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Home , Albert Nicholas, Bob Shoffner, Bud Scott, Buster Wilson, Charlie Alexander, Darnell Howard

1922-1 948

Part A – SIDEMAN IN THE STUDIOS

Notes about Part A

1921/1922* In this first section I have attempted to compile all of Ory‟s June early recordings from 1922 to 1928. Mostly, these were as a Recording for the Spikes brother‟s Sunshine Records at the Nordskog Record sideman, with only the initial Nordskog/Sunshine session ever Company, Santa Monica, . appearing under his name. The (or vocalist‟s) name that heads each entry is the one which appeared on the original SPIKES' SEVEN PODS OF PEPPER ORCHESTRA** label. In the previous editions of this discography I included all , tpt. Fred Washington, pno. , tbn. , sbs. formats (78s, 45s, EPs, LPs, cassettes, videos and CDs). Dink Johnson, clt. Ben Borders, drs. However, in this current volume I have limited the entries to the original issue (whether 78 or other format) and CDs. 3009A*** ORY'S CREOLE

In this section I have omitted any recordings that others have 3009B SOCIETY proposed to feature Ory, but do not sound like Ory to me! ROBERTA DUDLEY In some cases the trombone player that have been suggested Roberta Dudley, vcl; Orchestral accompaniment. have included John Thomas, Henry Clark, Roy Palmer, Al Wynn, 3007A KROOKED BLUES Geechy Fields and Charlie Green. These are just six of the many muscians identified as Ory. 3007B WHEN YOU'RE ALONE BLUES

Further details can be found in Part G „Non Ory and Is it Ory?‟ RUTH LEE Ruth Lee, vcl; Orchestral accompaniment. Sometimes there was more than one take in a recording 3008A MAYBE SOME DAY session and where there is doubt as to which take was used, I have listed the most issued side and marked it with a (?). 3008B THAT SWEET SOMETHING DEAR

78**** A selection of notes, quotes, anecdotes and illustrations has 3009A & 3009B been included to lighten the pages of numbers and letters! Nordskog 3009, 5001 (reissued 1st September 1951), Sunshine 3003 3007A & 3007B Nordskog 3007, Sunshine 3001 3008A & 3008B Nordskog 3008, Sunshine 3002

Part A – SIDEMAN IN THE STUDIOS

CD 3009A & 3009B Quote ASV(E) CDAJA5148 “I met with Kid Ory and his band at a nightspot to arrange for Ory‟s first 3009A recordings in 1922. The date was set for 8.00am the next morning. „How should Best of (F) 4023, History(Is) 20.30131, Charly(E) CDGR 180-2, Rhino we dress‟ asked Ory, „Tux!‟ cried his player. Sure enough, came Ory in R2 75872, Upbeat(E) URCD187, Quadromania(G) 222466, Membran(G) his tuxedo at 8.00am sharp, just ahead of the milkman, to play into the horns that 221981-306 could not see, and to no end of kidding by his fellow players”. 3009B Jazz Greats(E) CD070 Arne Andrae Nordskog, Downbeat, 10th August 1951 3009A, 3009B, 3007A & 3007B Hot „n Sweet(F) 152222, EPM (F) 159212 3007A, 3007B 3008A &3008B Document(Au) DOCD-5470 All on Document(Au) DOCD-1002, Classics (F) 1069, Archeophone ARCH OTR- MM10-C1*****

Notes: * Robert A Nordskog (son of Arne Nordskog, founder of the record company), in an interview with Floyd Levin in 1990 claims the above was recorded in 1921, however the label on Nordskog 5001, the 1951 reissue states " This is an electrical reproduction from the original mechanical recording made by Nordskog in 1922". ** As “Ory‟s Sunshine Orchestra” on the Sunshine issues, but is misspelt “Ory‟s Sunshinne Orchestra” on some labels. *** These are not matrix numbers, but Nordskog‟s stock numbers, which are embossed in the wax. **** Recent research by Brad Kay of Venice, CA suggests that these sound better played at 85.3 r.p.m. *****The Archeophone CD has interviews with Ory and his daughter Babette

Part A – SIDEMAN IN THE STUDIOS

Part A – SIDEMAN IN THE STUDIOS

9485 Allegro CRG218061, Bella Musica(G) BM14.4032, Castle Communications(E) 1925 MACCD 167, Giants of Jazz(I) CD0242, CD53001, CDB1205(CD X 3 set), Fri 12th November Goldies(P) GLD63308, History(Is) 20.3002, It‟s Music(G) 22718, Jazzmen(G) Recording for The Okeh Phonograph Corporation, . 625-50-013, Laserlight 15721, SOHO(G) CD020, Universe(G) UNI107, ASV(E) CDAJA5252. AND HIS HOT FIVE 9486 Louis Armstrong, cor,sp-1 Lil Armstrong, pno. Columbia C4K57156(CD X 4 Set), Bellaphon(G) 625.50.018, Avid(E) AVC541, Kid Ory, tbn,sp-1 Johnny St. Cyr, bjo. Best of Jazz (F) 4023, Charly(E) QBCD 14, Columbia C4K57176, Columbia , clt. C4K63527, Columbia(Eu)504506-2, Goldies GLD25312-1-3(CD X 3 Set), History (Is) 20.30131, Jazz Kings(F) 7243 8508672 4, Jazzmen(G) 625-50- 9484-A MY HEART 018, Makin‟ Friends(G) 74321 14166 2, Membran(G) 221981-306, Naxos(Eu) 8.120541, Radio France(F) 211752, Retro(E) R2CD4004, Universe(G) 9485-A YES! I'M IN THE BARREL UNI107. 9484 & 9485 9486-A GUT BUCKET BLUES -1 Bellaphon(G) 625.50.013, Columbia CK463527, SME Records(Jap) SRCS- 8995. 78 9484 & 9486 9484 Déjà vu(It) D2CD04, Retro(It) R2CD 40-04. Okeh 8320 9485 & 9486 9485 & 9486 Allegro CRG218061, Avid(E) AVC541, CeDe International CD66012, Okeh 8261 Classics(F) 600, Recall(E) SMDCD 397, Signature 2063, World Star Collection(G) WSC 99012.

CD All on 9484 4 Ever Records(Eu) CD910002, JSP(E) JSPCD312, CBS(Eu) 460821 2, CBS(Eu) 460821 2, Charly Le Jazz(G) CD DIG 17, Columbia CK44049 & Charly(E) CDDIG17(CD X 4 Set), Charly Le Jazz(G) CD DIG 17, Columbia CK463527, Columbia River Entertainment CRG1155, CRG212002, Definitive CK44049, Classics(F) 600, Recording Arts(I) JZCD324, CBS(Eu) 460821-2, Records(And) DRCD 11178, Déjà vu(It) D2CD04, EMI(F) 781083 2 (Jap) (Eu)467278.2(CD X 3 set), Columbia River Entertainment CRG1155, TOCJ-5221, History(G) 204513 204514 205300 205301, Jazzmen(G) 625-50- Columbia River Entertainment CRG212002, Definitive Records(And) DRCD 004, Jazzterdays 102416, JSP(E) CD312, King Jazz(It) KJ146FS, Masters of 11178, EMI(F) 781083 2, EMI(Jap) TOCJ-5221, History(G) 204513, Jazz(F) NJCD 162, Membran(G) 220766 & 221988, Mondo Musica(It) MMJ History(G) 204514, History(G) 205300, History(G) 205301, Jazzterdays 88100, Newsound 2000(E) NST024, NSTBX420, Nota Blue(It) 9407230, Past JTD102416, Jazztime(F) 781083.2, JSP(E) CD312, King Jazz(I) KJ146FS, Perfect(G) 204529 & 204530, Recording Arts(It) JZCD 324, Retro(It) R2CD Masters of Jazz(F) NJCD 162, Newsound 2000(E) NST024, NSTBX420, Nota 40-04, SME Records(Jap) SRCS-8995, Sony Jazz CK86999, Weton(Eu) LA20, Blue(It) 9407230, Past Perfect(G) 204529 & 204530, Recording Arts(It) JZCD LA005. 324, Sony Jazz CK86999, Weton(Eu) LA20 & LA005.

Part A – SIDEMAN IN THE STUDIOS

Quote “We didn‟t rehearse much on those records with Louis. We rehearsed right in the studio before we started. If we were going to do eight 1926 numbers we would start about 45 minutes, an hour at the most, with the Mon 22nd February whole numbers”. Recording for Okeh, Chicago

Kid Ory interview, Bill Russell, „ Style‟ LOUIS ARMSTRONG AND HIS HOT FIVE Louis Armstrong, cor Lil Armstrong, pno Kid Ory, tbn Johnny St. Cyr, bjo Johnny Dodds, clt, alt

9503-A COME BACK SWEET PAPA

78 9503-A Okeh 8318

CD 9503-A 4 Ever Records(Eu) CD910002, JSP(E) JSPCD312, Bellaphon(G) 625.50.018, CBS(Eu) 460821-2, 467278-2(CD X 3 set), Charly(E) CDDIG17(CD X 4 Set), Classics(F) 600, Columbia CK44049, C4K63527, (G) 472092 2, (BRZ) 721022, Columbia River Entertainment CRG1155 & CRG212002, Definitive Records(And) DRCD 11178, EMI(F) 781083 2 & (Jap) TOCJ-5221, Giants of Jazz(F) CD0242, Goldies(P) GLD63308, Goldies GLD25312-1-3(CD X 3 Set), HDC(G) HDJ4033, History(G) 204513, 204514, 205300 & 205301, History (Is) 20.3002, Jazz Time(F) 781083.2, It‟s Music(G) 22718, Jazzmen(G) 625- 50-018, Jazzterdays(?) JTD102416, JSP(E) CD312, King Jazz(I) KJ146FS, Laserlight 15721, Masters of Jazz(F) NJCD 162, Membran(G) 221981-306, Newsound 2000(E) NST024 &NSTBX420, Nota Blue(It) 9407230, Past Perfect(G) 204529 & 204530, Sony Jazz CK86999, Weton(Eu) LA20 & LA005, World Star Collection(G) WSC 99012.

Part A – SIDEMAN IN THE STUDIOS

CD 9533 () 1926 Bellaphon(G) 625.50.004, Columbia CK463527, Giants of Jazz(I) CD0242, Fri 26th February CD53001, CDB1205(CD X 3 set), Charly(E) CDDIG17(CD X 4 set), Fremeaux Recording for Okeh, Chicago (F) FA201, 230, Jazzmen(G) 625-50-004, Mondo Musica(It) MMJ 88100, 9534 (Heebie Jeebies) LOUIS ARMSTRONG AND HIS HOT FIVE ASV(E) CDAJA5171, Bellaphon(G) 625.50.009, Classic Jazz Collection(E) Louis Armstrong, cor,vcl-1 Lil Armstrong, pno,vcl-2 JAZCD001, Columbia CK64613, C4K57156(CD X 4 set), CK86539, Kid Ory, tbn Johnny St. Cyr, bjo (Eu)501030-2 & (Eu)508604-2, Crown Collection(E) CWNCD2028, Retro(E) Johnny Dodds, clt R2CD4004, Falcon Neue Nedien(G) 3405 3407, FA 230 - CDx2 Set, HDC(G) HDJ4033, Milan/Universal(F) 198265-1, Phontastic(Sd) PHONT CD9308, 9533-A GEORGIA GRIND -1 & 2 Recording Arts(I) JZCD324, SME Records(Jap) SRCS-8995, Sony(E) CK64613, Summit(E) SUMCD 4080, 9534-A HEEBIE JEEBIES -1 9535 ( Chop Suey) ASV(E) CDAJA5171, Avid(E) AVC541, Bella Musica(G) BM14.4032, 9535-A CORNET CHOP SUEY Bellaphon(G) 625.50.009, Best of Jazz(F) 4004, CeDe International CD66012, Charly(E) CDDIG17, Charly(E) CDGR108-2, Classic Jazz Collection(E) 9536-A ORIENTAL STRUT JAZCD001, Columbia CK64613, C4K57156(CD X 4 set), (Eu)504506-2, (BRZ) 721022, Crown Collection(E) CWNCD2028, Disky(F) DCD8001(CD X 2 set), 9537-A YOU'RE NEXT Document(E) 222689, EPM Jazz Archives(F) 158722, Fremeaux(F) FA201, Giants of Jazz(I) CD0242, CD53001, CDB1205, Goldies GLD25312-1-3, 9538-A History(Is) 20.3002, It‟s Music(G) 22718, Jazz Archive(F) 158132, Jazz Greats(E) CD003, Jazz Portraits(I) CD14530, Jazz Roots(I) CD56010, Marshal 78 Cavendish(E) CD003, Membran(G) 222689-321 & 221988, Milan/Universal(F) 9533 198265-2, Proper(G) EMCD06, Proper(E) R2CD4088, Radio France(F) Okeh 8318 211752, Recording Arts(I) JZCD324, Retro(E) R2CD4004, Sony(E) 64613, 9534 Universe UN1017, World Star Collection(G) WSC 99012. Okeh 8300 9536 (Oriental Strut) 535 Bellaphon(G) 625.50.013, Charly(E) CDD1617, Jazzmen(G) 625-50-013, Okeh 8320 9537 (You‟re Next) 9536 Bellaphon(G) 625.50.009 Okeh 8299 9538 (Muskrat Ramble) 9537 ABC Records(Aus) CD38335, 836.184-2, ASV(E)CDAJA5148, Avid(E) AVC541, Okeh 8299 BBC(E) CD597, Bellaphon(G) 625.50.009, Best of Jazz(F) 4023, CDS(E) 9538 RPCD618, Charly(E) CDDIG17, Columbia A13294, CK86539, (Eu)508604-2, Okeh 8300 Disky (Du) DO 250492, EPM Jazz Archives(F) 158722, Giants of Jazz(I) CD0242, Goldies GLD25312-1-3, History(Is) 20.30131, Jazz Archives(F) Part A – SIDEMAN IN THE STUDIOS

158132, Jazz Greats(E) CD070, Jazz Portraits(I) CD14530, Jazz Roots(I) Columbia C4K63527, CD56010, Jazz Time/EMI(G) 781083-2, KBOX(Du) 3144A-C, Midnite(Du) MJB All on 003, Proper(E) R2CD4088, Radio France (F) 211761, Readers Digest SSTC Bellaphon(G) 625.50.013, CBS(Eu) 46082-2, 467278-2(CD X 3 set), 02346, Recording Arts(I) JZCD324, CD53001, CDAJA5171, Retro(E) CBS(Eu) 460821 2, Classics(F) 600, Columbia CK44049, Definitive R2CD4004, Sagajazz(F) 066 436-2, Sony Music Special Edition(Can) Records(And) DRCD 11178, EMI(F) 781083 2 & (Jap) TOCJ-5221, History(G) BUK40026, Weton(Du) Black Box BB241. 204513, 204514, 205300 & 205301, Jazzterdays JTD102416, Jazz Time(F) 9534 & 9535 781083.2, JSP(E) JSPCD312, 66242, King Jazz(I) KJ146FS, Past Perfect(G) Columbia C4K57176, Encyclopedia(F) EN507, Fremoux & Associes(F) FA201, 204529 & 204530, Sony Jazz CK86999, Weton(Eu) LA20 & LA005. Indigo 2035, Intersound 4624, Javelin(E) CWNCD2028, Makin‟ Friends(G) 74321 14166 2, Membram(G) 220766, Naxos(Eu) 8.120541, Pro Arte Quote CDD439, Recall(E) SMDCD 397, Sonia(G) 77710, Sony(Jap) SRCS-7211, The “Even though we were working in different clubs, we kept the Hot Five going. Classic Jazz Collection(E) JAZCD 001, The records were very successful by this time and Heebie Jeebies is what 9534 & 9538 today would be called a hit record. That was the record where Louis forgot Eagle Masters(E) EMDCD 012, Masters of Jazz(F) R2CD8001, the lyrics and starting scattin‟. We had all could do to keep from laughing. Of 9535 & 9538 course Louis said he forgot the words but I don‟t know if he intended it that Avid(E) AVC541, Blackbird(Sp) Classic Armstrong, Disky (Du) 649982, way or not, it made the record though”. SL990432, EPM(F) 159642, Giants of Jazz(F) CD0242, Goldies(P) GLD63308, Haba-a‟na(F) 111201, Jazz Archives(F) 158132, 158722, Jazz Portraits(It) Kid Ory, Record Changer, July/August 1950 CD14520, Jazz Roots(It) CD56010, Laserlight 15721, Les Genies du Jazz(F) JA-CD 2001, Music Club(E) 50134, Pickwick 56010, Prestige(E) CDSGP 4012, Red X(Aus) RMGR 0060, Signature 2063, 9533, 9536 & 9538 Membran(G) 221981-306 9534, 9535 & 9538 ASV Living Era(E) 5171, Charly(E) QBCD 14, Déjà vu(It) D2CD04, Jazz Kings(F) 7243 8508672 4, QED(E) QUAD 006C, Recording Arts(It) JZCD 324, Retro(It) R2CD 40-04, Soho(E) CD016, Vade Retro(F) unnumbered, 9535, 9536 & 9538 Castle Communications(E) MACCD 167, 9533, 9534, 9535 & 9536 Nota Blue(It) 9407230, 9534, 9535, 9536 & 9538 Charly Le Jazz(G) CD DIG 17, Columbia River Entertainment CRG1155, CRG212002, Newsound 2000(E) NSTBX420 9534, 9535, 9537 & 9538 Jazzmen(G) 625-50-009, 9534, 9535, 9536, 9537 & 9538 Part A – SIDEMAN IN THE STUDIOS

1926 1926 Tues 10th March Weds 11th March Recording for Vocalion, Chicago Recording for Vocalion, Chicago

RUSSELL'S HOT SIX 'S JAZZ BAND George Mitchell, cor , pno Joe Oliver, cor Luis Russell, pno-1 Kid Ory, tbn John St. Cyr, bjo Bob Shoffner, tpt , bjo , clt,sop,alt Richard M Jones, speech-1 Kid Ory, tbn Bert Cobb, sous , tnr Albert Nicholas,clt,sop-2,alt-1 Paul Barbarin, drs Billy Paige, clt,sop-1,alt Richard M. Jones, pno, vocal -2 E-2620 29TH AND DEARBORN Barney Bigard, clt-2,sop-1,tnr

E-2621 29TH AND DEARBORN Unissued E-2632W TOO BAD -1

E-2622 SWEET MUMTAZ -1 E-2633W TOO BAD -1

E-2623 SWEET MUMTAZ -1 Unissued on 78 E-2634W SNAG IT -2

78 E-2635W SNAG IT -2 2620 & 2622 Vocalion 1010 78 CD 2632 2620 Vocalion 1007 Fremeaux(F) FA039(CD X 2), Best of Jazz(F) 4023, Radio France(F) 211761, 2633 History(Is) 20.30131, Charly(E) CDGR180-2, Quadromania(G) 222466, Brunswick(G) A-181 Membran(G) 221981-306 2634 2620 & 2622 Vocalion 1007 Classics(F) 588, Document(E) 222689. 2635 All on Vocalion 1007 Collectors Classics(D) COCD7, Membran(G) 222689-321 CD 2632 BBC(E) RPCD 787, Classics(F) 639, Affinity(E) AFS1025-2, MCA GRD-616, (Eu)

Part A – SIDEMAN IN THE STUDIOS

GRP16162, King Jazz(I) KJ-113, Best of Jazz(F) 4023, CDS(E) RPCD607. Topaz(E) TPZ1009, Fremeaux(F) FA220, History(Is) 20.30131, Jazz Greats(E) CD070, Membran(G) 221981-306 1926 2633 Tues 20th April Affinity(E) CDAFS1025-2, King Jazz(I) KJ-113 Recording for Vocalion, Chicago 2634 Classics(F) 639, Affinity(E) CDAFS1025-2, MCA GRD-616, (Eu) GRP16162, LILLIAN ARMSTRONG'S SERENADERS King Probably: Jazz(I) KJ-113, Topaz(E) TPZ1009, Jazz Portraits(I) CD14547, Fremeaux(F) Louis Armstrong, cor,vcl Lil Armstrong, pno FA220, Charly(E) CDGR180-2, Membran(G) 221981-306 Kid Ory, tbn Johnny St. Cyr, bjo 2635 Johnny Dodds, clt Affinity(E) CDAFS1025-2, King Jazz(I) KJ-113 2632 & 2634 C168/9 AFTER I SAY I'M SORRY Unissued Membran(G) 222689-321, Document(E) 222689. All on C170/1 GEORGIA BO BO Unissued Frog(E) DGF34

Quote “KING OLIVER: I gave Joe that nickname, you know, when he worked in my band. The last time I ever saw him, at the Savoy, he thanked me. Joe played for me in 1916, but during the 1920‟s I worked with his band in New York, Chicago and St Louis”.

