creative/Choreographer The Ellen DeGeneres Show – LIZZO “Juice” Co-Creative/Choreographer The Voice – Janelle Monáe Artistic Dir./Choreographer Austin City Limits Live – Janelle Monáe Artistic Dir./Choreographer The Late Show wth Stephen Colbert – Janelle Monáe Artistic Dir./Choreographer BET Awards 2018 – Janelle Monáe Artistic Dir./Choreographer The Ellen DeGeneres Show – John Legend Choreographer Global Citizen –Janelle Monáe Artistic Dir./Choreographer America’s Got Talent – Tone the Chief Rocker Choreographer Saturday Night Live – Nick Jonas Associate Choreographer X Factor (US & UK) – Alicia Keys Assoc. Creative Dir./Assoc. Choreographer Pepsi – Superbowl Commercial 2016 Associate Choreographer TOURS / LIVE STAGING Charie Puth Live virtual Concert Creative Direction Glastonbury 2019 Lizzo Choreography Glastonbury 2019 Jenelle Monae Creative Director/Choreographer Janelle Monae – Verizon Pay it Forward Live Stream Artistic Dir./Choreographer LIZZO – NYE Vegas 2019 Choreographer LIZZO – Jingle Ball 2019 Choreographer LIZZO “Cuz I Love Your” Tour ’19 Choreographer Janelle Monáe – Lollapalooza / Osheaga Festival Choreographer John Legend - Hollywood Bowl Choreographer LIZZO Coachella 2019 Co-Creative/Choreographer Janelle Monáe Coachella 2019 Artistic Dir./Choreographer John Legend “A Legendary Christmas” Tour 2018 Choreographer John Legend iHeartRadio Live 2018 Choreographer Janelle Monáe “Dirty Computer” World Tour 2018 Artistic Dir./Choreographer Janelle Monáe - Mempho Festival 2018 Artistic Dir./Choreographer Janelle Monáe - Made in America 2018 Artistic Dir./Choreographer John Legend “Darkness and Light” World Tour 2017-2018 Choreographer/Movement Coach The Boy Band Promo Tour 2016 Creative Director/Choreographer BET Awards Jidenna Pre-Show Performance ’16 Choreographer MAGIC! (Maroon 5 opener) World Tour ’15 Choreographer/Movement Coach Shontelle Promo Tour ’11 Choreographer Alicia Keys “Set the World on Fire” Tour Assoc. Artistic Dir./Assoc. Choreographer Robin Thicke “Blurred Lines” Tour Assoc. Choreographer MUSIC VIDEOS Janelle Monae Turntables Choreographer John Legend Bigger Love Choreographer Jon Batiste “I Need You”- Music Video Choreographer LIZZO “Good As Hell” Choreographer LIZZO ft. Missy Elliot “Tempo” Co-Creative/Choreographer X Ambassadors “Don’t Stay” Creative Director/Choreographer Janelle Monáe – Dirty Computer [Emotion Picture] Choreographer Janelle Monáe “Make Me Feel” Choreographer Janelle Monáe “I Like That” Choreographer Janelle Monáe “Django Jane” Choreographer Janelle Monáe “Crazy Classic Life” Choreographer Janelle Monáe “Screwed” Choreographer Janelle Monáe “PYNK” Choreographer Janelle Monáe “I Like That” Choreographer MAGIC! “Kiss Me” Choreographer MAGIC! “Expectations” Choreographer John Legend “A Good Night” Choreographer Alicia Keys, Pharrell, Kendrick Lamar, & Hanz Zimmerman for Spider-Man 2 Choreographer “It’s on Again” RAII and Whitney “No Worries” Creative Director/Choreographer MAGIC! “No Way No” Choreographer MAAD “Black Ice” Creative Director/Choreographer MAAD “Everything You Got” Creative Director/Choreographer MAAD “Sweet & Low” Choreographer Alicia Keys “Brand New Me” Assoc. Choreographer Alicia Keys “New Day” Assoc. Choreographer Alicia Keys “Tears Always Win” Assoc. Choreographer Nicole Jung “MAMA” Co - Choreographer .
