Of Mont-Saint-Michel Abbey As Well As Its Cultural Programming
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Carolingian, Romanesque, Gothic
3 periods: - Early Medieval (5th cent. - 1000) - Romanesque (11th-12th cent.) - Gothic (mid-12th-15th cent.) - Charlemagne’s model: Constantine's Christian empire (Renovatio Imperii) - Commission: Odo of Metz to construct a palace and chapel in Aachen, Germany - octagonal with a dome -arches and barrel vaults - influences? Odo of Metz, Palace Chapel of Charlemagne, circa 792-805, Aachen http://www.youtube.com/ watch?v=pwIKmKxu614 -Invention of the uniform Carolingian minuscule: revived the form of book production -- Return of the human figure to a central position: portraits of the evangelists as men rather than symbols –Classicism: represented as roman authors Gospel of Matthew, early 9th cent. 36.3 x 25 cm, Kunsthistorische Museum, Vienna Connoisseurship Saint Matthew, Ebbo Gospels, circa 816-835 illuminated manuscript 26 x 22.2 cm Epernay, France, Bibliotheque Municipale expressionism Romanesque art Architecture: elements of Romanesque arch.: the round arch; barrel vault; groin vault Pilgrimage and relics: new architecture for a different function of the church (Toulouse) Cloister Sculpture: revival of stone sculpture sculpted portals Santa Sabina, Compare and contrast: Early Saint-Sernin, Toulouse, Rome, 422-432 Christian vs. Romanesque France, ca. 1070-1120 Stone barrel-vault vs. timber-roofed ceiling massive piers vs. classical columns scarce light vs. abundance of windows volume vs. space size Saint-Sernin, Toulouse, Roman and Romanesque Architecture France, ca. 1070-1120 The word “Romanesque” (Roman-like) was applied in the 19th century to describe western European architecture between the 10th and the mid- 12th centuries Saint-Sernin, Toulouse, France, ca. 1070-1120 4 Features of Roman- like Architecture: 1. round arches 2. -
The Janus-Faced Dilemma of Rock Art Heritage
The Janus-faced dilemma of rock art heritage management in Europe: a double dialectic process between conservation and public outreach, transmission and exclusion Mélanie Duval, Christophe Gauchon To cite this version: Mélanie Duval, Christophe Gauchon. The Janus-faced dilemma of rock art heritage management in Europe: a double dialectic process between conservation and public outreach, transmission and exclusion. Conservation and Management of Archaeological Sites, Taylor & Francis, In press, 10.1080/13505033.2020.1860329. hal-03078965 HAL Id: hal-03078965 https://hal.archives-ouvertes.fr/hal-03078965 Submitted on 21 Feb 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Duval Mélanie, Gauchon Christophe, 2021. The Janus-faced dilemma of rock art heritage management in Europe: a double dialectic process between conservation and public outreach, transmission and exclusion, Conservation and Management of Archaeological Sites, doi.org/10.1080/13505033.2020.1860329 Authors: Mélanie Duval and Christophe Gauchon Mélanie Duval: *Université Grenoble Alpes (UGA), Université Savoie Mont Blanc (USMB), CNRS, Environnements, Dynamics and Territories of Mountains (EDYTEM), Chambéry, France; * Rock Art Research Institute GAES, University of Witwatersrand, Johannesburg, South Africa. Christophe Gauchon: *Université Grenoble Alpes (UGA), Université Savoie Mont Blanc (USMB), CNRS, Environnements, Dynamics and Territories of Mountains (EDYTEM), Chambéry, France. -
Companion to European Heritage Revivals / Companion to European Heritage Revivals / Edited by Linde Egberts and Koos Bosma