Kid Ory talking to , Melody Maker, 30 May 1964

Part A – SIDEMAN IN THE STUDIOS

1926 1926 Weds 21st April Fri 23rd April Recording for Vocalion Recording for Vocalion, Chicago, Ill

KING OLIVER'S DIXIE SYNCOPATERS KING OLIVER'S DIXIE SYNCOPATERS Joe Oliver, cor Luis Russell, pno Joe Oliver, cor Luis Russell, pno Bob Shoffner, tpt Bud Scott, bjo Bob Shoffner, tpt Bud Scott, bjo Kid Ory, tbn Bert Cobb, sous Kid Ory, tbn Bert Cobb, sous Albert Nicholas, clt,sop,alt Paul Barbarin, drs,speech Albert Nicholas, clt, alt Paul Barbarin, drs Billy Paige, sop,alt Billy Paige, alt, Georgia Taylor, vcl Barney Bigard, sop, tnr Barney Bigard, tnr,

E-2891W(195) E-2913W(225) /E-19678 DEEP HENDERSON Unissued /E-19675 JACKASS BLUES Unissued

E-2892W(196) E-2914W(226) /E-19679 DEEP HENDERSON /E-19676 JACKASS BLUES

78 E-2915W(227) 2892 /E-19677 JACKASS BLUES Unissued Vocalion 1014 CD 78 2892 2914 BBC(E) RPCD 687, RPCD 787, Classics(F) 639, Affinity(E) CDAFS1025-2, King Vocalion 1014 Jazz(I) KJ135, MCA GRP-616, (Eu) GRP16162, CDS(E) RPCD607, Topaz(E) CD TPZ1009, Fremeaux(F) FA220, ASV(E) CDAJA5218, SOHO(G) CD020, Frog(E) 2914 DGF34 BBC(E) RPCD787, Classics(F) 639, Affinity(E) CDAFS 1025-2, King Jazz(I) KJ135, MCA GRP-616, (Eu) GRP16162, CDS(E) RPCD607, Fremeaux(F) FA220, Frog(E) DGF34

Part A – SIDEMAN IN THE STUDIOS

1926 1926 Fri 23rd April Fri 28th May Recording for Vocalion Recording for Vocalion, Chicago

IRENE SCRUGGS - Comedienne with Orchestra LILL'S HOT SHOTS Joe Oliver, cor Luis Russell, pno Louis Armstrong, cor,vcl-1 Lil Armstrong, pno Kid Ory, tbn Bud Scott, bjo? Kid Ory, tbn Johnny St. Cyr, bjo Albert Nicholas, clt-1,sop-2 Paul Barbarin, drs Johnny Dodds, clt , vcl C340 E-2916W(228) HOME TOWN BLUES -2 E-3156 GEORGIA BO BO -1

E-2917W(229) HOME TOWN BLUE Unissued C341 E-3157 DROP THAT SACK E-2918W(230) SORROW VALLEY BLUES -1 C342 E-2919W(231) SORROW VALLEY BLUES Unissued E-3158 DROP THAT SACK

78 78 2916 & 2918 340 Vocalion 1017 Brunswick 80060 CD 341 2916 Brunswick 80060 Parade(E) PAR2302(CD X 2 set) 342 2916 & 2918 Vocalion 1037 Village(G) VILCD.012-2, Classics(F) 639, Affinity(E) CDAFS1025-2, King CD Jazz(I) KJ135, Document(Au) DOCD-5373, Frog(E) DGF34 340 Best Of Jazz(F) 4004, Decca MCAD-42328 & GRD2-638, Fremeaux(F) FA230 - (CD X 2 Set), L'Art Vocal(F) 2, MCA(Eu) GRP26382, MCAD 42328, MCA(G) 872085, Recording Arts(I) JZCD324, Verve(F) 560 849-2.

Part A – SIDEMAN IN THE STUDIOS

341 King Jazz(It) KJ146FS, MCAD 42328, MCA(G) 872085, Classics(F) 600, Recording Arts(I) JZCD324, 1926 Best Of Jazz(F) 4014, United Audio Entertainment(Eu) UAE30032, History(Is) Sat 29th May 20.3007, Verve(F) 543699 – 2. Recording for Vocalion, Chicago

342 KING OLIVER AND HIS DIXIE SYNCOPATERS Neatwork RP2020. Joe Oliver, cor Luis Russell, pno 340 & 341 Bob Shoffner, tpt Bud Scott, bjo,speech-1 Classics(F) 600, Dance Band Days(G) DBCD17, Decca MCAD-42328, Prism Kid Ory, tbn Bert Cobb, sous Leisure(B) PLATCD750, Recording Arts(It) JZCD 324, Weton(Eu) LA20 & Albert Nicholas, clt, alt Paul Barbarin, drs LA005. Billy Paige, clt-2, alt 340 & 342 Barney Bigard, clt-2, tnr King Jazz(It) 151FS. All on E-3178W(369) Columbia C4K63527, Definitive Records(And) DRCD 11178, EMI(F) 781083 2, /E-20502 SUGAR FOOT STOMP Unissued Frog(E) DFG39, Jazz Time EMI(F) 781083-2, King Jazz(I) KJ151FS, Village(G) VILCD 002-2, Weton(Eu) LA005 E-3179W(370) /E-20503 SUGAR FOOT STOMP -1

Quote E-3180W(371) “That po‟ li‟l gal, don‟t get me wrong, she was a fine player, (Lil Hardin- /E-20636 WA WA WA Unissued Armstrong) but, you see, we were trying to play jazz, and you know, jazz is a workin‟ man‟s music, and it need to be played by a workin‟ man. That li‟l gal, E-3181W(372) (she was a sweet li‟l gal) but she didn‟t know anything about work, y‟ see. /E-20637 WA WA WA -2 An‟ she played hell of a piano, but she get off the rhythm. You got to have that rhythm. So who that leave? That leave me. We didn‟ have no drum, we E-3182W(373)THE HOBO'S PRAYER Unissued didn‟ have no bass, jus‟ me.” E-3183W(374)THE HOBO'S PRAYER Unissued Johnny St. Cyr, Al Rose, „I Remember Jazz‟ 78 3179 Vocalion 1033 3181 Vocalion 1033

Part A – SIDEMAN IN THE STUDIOS

1926 CD 3179 Weds 16th June BBC(E) RPCD787, Classics(F) 639, Affinity(E) CDAFS1025-2, King Jazz(I) Recording for Okeh, Chicago KJ135, MCA GRD-616, (Eu) GRP16162, Best of Jazz(F) 4023, CDS(E) RPCD607, Jazz Portraits(I) CD14547, Fremeaux(F) FA220, Membran(G) LOUIS ARMSTRONG AND HIS HOT FIVE 222689-321 Louis Armstrong, cor, swanee-whistle-2, vcl-1 Lil Armstrong, pno 3181 Kid Ory, tbn Johnny St. Cyr, bjo BBC(E) RPCD787, Classics(F) 639, Affinity(E) CDAFS1025-2, King Jazz(I) Johnny Dodds, clt, alt-3 KJ135, MCA GRD-616, (Eu) GRP16162, ASV(E) CDAJA5148, CDAJA5218, Best of Jazz(F) 4023, Fremeaux(F) FA039. Retro(E) R2CD4009, CDS(E) 9729-A DON'T FORGET TO MESS AROUND -1 & 3 RPCD607, Jazz Portraits(I) CD14547, Fremeaux(F) FA039, FA220, Jazz Greats(E) CD020, Membran(G) 222689-321 9730-A I'M GONNA GITCHA -1 3179 & 3181 Frog(E) DGF34, Membran(G) 221981-306, Document(E) 222687. 9731-A DROPPING SHUCKS -1

9732-A WHO‟S IT -2

78 9729 & 9730 Okeh 8343 9731 & 9732 Okeh 8357 CD 9729 Charly(E) CDDIG17, Columbia River Entertainment CRG1155 & CRG212002, EPM(F) 995362, HDC(G) HDJ4033 & CD-JA-01, Jazzmen(G) 625-50-013, Membran(G) 220766 & 221988, Newsound 2000(E) NST024 & NSTBX420. 9731 Bellaphon(G) 625.50.004, Best of Jazz(F) 4023, History(Is) 20.30131, Jazzmen(G) 625-50-004, Mondo Musica(It) MMJ 88100. 9732 Bellaphon(G) 625.50.018. 9730 & 9732 Jazzmen(G) 625-50-018.

Part A – SIDEMAN IN THE STUDIOS

9731 & 9732 Membran(G) 221981-306. 1926 9729, 9730 & 9732 Fri 18 June Blackbird(Sp) Classic Armstrong. Recording for Okeh, Chicago All on Bellaphon(G) 625.50.013, CBS(Eu) 460821-2, 474764-2, JSP(E) JSPCD312, BUTTERBEANS AND SUSIE Vocal duet, accompanied by Louis Classics(F) 600, Columbia(E) CK44049 & C4K63527, Definitive Records(And) Armstrong and his Hot Five DRCD 11178, EMI(F) 781083-2 & EMI(Jap) TOCJ-5221, History(G) 204513, Louis Armstrong, cor Lil Armstrong, pno 204514, 205300 & 205301, Jazz Time King Jazz(I) KL146FS, Jazzterdays Kid Ory, tbn Johnny St. Cyr, bjo JTD102416, JSP(E) CD312, King Jazz(It) KJ146FS, Past Perfect(G) 204529 & Johnny Dodds, clt Butterbeans & Susie (Joe and 204530, Sony Jazz CK86999, Weton(Eu) LA20 & LA005. Susie Edwards) vcl

9750-A HE LIKES IT SLOW Quote “The Hot Five never played together as a band outside of a few benefits. 78 We‟d all take a short time off from the regular jobs we had and play for a half 9750 hour or so at some affair. We always would break it up and then go back to Okeh 8355 our jobs.” CD

9750 Kid Ory, Record Changer, July/August 1950 Affinity(E) CDAFS 1018.6, Affinity(E) AFS1018-5, Clifford(F) CARCD1501,

Columbia C4K63527, Document(A) DOCD-5545, EMI TOCJ-5228(Jap),

Empress(E) RAJCD 880, JSP(E) JSPCD312, King Jazz(I) KJ142FS, Sagajazz(F)

066 429-2.

Part A – SIDEMAN IN THE STUDIOS

9778 1926 Columbia CK44253, (G) 472092 2, (Brz)721.022 Thurs 23rd June (G)498100 2, CBS(Eu)463052-2, Bellaphon(G) 625.50.004, Best Of Jazz((F) Recording for Okeh, Chicago 4014, HDC(G) HDJ4033, History(Is) 20.3007, Jazz Kings(F) 7243 8508672 4, Membran(G) LOUIS ARMSTRONG AND HIS HOT FIVE 221979, Recall(E) Louis Armstrong, cor, vcl-1 Lil Armstrong, pno, speech-2 SMDCD 397, Kid Ory, tbn Johnny St. Cyr, bjo 9779 Johnny Dodds, clt Clarence Babcock, speech-3 Columbia CK44253, CBS(Eu)463052-2, Bellaphon(G) 625.50.009, Charly(E) Richard M. Jones, speech-4 CDIG17, Columbia River Entertainment CRG212002, Disky (Du) DO 999872, Indigo 2035, Jazzmen(G) 625-50-009, Newsound 2000(E) NFM003, 9776-A THE KING OF THE ZULUS (At A Chit'lin' Rag) -1, 2 & 3 9776 & 9777 Columbia CK4404, C4K57176, 9777-A BIG FAT MA AND SKINNY PA -1 & 4 9776 & 9778 Jazzmen(G) 625-50-004, Mondo Musica(It) MMJ 88100, 9778-A LONESOME BLUES -1 9776 & 9779 Charly Le Jazz(G) CD DIG 17, Columbia River Entertainment CRG1155, 9779-A SWEET LITTLE PAPA Newsound 2000(E) NSTBX420, 9778 & 9779 78 4 Ever Records(Eu) CD910002, Columbia CK44253, Nota Blue(It) 9407230, 9776 9776, 9777 & 9779 Okeh 8396 Membran(G) 221981-306 9777 & 9779 All on Okeh 8379 CBS(Eu) 467278-2(CD X 3 set), 474764-2, CBS(Eu) 460821 2 9778 463052 2, Classics(F)600, Columbia C4K63527, Definitive Records(And) Okeh 8396 DRCD 11178, EMI 781083 2 (F) TOCJ-5221(Jap), History(G) 204513, 204514, 205300, 205301,

CD Jazz Time EMI(F) 781083-2, JSP(E) JSPCD312, Jazzterdays JTD102416, King 9776 Jazz(I) KJ146FS, Past Perfect(G) 204529 Bellaphon(G) 625.50.004, CBS(Eu)460821-2, Charly(E) CDDIG17, Charly(E) 204530, Sony Jazz CK86999, Weton(Eu) LA20, LA006. QBCD 14, Columbia CK44049, C4K57156(CD X 4 set), (Eu)504506-2, CK86539, (Eu)508604-2, Castle Communications(E) MACCD 167, Sagajazz(F) 066 436-2, 9777 Bellaphon(G) 625.50.013, Columbia CK44049, CBS(Eu)460821-2, Blackbird(Sp) Classic Armstrong, Jazzmen(G) 625-50-013, Part A – SIDEMAN IN THE STUDIOS

Quote “I think one reason those records came out so well was that the Okeh people 1926 left us alone, and didn‟t try to expert us. Another reason was we all knew Tues 13th July each others musical styles so well from years of working together, and then, Recording for Columbia, Chicago of course, there was Louis himself. You couldn‟t go wrong with Louis. I always liked his style the best, that‟s not to take anything away from Oliver, NEW ORLEANS WANDERERS but I always thought Louis was the greatest, and I still think so.” George Mitchell, cor Lil Hardin, pno Kid Ory, tbn John St. Cyr, bjo Kid Ory, Recorded Changer, July/August 1950 Johnny Dodds, clt Joe Clark, alt-1

142426-1 PERDIDO STREET BLUES

142427-2 GATEMOUTH -1

142428-3 TOO TIGHT -1

142429-2 PAPA DIP -1

78 142426 Columbia 698-D 142427 Columbia 698-D 142428 & 142429 Columbia 735-D CD 142426 Jazz Roots(I) CD 56021, BBC(E) RPCD603, Giant of Jazz(I) CD53077, CD53016, Black and Blue(F) 59.235-2, Jazz Portraits(I) CD14534, CD14559, Best of Jazz(F) 4014, Topaz(E) TPZ1049, Disky(F) 8001(CD X 2 set), History(Is) 20.3007, Proper(E) R2CD4008, Acrobat(E) RANDB013

Part A – SIDEMAN IN THE STUDIOS

142427 Giants of Jazz(I) CD53077, Black and Blue(F) 59.235-2, Fremeaux(F) FA039, ASV(E) CDAJA5252, History(Is) 20.3007, 20.30131, Charly(E) CDGR108-2, Quadromania(G) 222466, SOHO(G) CD020 142428 Black and Blue(F) 59.235-2, Best of Jazz(F) 4014, Giants of Jazz(I) CD53077, ASV(E) CDAJA5132, CDAJA5252, History(Is) 20.3007, SOHO(G) CD020 142429 History(Is) 20.30131, Quadromania(G) 222466 142426 & 142427 Membran(G) 222689-321 142427 & 142429 Best of Jazz(F) 4023, Membran(G) 221981-306 142426, 142427 & 142428 Membran(G) 221979, Document(E) 222689. All on JSP(E) JSPCD319, Classics(F) 589, Affinity(E) CDAFS 1023-3(CD X 3 set), Village(G) VILCD 005-2, CDS(E) RPCD622, ASV(E) CDAJA5148, Jazz Greats (E) CD029

Quote “In July of 1946 when Kid Ory was visiting the Yerba Buena Music Shop, he confessed he had never heard the New Orleans Wanderers‟ record of Gatemouth, nor his own composition “Sweet Little Papa” which he recorded with the Hot Five in 1926. He listened to them with a critical ear, but with obvious enjoyment, and did not, as Leonard Feather has implied elsewhere, in reporting interviews with Louis, Bigard and Ory, even remotely imply that he now finds such music “corny”, merely amusing, or worthless. On the contrary, he commented on the good sound Dodds always got out of his , and talked in some length about George Mitchell, saying that he was the kind of horn man with whom it was a pleasure to work, and agreeing that Mitchell is underrated. Ory has tried to persuade “Little Mitch” retired for many years, to play again.”