Recommended publications
  • Melissa Jefferson V. Justin Raisen Et
    Case 2:19-cv-09107-DMG-MAA Document 79 Filed 04/27/21 Page 1 of 7 Page ID #:489 UNITED STATES DISTRICT COURT CENTRAL DISTRICT OF CALIFORNIA CIVIL MINUTES—GENERAL Case No. CV 19-9107-DMG (MAAx) Date April 27, 2021 Title Melissa Jefferson v. Justin Raisen, et al. Page 1 of 7 Present: The Honorable DOLLY M. GEE, UNITED STATES DISTRICT JUDGE KANE TIEN NOT REPORTED Deputy Clerk Court Reporter Attorneys Present for Plaintiff(s) Attorneys Present for Defendant(s) None Present None Present Proceedings: IN CHAMBERS—ORDER RE PLAINTIFF/COUNTER-DEFENDANT’S MOTION TO DISMISS DEFENDANTS/COUNTERCLAIMANTS’ FIRST AMENDED COUNTERCLAIM [60] On August 14, 2020, the Court granted Plaintiff Melissa Jefferson’s (known professionally as Lizzo) motion to dismiss Defendants Justin Raisen, Jeremiah Raisen, Yves Rothman, and Heavy Duty Music Publishing’s Counterclaims for failure to state a claim, with leave to amend. [Doc. # 57 (“first MTD Order” or “MTD1 Order”).] On September 3, 2020, Counterclaimants filed their First Amended Answer (“FAA”), which contains counterclaims for: (1) a judicial declaration that they are joint authors and co-owners of Truth Hurts; (2) an accounting of revenues from the use of Healthy in Truth Hurts; (3) “further relief” under 28 U.S.C. § 2202; (4) an accounting of revenues from Truth Hurts enjoyed by all Counter-defendants, or by Lizzo and Jesse St. John Geller (“St. John”); and (5) a constructive trust. [Doc. # 58.] On September 24, 2020, Lizzo filed a second motion to dismiss (“MTD”) the first, third, fourth, and fifth amended counterclaims. [Doc. # 60.] The motion has since been fully briefed.
    [Show full text]
  • The Globalization of K-Pop: the Interplay of External and Internal Forces
    THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological.
    [Show full text]
  • 2020 C'nergy Band Song List
    Song List Song Title Artist 1999 Prince 6:A.M. J Balvin 24k Magic Bruno Mars 70's Medley/ I Will Survive Gloria 70's Medley/Bad Girls Donna Summers 70's Medley/Celebration Kool And The Gang 70's Medley/Give It To Me Baby Rick James A A Song For You Michael Bublé A Thousands Years Christina Perri Ft Steve Kazee Adventures Of Lifetime Coldplay Ain't It Fun Paramore Ain't No Mountain High Enough Michael McDonald (Version) Ain't Nobody Chaka Khan Ain't Too Proud To Beg The Temptations All About That Bass Meghan Trainor All Night Long Lionel Richie All Of Me John Legend American Boy Estelle and Kanye Applause Lady Gaga Ascension Maxwell At Last Ella Fitzgerald Attention Charlie Puth B Banana Pancakes Jack Johnson Best Part Daniel Caesar (Feat. H.E.R) Bettet Together Jack Johnson Beyond Leon Bridges Black Or White Michael Jackson Blurred Lines Robin Thicke Boogie Oogie Oogie Taste Of Honey Break Free Ariana Grande Brick House The Commodores Brown Eyed Girl Van Morisson Butterfly Kisses Bob Carisle C Cake By The Ocean DNCE California Gurl Katie Perry Call Me Maybe Carly Rae Jespen Can't Feel My Face The Weekend Can't Help Falling In Love Haley Reinhart Version Can't Hold Us (ft. Ray Dalton) Macklemore & Ryan Lewis Can't Stop The Feeling Justin Timberlake Can't Get Enough of You Love Babe Barry White Coming Home Leon Bridges Con Calma Daddy Yankee Closer (feat. Halsey) The Chainsmokers Chicken Fried Zac Brown Band Cool Kids Echosmith Could You Be Loved Bob Marley Counting Stars One Republic Country Girl Shake It For Me Girl Luke Bryan Crazy in Love Beyoncé Crazy Love Van Morisson D Daddy's Angel T Carter Music Dancing In The Street Martha Reeves And The Vandellas Dancing Queen ABBA Danza Kuduro Don Omar Dark Horse Katy Perry Despasito Luis Fonsi Feat.