Companion to European Heritage Revivals / Companion to European Heritage Revivals / edited by Linde Egberts and Koos Bosma Companion to European Heritage Revivals / edited by Linde Egberts and Koos Bosma Linde Egberts and Koos Bosma (eds.) CLUE research institute VU University Amsterdam The Netherlands This project has been funded with support from the European Commission. This publication reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein. ISBN 978-3-319-07769-7 ISBN 978-3-319-07770-3 (eBook) DOI 10.1007/978-3-319-07770-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2014942845 © The Editor(s) (if applicable) and the Author(s) 2014. The book is published with open access at SpringerLink.com. Open Access This book is distributed under the terms of the Creative Commons Attribution Noncommercial License which permits any noncommercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. All commercial rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, re-use of illustrations, recitation, broadcasting, reproduction on microfilms or in any other way, and storage in data banks. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for commercial use must always be obtained from Springer. Permissions for commercial use may be obtained through RightsLink at the Copyright Clearance Center. -
The Dual Language of Geometry in Gothic Architecture: the Symbolic Message of Euclidian Geometry Versus the Visual Dialogue of Fractal Geometry
Peregrinations: Journal of Medieval Art and Architecture Volume 5 Issue 2 135-172 2015 The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry Nelly Shafik Ramzy Sinai University Follow this and additional works at: https://digital.kenyon.edu/perejournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Ramzy, Nelly Shafik. "The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry." Peregrinations: Journal of Medieval Art and Architecture 5, 2 (2015): 135-172. https://digital.kenyon.edu/perejournal/vol5/iss2/7 This Feature Article is brought to you for free and open access by the Art History at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Peregrinations: Journal of Medieval Art and Architecture by an authorized editor of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Ramzy The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry By Nelly Shafik Ramzy, Department of Architectural Engineering, Faculty of Engineering Sciences, Sinai University, El Masaeed, El Arish City, Egypt 1. Introduction When performing geometrical analysis of historical buildings, it is important to keep in mind what were the intentions -
Laon Cathedral • Early Gothic Example with a Plan That Resembles Romanesque
Gothic Art • The Gothic period dates from the 12th and 13th century. • The term Gothic was a negative term first used by historians because it was believed that the barbaric Goths were responsible for the style of this period. Gothic Architecture The Gothic period began with the construction of the choir at St. Denis by the Abbot Suger. • Pointed arch allowed for added height. • Ribbed vaulting added skeletal structure and allowed for the use of larger stained glass windows. • The exterior walls are no longer so thick and massive. Terms: • Pointed Arches • Ribbed Vaulting • Flying Buttresses • Rose Windows Video - Birth of the Gothic: Abbot Suger and St. Denis Laon Cathedral • Early Gothic example with a plan that resembles Romanesque. • The interior goes from three to four levels. • The stone portals seem to jut forward from the façade. • Added stone pierced by arcades and arched and rose windows. • Filigree-like bell towers. Interior of Laon Cathedral, view facing east (begun c. 1190 CE). Exterior of Laon Cathedral, west facade (begun c. 1190 CE). Chartres Cathedral • Generally considered to be the first High Gothic church. • The three-part wall structure allowed for large clerestory and stained-glass windows. • New developments in the flying buttresses. • In the High Gothic period, there is a change from square to the new rectangular bay system. Khan Academy Video: Chartres West Facade of Chartres Cathedral, Chartres, France (begun 1134 CE, rebuilt after 1194 CE). Royal Portals of Chartres Cathedral, Chartres, France (begun 1134 CE, rebuilt after 1194 CE). Nave, Chartres Cathedral, Chartres, France (begun 1134 CE, rebuilt after 1194 CE). -