Viv Boarman and Sy Shain, „Jazz Music‟, vol 3. no 7

Part A – SIDEMAN IN THE STUDIOS

142439 Black And Blue(F) 59.235-2, ASV(E) CDAJA5148, Giants of Jazz(I) CD53077, 1926 History(Is) 20.30131, Jazz Greats(E) CD070 Weds 14th July 142436 & 142438 Recording for Columbia, Chicago SOHO(G) CD020 142438 & 142439 NEW ORLEANS BOOTBLACKS Best of Jazz(F) 4023, Membran(G) 221981-306 George Mitchell, cor Lil Hardin, pno All on Kid Ory, tbn John St. Cyr, bjo JSP(E) JSPCD319, Classics(F) 589, Affinity(E) CDAFS 1023-3(CD X 3 set), Johnny Dodds, clt Village(G) VILCD 002-2, CDS(E) RPCD622 Joe Clark, alt Note: 142436-1 MIXED SALAD The Wanderers and Bootblacks sessions were contracted by Lil on condition

142437-3 I CAN'T SAY that Louis wrote four of the tunes. Columbia were desperate to get Louis‟ name on their label. However Louis was not interested, so Lil wrote all eight 142438-1 FLAT FOOT tunes, and put Louis‟ name on four of them. Okeh didn‟t like it, and Louis got in trouble, I believe some issues were issued as Louis Armstrong and the 142439-1 MAD DOG New Orleans Wanderers. Malc Webb. 78 142436 & 142437 Columbia 14465-D 142438 Columbia 14337-D 142439 Columbia 14337-D CD 142436 ASV(E) CDAJA5252 142437 BBC(E) RPCD603, Black And Blue(F) 59.235-2, ASV(E) CDAJA5148, Jazz Greats (E) CD029, History(Is) 20.3007 142438 Giants of Jazz(I) CD 53077, Black And Blue(F) 59.235-2, Jazz Greats (E) CD029, ASV(E) CDAJA5252, History(Is) 20.3007, 20.30131, Membran(G) 221979, Part A – SIDEMAN IN THE STUDIOS

1926 *Note: Fri 23rd July ASV(E) CDAJA5218 has 3556 wrongly titled as ” Snag It”. Recording for Vocalion

KING OLIVER AND HIS DIXIE SYNCOPATERS Joe Oliver, cor Luis Russell, pno Bob Shoffner, tpt Bud Scott, bjo Kid Ory, tbn Bert Cobb, sous Albert Nicholas, alt Paul Barbarin, drs , alt Barney Bigard, tnr Stump Evans, sop

E-3553W(530) SOMEDAY SWEETHEART Unissued

E-3554W(531) MESSIN' AROUND Unissued

E-3555W(532) TACK ANNIE

E-3556W(533) TACK ANNIE

78 3555 Vocalion 1049 3556 Vocalion 1049 CD 3555 Affinity(E) AFS1025-2, King Jazz(I) KJ135FS, 3556 Classics(F) 639, Affinity(E) CDAFS1025-2, King Jazz(I) KJ135FS, MCA GRD- 616, (Eu) GRP16162, ASV(E) CDAJA5148, CDAJA5218* 3555 & 3556 Frog(E) DGF34 Part A – SIDEMAN IN THE STUDIOS

36241-1 Hot Jazz Club of America(F) HC45 1926 36241-3 Weds 15th September Victor 20221 Recording for Victor, Webster Hotel Ballroom, Chicago, Ill CD 36239-2 (Black Bottom Stomp) 'S Bluebird 6588-2-RB, (E,G) ND86588, 07836-66641.2, Jazz Roots(I) CD56017, George Mitchell, cor Jelly Roll Morton, pno BBC(E) CD 604, ABC(Aus) 836-199, Jazz Archives(F) 157752, 158012, JSP(E) Kid Ory, tbn Johnny St. Cyr, bjo CD321, Classics(F) 599, Black and Blue(F) 59.227.2, Best Of Jazz(F) 4008, , clt , sb 4023, Giants Of Jazz(I) CD53018, Topaz(E) TPZ1031, Jazz Greats(E) CD017, Andrew Hilaire, drs RCA(G) 74321-21827.2, CDS(E) RPCD623, Jazz Portraits(I) CD14533, Jazz Hour(H) JHR73521, ASV(E) CDAJA5125, CDAJA5151, Music Memoria(F) 36239-1 BLACK BOTTOM STOMP Unissued 30380(CD X 2 set), Fremeaux(F) FA039, FA203(CD X 2 Set), EN515, Charly(E) CDGR 180-2, Proper(E) R2CD4088, SOHO(G) CD020 36239-2 BLACK BOTTOM STOMP 36240-2 (Smoke House Blues) Bluebird 6588-2-RB, (E,G) ND86588, 07863-66641.2, RCA(G) 74321- 36239-3 BLACK BOTTOM STOMP Unissued 21827.2, RCA Victor 09026-68777-2, JSP(E) CD 321, Black and Blue(F) 59.227.2, Classics(F) 599, Jazz Archives(F) 157752, Best Of Jazz(F) 4008, 36240-1 SMOKEHOUSE BLUES Unissued ASV(E) CDAJA5148, Fremeaux(F) FA203(CD X 2 set), EN515, CDS(E) RPCD625, Music Memoria(F) 30380(CD X 2 set), Topaz(E) TPZ1003, World 36240-2 SMOKEHOUSE BLUES Music Network (?) RGNET1012, History(Is) 20.3006 36241-1 (The Chant) 36240-3 SMOKEHOUSE BLUES Unissued JSP(E) CD324, Jazz Archives(F) 157752, Giants of Jazz(I) CD53018 36241-3 (The Chant) 36241-1 THE CHANT Bluebird 6588-2-RB, (E,G) ND86588, 07863-66641.2, RCA(G) 74321- 21827.2, JSP(E) CD321, Black and Blue(F) 59.227.2, Classics(F) 599?, 36241-2 THE CHANT Unissued BBC(E) CD 604, ABC(Aus) 836-199, Best Of Jazz(F) 4008?, CDS(E) RPCD623, ASV(E) CDAJA5125, Music Memoria(F) 30380(CD X 2 set), Fremeaux(F) 36241-3 THE CHANT FA203(CD X 2 set), EN515, Jazz Hour(H) JHR73521, Jazz Archive(F) 158812 36239-2 & 36241-3 78 Membran(G) 221981-306 & 222462 36239-2 All on Victor 20221 Bluebird 2361-2-RB(CD X 5 set), (G) ND82361, RCA(F) ND89768, EPM Hot 36240-2 and Sweet(F) 151082, Media 7 Masters of Jazz MJCD33, Jazz Archive(F) Victor 20296 No110.

Part A – SIDEMAN IN THE STUDIOS

Quote “....Same with Jelly‟s records, he had music, but he told me not to worry 1926 about my part. He once wrote something out for me, and I played it over. Fri 17th September „That don‟t sound like you,‟ he said, „forget it‟. He told Simmie (Omer Simeon) Recording for Vocalion, Chicago, . that too. He told me, „don‟t worry about the music, I can‟t write your music‟.” KING OLIVER AND HIS DIXIE SYNCOPATERS Kid Ory interview, Bill Russell, „New Orleans Style‟ Joe Oliver, cor Luis Russell, pno Bob Shoffner, tpt Bud Scott, bjo Kid Ory, tbn Bert Cobb, sous Darnell Howard, alt-5, clt-4 Paul Barbarin, drs Barney Bigard, Tnr-7, clt-6 Stump Evans, sop-2,alt-3 Johnny Dodds, clt-1

E-3842WSL(656)/E-20251SL E-20638 SOMEDAY SWEETHEART Unissued

E-3843WSL(657)/E-20252SL E-20639 SOMEDAY SWEETHEART -1, 3, 5 & 7

E-3844WSL(658) E-20253SL DEAD MAN BLUES Unissued

E3845WSL(659) E-20254SL DEAD MAN BLUES -2, 3, 4, 5, 6 & 7

E-3846WSL(660) E-20255SL NEW WANG WANG BLUES Unissued

E-3847WSL(661) E-20256SL NEW WANG WANG BLUES -3, 5 & 7

E-3848WSL(662)/E-20257Sl E-20591 SNAG IT -2, 4, 5, 6 & 7

E-3849WSL(633)/E-20258SL E-20592 SNAG IT (No.2) -2, 4, 5, 6 & 7 Part A – SIDEMAN IN THE STUDIOS

78 3843 Vocalion 1059 1926 3845 Tues 21st September Vocalion 1059 Recording For Victor, Webster Hotel Ballroom, Chicago, Illinois. 3847 Vocalion 1049 JELLY ROLL MORTON'S RED HOT PEPPERS 3848 George Mitchell, cor Jelly Roll Morton, pno Brunswick 3361 Kid Ory, tbn Johnny St. Cyr, bjo 3849 Omer Simeon, clt John Lindsay, sb Brunswick 3361 Barney Bigard, clt (omit-1) Andrew Hilaire, drs CD Darnell Howard, clt (omit-1) Marty Bloom, effects 3843 MCA GRD-616, (Eu) GRP16162, Classics(F) 618, Village(G) VILCD002-2, 36283-1 SIDEWALK BLUES Unissued BBC(E) CD589, ABC(Aus) CD31282, CDS(E) RPCD614, Jazz Greats(E) CD020,Topaz(E) TPZ1060, ASV(E) CDAJA5218, History(Is) 20.3007, 36283-2 SIDEWALK BLUES Unissued on 78 Membran(G) 221979. 3845 36283-3 SIDEWALK BLUES MCA GRD-616, (Eu) GRP16162, BBC(E) RPCD787, Classics(F) 618, CDS(E) RPCD607 36283-4 SIDEWALK BLUES Unissued 3847 MCA GRD-616, (Eu) GRP16162, Classics(F) 618, ASV(E) CDAJA5148 36284-1 DEAD MAN BLUES 3848 BBC(E) RPCD787, Classics(F) 618, Blues Collection(F) 157612? Blues 36284-2 DEAD MAN BLUES Archives(F) 997552? ASV(E) CDAJA5148, CDS(E) RPCD607, Jazz Greats(E) CD020 36284-3 DEAD MAN BLUES Unissued 3849 MCA GRD-616, (Eu) GRP16162, Blues Collection(F) 157612? 36285-1 STEAM BOAT STOMP Unissued All on Affinity(E) CDAFS1025.2, King Jazz(I) KJ135, Frog(E) DGF34 36285-2 STEAM BOAT STOMP Unissued

36285-3 STEAM BOAT STOMP -1

78 36283-3 Victor 40-1118 Part A – SIDEMAN IN THE STUDIOS

36284-1 Victor 40-0118 36284-2 Quote Victor 20252 “I recorded with the Red Hot Peppers in 1926. You know, in New Orleans, 36285-3 Jelly never crossed Canal Street - his work was limited strictly to Storyville. Victor 20296 He got that reputation just by talking himself into it. My pianist Buster CD Wilson, who was with me in the 1940‟s could play more piano than Jelly 36283-2 every thought of playing - and right chords too”. Bluebird 6588-2-RB, (E,G) ND86588, 07863-66641.2, JSP(E) JSPCD324, Music Memoria(F) 30380 Kid Ory talking to Leonard Feather, Melody Maker, 30th May 1964 36283-3 Bluebird 07863-66641.2, RCA(G) 74321-21827.2, JSP(E) JSPCD321, Black and Blue(F) 59.227.2, Classics(F) 599, BBC(E) CD 589, Best Of Jazz(F) 4008? Fremeaux(F) FA203, EN515, CDS(E) RPCD614, RPCD623, Jazz Hour(H) JHR73521, Topaz(E) TPZ1003, EPM Jazz Archive 158012, Jazz Greats(E) CD017, History(Is) 20.3006, Proper(E) R2CD4008. 36284-1 Bluebird 6588-2-RB, (E,G) ND86588, 07863-66641.2, JSP(E) JSPCD321, Black and Blue(F) 59.227.2, Classics(F) 599, EPM Jazz Archives(F) 158012, BBC(E) CD 604, Fremeaux(F) FA203, Best of Jazz (F) 4023, CDS(E) RPCD623, Membran(G) 221981-306 36284-2 Bluebird 07863-66641.2, RCA(G) 74321-21827.2, JSP(E) JSPCD324, EPM Jazz Archives(F) 157752, Music Memoria(F) 30380, History(Is) 20.30131 36285 Bluebird 6588-2-RB, (E,G) ND86588, 07863-66641.2, RCA(G) 74321-21827, JSP(E) JSPCD321, Black and Blue(F) 59.227.2, Classics(F) 599, EPM Jazz Archives(F) 158012, Best Of Jazz(F) 4008, ASV(E) CDAJA5148, Fremeaux(F) FA203, Topaz(E) TPZ1003, CDS(E) RPCD623, Music Memoria(F) 30380, History(Is) 20.3006 36283 & 36285 Membran(G) 221978 & 222462. All on Bluebird 2361-2-RB(CD X 5 set), (G) ND 82361, RCA(F) ND89768, EPM Hot and Sweet(F) 151082, Media 7 Masters of Jazz(F) MJCD33, Jazz Archive(F) No110

Part A – SIDEMAN IN THE STUDIOS

9891 Bella Musica(G) BM14.4032, Bellaphon(G) 625.50.009, Recording Arts(I) 1926 JZCD324, Giants of Jazz(I) CD0242, CD53001, CDB1205(CD X 3 set)11, Tues 16th November Classics(F) 600, Best Of Jazz (F) 4014, Columbia River Entertainment Recording for Okeh, Chicago CRG212002, Déjà vu(It) D2CD04, Document(E) 222689, Giants of Jazz(F) CD0242, Goldies(P) GLD63308, HDC(G) HDJ4033, It‟s Music(G) 22718, Note: Columbia bought out Okeh in November 1926 Jazzmen(G) 625-50-009, Jazz Portraits(It) CD14520, Jazz Time EMI(G) 781083-2, ASV(E) CDAJA5148, CDAJA 5171, Retro(E) R2CD4004, Jazz LOUIS ARMSTRONG AND HIS HOT FIVE Greats(E) CD003, Jazz Portraits(I) CD14530, Jazz Roots(It) CD56010, Louis Armstrong, cor,vcl-1 Lil Armstrong, pno, Charly(E) CDDIG17(CD X 4 set), Fremeaux(F)F221(CD X 2 Set), History(Is) Kid Ory, tbn Johnny St. Cyr, bjo 20.3002, Laserlight 15721, Marshall Cavendish(E) CD003, Membran(G) Johnny Dodds, clt May Alix,vcl-2 222689-321 & 221988, Newsound 2000(E) NST024, Pickwick 56010, Prestige(E) CDSGP 4012, Recall(E) SMDCD 397, Red X(Aus) RMGR 0060, 9890-A JAZZ LIPS Retro(It) R2CD 40-04. 9892 9891-A SKID-DAT-DE-DAT -1 Atlantis(Du) ATL20015, Bellaphon(G) 625.50.018, Charly(E) CDDIG17(CD X 4 set), Classics(F) 600, Fremeaux(F)F221(CD X 2 Set), Indigo 2035, 9892-A I WANT A BIG BUTTER AND EGG MAN -1 & 2 Jazzmen(G) 625-50-018, Jazz Time EMI(F) 781083-2, KBOX(Du) 3144A-C, 3148A-C, Makin‟ Friends(G) 74321 14166 2, Masters of Jazz(F) R2CD8001, 9893-A SUNSET CAFE STOMP -2 Phontastic(Sd) PHONTCD9308, ASV(E) CDAJA5171, Recording Arts(I) JZCD324, Sagajazz(F) 066 429-2, Signature 2063, Sony(E) CK64613, TKO(E) 78 CD014, Tradition(?) TCD1046, Tradition TCD1016, Weton(Du) Black Box 9890 BB241. Okeh 8436 9893 9891 Classics(F) 585, Bellaphon(G) 625.50.004(Listed as: You Made Me Love You), Okeh 8436 625.50.013, Classics(F) 585, EMI 781084 2(F), Jazzmen(G) 625-50-013, Jazz 9892 & 9893 Time EMI(F) 781084-2, Sony Jazz CK87010, Okeh 8423 9890 & 9891 4 Ever Records(Eu) CD910002, Membran(G) 220766 & 221988, Past

CD Perfect(G) 204530, 9890 9890 & 9892 Bellaphon(G) 625.50.004, Classics(F) 600, Columbia CK463527, CK86539, Eagle Masters(E) EMDCD 012, (Eu)508604-2, Disky (Du) DO 999872, Jazz Time EMI(F) 781083-2, ASV(E) 9891 & 9892 CDAJA5171, Best of Jazz(F) 4023, Charly(E) CDDIG17(CD X 4 set), Castle Communications(E) MACCD 167, Columbia C4K57176, (Eu)504506-2, History(Is) 20.30131, Jazzmen(G) 625-50-004, Membran(G) 221981-306, Columbia River Entertainment CRG1155, Fremoux & Associes(F) FA201, Jazz Mondo Musica(It) MMJ 88100, Kings(F) 7243 8508672 4, Music Club(E) 50134,

Part A – SIDEMAN IN THE STUDIOS

9892 & 9893 Past Perfect(G) 204531, 9890, 9891 & 9892 1926 ASV Living Era(E) 5171, Charly(E) QBCD 14 CDCD1008, Charly Le Jazz(G) CD Thurs 16th December DIG 17, Classics(F) 600, EMI 781083 2 (F), Newsound 2000(E) NSTBX420 & Recording for Victor, Webster Hotel Ballroom, Chicago, Illinois. NFM003, Nota Blue(It) 9407230, Soho(E) CD016, Sony Jazz CK86999, 9891, 9892 & 9893 JELLY ROLL MORTON'S RED HOT PEPPERS Columbia C4K63527, George Mitchell, cor Jelly Roll Morton, pno,vcl-2 All on Kid Ory, tbn Johnny St. Cyr, gtr JSP(E) JSPCD312, Columbia CK44253, CBS(Eu) 463052-2, (Eu) 474764-2(CD Omer Simeon, clt John Lindsay, bs X 3 set), Definitive Records(And) DRCD 11178, EMI TOCJ-5221(Jap), J. Wright Smith, vn-1 Andrew Hilaire, drs History(G) 204513, 204514, 205300, 205301, King Jazz(I) KJ146FS, Clarence Black, vn-1 Jazzterdays JTD102416, Past Perfect(G) 204529, Weton(Eu) LA20, LA2006. 37254-1 SOMEDAY SWEETHEART - BLUES -1 Unissued