    [Show full text]
  • English Attrition in Korean-English Bilingual Children (PDF)
    ENGLISH ATTRITION IN KOREAN-ENGLISH BILINGUAL CHILDREN A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN LINGUISTICS AUGUST 2011 By Sang-Gu Kang Dissertation Committee: William O’Grady, Chairperson Kamil Ud Deen Luca Onnis Bonnie D. Schwartz Kimi Kondo-Brown © 2011, Sang-Gu Kang I ACKNOWLEDGEMENTS It would have been impossible to complete this dissertation without the help of a great many people and organizations. I owe so much to my chair, William O’Grady, who trained me to become a linguist and encouraged me to always aim high. His generous support and expertise help fueled everything from experiment designs to data analysis and writing. I will always remember his challenging, but warm-hearted guidance. I would like to extend my deepest and sincere appreciation to my committee members. This work owes a lot to their support and valuable comments. I was able to expand my background knowledge of language acquisition and experiment procedures when I was taking Kamil Ud Deen’s classes in the first couple of years in the program. Also, his kind support was always encouraging. I also thank Luca Onnis for his expertise in bilingualism. It was when I was taking his class that I was able to encounter a lot of literature and start thinking about how I should introduce my work. Then, the enthusiasm of Bonnie D. Schwartz inside and outside the classroom always inspired me. Her relentless work ethic and analytic skills were admirable.
    [Show full text]
  • 2019 "BET Awards" to Honor Grammy Award Winning and Oscar-Nominated Actress Mary J
    2019 "BET Awards" To Honor Grammy Award Winning And Oscar-Nominated Actress Mary J. Blige With Prestigious Lifetime Achievement Award June 12, 2019 REGINA HALL WILL HOST THE 19TH ANNUAL AWARDS SHOW AIRING LIVE ON SUNDAY, JUNE 23 FROM MICROSOFT THEATER IN LOS ANGELES AT 8PM ET #BETAWARDS NEW YORK, June 12, 2019 /PRNewswire/ -- Today BET Networks announces Grammy Award-winning singer, songwriter, Oscar-nominated actress and philanthropist, Mary J. Blige will be honored with the prestigious Lifetime Achievement Award at the 19th annual "BET Awards." The 2019 "BET Awards" will air LIVE on Sunday, June 23 at 8pm ET from the Microsoft Theater in Los Angeles, CA on BET. With a career of landmark achievements including eight multi-platinum albums, nine Grammy Awards (plus a staggering 32 nominations), two Academy Award nominations, two Golden Globe nominations, and a SAG nomination, Mary J. Blige has remained a figure of inspiration, transformation and empowerment making her one of the defining voices of the contemporary music era and cemented herself as a global superstar. And in the ensuing years, the singer/songwriter has attracted an intensely loyal fan base—responsible for propelling worldwide sales of more than 50 million albums. She began moving people with her soulful voice at the age of 18 when she became Uptown Records youngest and first female artist. Over the years, Blige has helped redefine R&B in the contemporary music era with chart-topping hits like "Be Without You", "No More Drama" and "Family Affair." At the 2018 Academy Awards, Blige made history as the first double nominee across the acting and music categories for Best Song and Best Supporting Actress for her work on Mudbound.