Contents Inhalt
34 Rome, Pantheon, c. 120 A.D. Contents 34 Rome, Temple of Minerva Medica, c. 300 A.D. 35 Rome, Calidarium, Thermae of Caracalla, 211-217 A.D. Inhalt 35 Trier (Germany), Porta Nigra, c. 300 A.D. 36 NTmes (France), Pont du Gard, c. 15 B.C. 37 Rome, Arch of Constantine, 315 A.D. (Plan and elevation 1:800, Elevation 1:200) 38-47 Early Christian Basilicas and Baptisteries Frühchristliche Basiliken und Baptisterien 8- 9 Introduction by Ogden Hannaford 40 Rome, Basilica of Constantine, 310-13 41 Rome, San Pietro (Old Cathedral), 324 42 Ravenna, Sant' Apollinare Nuovo, c. 430-526 10-19 Great Buildings of Egypt, Mesopotamia and Persia 42 Ravenna, Sant'Apollinare in Classe, 534-549 Grosse Bauten Ägyptens, Mesopotamiens und Persiens 43 Rome, Sant' Agnese Fuori Le Mura, 7th cent. 43 Rome, San Clemente, 1084-1108 12 Giza (Egypt), Site Plan (Scale 1:5000) 44 Rome, Santa Costanza, c. 350 13 Giza, Pyramid of Cheops, c. 2550 B.C. (1:800) 44 Rome, Baptistery of Constantine (Lateran), 430-440 14 Karnak (Egypt), Site Plan, 1550-942 B.C. (1:5000) 44 Nocera (Italy), Baptistery, 450 15 Abu-Simbel (Egypt), Great Temple of Ramesses II, c. 1250 B.C. 45 Ravenna, Orthodox Baptistery, c. 450 (1:800, 1:200) 15 Mycenae (Greece), Treasury of Atreus, c. 1350 B.C. 16 Medinet Habu (Egypt), Funerary Temple of Ramesses II, c. 1175 B.C. 17 Edfu (Egypt), Great Temple of Horus, 237-57 B.C. 46-53 Byzantine Central and Cross-domed Churches 18 Khorsabad (Iraq), Palace of Sargon, 721 B.C. -
Abstracts of Reports and Posters
Abstracts of Reports and Posters Amira Adaileh The Magdalenian site of Bad Kösen-Lengefeld The open air site of Bad Kösen-Lengefeld is located in Sachsen-Anhalt, Eastern Germany. It was discov- ered in the mid 1950´s in the immediate vicinity of the famous Magdalenian site of Saaleck. Since that time, archaeologists collected over 2000 lithic artifacts during systematical surveys. The technological and typological analyses of the lithic artifacts confirmed the assignment of Bad Kösen-Lengefeld to a late Magdalenian. Furthermore, the investigation of the surface collections brought forward information about the character of this camp site, the duration of its occupation and the pattern of raw material procure- ment. The fact that Bad Kösen-Lengefeld is located in a region with more than 100 Magdalenian sites fostered a comparison of the lithic inventory with other Magdalenian assemblages. Thus, allowing to spec- ify the position of the Lengefeld collection within the chorological context of the Magdalenian in Eastern Germany. Jehanne Affolter, Ludovic Mevel Raw material circulation in northern french alps and Jura during lateglacial interstadial : method, new data and paleohistoric implication Since fifteen years the study of the characterization and origin of flint resources used by Magdalenian and Azilian groups in northern French Alps and Jura have received significant research work. Diverse and well distributed spatially, some of these resources were used and disseminated throughout the late Upper Paleolithic. Which changes do we observe during the Magdalenian then for the Azilian? The results of petrographic analysis and techno-economic analysis to several archaeological sites allow us to assess dia- chronic changes in economic behavior of these people and discuss the significance of these results. -
FRANCE June 2019 As of 21Dec2018