37254-2 SOMEDAY SWEETHEART BLUES -1

37254-3 SOMEDAY SWEETHEART -1

37255-1 GRANDPA'S SPELLS Unissued

37255-2 GRANDPA'S SPELLS

37255-3 GRANDPA'S SPELLS

37256-1 ORIGINAL JELLY ROLL BLUES

37256-2 ORIGINAL JELLY ROLL BLUES

37257-1 DOCTOR JAZZ STOMP -2 Unissued

37257-2 DOCTOR JAZZ STOMP -2 Unissued

37257-3 DOCTOR JAZZ STOMP -2

37258-1 CANNON BALL BLUES

37258-2 CANNON BALL BLUES Part A – SIDEMAN IN THE STUDIOS

37256-1(Original Jelly Roll Blues) JSP(E) JSPCD324, Jazz Roots(I) CD56017?, Jazz Portraits CD14533. 78 37256-2(Original Jelly Roll Blues) 37254-2 Bluebird 07863-66641.2, 6588-2-RB, (E,G) ND86588, JSP(E) JSPCD 321, Victor 20405. Black and Blue(F) 59.227.2, RCA(G) 74321-21827.2, Classics(F) 599, BBC(E) 37254-3 CD604, Giants of Jazz(I) CD53018, Fremeaux(F) FA203, EN515, Jazz British Rhythm Society 1001. Hour(H) JHR73521, CDS(E) RPCD623, Music Memoria(F) 30380, EPM Jazz 37255-2 Archives(F) 157752, 158012, Jazz Greats(E) CD017, Proper(E) R2CD4008. Bluebird B10254 37257-3(Doctor Jazz Stomp) 37255-3 Bluebird 07863-66641.2, 6588-2-RB, (E,G) ND86588, RCA(G) 74321- Victor 20431 21827.2, RCA Victor 09026-68777-2, JSP(E) JSPCD321, Black and Blue(F) 37256-1 59.227.2, Classics(F) 612, Document(E) 222689, Jazz Roots(I) CD56017, Bluebird B-10255 CD56021, Jazz Archives(F) 158012, 157752, BBC(E) CD588, Best Of Jazz(F) 37256-2 22, 4008, Giants Of Jazz(I) CD53016, CD53018, Jazz Portraits(I) CD14534, Victor 20405 CD14533, Fremeaux(F) FA203, EN515, Jazz Greats(E) CD017, CDS(E) 37257-3 RPCD613*, RPCD623, RPCD641, Topaz(E) TPZ1049, ASV(E) CDAJA5152, Victor 20415 Music Memoria(F) 30380, Jazz Hour(H) JHR73521, Disky(F) DCD8001(CD X 2 37258-1 set), World Music Network (?)RGNET1012, Membran(G) 222689-321. Bluebird B10254 37258-1(Cannon Ball Blues) 37258-2 Bluebird 07863-66641.2, JSP(E) JSPCD324, Jazz Roots(I) CD56017?, Victor 20431 CD56021?, Best Of Jazz(F) 4008?, Giants Of Jazz(I) CD53016, CD53018, Jazz CD Portraits(I) CD14534, CD14533, ASV(E) CDAJA5148, Fremeaux(F) FA203, 37254-2(Someday Sweetheart) Bluebird 07863-66641.2, JSP(E) JSPCD321, EN515, RCA(G) 74321-21827.2, CDS(E) RPCD623, Jazz Greats(E) CD070. Black and Blue(F) 59.227.2, Classics(F) 599, Jazz Archives(F) 158012?, 37258-2(Cannon Ball Blues) Fremeaux(F) FA203, CDS(E) RPCD623. Bluebird 07863-66641.2, 6588-2-RB, (E,G) ND86588, JSP(E) JSPCD321, 37254-3(Someday Sweetheart) JSP(E) JSPCD324, Music Memoria(F) 30380. Black and Blue(F) 59.227.2, Classics(F) 612, Music Memoria(F) 30380, Jazz 37255-2(Grandpa‟s Spells) Hour(H) JHR73521, Topaz(E) TPZ1003. Bluebird 07863-66641.2, RCA(G) 74321-21827.2, JSP(E) JSPCD324, Jazz 37255-3, 37256-2, 37257-3 & 37258-1 Roots(I) CD56017?, Jazz Archives(F) 15801, Best Of Jazz(F) 4008, ASV(E) Membran(G) 221981-306. CDAJA5148, CDAJA5125, Fremeaux(F) FA203, Jazz Portraits(I) CD14533, All on Giants of Jazz(I) CD53018. **Bluebird 2361-2-RB(CD X 5 set), (G) ND 82361-2, RCA(F) ND89768, EPM 37255-3(Grandpa‟s Spells) Hot and Sweet(F) 151082, Media 7 Masters of Jazz(F) MJCD33, Jazz Bluebird 07863-66641.2, 6588-2-RB, (E,G) ND86588, JSP(E) JSPCD321, Archive(F) No110. Black and Blue(F) 59.227.2, Classics(F) 599, BBC(E) CD604, CDS(E) PCD623, Music Memoria(F) 30380, Fremeaux(F) FA203, EN515, Jazz Hour(H) Notes JHRT73521. *CDS RPCD613 is part of a CD X 4 set, CDS RPCD612 “The Jazz Cities.” **Bluebird 2361-2-RB has 37256-2 twice, and no 37256-1 at all! Part A – SIDEMAN IN THE STUDIOS

C-808/E-2 1927 E-5167W WILLIE THE WEEPER Unissued Fri 22nd April Recording for Vocalion C-809/E-22738 E-5168W WILLIE THE WEEPER -1 & 2 KING OLIVER AND HIS DIXIE SYNCOPATERS Joe Oliver, cor Luis Russell, pno 78 Tick Gray, tpt Bud Scott, bjo 804 Kid Ory, tbn Bert Cobb, sous Vocalion 1114 Barney Bigard, tnr, clt-2 Paul Barbarin, drs 807 Omer Simeon, sop-1,alt,clt Vocalion 1114 809 C-800/E-22729 Vocalion 1112 E-5172W DOCTOR JAZZ Unissued CD 804 C-801/E-22730 BBC(E) RPCD-788, Retro(E) R2CD4009, CDS(E) RPCD608, Jazz Portraits(I) E-5173W DOCTOR JAZZ Unissued CD14547, Fremeaux(F) FA220, ASV(E) CDAJA5218, Membran(G) 221981- 306 C-802/E-22731 807 E-5174W DOCTOR JAZZ Unissued on 78 BBC(E) RPCD-788, CDS(E) RPCD608, Jazz Greats(E) CD070 809 C-803/E-22732/E-5175W BBC(E) RPCD-788, Jazz Archives(F) 157752, ASV(E) CDAJA5218, Retro(E) E-26316 SHOWBOAT SHUFFLE Unissued R2CD4009, CDS(E) RPCD608, Disky(F) DCD8001(CD X 2 set) 805 & 808 C-804/E-22733/E-5176W SOHO(G) CD020 E-26317 SHOWBOAT SHUFFLE -2 All on Classics(F) 618, Affinity(E) CDAFS1025-2, King Jazz(I) KJ135, MCA GRD-616, C-805/E-2273/E-5177W (Eu) GRP1612, Frog(E) DGF34 E-26318 SHOWBOAT SHUFFLE Unissued

C-806/E-22735/E-5178W E-26314 EVERY TUB Unissued

C-807/E-22736/E-5179W /E-26315 EVERY TUB -1

Part A – SIDEMAN IN THE STUDIOS

1927 Weds 27th April Recording for Vocalion, St Louis, I consider that the records that Ory made as a member of King Oliver‟s Dixie Syncopaters show him at his fluent peak. This was a regular, working big KING OLIVER AND HIS DIXIE SYNCOPATERS band (for its time) playing for dancing every night where the Kid could relax Joe Oliver, cor Luis Russell, pno and develop his chops. Oliver‟s line-up included the cream of New Orleans‟ Tick Gray, tpt Unknown, bjo alumni working in Chicago at the time. Men such as Bigard, Simeon, Kid Ory, tbn Bert Cobb or Lawson Buford, sous Barbarin, et al where I‟m sure Ory felt comfortable both socially and Barney Bigard, tnr Paul Barbarin, drs musically. Omer Simeon, sop These sessions were a contrast to the sides he recorded with the Hot C-834/E-22819 Peppers and the Hot Five - which were bands only brought together in the E-5169W BLACK SNAKE BLUES Unissued recording studio and with the odd exception never performed in public.

C-835/E-22820 Sid Bailey E-5170W BLACK SNAKE BLUES

C-836/E-22821 E-5171W BLACK SNAKE BLUES Unissued

78 835 Vocalion 1112 CD 835 Classics(F) 618, Affinity(E) AFS1025-2, King Jazz(I) KJ135, BBC(E) RPCD-788, MCA GRD-616, (Eu) GRP16162, CDS(E) RPCD608, SOHO(G) CD020, Frog(E) DGF34 Acrobat(E) RANDB013

Part A – SIDEMAN IN THE STUDIOS

Portraits(I) CD14530, CD14534 & CD14520, Jazz Roots(I) CD 56021, CD 56010, Masters of Jazz(F) R2CD8001, Membran(G) 222689-321 & 220766, 1927 Nota Blue(It) 9407230, Patricia Records(D) CD204531, Pickwick 56010, Fri 2nd September Prestige(E) CDSGP 4012, Proper(E) R2CD4008, Recording Arts(I) JZCD324, Recording for Okeh/Columbia, Chicago Red X(Aus) RMGR 0060, Retro(E) R2CD4004, Sagajazz(F) 066 436-2, Starlight(Eu)1001 CDS51094. LOUIS ARMSTRONG AND HIS HOT FIVE Both on Louis Armstrong, tpt,vcl-1 Lil Armstrong, pno Best of Jazz(F) 4023, CBS(Eu) 465189-2, 474764-2(CD X 3 set), Classics(F) Kid Ory, tbn Johnny St. Cyr, bjo 585, Columbia CK44422, C4K63527, (Eu)508604-2, Definitive Records(And) Johnny Dodds, clt DRCD 11178, EMI 781084 2(F) & TOCJ-5222(Jap), Giants of Jazz(I) CD0242, CD53001, CDB1205, History(G) 204513, 205300, 204515 & 205302, It‟s 81302-B PUT 'EM DOWN BLUES -1 Music(G) 22701, Jazz Kings(F) 7243 8508672 4, Jazz Time/EMI(F) 781084-2, Jazzterdays JTD102417, JSP(E) JSPCD313, King Jazz(I) KJ147FS, Les Genies 81310-D ORY'S CREOLE TROMBONE du Jazz(F) JA-CD 2001, Membran(G) 221981-306, Past Perfect(G) 204529, Patricia Records(D) CD23109, Sony Jazz CK87010, Weton(Eu) LA20 & LA007. 78 Note: 81302 81310 is incorrectly labelled as Louis Armstrong and his Hot Seven on some Okeh 8503 issues. 81310 Columbia 35838 Quote CD “This Ory march tune (Ory‟s Creole Trombone) bears some resemblance to his 81302 better known Muskrat Ramble. His forthright trombone breathes the 4 Ever Records(Eu) CD910002, Allegro CRG218061, Bellaphon(G) atmosphere of a New Orleans parade, and his filling of the breaks, coupled 625.50.004, Blackbird(Sp) Classic Armstrong, CBS(Eu) 460821 2, Columbia with his unique ensemble sense, make this side a valuable example of tailgate C4K57156(CD X 4 set), C4K57176, Goldies GLD25312-1-2-3(CD X 3 set), trombone playing. St. Cyr‟s helped by Lil‟s pounding piano, provides a Goldies(P) GLD63308, History(Is) 20.3002, Jazzmen(G) 625-50-004, Mondo lifting rhythm and the way he consistently makes each of the four beats of the Musica(It) MMJ 88100, Past Perfect(G) 204531. bar is typical of St. Cyr‟s rare rhythmic sense. Real examples of New Orleans 81310 ensemble are not frequently encountered on records, and Ory‟s Creole ABC(Aus) 36184 CD38335, All That Jazz(Du) ATJCD-1, ASV(E) CDAJA5148, Trombone being a perfect example, achieves greater value because of this.” Avid(E) AVC541, Avid(E) AVC541, BBC(E) CD597, Bella Musica(G)

BM14.4032, Bellaphon(G) 625.50.013, CBS(Eu) 463052 2, Castle Desmond Moulton and Eric Kertland - Hot Notes January 1947 Communications(E) MACCD167, CDS(E) RPCD618, Charly(E) QBCD 14,

Class(It) 8/96, Columbia 721022 & CK64613, Déjà vu(It) D2CD04, Disky(F) DCD8001(CD X 2 set), Disky (Du) MP649982 & SL990432, EPM(F) 159642, Document(E) 222689, Fremeaux(F) FA039, Giants of Jazz(I) CD53016, History(Is) 20.30131, Jazzmen(G) 625-50-013, Jazz Greats(E) CD070, Jazz Part A – SIDEMAN IN THE STUDIOS

1927 1927 Mon 26th September Fri 9th December Recording for Okeh/Columbia, Chicago Recording for Okeh, Chicago

LOUIS ARMSTRONG AND HIS HOT FIVE LOUIS ARMSTRONG AND HIS HOT FIVE Louis Armstrong, cor,vcl-1 Lil Armstrong, pno Louis Armstrong, cor Lil Armstrong, pno Kid Ory, tbn Johnny St. Cyr, bjo Kid Ory, tbn Johnny St. Cyr, bjo Johnny Dodds, clt Johnny Dodds, clt

81317-A THE LAST TIME -1 82037-B STRUTTIN' WITH SOME BARBECUE

82038-B GOT NO BLUES 78 81317-A 78 Columbia 35858 82037 CD Okeh 8566 81317-A 82038 Bellaphon((G) 625.50.009, CBS(Eu) 465189-2, 474764-2(CD X 3 set), Okeh 8551 Charly(E) CDDIG17(CD X 4 set), Classics(F) 585, Columbia CK44422 & CD C4K63527, Columbia River Entertainment CRG1155, Definitive Records(And) 82037 DRCD 11178, EMI 781084 2(F) & TOCJ-5222(Jap), Fremeaux(F) FA230 (CD ABC(Aus) 36184 CD38335, ASV Living Era(E) 5171, Avid(E) AVC541, BBC(E) X 2 Set), History(G) 204513, 205300, 204515 & 205302, Jazzmen(G) 625-50- CD597, Bellaphon(G) 625.50.004, Best of Jazz(I) 4004, Blackbird(Sp) Classic 009, Jazzterdays JTD102417, Jazz Time/EMI(F) 781084-2, JSP(E) JSPCD313, Armstrong, Castle Pie(E) King Jazz(I) KJ147FS, Membran(G) 221981-306 & 220766, Music Club(E) PIESD060, Classic Armstrong, CDS(E) RPCD618, Charly(E) QBCD 14 50134, Newsound 2000(E) NST024, NSTBX420 & NFM003, Past Perfect(G) CDCD1008, Charly Le Jazz(G) CD DIG 17, Columbia C4K57156(CD X 4 set), 204529 & 204531, Patricia Records(D) CD23109, SME Records(Jap) SRCS- A13294, CK86539 & (Eu)508604-2, Columbia River Entertainment CRG1155, 8995, Sony Jazz CK87010, Weton(Eu) LA20 & LA007. Déjà vu(It) D2CD04, EPM(F) 159642, Document(E) 222689, Falcon Neue Nedien(G) 3405-3407, Flash Note: Back Laser(Eu) 0903, ASV(E) CDAJA5171, Giants of Jazz(I) CD0242, 81317 is incorrectly labelled as Louis Armstrong and his Hot Seven on some CD53001, CDB1205, BBC(E) CD597, Goldies GLD25312-1-3(CD X 3 set), issues. Goldies(P) GLD63308, History(Is) 20.3002, History(G) 204515 & 205302, Indigo 2035, It‟s Music(G) 22718, Jazzmen(G) 625-50-004, Jazz Portraits(I) 14530 & CD14520, Jazz Roots(I) CD56010, Koch(G) 399231 B3, Laserlight 17202/1, Les Genies du Jazz(F) JA-CD 2001, Masters of Jazz(F) R2CD8001, Part A – SIDEMAN IN THE STUDIOS

MCA(Eu) MSD35842, Membran(G) 222689-321, 220766 & 221988, Mondo Musica(It) MMJ 88100, Naxos(Eu) 8.120541, Newsound 2000(E) NSTBX420 & NFM003, Past Perfect(G) 204529 & 204531, Pickwick 56010, Planet(E) 1927 2X2 001 & PNL1002, Prestige(E) CDSGP 4012, QED(E) QUAD 006C , Sat 10th December Recall(E) SMDCD 397, Red X(Aus) RMGR 0060, Retro(E) R2CD4004, Soho(E) Recording for Okeh, Chicago CD016, Sony Music Special Edition(Can) A31294, Starlight(Eu) 1001 CDS51094, LOUIS ARMSTRONG AND HIS HOT FIVE 82038 Louis Armstrong, cor,vcl-1 Lil Armstrong, pno Bellaphon(G) 625.50.013, History(G) 205303 Kid Ory, tbn Johnny St. Cyr, bjo 204516, Jazzmen(G) 625-50-013, Phontastic(Sd) PHONTCD9308, SME Johnny Dodds, clt Lonnie Johnson, gtr-2 Records(Jap) SRCS-8995, Both on 82039-B ONCE IN A WHILE CBS(Eu) 465189-2, 474764-2(CD X 3 set), Classics(F) 585, Columbia CK44422, C4K57176 & 82040-B I'M NOT ROUGH -1 & 2 C4K63527, Definitive Records(And) DRCD 11178, EMI 781084 2(F) & TOCJ- 5222(Jap), Fremeaux(F) FA201, History(G) 204513 & 205300 , Jazz Kings(F) 78 7243 8508672 4, Jazz Time/EMI(F) 781084-2, Jazzterdays JTD102417, 82039 JSP(E) JSPCD313, King Jazz(I) KJ147FS, Laserlight 15721, Membran(G) Okeh 8566 221981-306, Patricia Records(D) CD23109, Recording Arts(I) JZCD324, Sony 82040 Jazz CK87010, Weton(Eu) LA20 & LA007. Okeh 8551

CD 82039 Bellaphon(G) 625.50.004, Best of Jazz(F) 4023, Blackbird(Sp) Classic Armstrong, Charly(E) CDDIG17, Charly(E) QBCD 14, Charly Le Jazz(G) CD DIG 17, Columbia C4K57176, Columbia River Entertainment CRG1155, Direct Source(Eu) ADT36202, Fremoux & Associes(F) FA221, History(Is) 20.30131, Jazzmen(G) 625-50-004, Jazzterdays JTD102417. 82040 Acrobat(E) RANDB013, Bellaphon(G) 625.50.018, Best Of Jazz(F) 4004, Blues Archives(F) 997552, Blues Collection(F) 157612, Bulldog(E) 2007, Columbia CK65039 & (F)COL488613-2, Columbia/Legacy CK65039 & (F)COL488613-2, Great(E) 057, Indigo 2035, Jazzmen(G) 625-50-018, JSP(E) CD502, L'Art Vocal(F) 2, Legends in Music(E) LECD020, Le Meilleur(Du) CF872532, TKO(E) CD014, Tradition (?) TCD1046 & TCD1016, Wisepack(E) LED050.