    [Show full text]
  • Bad Habit Song List
    BAD HABIT SONG LIST Artist Song 4 Non Blondes Whats Up Alanis Morissette You Oughta Know Alanis Morissette Crazy Alanis Morissette You Learn Alanis Morissette Uninvited Alanis Morissette Thank You Alanis Morissette Ironic Alanis Morissette Hand In My Pocket Alice Merton No Roots Billie Eilish Bad Guy Bobby Brown My Prerogative Britney Spears Baby One More Time Bruno Mars Uptown Funk Bruno Mars 24K Magic Bruno Mars Treasure Bruno Mars Locked Out of Heaven Chris Stapleton Tennessee Whiskey Christina Aguilera Fighter Corey Hart Sunglasses at Night Cyndi Lauper Time After Time David Guetta Titanium Deee-Lite Groove Is In The Heart Dishwalla Counting Blue Cars DNCE Cake By the Ocean Dua Lipa One Kiss Dua Lipa New Rules Dua Lipa Break My Heart Ed Sheeran Blow BAD HABIT SONG LIST Artist Song Elle King Ex’s & Oh’s En Vogue Free Your Mind Eurythmics Sweet Dreams Fall Out Boy Beat It George Michael Faith Guns N’ Roses Sweet Child O’ Mine Hailee Steinfeld Starving Halsey Graveyard Imagine Dragons Whatever It Takes Janet Jackson Rhythm Nation Jessie J Price Tag Jet Are You Gonna Be My Girl Jewel Who Will Save Your Soul Jo Dee Messina Heads Carolina, Tails California Jonas Brothers Sucker Journey Separate Ways Justin Timberlake Can’t Stop The Feeling Justin Timberlake Say Something Katy Perry Teenage Dream Katy Perry Dark Horse Katy Perry I Kissed a Girl Kings Of Leon Sex On Fire Lady Gaga Born This Way Lady Gaga Bad Romance Lady Gaga Just Dance Lady Gaga Poker Face Lady Gaga Yoü and I Lady Gaga Telephone BAD HABIT SONG LIST Artist Song Lady Gaga Shallow Letters to Cleo Here and Now Lizzo Truth Hurts Lorde Royals Madonna Vogue Madonna Into The Groove Madonna Holiday Madonna Border Line Madonna Lucky Star Madonna Ray of Light Meghan Trainor All About That Bass Michael Jackson Dirty Diana Michael Jackson Billie Jean Michael Jackson Human Nature Michael Jackson Black Or White Michael Jackson Bad Michael Jackson Wanna Be Startin’ Something Michael Jackson P.Y.T.
    [Show full text]
  • 90'S Medley Rihanna Medley Motown Medley Prince
    Adele - Rolling in the Deep Jackson 5 - ABC Outkast - Miss Jackson 90’S MEDLEY Alabama Shakes - Hold on James Brown - Get Up Oa That Thing Outkast - Rosa Parks TLC Alicia Keys - Empire State of Mind James and Bobby Purify - Shake A Tail Feather Patrice Ruschen - Forget Me Nots Usher Alicia Keys - If I Ain’t Got You James Blake - Limit To Your Love Percy Sledge - You Really Got a Hold On Me Montell Jordan Al Green - Let’s Stay Together Jamie XX - Good Times Pharrell – Happy Mark Morrison Al Green - Take Me to the River Janelle Monae - Tightrope Prince – I Wanna Be Your Lover Next Amy Whinehouse - Valerie Jerry Lee Lewis - Great Balls of Fire Prince - Kiss Beck – Where It’s At Justin Timberlake - Can’t Stop The Feeling Ray Charles - Georgia Beyonce – Crazy In Love Justin Timberlake - Rock Your Body R Kelly - Remix to Ignition RIHANNA MEDLEY Beyonce - Love on Top King Harvest - Dancing in the Moonlight Sade - By Your Side What’s My Name Beyonce - Party Kendrick Lamar – If These Walls Could Talk Sade - Smooth Operator We Found Love Bill Withers - Ain’t No Sunshine Leon Bridges - Coming Home Sade - Sweetest Taboo Work Blondie – Rapture Lil Nas X - Old Town Road Sam Cooke - Wonderful World Blood Orange - You’re Not Good Enough Sam Cooke - Cupid Lionel Richie - All Night Long MOTOWN MEDLEY Bob Carlisle/Je Carson - Butterfly Kisses Little Richard - Good Golly Miss Molly Sam Cooke - Twistin’ Your Love Keeps Lifting Me Higher and Higher Bruno Mars - 24k Magic Lizzo - Juice Sam Cooke – You Send Me You Really Got a Hold On Me Bruno Mars - Treasure
    [Show full text]
  • Beyoncé Feminism, Rihanna Womanism: Popular Music and Black Feminist Theory AFR 330, WGS 335 Flags: Cultural Diversity in the US, Global Cultures Spring 2020
    The University of Texas at Austin Beyoncé Feminism, Rihanna Womanism: Popular Music and Black Feminist Theory AFR 330, WGS 335 Flags: Cultural Diversity in the US, Global Cultures Spring 2020 Prof: Dr. Traci-Ann Wint Course Description Beyoncé’s fifth live album Homecoming chronicled her performance as the first black woman to headline the Coachella festival. As with Lemonade, the film and performance put Beyoncé’s music in conversation with luminaries such as Toni Morrison and W.E.B. DuBois. Beyoncé’s contemporaries Rihanna and Lizzo similarly center black culture in their music and are unapologetic about their work’s engagement with issues specific to black womanhood. By engaging the music and videos of these and other Black femme recording artists as popular, accessible expressions of African American and Caribbean feminisms, this course explores their contribution to black feminist thought and their impact on global audiences. Beginning with close analysis of these artists’ songs and videos, we read their work in conversation with black feminist theoretical works that engage issues of race, location, violence, economic opportunity, sexuality, standards of beauty, and creative self-expression. The course aims to provide students with an introduction to media studies methodology as well as black feminist theory, and to challenge us to close the gap between popular and academic expressions of black women’s concerns. Course Goals The course aims to provide students with an introduction to Black feminism, Black feminist thought and womanism through an examination of popular culture. At the end of the course students should have a firm grasp on Black Feminist and Womanist theory, techniques in pop culture and media analysis and should be comfortable with the production of scholarly work for a popular audience.