FRANCE Reims, Le Puy, Paris Notre-Dame de Reims June 18 - 27, 2019 Join Cretin-Derham Hall Alumni on this once-in-a-lifetime Lasallian / Sisters of St. Joseph Pilgrimage Tour to France. We will “Walk in the Footsteps of our Founders - The Christian Brothers and The Sisters of St. Joseph of Carondelet”. Our trip will include overnight stays in Reims, Le Puy, and Paris along with visits to Liesse and Rouen. This fully escorted, all-inclusive, private tour will include the important historic sites associated with the life of St. Jean-Baptiste de La Salle and The Sisters of St. Joseph. *Sample Itinerary / Overnight City / Activities Tuesday, June 18: Depart Minneapolis for Paris (flight below) Wednesday, June 19: Reims - Arrive Paris! Transfer to Reims + Lunch + Visit to the Motherhouse of the Sisters of the Child Jesus + Visit Lasallian School Thursday, June 20: Reims - Guided tours to include: Founder’s House/The Hotel de La Cloche Museum + Reims Cathedral + College des Bons Enfants + St. Maurice + Basilica of St. Remi + Lunch + Time to Explore on your own Friday, June 21: Reims - Day Trip to Liesse / Option to walk 3 miles in to Liesse + Lunch + Visit burial site of Blessed Brother Arnold Reche returning to Reims Saturday, June 22: Le Puy - Depart Reims + Stop en route Dijon + Lunch at La Dame d’Aquitaine + Continue transfer to Le Puy + Hotel Check-in Sunday, June 23 Le Puy - Sisters of the Child Jesus Tour Monday, June 24: Paris - Depart Le Puy + stop en route Tuesday, June 25: Paris - Walking tour of Lasallian Paris - Visit St. -
Arles Monuments
SCHOOL PASS OPENING HOURS AND PRICES Individual entrance fee PASS AVANTAGE PASS LIBERTÉ ARLES Valid for 2 days Valid for 6 months Valid for 1 month Or combined ticket valid School groups -18 2021 One entrance per site One entrance per site MONUMENTS for 2 days years old Last admission : 30 min March, April May to November to Reduced Full price Reduced Full price Reduced price Single price before closing Full price 16.00 € 12.00 € 10.00 € 4.00 € and October September February price price 13.00 € Combined ticket 1. Amphitheater (Arena) • • + 9.00 € 7.00 € 2. Roman Theater • • 4 monuments of your choice + Includes The Réattu Museum 4.00 € 3.20 € all the monuments 3. Baths of Constantine • • + and Archeological Museum 9 a.m- 6 p.m 9 a.m - 7 p.m To be confirmed the Réattu Museum (3) (3) or Camargue Museum 4. Cryptoportico 4.50 € 3.60 € • • at your choice 5. Alyscamps Roman and medieval 4.50 € 3.60 € • • graveyard 6. Saint-Trophime 5.50 € 4.50 € • • cloister Combined ticket : Amphitheater (Arena) + Roman Theater or 9.00 € 7.00 € Alyscamps Roman and medieval graveyard + Saint-Trophime cloister The monuments and museums are closed on : 01/01, 01/05, 01/11 and 25/12. Amphitheatre closed the entire day from 09/09 to 12/09, from 23/09 to 26/09, and on 09/10 and 10/10 FREE ! The monuments could be closed on other days due to spectacles. For more information please call 00 33 (0)4 90 18 41 20 Children under 18 years old accompanied by an adult. -
Homo Aestheticus’
Conceptual Paper Glob J Arch & Anthropol Volume 11 Issue 3 - June 2020 Copyright © All rights are reserved by Shuchi Srivastava DOI: 10.19080/GJAA.2020.11.555815 Man and Artistic Expression: Emergence of ‘Homo Aestheticus’ Shuchi Srivastava* Department of Anthropology, National Post Graduate College, University of Lucknow, India Submission: May 30, 2020; Published: June 16, 2020 *Corresponding author: Shuchi Srivastava, Assistant Professor, Department of Anthropology, National Post Graduate College, An Autonomous College of University of Lucknow, Lucknow, India Abstract Man is a member of animal kingdom like all other animals but his unique feature is culture. Cultural activities involve art and artistic expressions which are the earliest methods of emotional manifestation through sign. The present paper deals with the origin of the artistic expression of the man, i.e. the emergence of ‘Homo aestheticus’ and discussed various related aspects. It is basically a conceptual paper; history of art begins with humanity. In his artistic instincts and attainments, man expressed his vigour, his ability to establish a gainful and optimistictherefore, mainlyrelationship the secondary with his