Part A – SIDEMAN IN THE STUDIOS

159642, Fremeaux(F) FA039, Hallmark(E) 309112, Hip-O B0000393-02, It‟s Music(G) 22701, Jazzmen(G) 625-50-004, Laserlight 15721, Masters of Jazz(F) R2CD8001, Membran(G) 221988 & 220766, Mondo Musica(It) MMJ 88100, Newsound 2000(E) NST024, Nota Blue(It) 9407230, Pilz Quotes 447435-2 & CDCD1008(Eu), Topaz(E) TPZ1032. “...the Okeh people would call up Louis and say they wanted so many sides. Both on They never told him what numbers they wanted, or how they wanted them. ASV Living Era(E) 5171, Avid(E) AVC541, Bella Musica(G) BM14.4032, Best of Then Louis would give us the date, and sometimes he would call me and Jazz(F) 4023, Blackbird(Sp) Classic Armstrong, CBS(Eu) 465189-2, 474764- say, „I‟m short of a number for this next session, do you think you could get 2(CD X 3 set) & 463052 2, Charly(E) CDDIG17(CD X 4 set) & QBCD 14, one together?‟ I‟d say „alright,‟ and that‟s the way Savoy Blues came to be Charly Le Jazz(G) CD DIG 17, Classic Jazz Collection(E) JAZCD001, composed, two days before we recorded”. Classics(F) 585, Columbia CK44422, C4K57156(CD X 4 set), C4K57176 & C4K63527, Columbia River Entertainment CRG1155, Definitive Records(And) Kid Ory, Record Changer July/August 1950 DRCD 11178, Déjà vu(It) D2CD0, EMI 781084 2(F) TOCJ-5222(Jap), Falcon Neue Nedien(G) 3405-3407, Fremeaux(F) FA201, Giants of Jazz(I) CD0242, CD53001, CDB1205, Goldies GLD25312-1-3(CD X 3 set), Goldies(P) GLD63308, Haba- “In the last thick folder was a list of all the titles and master numbers which a‟na(F) 111201, History(G) 204513, 205300, 205303 & 204516, Indigo 2035, Louis had recorded and been paid for during 1927 and 1928. One of the Jazz Kings(F) 7243 8508672 4, Jazz Portraits(I) 14530 & CD14520, Jazz selections looked unfamiliar - then another - and another - I realised they Roots(I) CD56010, Jazz Time/EMI(F) 781084-2, Jazzterdays JTD102417, had never been released. .... wondering if there could be some mistake, I JSP(E) JSPCD313 & CD502, King Jazz(I) KJ147FS, Les Genies du Jazz(F) JA- checked against the master inventory sheets. There was one in the file card CD 2001, Newsound 2000(E) NSTBX420 & NFM003, Patricia Records(D) system which hadn‟t been inventoried and one in the inventory which wasn‟t CD23109, Pickwick 56010, Prestige(E) CDSGP 4012, Recording Arts(I) among the file cards - that made six in all - maybe. Just to be sure I went to JZCD324, Red X(Aus) RMGR 0060, Retro(It) pick them off the shelves, and we came upstairs with six beautiful Okeh R2CD 40-04, Soho(E) CD016, Sony Jazz CK87011, Starlight(Eu) 1001 masters” CDS51094, The Classic Jazz Collection(E) JAZCD 001, Weton(Eu) LA20 & .....the discovery of the unissued Armstrongs was, I think, the most exciting LA007, JSP(E) CD335, Proper(E) P1421 thing that has ever happened to me as a record collector, and, best of all, it‟s a break which can be shared with all record collectors” Note: Some issues incorrectly labelled as Louis Armstrong and his Orchestra George A Avakian, Jazz Information December 1940

Part A – SIDEMAN IN THE STUDIOS

Both on 1927 ASV Living Era(E) 5171, Classics(F) 585, Columbia CK44422 & C4K63527, Tues 13th December CBS(Eu) 465189-2, 463052 2 & 474764-2 (CD X 3 set), Definitive Recording for Okeh, Chicago Records(And) DRCD 11178, EMI 781084 2(F) TOCJ-5222(Jap), History(G) 204513, 205300, 205303 & 204516, Jazz LOUIS ARMSTRONG AND HIS HOT FIVE Kings(F) Louis Armstrong, cor, vcl-1 Lil Armstrong, pno, 7243 8508672 4, Jazz Time/EMI(F) 7810842, Jazzterdays 102417, JSP(E) Kid Ory, tbn Johnny St. Cyr, bjo, gtr-2 CD313, ASV(E) CDAJA5157, King Jazz(It) KJ147FS, Membran(G) 221981- Johnny Dodds, clt Lonnie Johnson, gtr 306, Patricia Records(D) CD23109 & CD204531, Recording Arts(I) JZCD324, Soho(E) CD016, Sony Jazz CK87010, Weton(Eu) LA20 & LA007. 82055-B HOTTER THAN THAT -1

82056-B SAVOY BLUES -2

78 82055 Okeh 8535 82056 Okeh 8535

CD 82055 ABC(Aus) 36184 CD38335, Allegro CRG218061, BBC(E) CD597, Bellaphon(G) 625.50.009, Castle Pulse(E) PLSCD380, PLSCD408 & PBXCD904X, CDS(E) RPCD 618, Charly(E) CDGR180-2, Class(It) 8/96, History(Is) 20.3002, Jazz Greats(E) CD003, Jazzmen(G) 625-50-009, Makin‟ Friends(G) 74321 14166 2, Marshall Cavendish(E) CD003, Membran(G) 221981-306, Phontastic(Sd) PHONTCD9308, QED(E) QUAD 006C, Radio France(F) 211752, United Audio Entertainment UAE30032. 82056 ASV(E) CDAJA 5049, 5117 & 5148, Bellaphon(G) 625.50.004, Castle Communications(E) MACCD 167, Charly(E) CDCD1008, Columbia River Entertainment CRG212002, Dog‟N‟Roll(E) DNR010, Disky (Du) MP649982 & SL990432, Eagle Masters(E) EMDCD 012, EPM(F) Part A ± SIDEMAN IN THE STUDIOS

A23-X 1927 December Recording for Paramount, Chicago

TINY PARHAM and his “FORTY” FIVE Claude Alexander or Roy Hobson, cor , pno Unknown, tbn Charlie Jackson, bjo , vocal- 1 Artie Starks, clt/alt

20206-4 JIM JACKSON‟S KANSAS CITY BLUES -1 Paramount 12586 20207-3 A LITTLE BIT CLOSER Paramount 12586

CD Frog( E) DGF79

Note: It has recently been brought to my notice that in a 1959 interview Ory claimed to have recorded with Tiny Parham. (See C 79 for a transcript of the interview )

Part A – SIDEMAN IN THE STUDIOS

Quote 1928 “John (Dodds) was a nice guy, quiet though, he only had recording bands. He Mon 2nd July wanted to record but he wanted to cut me and Louis out and have his own band. Recording for Okeh, Chicago He didn‟t want the same group as the Hot Five, so he changed the name and got some other guys to play. He tried it but it didn‟t work - the trombone didn‟t work. JOHNNY DODDS AND HIS CHICAGO FOOTWARMERS They cut a whole session - no good. So he had to come to me and ask me to Natty Dominique, cor Jimmy Blythe, pno help him out and I knew John had been my friend so I helped him out”. Kid Ory, tbn Bill Johnson, sb Johnny Dodds, clt , wbd Kid Ory, Jazz Today, 15th January 1960

400977-A GET 'EM AGAIN BLUES Quote 400978-A BRUSH STOMP “Kid Ory is still a good man on his trombone. Every time he is a guest and my band plays at Disneyland, he still has the old power and tone that made 400979-B MY GIRL him famous in New Orleans. When I played with Kid Ory‟s band as a youngster in New Orleans (1918 -1920), I always felt like I was playing with 78 the Cream of the Crops. And I was. Yea I was a proud young man, playing in 400977 & 400978 Kid Ory‟s band.” Okeh 8599 400979 Louis Armstrong (“In His Own Words”) Okeh 8792 CD 400977 Giants of Jazz(I) CD 53077, BBC(E) CD 589, CDS(E) RPCD614, Disky(F) DCD8001(CD X 2 set), ASV(E) CDAJA5252, History(Is) 20.3007, Membran(G) 221979. 400978 Jazz Greats(E) CD070 All on JSP(E) JSPCD319, Classics(F) 617, 1069

Part A – SIDEMAN IN THE STUDIOS

RCA Victor 63623-2 & 63636-2, Red X(Aus) RXBOX31045, Summit(E) SUMCD 4080, Universal(Jap) UCCC-3030, ZYX(G) PDL6120-2. 1946 2193 Tues 17th October Bluebird 63.66244-2, Disky(Du) MP79190, Document(E) 222689, Falcon Recording for Victor, Los Angeles Neue Nedien(G) 3405-3407, Giants of Jazz(I) CDB1205, Kiddinx(G) CBU62419, Membran(G) 222689-321, Nota Blue(It) 9407234, LOUIS ARMSTRONG‟S SEVEN Phontastic(Sd) PHONTCD9308, RCA(E) ND89279-2, (E) 6378-2 & Louis Armstrong, tpt, vcl-1 Charlie Beal, pno ND86378, Proper(G) EMCD06, Sun Disc(Taiwan) SRR-1351, Weton(Eu) Kid Ory, tmb Bud Scott, gtr LA020. Barney Bigard, clt Red Callender, sbs 2194 , drs ASV Living Era(E) 5402, Bluebird(E) 6378-2, ND86378,(J) BVCJ-7007, Duchesse(Eu) 32004, Giants of Jazz(I) CDB1205, Jazz World JW77002, D6VB2192 DO YOU KNOW WHAT IT MEANS? -1 RCA(E) ND89279-2, (G) 74321-13036-2, 2113036-2, Topaz (E) TPZ 1063 2192 & 2193 D6VB2193 WHERE THE BLUES WERE BORN IN NEW ORLEANS -1 Allegro CRG218061, Body and Soul(F) 3071272, Disky (Du) MP649982, Drefus(F) FDN36730-2, EPM(F) 159642 & 995362, Essential Gold(E) 30359 D6VB2194 MAHOGANY HALL STOMP 00062, Jazz Kings(F) 7243 8508672 4, Membran(G) 220766, Music Masters(Aus) MM0050, RCA Victor 63694-2, (F)74321247662 & (F)84177 D6VB2195 FAREWELL TO STORYVILLE Unissued 2, Rocking Chair, Sagajazz(F) 066 436-2, 2192 & 2194 78 RCA Victor (Jap)BVCJ-37177, Recall(E) SMDCD 397, 2192 2193 & 2194 Victor 20-2087 BMG(Chin) CN-A65-02-666-00, Prism Leisure(B) PLATCD700, Weton(Eu) 2193 & 2194 LA20. Victor 20-2088 All on Bluebird 09026-63846-2, 66244 2 & 6378-2-RB, Camden(Eu) 74321

CD 523742, Cameo(Sp) CD3599, Classics(F) 992, Definitive Records(And) 2192 DRCD 11178 & DRCD 11225, Giants of Jazz(F) CD53088, Gold Sound(E) Ariola(G) 74321 82646 2, Azzurra(It) TBP-JAB008, Bluebird 63.66244-2, DCD800, History(G) 204513, 205300, 204527 & 205314, Jazz Crusade Bluebird 09026-63851-2, ND83137 & (G)7432 1 19706 2, (E) 6378-2, JCCD3043, Jazz Portraits(I) CD14563, Jazz Roots(I) CD56030, Music ND86378, (J) BVCJ-7007, BMG(Chin) CN-A65-02-665-00, Castle Pulse(E) World(Swiss) 3745 2045-2, Nimbus(E) NL2012, Past Perfect(G) 204529 & PLSCD380 & PBXCD904X , Disky (Du) MP791902 & SL990442, 204538, Prestige(E) CDSGP 4011, Proper(E) P1194, RCA Victor(E) 09026- Excellence(Eu) EXCEL258, Fremeaux (F) FA221 (CD X 2 Set), Giants of 62682.2 (CD X 4 set), 66605, (Austria)ND86378, (F)ND89279, Jazz(I) CDB1205, Haba-a‟na(F) 111201, Hip-O HIPD3-40138, Jazz (F)74321846512, (Jap)BVCJ-2801/4 & (Jap)BVCJ-7303/4, Archives(F) 160212, Jazz Greats (E) CD046, Nostalgia(It) NSTC003, Red X(Aus) MGR 0060, ZYX(G) 11230-2. RCA(E) ND89279-2, Nota Blue(It) 9407233, Prism Leisure(B) PLATCD406,

Part B – DO WHAT ORY SAY

Part B – DO WHAT ORY SAY

Best of Jazz(F) 4023, Document(E) 222689, ABM ABMMCD1087, History(Is) 20.30131, Quadromania(G) 222466, Best of Jazz(F) 4023, Membran(G) 1944 222689-321 Thurs 3rd August All on Recording for Crescent, C.P. McGregor Studios, Hollywood, Los Angeles Good Time Jazz GTJCD12022-2, GHB BCD10, Classics(F) 1069, Giants of Jazz(I) CD53322, Naxos(G) 8.120587 KID ORY’S CREOLE JAZZ BAND Mutt Carey, tpt , pno Notes: Kid Ory, tmb, vcl-1 Bud Scott, gtr *Jepsen and others list two issued takes but listening seems to indicate Omer Simeon, clt Ed Garland, sbs that only the above was issued. Alton Redd, drs

CPM-10-32-1A GET OUT OF HERE (AND GO ON HOME) Quote “That name was very symbolic for me - it represented my interest in New CPM-10-33-1A SOUTH Orleans music, and it also represented the Turkish flag. Eventually we changed the name to Jazzman because the shop was getting more and CPM-10-34-2A BLUES FOR JIMMIE * more important”.

CPM-10-35-2A CREOLE SONG-1 Interview with Nesushi Ertegun (Founder of Cresent Records),

Melody Maker, August 12th 1972 78 10-32 & 10-34

Crescent 2 10-33 & 10-35 Crescent 1 CD 10-32 Jazz Greats(E) CD070, Jazz Man OJL-3002 10-34 Good Time Jazz 4GJCD4416-2, Radio France(F) 211761, Jazz Man OJL- 3002 10-35 Jazz Greats (E) CD045 10-32, 10-33, & 10-35 Jazz Archives/EPM(F) 158872 10-33 & 10-34

Part B – DO WHAT ORY SAY

Part B – DO WHAT ORY SAY

1945 Mon 12th February Quotes Recording for Dr. Frederick B.Exner at C.P. MacGregor Studios, Hollywood, “ had come down to Los Angeles from Seattle, and I think Los Angeles he got the recording date for the Exner label. Anyways, this Doc Exner guy came down to LA and recorded the band. This was their second KID ORY’S CREOLE BAND commercial recording session. A little later Marili Morden recorded the Mutt Carey, tpt Buster Wilson, pno band again but instead of Joe who was the regular clarinet player in the Kid Ory, tmb Bud Scott, gtr band, they used Omer Simeon who was on the first records. See Omer Joe Darensbourg, clt, vcl-1 Ed Garland, sbs never was regular with Ory‟s band, he just made the records. Joe Alton Redd, drs Darensbourg was their clarinettist for most of the early years. Then he left and Darnell Howard joined them, after that came a whole string of EX5-3A DIPPERMOUTH BLUES clarinet players”.

EX6-2A SAVOY BLUES Barney Bigard, ‘With Louis and The Duke’

EX7-2A HIGH SOCIETY

EX8-2A BALLIN‟ THE JACK-1 “Doc Exner‟s Ory records never made a big splash. He did not have a distributor and he admitted afterwards he did not know what to do. He 78 sold a lot of them to stores who didn‟t pay him, so he never got his money EX5 & EX6 out of it. A lot of people had those records, but so far as being a financial Exner 3 success for Doc, well they wasn‟t. He didn‟t particularly care about that. EX7 & EX8 The satisfaction for him was making „em. They wasn‟t the greatest Exner 4 records in the world, but they are all collectors‟ items now”.