    [Show full text]
  • Lifestyle Music Sunday, January 26, 2020
    Established 1961 21 Lifestyle Music Sunday, January 26, 2020 In this file photo, Recording Academy President and CEO Deborah Dugan speaks during the 62nd Blake Shelton and Gwen Stefani attend the Warner Music Group Wiz Khalifa attends the Warner Music Group Singer Bebe Rexha attends the 11th Annual Grammy Awards Nominations Conference at CBS Broadcast Center on Nov 20, 2019 in New York Pre-Grammy Party at Hollywood Athletic Club on Jan 23, 2020 in Pre-Grammy Party. GRAMMY in the Schools Live! A Celebration of City. — AFP photos Hollywood, California. Music & Education presented by Ford Motor Company Fund at The Wilshire Ebell Theatre on Jan 23, 2020 in Los Angeles. os Angeles is gearing up for the as too white, too male - and too generous to University who has extensively researched they have in years past, Vilanova said. “They LGrammys, music’s marquee night, with music world mainstays. the intersection of race and gender at the aren’t leading the discourse, they’re after- Lizzo, Billie Eilish and Lil Nas X leading Grammys, this year’s field of nominees is evi- thoughts - and when has Taylor Swift been an a pack of young, talented contenders hoping Diverse nominee field dence of “an environment that feels more afterthought?” to strike gold today. But revelations of infight- This year’s diverse slate of nominees - possible” for different kinds of artists to have Often remembered as much for its per- ing at the Recording Academy, which organ- which celebrates a mix of established and a chance. “It’s quite interesting, to see what formances as its winners, the Grammys will izes the awards show, and an explosive alle- budding stars - did appear to be a move in a will happen when you have artists who are feature Lizzo, Eilish and Grande, along with a gation of rape has cast a dark shadow over new direction.
    [Show full text]
  • Hip Hop Feminism Comes of Age.” I Am Grateful This Is the First 2020 Issue JHHS Is Publishing
    Halliday and Payne: Twenty-First Century B.I.T.C.H. Frameworks: Hip Hop Feminism Come Published by VCU Scholars Compass, 2020 1 Journal of Hip Hop Studies, Vol. 7, Iss. 1 [2020], Art. 1 Editor in Chief: Travis Harris Managing Editor Shanté Paradigm Smalls, St. John’s University Associate Editors: Lakeyta Bonnette-Bailey, Georgia State University Cassandra Chaney, Louisiana State University Willie "Pops" Hudson, Azusa Pacific University Javon Johnson, University of Nevada, Las Vegas Elliot Powell, University of Minnesota Books and Media Editor Marcus J. Smalls, Brooklyn Academy of Music (BAM) Conference and Academic Hip Hop Editor Ashley N. Payne, Missouri State University Poetry Editor Jeffrey Coleman, St. Mary's College of Maryland Global Editor Sameena Eidoo, Independent Scholar Copy Editor: Sabine Kim, The University of Mainz Reviewer Board: Edmund Adjapong, Seton Hall University Janee Burkhalter, Saint Joseph's University Rosalyn Davis, Indiana University Kokomo Piper Carter, Arts and Culture Organizer and Hip Hop Activist Todd Craig, Medgar Evers College Aisha Durham, University of South Florida Regina Duthely, University of Puget Sound Leah Gaines, San Jose State University Journal of Hip Hop Studies 2 https://scholarscompass.vcu.edu/jhhs/vol7/iss1/1 2 Halliday and Payne: Twenty-First Century B.I.T.C.H. Frameworks: Hip Hop Feminism Come Elizabeth Gillman, Florida State University Kyra Guant, University at Albany Tasha Iglesias, University of California, Riverside Andre Johnson, University of Memphis David J. Leonard, Washington State University Heidi R. Lewis, Colorado College Kyle Mays, University of California, Los Angeles Anthony Nocella II, Salt Lake Community College Mich Nyawalo, Shawnee State University RaShelle R.