environmentsources of data to humanizehave been nature. used for Their the behaviorsstudy. Overall as artists findings was reveal one of that the man selection is artistic characteristics by nature suitableand the for the progress of the human species. Evidence from extensive analysis of cave art and home art suggests that humans have also been ‘Homo aestheticus’ since their origins. Keywords: Man; Art; Artistic expression; Homo aestheticus; Prehistoric art; Palaeolithic art; Cave art; Home art Introduction ‘Sahityasangeetkalavihinah, Sakshatpashuh Maybe it was the time when some African apelike creatures to 7 million years ago, the first human ancestors were appeared. -
Playing with the Time. Experimental Archaeology and the Study of the Past
PLAYING WITH THE TIME. EXPERIMENTAL ARCHAEOLOGY AND THE STUDY OF THE PAST Editors: Rodrigo Alonso, Javier Baena & David Canales 4th. International Experimental Archaeology Conference 8-11 may 2014, Museo de la Evolución Huma. Burgos, Spain. Experimenta (the Spanish Experimental Archaeology Association) is a non-profit association created, among other proposes, to organize international experimental archaeology conferences. Previous conferences were successively held in Santander (2005), Ronda (2008) and Banyoles (2011). Organization Scientific committee Experimenta (Asociación española de Arqueología Experimental) Carlos Díez (Universidad de Burgos) Museo de la Evolución Humana, Junta de Castilla y León Marta Navazo(Universidad de Burgos) Universidad Autónoma de Madrid Ángel Carrancho (Universidad de Burgos) EXARC José A. Rodriguez Marcos (Universidad de Burgos) Diego Arceredillo (Fundación Atapuerca) Cooperación institutions Marcos Terradillos (Fundación Atapuerca) Fundación Atapuerca Millán Mozota (Institut Milá i Fontanals, CSIC) Universidad de Burgos Xavier Terradas (Institut Milá i Fontanals, CSIC) Consejo Superior de Investigaciones Científicas - IMF, Barcelona Ignacio Clemente (Institut Milá i Fontanals, CSIC) Asociación Española para el Estudio del Cuaternaro (AEQUA) Antonio Morgado (Universidad de Granada) Gema Chacón (Institut de Paleoecologia Humana i Evolució Social) Organizing committee Josep Maria Verges (Institut de Paleoecologia Humana i Evolució Social) Alejandro Sarmiento (Museo de la Evolución Humana, Junta de Castilla -
The Marian Philatelist, Whole No. 33
University of Dayton eCommons The Marian Philatelist Marian Library Special Collections 11-1-1967 The Marian Philatelist, Whole No. 33 A. S. Horn W. J. Hoffman Follow this and additional works at: https://ecommons.udayton.edu/imri_marian_philatelist Recommended Citation Horn, A. S. and Hoffman, W. J., "The Marian Philatelist, Whole No. 33" (1967). The Marian Philatelist. 33. https://ecommons.udayton.edu/imri_marian_philatelist/33 This Book is brought to you for free and open access by the Marian Library Special Collections at eCommons. It has been accepted for inclusion in The Marian Philatelist by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Marian Pfiilafelisf PUBLISHED BY THE MARIAN PHILATELIC STUDY GROUP Rev. A. S. Horn Chairman Business Address: W. J. Hoffman Editor 424 West Crystal View Avenue Orange, California 92667, USA Whole No. 33 NOVEMBER 1, 1967 Vol. 5 No. 6 ---------------------- r ANDORRA - French Admin- j January 1, 1968 issue with an article. istration: (Class 2). ] Set of 3 stamps released) COSTA RICA: A set of stamps depicting various September 25, 1967 re- i churches was issued in August 1967. Stamps producing 16th century | have not been obtainable, but we have read frescoes from the Maison) that the following will appear on the stamps: des Vallees. The 0,60 5d - Church of La Soledad; 30c Church of value shows a DEPOSITION! La Merced; 35c Church of Our Lady of the in which are seen the Angels; 45c Ujarras Shrine of Our Lady of Dead Christ, the Sorrow-i the Immaculate Conception; 5 col.