CD Joe Darensbourg, ‘Telling It Like It Is’ EX5

Recording Arts(I) JZCD368 EX6 Jazz Greats(E) CD070 All on Storyville(D) STCD6054, Document(Au) DOCD-1002, Classics(F) 1069, Naxos(G) 8.120587, Upbeat(E) URCD176

Part B – DO WHAT ORY SAY

Document(Au) DOCD-1002, Classics(F) 1069, Upbeat(E) URCD176

1945 Notes: Weds 21st March * Cecile Ory was Kid Ory‟s sister in law (married to his brother John). Recording for Decca, Los Angeles

KID ORY AND HIS CREOLE BAND Quotes Mutt Carey, tpt Buster Wilson, pno Kid Ory, tmb, vcl-1 Bud Scott, gtr “The Ory band, consisting of first class musicians, became one of the most Joe Darensbourg, clt Ed Garland , sbs polished of all the New Orleans bands and the men‟s mutual Minor Hall, drs understanding was deepened by playing together again. Unlike Bunk‟s *Cecile Ory, vcl-2 band, which had been restricted by the musical inexperience of some of the men, Ory‟s was able to play all kinds of music superbly - and they put L3754 HIGH SOCIETY on an entertaining appearance as they played. To spend an evening at

the Jade was an unforgettable experience. The band did not have all the L3755 MUSKRAT RAMBLE power and energy sometimes heard at the Stuyvesant Casino¸but it did

have fine musicianship, friendly discipline, and a great ease of playing. L3756 THE GIRLS GO CRAZY ABOUT THE WAY I WALK Ory proved himself a truly versatile and polished trombonist as well as an L3757 BLANCHE TOUQUATOUX-1,2 entertaining frontman; but this was no one-man-band, and its best efforts came from the close co-operation of all seven men”. 78 L3754 & L3757 Eugene Williams, notes to Decca 78 x4 A-549 Decca 25134 L3755 & L3756 “Trying to understand people like Kid Ory and, excuse me, Decca 25133 Is a life‟s work and not worth going down that path. I don‟t know the CD answer. Everything I do know about Kid Ory personally is he was a hell of L3754 a difficult man. I have on good authority, his bass player for many years, Classics(F) 1183 might have been older than Kid Ory, he outlived him and he declared that L3755 when Ory died he was going to go wherever his grave was and dance on SOHO(G) CD020 it. Montudi (Ed Garland) said that.” L3757 Acrobat(E) RANDB 013 Jim Goggin, ‘Bob Mielke - A Life in Jazz’ 2008 L3756 & L3757 Jazz Greats (E) CD045 L3755, L3756 & L3757 Naxos(G) 8.120587 All on Part B – DO WHAT ORY SAY

Jazz Archives/EPM(F) 158872, Giants of Jazz(I) CD53322, CD1998 1006, 1009, 1010 & 1011 1945 Good Time Jazz GTJCD-12022-2, GHB BCD10, Classics(F) 1069 Sun 5th August Recording for Crescent, International Studios, Hollywood, Los Angeles Quotes “Kid Ory and Joe Oliver got together and made one of the hottest jazz bands KID ORY’S CREOLE JAZZ BAND that ever made New Orleans. They often played in a tailgate wagon to Mutt Carey, tpt Buster Wilson, pno advertise a ball or other entertainments. When they found themselves on a Kid Ory, tmb, vcl-1 Bud Scott, gtr, vcl-2 street corner next to another band in another wagon, Joe and Kid Ory would Omer Simeon, clt Ed Garland, sbs shoot the works. They would give it all that good mad music they had under Minor Hall, drs their belts and the crowd would go wild. When the other band decided it was best to cut the competition and start out for another corner, Kid Ory played a

little tune on his trombone that made the crowd go wild again. But this time 1006/A3295 PANAMA they were wild with laughter. If you ever run into Kid Ory, maybe he will tell

you then name of that tune. I don‟t dare write it here. It was a cute little 1007 PANAMA Unissued tune to celebrate the defeat of the enemy. I thought it screamingly funny, and I think you would too.” 1009/A3298 CARELESS LOVE Satchmo, Louis Armstrong ‘My Life In New Orleans’ 1010/A3299 DO WHAT ORY SAY-1 RL6957 “Kid Ory was a man who had – I don‟t know how long he lived, but he was a marvellous specimen. Still playing that still marvellous trombone style. He 1011/A3300 UNDER THE BAMBOO TREE-2 could say more with one or two notes than any other trombone player I know. I‟ve heard it on record. And while I was playing with him you know, I was so 78 delighted to be, in a sense, involved with the real live guys. You know I was 1006 & 1011 born right at the right time. I‟m sort of right in the middle of everything, and Crescent 7 here they are, still in the flesh, playing this stuff. Hearing Kid Ory‟s solos on records many, many, many years later, I was just amazing at how this man 1009 & 1010 could play one or two notes several times during this eight bars. This whole Crescent 5 solo didn‟t utilise more than two or three of the same notes. And what he CD would do, he would growl on it, bend it, and play it, and smear it. You know, 1006 you‟re just getting your money‟s worth out of the smallest means. He got Giants of Jazz(It) CD53087 more music out of the smallest amount of material than I‟ve ever heard 1009 anybody.” Jazz Greats(E) CD070 1010 , Interview conducted by Steven Isoardi , UCLA Oral Good Time Jazz 4GTJCD4416-2, Jazz Man OJL-3002 History Program, Spring 1990 1006, 1009 & 1010 Part B – DO WHAT ORY SAY

Jazz Archives/EPM(F) 158872 All on 1945 Good Time Jazz GTJCD-12022-2, GHB BCD10, Classics(F) 1069, Giants of Sat 8th September Jazz(I) CD53322, CD1998

Recording for Crescent, Radio Recorder Studios, Hollywood, L.A Notes:

Most discographies have incorrect matrix numbers for 1015, 1018 and KID ORY’S CREOLE JAZZ BAND 1019 but the Mutt Carey, tpt Buster Wilson, pno above numbers are taken from the actual Crescent issues.. Kid Ory, tmb, vcl-1 Bud Scott, gtr *CRE1015 is “ My Maryland” on all Good Time Jazz issues. Darnell Howard, clt Ed Garland, sbs ** This matrix is for Good Time Jazz issues only. Minor Hall, drs

CRE1013 1919 Quote /A1901 “I thought about forming a swing band when I came out of retirement in the early „40‟s, Ory said, recalling his fondness for , Benny CRE1015/ MARYLAND * Goodman and , “but they went out about then, so I decided on A1903/LK241** the small group”

CRE1018 DOWN HOME RAG Kid Ory, talking to Dick Hadlock, Downbeat, 8th January 1959 /A1906

CRE1019/ DIDN‟T HE RAMBLE-1 A1907/LK243**

78

1013 & 1018 Crescent 4 1015 & 1019 Crescent 3 CD 1013 Jazz Greats (E) CD046 1019 Jazz Greats(E) CD070, Naxos(G) 8.120587 1013 & 1018 Good Time Jazz 4GTCD4416-2 1015 & 1019 Part B – DO WHAT ORY SAY

1945 Quote Sat 3rd November “There is only one real jazz, and it all came from . Dixie is the Recording for Crescent, Radio Recorder Studios, Hollywood, L.A same thing, just a new word. Turk and these other young fellows who have been copying us, play fine - but they don‟t really know what it‟s all KID ORY’S CREOLE JAZZ BAND about”. Mutt Carey, tpt Buster Wilson, pno Kid Ory, tmb Bud Scott, gtr Kid Ory, Downbeat, 10th March 1950 Darnell Howard, clt Ed Garland,. sbs Minor Hall, drs

CRE1022-1 ORIGINAL DIXIELAND ONESTEP C2567

CRE1023-4 MAPLE LEAF RAG C2568

CRE1024-2 C2569

CRE1025-2 ORY‟S CREOLE TROMBONE C2570

78 1022 & 1025 Crescent 6 1023 & 1024 Crescent 8 CD 1022, 1023 & 1024 Giants of Jazz(I) CD1998 1023 & 1025 Membran(G) 222689-321, Document(E) 222689. All on Good Time Jazz GTJCD-12022-2, GHB BCD10, Jazz Archives/EPM(F) 158872, Giants of Jazz(I) CD53322, Classics(F) 1183 Part B – DO WHAT ORY SAY

2089-1 Jazz Greats(E) CD070 1946 2089-2 Mon 15th October (Fri 12th October on LP sleeves) Phontastic(Sd) PHONCD7674 Recording for Columbia, Los Angeles 2086. 2087 & 2088 Giants of Jazz(I) CD1998 KID ORY AND HIS CREOLE JAZZ BAND 2086, 2087-1 & 2089-1 Mutt Carey, tpt Buster Wilson, pno Naxos(G) 8.120587 Kid Ory, tmb Bud Scott, gtr, vcl-1 2086, 2087-2, 2088 & 2089-1 Barney Bigard, clt Ed Garland, sbs CBS(Eu) 462954-2, Sony/Essential Jazz(E) 4715572, Giants of Jazz(I) Minor Hall, drs CD53322, Classics(F) 1183 Helen Andrews, vcl-2 2086, 2088 & 2089-1 Jazz ArchivesEPM(F) 158872 HCO2086-1 BILL BAILEY WON‟T YOU PLEASE COME HOME All on AMCD-121 HCO2087-1 FAREWELL TO STORYVILLE-2 Notes: *Some issues have the trumpet introduction omitted. HCO2087-2 FAREWELL TO STORYVILLE-2

HCO2088-2 JOSHUA FIT DE BATTLE OF JERICHO-1,2* Quote “Barney Bigard was perpetually „browned off‟, he was always ranting HCO2089-1 about something. Mostly he occupied himself with teasing Bud Scott, who would very pointedly try to carry on a conversation with me by way of HCO2089-2 TIGER RAG Issued on CD ignoring Barney. „Freddie Guy sure knows his chords, and he didn‟t have only. any stiff wrist, he didn‟t have to move his whole arm.‟ and so on”.

78 Wilf Goldstick, Australian Jazz Quarterly, May 1946 2086 Columbia 37276 2087-1 Columbia 37277 2088 Columbia 37275 2089 Columbia 37274 CD Part B – DO WHAT ORY SAY

2109-2 Jazz Greats(E) CD070 1946 2108 & 2109-1 Mon 21st October Giants of Jazz(It) CD53087, CDB1208 Recording for Columbia, 2106 & 2107 Naxos(G) 8.120587

2106, 2107 & 2108 KID ORY AND HIS CREOLE JAZZ BAND Giants of Jazz(I) CD53322, CD1998 Mutt Carey, tpt Buster Wilson, pno 2106, 2107, 2108 & 2109-1 Kid Ory, tmb, vcl-1 Bud Scott, gtr CBS((Eu) 462954-2, Sony/Essential Jazz(E) 471557-2, Classics(F) 1183 Barney Bigard, clt Ed Garland, sbs 2106, 2107 & 2109-1 Minor Hall, drs Jazz Archives/EPM(F) 158872 All on HC02106-1 BUCKET‟S GOT A HOLE IN IT AMCD-121

HCO2107-1 EH LA-BAS-1

HCO2108-1 THE WORLD‟S JAZZ CRAZY, LAWDY SO AM I Quote “Zutty told me to go and see Kid Ory at the Jade Palace. The band had Kid HCO2109-1 CREOLE BO BO-1* Ory, Papa Mutt, Joe Darensbourg, Bud Scott, Minor Hall and Ed Garland and I forget he name of the piano player now. When we got there, it was HCO2109-2 CREOLE BO BO-1* Sunday afternoon and somehow they all knew 1 had recorded Bunk. They all wanted to know about Bunk and how he was doing. Let me tell you Notes: *#1 Clarinet solo third chorus. #2 piano solo third chorus. though, as good as Bunk and those fellows were, Kid Ory had some of the very finest musicians and they played some of the best music .... that was 78 a great band. Later I heard the records they made for Doctor Exner about 2106 that time. I think they played even better than on those records. Live Columbia 37274 performances are always so much better. That Sunday afternoon at the 2107 Jade Palace, there mustn't have been more than 20 or 30 people there. It Columbia 37275 was a warm afternoon and we sat on a raised table rear the bar, the band 2108 stand was about 30 or 40 feet away and they sounded great. I thought Columbia 37277 Zutty sure sent me to a great place” 2109-2

Columbia 37276 Gus Statiras Revisited, Footnote Vol.20 No.3 February/March CD 1989 2106

Jazz Greats (E) CD045

Part B – DO WHAT ORY SAY

United Audio Entertainment(Eu) UAE330322 All on 1950 CBS(Eu) 462954-2, Sony/Essential Jazz(E) 471557.2, Lake(E) LACD255, Tues 27th June Classics(F) 1183 Recording for Columbia, Los Angeles

KID ORY AND HIS CREOLE DIXIELAND BAND , tpt , pno Quote Kid Ory, tbn Julian Davidson, gtr “One day we were sitting in his house preparing these crawdads, when Joe Darensbourg, clt , sbs out of a clear blue sky I asked him „how much royalties do you get out of Minor Hall, drs “Muskrat Ramble?”‟ I don‟t even know why I asked. I guess more out of Lee Sapphire, vcl-1 conversation that curiosity. „I don‟t get nothing‟ came his reply and I almost fell off the chair...... His publisher years ago had been Melrose RHCO4109-1A THE GLORY OF LOVE-1 Publishing Company, and they had sold the song to another publishing company and Ory had never gotten “nickel one” from the song. I had RHCO4110-1A SAVOY BLUES some friends in the music publishing business on Vine Street in Hollywood so I called and asked them who published “Muskrat Ramble”. These RHCO4111-1A AT A GEORGIA CAMP MEETING friends looked it up and said that the Levy company had it. I took Ory down to this Levy Publishing next day...... ‟Hello Mr Levy,‟ I said, „I‟d like RHCO4112-1A MAHOGANY HALL STOMP to introduce you to a man who composed a tune that you publish and it gets played all the time. This is Edward „Kid‟ Ory, and he has never gotten 78 a dime in royalties‟...... Anyhow, this Mr Levy turned over a check to Ory 4109 & 4112 for around $8000 right there and then, and furthermore he got royalty Columbia 38956 checks of $600 or so every quarter from then on”. 4110 Columbia 38955 Barney Bigard, ‘With Louis and The Duke’ 4111 Columbia 38957 CD 4110 Giants of Jazz(I) CD53026, CDB1208, Gold Sound(E) DCD745/1 4110 & 4112 Columbia(G) 475854-2 4109, 4110, 4112 TKO(Sw) UAE30322 4110, 4111 & 4112 Part B – DO WHAT ORY SAY

Part B – DO WHAT ORY SAY

1950 1953 Weds 6th July Sun 17th July Recording for Columbia, Los Angeles Recording for Good Time Jazz at Capitol Studios, Hollywood, Los Angeles

KID ORY AND HIS CREOLE DIXIELAND BAND KID ORY’S CREOLE JAZZ BAND Teddy Buckner, tpt Lloyd Glenn, pno Teddy Buckner, tpt Lloyd Glenn, pno Kid Ory, tbn, vcl-2 Ed Shrivanek, gtr Kid Ory, tmb, vcl-1 Julian Davidson, gtr Joe Darensbourg, clt, vcl-3 Morty Corb, sbs , clt Ed Garland, sbs Lee Sapphire, vcl-1 Minor Hall, drs Minor Hall, drs

RHCO4126-1A BLUES FOR JIMMIE 353 SOUTH RAMPART STREET PARADE

RHCO4127-1A GO BACK WHERE YOU STAYED LAST NIGHT-1,3 354 THE GIRLS GO CRAZY-1

RHCO4128-1A CREOLE SONG (C‟EST L‟AUTRE CAN CAN)-2 355 ST JAMES INFIRMARY

RHCO4129-1A YAAKA HULA HICKEY DULA (HAWAIIAN LOVE 356 BILL BAILEY-1 SONG) 78 78 355 & 356 4126 Good Time Jazz 87 Columbia 38957 Original Issue EP 4128 All on Columbia 38955 Good Time Jazz EP1040 4127 & 4129 CD Columbia 38958 353 CD Good Time Jazz 4GTCD4416-2, Starlight(Eu) CDS51038 4126 355 Columbia(G) 475854-2 Giants of Jazz(I) CD53026, CDB1208, Gold Sound(E) DCD-745/1, United 4128 Audio Entertainment(Eu) UAE30322, TKO(Sw) UAE30322 Giants of Jazz(I) 53087, CDB1208 All on All on Good Time Jazz GTCD 12045-2 CBS(Eu) 462954-2, Sony/Essential Jazz(E) 471557.2, Lake(E) LACD255, Classics(F) 1183 Part B – DO WHAT ORY SAY

**1 and 2 appear twice on United Audio Entertainment(Eu) UAE30322.

1953 st Mon 1 December Quote Recording for Good Time Jazz, Capitol Studios, Hollywood, Los Angeles “That was when Ory called me and asked me to do him a favour as his trumpet player had left. I didn‟t like the idea of playing Dixieland but we KID ORY’S CREOLE JAZZ BAND had such a ball that night that I stayed for four and a half years. That Teddy Buckner, tpt , pno, celeste-1 band had such a great beat that I enjoyed every moment of it”. Kid Ory, tbn Julian Davidson, gtr Bob McCracken, clt Morty Corb, sbs Teddy Buckner, Melody Maker, 19th July 1958 Minor Hall, drs

1* MILNEBERG JOYS

2 CREOLE LOVE CALL-1

3 BUCKET‟S GOT A HOLE IN IT

4 AUNT HAGAR‟S BLUES

EP All on Good Time Jazz EP1041 CD 3 Gold Sound(E) DCD-745/2 1 & 3 Giants of Jazz(I)53026 All on Good Time Jazz GTJCD-12045-2, United Audio Entertainment(Eu) UAE30322** , TKO(Sw) UAE30322 Notes: * Matrix numbers for the above session do not exist, it is therefore assumed that they have not been issued on 78 or 45. The above numbers are for reference purposes only Part B – DO WHAT ORY SAY

Good Time Jazz EP1021 LP (Original Issue) 1954 415, 416 & 417 ( Also 410, 411, 412, 413 & 414) Thurs 2nd April Good Time Jazz L24 Recording for Good Time Jazz, Capitol Studios, Hollywood. L.A CD 413 CLAIRE AUSTIN Good Time Jazz 4GTCD4416-2 Kid Ory, tbn Don Ewell, pno All on Ed Garland, sbs Original Jazz Classics OJCCD1711-2, Lake(E) LACD255 Minor Hall, drs Claire Austin, vocal Note: A photograph taken at this session by Ray Avery, shows Ory playing a LK410 NOBODY KNOWS YOU WHEN YOU‟RE DOWN AND OUT cornet! Maybe some recordings were made of this?