    [Show full text]
  • John Legend and Salamishah Tillet in Conversation on the Artist's Duty
    Apollo Theater Presents John Legend and Salamishah Tillet in Conversation On the Artist’s Duty Wednesday, September 23 at 7pm On Apollo’s Digital Stage “An artist’s duty, as far as I’m concerned, is to reflect the times. I think that is true of painters, sculptors, poets, musicians. As far as I’m concerned, it’s their choice, but I CHOOSE to reflect the times and situations in which I find myself.” – Nina Simone Harlem, NY – September 8, 2020 – On September 23 at 7:00pm ET, the Apollo Theater presents In Conversation: John Legend and Salamishah Tillet. The event will be presented free of charge on the Apollo Digital Stage at www.ApolloTheater.org. Inspired by their mutual role model Nina Simone and her thoughts on the artist’s duty to reflect contemporary issues, Legend and Tillet will discuss art and social justice, the roots of Legend’s activism and what he believes the responsibilities of artists are at this critical moment in American history. For over 86 years, the Apollo has served as an incubator for social and civic advocacy in Harlem, and the Black community at-large. This conversation extends the non-profit Theater’s commitment to using its internationally renowned stage to amplify Black voices and stimulate timely conversations on race and social justice. To RSVP for the program, visit this link. Multiplatinum recording artist, composer, activist, and philanthropist John Legend has been an outspoken champion of civil and human rights. Throughout his life, Legend has been deeply committed to philanthropic efforts, launching several organizations, including the Show Me Campaign, an organization that works to break the cycle of poverty through education.
    [Show full text]
  • Male Homosocial Landscape
    MALE HOMOSOCIAL LANDSCAPE: FAULKNER,WRIGHT, HEMINGWAY, AND FITZGERALD A dissertation submitted To Kent State University in partial Fulfillment of the requirements for the Degree of Doctor of Philosophy by Masaya Takeuchi December, 2011 Dissertation written by Masaya Takeuchi B.A., Rikkyo University, 2001 M.A., Rikkyo University, 2004 Ph.D., Kent State University, 2011 Approved by Robert Trogdon , Chair, Doctoral Dissertation Committee Mark Bracher , Member, Doctoral Dissertation Committee Kevin Floyd , Member, Doctoral Dissertation Committee Elizabeth M. Smith-Pryor , Member, Doctoral Dissertation Committee Marilyn A. Norconk , Member, Doctoral Dissertation Committee Accepted by Donald M. Hassler , Interim Chair, English Department Timothy Moerland , Dean, College of Arts and Sciences ii TABLE OF CONTENTS Acknowledgments ……………………………………………………………………….iv Introduction …………………………………………………….………………………. 1 Part I: Chapter 1. ………………………………………………………………………………. 26 2. …………………..…………………………………………………………... 59 Part II: Chapter 3. ………………...……………………………………………………………... 93 Part III: Chapter 4. ……………...……………………………………………………………… 122 5. ………..……………………………………………………………………. 163 Part IV: Chapter 6. ……...……………………………………………………………………… 190 7. ……………………………………………………………………………... 225 Conclusion …………………………………………………………………………….. 254 Bibliography ….………………………………………..……………………………..... 261 iii Acknowledgements During the eight years I have studied in Ph.D. programs at Rikkyo University and Kent State University, I have received tremendous instruction and encouragement from many professors.
    [Show full text]