LK411 THE WORLD‟S JAZZ CRAZY, LAWDY, SO AM I Quote 412 MECCA FLAT BLUES “Early Thursday we rounded up Ed Garland and Minor Hall, who have been Ory‟s bass and drummer on and off for thirty years. Don Ewell who 413 DOWN HEARTED BLUES joined the Ory band on piano late in 1953, went to work writing out melodic leads and chords. By two o‟clock we were at the Capitol recording 414 SEE SEE RIDER studios. The first session went so well we broke for dinner and recorded four more tunes that evening. With no rehearsal and no , 415 GOODTIME FLAT BLUES each take was a free improvised performance. The eight blues Claire sang constitute a treasury of the classic style. By eleven o‟clock, less than 24 416 „FORE DAY CREEP hours from the time we talked about making some records, the album was done”. 417 CARELESS LOVE Lester Koenig, sleeve notes for Good Time Jazz L24 78 (Original Issue) 410 & 411 Good Time Jazz 91 45 (Original Issue) 410 & 411 Good Time Jazz 91 EP (Original Issue) 412, 413 & 414 (Also 411) Part B – DO WHAT ORY SAY

EP (Original Issue) 442 & 443 1954 Good Time Jazz EP1023 th th Sunday/Monday 9 /10 August LP (Original Issue) Recording for Good Time Jazz, Hollywood 444, 445, 446, 447 & 448 (439, 441, 442 & 443) Good Time Jazz L12004 KID ORY’S CREOLE JAZZ BAND CD Alvin Alcorn, tpt Don Ewell, pno All on Kid Ory, tbn, vcl-1 Bill Newman, gtr Good Time Jazz GTJCD12004-2, Quadromania(G) 222466, Jazz Heritage George Probert, clt Ed Garland, sbs 513317K Minor Hall, drs

LK439-D1 MUSKRAT RAMBLE

LK441-D1 WHEN THE SAINTS GO MARCHING IN

442 MAPLE LEAF RAG

443 WOLVERINE BLUES

444 THAT‟S A PLENTY

445

446 GETTYSBURG MARCH

447 YELLOW DOG BLUES

448 I‟VE FOUND A NEW BABY

78 (Original Issue) 439 & 441 Good Time Jazz 92 45 (Original Issue) 439 & 441 Good Time Jazz 45092 Part B – DO WHAT ORY SAY

EP (Original Issue) 1954 1, 5 & 6 Monday, Tuesday & Wednesday, 30th November & Good Time Jazz(E) EPG1238 1st/2nd December LP (Original Issue) Recording for Good Time Jazz, Hollywood, Los Angeles 1-9 Good Time Jazz L12008** KID ORY’S CREOLE JAZZ BAND 10, 11 & 12 Alvin Alcorn, tpt Don Ewell, pno Good Time Jazz M12045 Kid Ory, tbn, vcl-1 , gtr CD George Probert, clt, sop-2 Ed Garland, sbs 9 Minor Hall, drs Good Time Jazz 4GTCD4416-2 12 1* SAVOY BLUES Giants of Jazz(I) CD53026, CDB1208, Gold Sound(E) DCD-745/2, TKO(Sw) UAE30322 2 A GOOD MAN IS HARD TO FIND-2 All on Good Time Jazz GTJCD12008-2 3 A CLOSER WALK WITH THEE Notes: 4 SHAKE THAT THING-1,2 * These are not matrix numbers, they are used for reference purposes only. 5 COPENHAGEN ** Good Time Jazz L12008 is titled “Kid Ory‟s Jazz Band 1955”,

6 ROYAL GARDEN BLUES

7 MUD

8 TIN ROOF BLUES

9 INDIANA

10 FOUR OR FIVE TIMES

11 HOW COME YOU DO ME LIKE YOU DO

12 BALLIN‟ THE JACK Part B – DO WHAT ORY SAY

All on Good Time Jazz GTJCD-12016-2 1955 Weds, Thurs & Sat, 22nd/23rd/25th November Recording for Good Time Jazz, Los Angeles Notes: * These are not matrix numbers, but are for reference purposes only. KID ORY’S CREOLE JAZZ BAND **Good Time Jazz L12016 is titled “The Legendary Kid”. Alvin Alcorn, tpt Lionel Reason, pno Kid Ory, tmb, vcl-1 Julian Davidson, gtr Phil Gomez, clt , sbs Minor Hall, drs

1* MAHOGANY HALL STOMP

2 SUGAR BLUES

3 AT A GEORGIA CAMP MEETING

4 SNAG IT

5 THERE‟LL BE SOME CHANGES MADE

6 AT THE JAZZ BAND BALL

7 WANG WANG BLUES

8 BYE AND BYE

9 MAKE ME A PALLET ON THE FLOOR-1

10 SHINE

LP (Original Issue) All on Good Time Jazz L12016** CD 2 Good Time Jazz 4GTJCD4416-2 6 Fantasy(G) FANCD 2019-2 Part B – DO WHAT ORY SAY

1956 14 1919 RAG Mon 18th June, Wed 27th June Recording for Good Time Jazz, Los Angeles 15 EH LA-BAS-1

KID ORY’S CREOLE JAZZ BAND 16 MOOD INDIGO Alvin Alcorn, tpt Cedric Haywood, pno Kid Ory, tbn, vcl-1 Julian Davidson, gtr 17 BUGLE CALL RAG Phil Gomez, clt Wellman Braud, sbs Minor Hall, drs 18 CREOLE SONG-1

1* HIGH SOCIETY LP (Original Issue) 1-9 2 DO WHAT ORY SAY-1 Good Time Jazz L12041** 10-17 3 DOWN HOME RAG Good Time Jazz L12042** 18 4 CARELESS LOVE Good Time Jazz L12045 CD 5 JAZZ ME BLUES 1 Gold Sound(E) DCD-745/1 6 WEARY BLUES 5 Fantasy(G) FANCD 2019-2 7 ORIGINAL DIXIELAND ONE STEP 11 Giants of Jazz(I) CDB1208 8 BOURBON STREET PARADE 18 TKO(Sw) UAE30322 9 PANAMA 1 & 9 Giants of Jazz(I) CD53087, CDB1208 10 TOOT TOOT TOOTSIE 1 & 18 Giants of Jazz(It) CD53087 11 OH DIDN‟T HE RAMBLE-1 6 & 11 Giants of Jazz(I) CD53026 12 BEALE STREET BLUES 11 & 18 Good Time Jazz 4GTJCD4416-2 13 MARYLAND MY MARYLAND Part B – DO WHAT ORY SAY

1, 8 13 & 15 Starlight(Eu) CDS51038 3,4,7,10,12 & 14 Giants of Jazz(I) CD53084, CDB1208 All on Good Time Jazz FCD-60.009 (except 10,16 & 18) Giants of Jazz(I) CD53037 (except 2,6 & 18)

Notes: * Theses are not matrix numbers, but are for reference only. ** Good Time Jazz L12041/2 is titled “Kid Ory Favorites”.

Quote “...Ory‟s recording contract with Good Time Jazz was running out. Producer Lester Koenig wanted to get as much of the band on tape as he could, so four or five nights a week, for three weeks in a row, the band would go over to the studio on Melrose Avenue after their nightly appearance at the Beverly Cavern. Koenig, the band, and an engineer would record until 5.00 or 6.00 in the morning. These sessions were relaxed and casual, „...a beautiful buffet, booze, soft drinks, beer, whatever you wanted. It was a relaxing - type thing. We would record a tune, then sit around, talk a while, then say “what‟ll we do next?” and then do it. We recorded so much, I would say, during that period that there was probably enough material for about eight to ten ”.

Phil Gomez, The Mississippi Rag, May 1987

Part B – DO WHAT ORY SAY Part B – DO WHAT ORY SAY

Jazz and Jazz(I)/Green Line(E) CDJJ628 21345, 21346, 21347, 21348, 21349, 21351 & 21352 1957 Upbeat(E) URCD241 Sat August 25th All On Recording for Verve, Capitol Studios, Hollywood, Los Angeles Mosaic 189-2 (CD X 8 set) **** Producer, Notes: KID ORY * All issues of 21346-1(Am I Blue?) have the piano introduction edited , tpt,vcl-1 Cedric Haywood, pno except on Mosaic 189. Kid Ory, tbn,vcl-2 Frank Haggerty, gtr ** Verve MGV1014 is titled “Song Of The Wanderer” Darnell Howard, clt Charles Oden, sbs *** Verve MGV1022 is titled “Dance With Kid Ory” Earl Watkins, drs **** Mosaic 189 is titled “the Complete Verve Recordings of Kid Ory”

21345-4 TAILGATE RAMBLE

21346-1 AM I BLUE?* Quote: 21347-5 MAHOGANY HALL STOMP “The Tin Angel attracted a fairly sporty crowd, including one local manager of available young ladies; he carried one on each arm whenever he went 21348-1 BABY WON‟T YOU PLEASE COME HOME out in public. One night at The Angel he ordered a pair of his Rent-a-Girls onto the bandstand, where, in plain view and brightly lit, they subjected 21349-3 TOOT TOOT TOOTSIE (GOODBYE) (Bob) Helm and me to a rapid-fire series of unsolicited intimacies – groping, probing, fondling – to the vast amusement of everyone there, 21350-3 JA-DA-1,2 except for Bob‟s wife, my wife, Bob and me. Apart from this brief humiliation the Tin Angel was surely the high spot of my tenure with Robin 21351-7 TIGER RAG (Hodes)‟s band. As well as I can recollect, the band usually smoked.”

21352-2 THE SHEIK OF ARABY-1,2 James Leigh, ‘Open that Golden Gate’, JazzWest.com

LP (Original Issue) 21345, 21347, 21348, 21349, 21351 & 21352 Verve MGV1014** 21346 & 21350 Verve MGV1022*** CD 21346 & 21350 Part B – DO WHAT ORY SAY

Upbeat(E) URCD241 All On 1957 Mosaic 189-2/3(CD X 8 set) **** Sun August 26th Recording for Verve at Capitol Studios, Hollywood, Los Angeles Notes: Producer Norman Granz * There seems to be different takes used for the mono and stereo versions of 21358-1 (12th Street Rag) KID ORY ** MGV1014 is titled “Song Of The Wanderer” Marty Marsala, tpt, vcl-1 Cedric Haywood, pno *** MGV1022 is titled “Dance with Kid Ory or just listen”. Kid Ory, tbn Frank Haggerty, gtr **** Mosaic189 is titled “The Complete Verve Recordings of Kid Ory” Darnell Howard, clt Charles Oden, sbs Earl Watkins, drs

21353-2 ST LOUIS BLUES Quotes

21354-4 FIDGETY FEET “Kid Ory had great musicians... I worked with him on and off for three years. We recorded several LP‟s for Verve records. Then Ory went to 21355-3 SOMEDAY SWEETHEART Europe on tour, but I had a day job so I couldn‟t go”.

21356-1 HOW COME YOU DO ME LIKE YOU DO Frank Haggerty, And All That Jazz, August 1977

21357-7 HINDUSTAN “Recording for Norman Granz is a pleasure. We all relax just like on any 21358-1 12TH STREET RAG* ordinary date. He doesn‟t crowd you or tell you what to do. He‟ll go out and get you drinks, then stand by. He understands musicians and he 21359 DINAH-1 knows when your tiring before you know yourself. I‟d say he was almost psychic”. LP (Original Issue) 21353 Cedric Haywood, Melody Maker, 24th October 1959 Verve MGV1014** 21354, 21357, 21358, 21359 Verve MGV1022*** CD 21354, 21357, 21358, 21359 Jazz and Jazz(I)/Green Line(E) CDJJ628 21353, 21354, 21357 & 21358 Part B – DO WHAT ORY SAY

21790-1 OLE MISS

1957 21791-1 SWANEE RIVER Sat & Sun, October 27th & 28th Recording for Verve at Radio Recorder Studios, Hollywood, Los Angeles LP (Original Issue) Producer Norman Granz 21778, 21779, 21780, 21782, 21789, 21790 & 21791 Verve MGV1016** KID ORY 21781 Marty Marsala, tpt Cedric Haywood, pno Verve MGV1014*** Kid Ory, tbn Frank Haggerty, gtr 21783, 21784, 21785, 21786, 21787& 21788 Darnell Howard, clt Charles Oden, sbs Verve MGV1023**** Earl Watkins, drs CD 21781 21778-1 PUT ON YOUR OLD GREY BONNET Upbeat(E) URCD241 21778, 21779, 21780, 21782, 21789, 21790 & 21791 21779-4 SOMEBODY STOLE MY GAL Jazz and Jazz(I)/Green Line(E) CDJJ618, Upbeat(E) URCD236 All on 21780-3 SNAG IT BLUES Mosaic189-3/4 (CD X 8 set) *****

21781-1 SONG OF THE WANDERER Notes: * It appears that different takes are used on the mono and stereo versions 21782-2 RUNNIN‟ WILD of Baby Face. ** Verve MGV1016 is titled “The Kid From New Orleans”. 21783-7 THE WORLD IS WAITING FOR THE SUNRISE ***Verve MGV1014 is titled “Song Of The Wanderer”. **** Verve MGV1023 is titled “The Original Jazz - Kid Ory and His 21784-1 SWEET LORRAINE Orchestra”. ***** Mosaic189 is titled “The Complete Verve Recordings of Kid Ory” 21785-1 IDA

21786-1 DOWN BY THE RIVERSIDE

21787-2 SPANISH SHAWL

21788-2 BABY FACE*

21789-1 BLACK AND BLUE

Part B – DO WHAT ORY SAY

Verve 831375-2** All on 1959 Mosaic189-3/4 (CD X 8 set) *** Mon & Tues 31st March/1st April Recording for Verve at Radio Recorder Studios, Hollywood, Los Angeles Notes: Producer Norman Granz * Verve LP MGV1017 is titled “Kid Ory Plays W.C. Handy”. ** Verve CD 831375-2 is titled “Best of Dixieland” KID ORY *** Mosaic189 is titled “The Complete Verve Recordings of Kid Ory” Teddy Buckner, tpt Cedric Haywood, pno Kid Ory, tbn, Frank Haggerty, gtr Caughey Roberts, clt Charles Oden, sbs Jessie Sailes, drs

22778-1 FRIENDLESS BLUES

22779-1 WAY DOWN SOUTH WHERE THE BLUES BEGAN

22780-2 JOE TURNER BLUES

22781-1 AUNT HAGAR‟S BLUES

22782-3 HARLEM BLUES

22783-4 ST LOUIS BLUES

22784-3 YELLOW DOG BLUES

22785-1 ATLANTA BLUES

22786-1 LOVELESS LOVE

LP (Original Issue) All on Verve MGV1017* CD 22786 Part B – DO WHAT ORY SAY

26431-1 HONEYSUCKLE ROSE

1959 26432-2 BLUES FOR Saturday July 13th Recording for Verve at Radio Recorder Studios, Hollywood, Los Angeles LP (Original Issue) Producer Russ Garcia 26419, 26420, 26421, 26424, 26429, 26431 & 26432 Verve MGV1018* KID ORY AND HENRY ALLEN 26422, 26423, 26425, 26426, 26427, 26428 & 26430 Henry “Red” Allen, tpt Cedric Haywood, pno Verve MGV1020** Kid Ory, tbn, vcl-1 Frank Haggerty, gtr 26432 Bob McCracken, clt Morty Corb, sbs Verve MGV8341 Alton Redd, drs, vcl-2 CD 26426 26419-1 TISHOMINGO BLUES (Eu) 838347-2 26429 26420-1 (I WISH‟T I WAS IN) PEORIA Verve(G) 845.149-2 26419 26421-2 SISTER KATE-1 Giants of Jazz(I) CD53087 All on 26422-2 CHRISTOPHER COLUMBUS Mosaic189-5/6 (CD X 8 set) ***, Upbeat(E) URCD 243, Avid(E) AMSC1049

26423-2 SOME OF THESE DAYS-2 Notes: * Verve MGV1018 is titled “ Meets Kid Ory”. 26424-2 IN THE MOOD ** Verve MGV1020 is titled “We‟ve Got Rhythm”. *** Mosaic189 is titled “The Complete Verve Recordings of Kid Ory” 26425-1 LAZY RIVER-2 Quote 26426-3 COME BACK SWEET PAPA “A few months ago Norman Granz flew me out to Hollywood on my day 26427-1 SAN off from the Metropole. I left at 9.45 in the morning, was recording with Kid Ory by 3.00, and in the air again by 11.30 that night. It was my first 26428-1 TUXEDO JUNCTION experience of the jet”.

26429-1 AIN‟T MISBEHAVIN‟-2 Henry Allen, talking to Max Jones, Melody Maker, October 17th 1959 26430-1 I GOT RHYTHM

Part B – DO WHAT ORY SAY

23426-2 SAN

1960 23427-2 CREOLE SONG (C‟EST L‟AUTRE CAN CAN) -1 Tues & Weds 21st/22nd December Recording for Verve at Radio Recorder Studios, Hollywood, Los Angeles 23428-1 CREOLE BO BO -1 Producer Val Valentin 23429-7 BLANCHE TOUQUATOUX -1 KID ORY Teddy Buckner, tpt Lionel Reason, pno, vcl -2 23430-3 SUR LA PONT D‟AVIGNON-1 Kid Ory, tbn, vcl -1 Frank Haggerty, gtr Bob McCracken, clt Morty Corb, sbs 23431-5 SUR LA PONT D‟AVIGNON(no vcl) Unknown female, vocal -3 Jessie Sailes, drs 23432-3 AU CLAIR DE LA LUNE -3 23414-4 JAMBALAYA -2 23433-3 IL ETAIT UNE BERGERE -3 23415-2 TING-A-LING -2 23434-4 MALBOROUGH S‟EN VA-T-EN GUERRE -3 23416-3 DO WHAT ORY SAY -1 23435-1 L‟ALOUETTE -1, 3 23417-2 WALKING WITH THE KING -2 23436-4 FRERE JACQUES -1, 3 23418-4 GETTYSBURG MARCH 23437-4 LE ROI DAGOBERT -3 23419-4 BYE AND BYE -2 23438-2 AUPRES DE MA BLONDE -3 23420-4 BATTLE HYMN OF THE REPUBLIC 23439-1 ORY‟S BOOGIE 23421-1 TIPPERARY 23440-1 EH LA-BAS -1 23422-2 OVER THE WAVES LP (Original Issue) 23423-3 PADDLE WHEEL 23414 to 23426 Verve MGV1026* 23424-5 LASSUS TROMBONE 23427 to 23438 Verve MGV1030** 23425-5 NOBODY‟S SWEETHEART -2 CD

Part B – DO WHAT ORY SAY

All on Mosaic189-6/7 (CD X 8 set)***

Notes: * Verve 1026 is titled “Dixieland Marching Songs”. It was listed in the American Schwann catalogue. ** In his Clef/Verve labels discography, Ruppli states that Verve MGV1030 was never issued.. *** Mosaic189 is titled “The Complete Verve Recordings of Kid Ory

Part B – DO WHAT ORY SAY

61VK564 STORYVILLE BLUES-1*

1961 61VK565 DOCTOR JAZZ Sun & Mon, December 4th/5th Recording for Verve at Radio Recorder Studios, Hollywood, Los Angeles 61VK566 MILNEBERG JOYS Producer Val Valentin 61VK567 JELLY ROLL BLUES KID ORY Andrew Blakeney, tpt Bob Van Eps, pno 61VK568 WININ‟ BOY BLUES-1 Kid Ory, tbn, vcl -1, sp -2 Johnny St. Cyr, gtr & bjo Bob McCracken, clt Bob Boyack, sbs 61VK569 BOOGABOO Unknown vocalist -3 Doc Cenardo, drs 61VK570 SMOKEHOUSE BLUES 61VK552 BILL BAILEY-1 61VK571 DO YOU KNOW WHAT IT MEANS? -1, 2 & 3 61VK553 HEEBIE JEEBIES -1 LP (Original Issue) 61VK554 BRUSH STOMP 564 to 571 Verve V-8456** 61VK555 SWEET LITTLE PAPA CD 566, 567, 569 & 570 61VK556 CORNET CHOP SUEY Verve CD517 777-2 All on 61VK557 WITHOUT YOU FOR AN INSPIRATION -1 Mosaic189-6/7 (CD X 8 set) ***

61VK558 MUSKRAT RAMBLE -1 Notes: * This is, in fact, Farewell to Storyville 61VK559 LITTLE LIZA JANE -3 ** Verve V8456 is titled “Storyville Nights”.. *** Mosaic189 is titled “The Complete Verve Recordings of Kid Ory” 61VK560 ORY‟S BOOGIE

61VK561 SQUEEZE ME

61VK562 CRAZY ABOUT THE WAY YOU WALK

61VK563 BIG BUTTER AND EGG MAN

Part C – KID ORY LIVE!

Quote 1943 “They put on a concert at the Geary Theatre, this time they had Bunk, Sun 9th May Mutt Carey up from Los Angeles, and Kid Ory. NBC put out the last half Rudi Blesh‟s “This Is Jazz” concert, Geary Theatre, hour on the Pacific Coast Network. The OWI transcribed and broadcast it abroad and in New York. There was a pit band composed of most of the gang, who played an introduction, winding up with Panama, Bunk Johnson, tpt Buster Wilson, pno and at the end of the third chorus the curtain went up and the stage band Mutt Carey, tpt Frank Pasley, gtr picked it up without dropping a beat or a note. The show ended with the Kid Ory, tbn Ed Garland, sbs stage band playing Basin Street Blues and on the last note the curtain Wade Whaley, clt Everett Walsh, drs came down and the pit band picked up the music. „But the boys on the stage were so warmed up they kept on playing‟ Blesh said „so we raised WAY DOWN YONDER IN NEW ORLEANS the curtain again and let the combined bands of 15 pieces go on for 5 BASIN STREET BLUES minutes.” MUSKRAT RAMBLE HIGH SOCIETY Dale Curran, The Jazz Record, March 1945 DIPPERMOUTH BLUES

CD All on American Music AMCD-16

Part C – KID ORY LIVE!

Quote 1944 “ They were deeply engrossed in the routine they had worked out for High Weds 15th March Society, the tune they had chosen to play, when Welles walked into the „Orson Welles‟ Mercury Radio Almanac Programme‟ – Episode 8 rehearsal studio. They showed a refreshing lack of concern at his Broadcast on CBS West Coast appearance, and when he was introduced to Ory, who tends to be preoccupied during rehearsals, Ory asked `What was the name?`” ALL STAR JAZZ COMBINATION/GROUP Mutt Carey, tpt Buster Wilson, pno Marili Ertegun, Downbeat, 10th August 1951 Kid Ory, tbn Bud Scott, gtr Jimmie Noone, clt Ed Garland, sbs , drs

HIGH SOCIETY

78 Carousel 2501 CD EPM Jazz Archives(F) ZET709, ZET716, 157092, 157162 Legacy International CD369, ASV(E) AJA5148, United Audio Entertainment UAE32022, AVS(E) AJA5235, TKO(Sw) UAE30322, Upbeat(E) URCD187*

Note: * Upbeat URCD187 includes all Orson Welles‟ announcements

Part C – KID ORY LIVE!

1944 1944 Weds 5th April Weds 29th March „Orson Welles‟ Mercury Radio Almanac Programme‟ – Episode 11 „Orson Welles‟ Mercury Radio Almanac Programme‟ – Episode 10 Broadcast on CBS West Coast Broadcast on CBS West Coast ALL STAR JAZZ COMBINATION/GROUP ALL STAR JAZZ COMBINATION/GROUP Mutt Carey, tpt Buster Wilson, pno Mutt Carey, tpt Buster Wilson, pno Kid Ory, tbn Bud Scott, gtr Kid Ory, tbn Bud Scott, gtr Jimmie Noone, clt Ed Garland, sbs Jimmie Noone, clt Ed Garland, sbs Zutty Singleton, drs Zutty Singleton, drs THAT‟S A PLENTY MUSKRAT RAMBLE

CD CD EPM Jazz Archive(F) ZET709, ZET716, 157092, 157162, Legacy EPM Jazz Archives(F) ZET709, ZET716, 157092, 157162, Legacy International CD369, ASV(E) AJA5148, Vogue(F) 655603, United Audio International CD369, Recording Arts(I) JZCD368, ASV(E) AJA5148, United Entertainment UAE30322, Fat Boy(Eu) FATCD330, TKO(Sw) UAE30322, Audio Entertainment UAE30322, Fat Boy(Eu) FATCD330, AVS(E) AJA5235, Upbeat(E) URCD187, Membran(G) 222689, Document(E) 222689. TKO(Sw) UAE30322, Upbeat(E) URCD187

Note: Some issues were billed as ” Jimmie Noone with Kid Ory‟s Creole Jazz Band”.

Part C – KID ORY LIVE!

1944 1944 Weds 12th April Weds 19th April „Orson Welles‟ Mercury Radio Almanac Programme‟ – Episode 12 „Orson Welles‟ Mercury Radio Almanac Programme‟ – Episode 13 Broadcast on CBS West Coast Broadcast on CBS West Coast

ALL STAR JAZZ COMBINATION/GROUP ALL STAR JAZZ COMBINATION/GROUP Mutt Carey, tpt Buster Wilson, pno Mutt Carey, tpt Buster Wilson, pno Kid Ory, tbn Bud Scott, gtr Kid Ory, tbn Bud Scott, gtr Jimmie Noone, clt Ed Garland, sbs Wade Whaley, clt Ed Garland, sbs Zutty Singleton, drs Zutty Singleton, drs

PANAMA JIMMIE‟S BLUES *

CD CD EPM Jazz Archives(F) ZET709, ZET716, 157092, 157162, ASV(E) AJA5148, EPM Jazz Archives(F) ZET709, ZET716, 157092, 157162, Legacy Upbeat(E) URCD187 International CD369, Upbeat(E) URCD187

Note: This is shown as “Blues for Jimmie Noone” on some issues

Part C – KID ORY LIVE!

Quote “One of the things we are most proud of on this show is our New Orleans Jazz group. You are going to hear them again tonight. The part of the clarinettist Jimmie Noone is going to be taken by Wade Whaley. Many of you who don‟t know the history of this music may not realise that in it‟s early beginnings in New Orleans it was not just played for dancers but it was used to express the whole spirit of a people. It was played at festivals, and at weddings, it was played in churches, and it was played at funerals. It was only when it moved up the river to St Louis that it was thought of as dance music for nightspots. Yesterday I got a call from Jimmie Noone who told me how proud he was that he was going to be on our programme tonight. Jimmie had a particular reason to be proud tonight the group was going to play one of Jimmie‟s own compositions. Jimmie died suddenly last night, and now, in his honour, his friends are going to play one of his own works.”

Orson Welles, Frank Brady ‘Citizen Welles’

Part C – KID ORY LIVE!

1944 1944 Weds 3rd May Weds 26th April „Orson Welles‟ Mercury Radio Almanac Programme‟ – Episode 15 „Orson Welles‟ Mercury Radio Almanac Programme‟ – Episode 14 Broadcast on CBS West Coast Broadcast on CBS West Coast ALL STAR JAZZ COMBINATION/GROUP ALL STAR JAZZ COMBINATION/GROUP Mutt Carey, tpt Buster Wilson, pno Mutt Carey, tpt Buster Wilson, pno Kid Ory, tbn Bud Scott, gtr Kid Ory, tbn Bud Scott, gtr Barney Bigard, clt Ed Garland, sbs Wade Whaley, clt Ed Garland, sbs Zutty Singleton, drs Zutty Singleton, drs SAVOY BLUES SUGAR FOOT STOMP CD CD EPM Jazz Archives(F) ZET709, ZET716, 157092, 157162, Legacy EPM Jazz Archives(F) ZET709, ZET716, 157092, 157162, Legacy International CD369, Fat Boy(Eu) FATCD330, Upbeat(E) URCD187 International CD369, Vogue(F) 655603, ASV(E) AJA5148, United Audio Note: Entertainment UAE30322, TKO(Sw) UAE30322, Upbeat(E) URCD187 Upbeat(E) URCD187 incorrectly lists Wade Whaley this session SOHO(G) CD020 Quote “It was really through that broadcast that Ory got his comeback started. Altogether they played four broadcasts then Jimmie Noone dropped dead. Because they were in such a rush with the confusion of Jimmie going like that, they hired Wade Whaley to play the next week‟s broadcast. He was so horrible that they let him go after one date and contacted me about the rest of the shows. I guess it looked to Ory like an indefinite contract, they were really popular and Orson Welles had a long term contract.”

Barney Bigard, ‘With Louis and The Duke’

Part C – KID ORY LIVE!

1944 1944 Weds 17th May Thurs 18th May „Orson Welles‟ Mercury Radio Almanac Programme‟ – Episode 17 Recording for Standard Oil Schoolroom Broadcasts (NBC), San Francisco Broadcast on CBS West Coast KID ORY’S CREOLE JAZZ BAND ALL STAR JAZZ COMBINATION/GROUP Mutt Carey, tpt Buster Wilson, pno Mutt Carey, tpt Buster Wilson, pno Kid Ory, tbn Bud Scott, gtr Kid Ory, tbn Bud Scott, gtr Wade Whaley, clt Ed Garland, sbs Barney Bigard, clt Ed Garland, sbs Zutty Singleton, drs Zutty Singleton, drs 1 OH DIDN‟T HE RAMBLE WEARY BLUES 2 BLUES 3 MUSKRAT RAMBLE CD 4 BLUES HABANERA EPM Jazz Archives(F) ZET709, ZET716, 157092, 157162, Legacy International(?) CD369, Upbeat(E) URCD187 CD 3 Fremeaux(F) FA5135 All on American Music AMCD-19, Quadromania(G) 222466

Part C – KID ORY LIVE!

1944 1944 Weds 31st May Weds 24th May „Orson Welles‟ Mercury Radio Almanac Programme‟ – Episode 19 „Orson Welles‟ Mercury Radio Almanac Programme‟ – Episode 18 Broadcast on CBS West Coast Broadcast on CBS West Coast ALL STAR JAZZ COMBINATION/GROUP ALL STAR JAZZ COMBINATION/GROUP Mutt Carey, tpt Buster Wilson, pno Mutt Carey, tpt Buster Wilson, pno Kid Ory, tbn Bud Scott, gtr Kid Ory, tbn Bud Scott, gtr Barney Bigard, clt Ed Garland, sbs Barney Bigard, clt Ed Garland, sbs Zutty Singleton, drs Zutty Singleton, drs Helen Andrews-1 TIGER RAG

*E FLAT BLUES-1 CD EPM Jazz Archives(F) ZET716, 157162, Upbeat(E) URCD187 CD EPM Jazz Archives (F) ZET716, 157162, Fat Boy(Eu) FATCD 330, Upbeat(E) URCD187

Note: * Announced by Orson Welles as “Blues in Eb”

Part C – KID ORY LIVE!

1944 1944 Weds 28th June Weds 12th July „Orson Welles‟ Mercury Radio Almanac Programme‟ – Episode 23 „Orson Welles‟ Mercury Radio Almanac Programme‟ – Episode 25 Broadcast on CBS West Coast Broadcast on CBS West Coast Broadcast live from Camp Hahn, Riverside, Broadcast live from Camp Cook army camp

ALL STAR JAZZ COMBINATION ALL STAR JAZZ COMBINATION/GROUP Mutt Carey, tpt Buster Wilson, pno Norman Bowden, tpt Fred Washington, pno Kid Ory, tbn Bud Scott, gtr Kid Ory, tbn Bud Scott, gtr Barney Bigard, clt Ed Garland, sbs Barney Bigard, clt Ed Garland, sbs Zutty Singleton, drs Zutty Singleton, drs

OH DIDN‟T HE RAMBLE ROYAL GARDEN BLUES

CD CD EPM Jazz Archives(F) ZET716, 157162, Upbeat(E) URCD187 EPM Jazz Archives(F) ZET716, 157162, Jazz Greats(E) CD070, Proper(E) R2CD4088, Upbeat(E) URCD187

Note: These shows were broadcast live between 9.30 - 10.00pm on Wednesday

nights. The band slot was at the end of the dramatic presentation and followed a commercial break, presumably for the Sponsors, Mobil Gas. In the Melody Maker, May 23rd 1964, Ory claimed they played for thirteen weeks. Zutty Singleton‟s Swing Combo replaced Ory for the final few weeks of Welles‟ show (Jazz Music, Vol3, No.8).

Part C – KID ORY LIVE!

Quote 1945 “To serve music in general, and the student of music, Standard Oil of Sun 1st April California pioneered education on radio in 1928 by inaugurating the Standard Oil Schoolroom Broadcast (NBC), San Francisco Standard School Broadcast Courses as a companion to its weekly broadcasts of the Standard Hour Symphony Concerts. To serve American KID ORY’S CREOLE JAZZ BAND folk music in particular, Standard pioneered once again, during its recent Mutt Carey, tpt Fred Washington, pno Sixteenth Annual School Broadcast series, by presenting a unique group of Kid Ory, tbn Bud Scott, gtr four programmes devoted to an authentically musical discussion and Joe Darensbourg, clt Ed Garland, sbs demonstration of Afro-American folk music from its African beginnings to Charlie Blackwell, drs Frank Barton M.C. present-day American jazz”

1 BLUES 1 Adrian Michaelis, Programme Manager 2 CREOLE SONG 3 LONESOME ROAD 4 HIGH SOCIETY 5 BLUES 2/CLOSING DIALOGUE

CD 2 EPM Jazz Archives(F) ZET709, 157092, 157162, Legacy International CD369, Jazz Greats(E) CD070, Fremeaux(F) FA5135 2,3 & 4 American Music AMCD-19, Quadromania(G) 222466 All on Jazz Archives(F) ZET 716

Part C – KID ORY LIVE!

Note: * Some issues incorrectly list the clarinet player as Jimmie Noone 1946 Thurs 24th January Quote Standard Oil Schoolroom Broadcast (NBC) San Francisco “On March 1st he brought Ory‟s Creole Band over to NBC for another appearance on the Standard School Broadcast series. Papa Mutt gave Bill KID ORY’S CREOLE JAZZ BAND the jitters by showing up about two minutes before the band was due to Mutt Carey, tpt Buster Wilson, pno play. However, President Roosevelt was addressing Congress that Kid Ory, tbn Fred Washington, pno – 1 & 3 morning and evidently was not notified of the scheduled broadcast, as he Bud Scott, gtr Ed Garland, sbs kept right on talking, and the airing was postponed. But the band played Barney Bigard, clt Minor Hall, drs the program anyway, for the benefit of the school children who composed Huddie Ledbetter, vcl, gtr-1 the audience, together with several of the local jazz colony.”

1 MAPLE LEAF RAG George Montgomery, Record Changer, April 1945 2 MAPLE LEAF RAG Unissued 3 IMPROVISATION IN B FLAT (MUTT‟S BLUES)* 4 MUSKRAT RAMBLE

5 BYE AND BYE -1 6 SWING LOW SWEET CHARIOT -1 7 CLOSING DIALOGUE

78 3 Carousel 2501 CD 3

Wolf(Au) WJS-1002CD, Document(Au) DOCD-1002 1, 3, 4, 5, 6 & 7 American Music AMCD-19, Quadromania(G) 222466

Part C – KID ORY LIVE!

20 BASIN STREET BLUES -4 21 DO WHAT ORY SAY -1 1947 22 CARELESS LOVE -2 Mon 10th February 23 EH LA-BAS -1 Recorded live at the Green Room, CIO Hall (Congress Of Industrial 24 RIFLE RANGERS (1919 MARCH) Organisations), 150 Golden Gate Avenue, San Francisco 25 BLUES FOR JIMMIE NOONE -2 26 HIGH SOCIETY KID ORY’S CREOLE JAZZ BAND 27 BOOGIE WOOGIE Mutt Carey, tpt Buster Wilson, pno, vcl-4 28 SISTER KATE -2 Kid Ory, tbn,vcl-1 Bud Scott, gtr, vcl-2 29 MEMPHIS BLUES -2 Joe Darensbourg, clt, vcl-3 Ed Garland, sbs 30 OH! DIDN‟T HE RAMBLE -1 & 2 Minor Hall, drs 31 WITHOUT YOU FOR AN INSPIRATION -1 32 ALL THE GIRLS GO CRAZY -1 1 THE WORLD IS WAITING FOR THE SUNRISE 33 GO BACK WHERE YOU STAYED LAST NIGHT -3 2 STORMY WEATHER 34 MARYLAND MY MARYLAND Unissued 3 JEALOUS 4 YES SIR! THAT‟S MY BABY CD 5 STARDUST 1-19 6 WHISPERING American Music AMCD-42 7 MY BUDDY (WALTZ) 20-33 8 SIOUX CITY SUE American Music AMCD-43, Quadromania(G) 222466 9 SONG OF THE ISLANDS 10 I LEFT HER BY THE RIVER OF THE ROSES Quote 11 LADY BE GOOD “There were round green pillars throughout the room supporting the ceiling. In 12 PERDIDO order to hide the microphone, we wrapped it with green cheesecloth to match the 13 C JAM BLUES green paint on the pillar. The recording equipment was set up in one of the side 14 BALLIN‟ THE JACK -3 rooms, one which served as Gene‟s office and where the in-group also 15 DIPPERMOUTH congregated during intermissions etc. Hopefully, the recording would be done 16 SISTER KATE -2 unobtrusively, and the results, which might be less than ideal technically due to the location of the microphone, would capture enough of the variety of the band 17 BILL BAILEY -1 & 2 for demonstration purposes”. 18 SNAG IT Harold Drob, sleeve notes AMCD43 19 CLARINET MARMALADE Part C – KID ORY LIVE!

Quote 1946 “The first night that I heard the Ory band in person I thought that it was either the Sun 21st April best or the worst band that I had ever heard. It seemed to me that they were Broadcast from Billy Berg‟s club on Vine St. Hollywood on the playing strict arrangements, every note according to plan. They played perfectly “Lamplighter” radio show together, but were too slick, every routine was apparently carefully worked out. When I heard the second performance of a tune, it was quite different from the Mutt Carey, tpt L. Z. Cooper, pno first one and I realised that the slick sound was the result of the great rapport they Kid Ory, tbn Bud Scott, gtr & voc had for each other, making every performance sound very tightly arranged. Mutt Albert Nicholas, clt Ed Garland, sbs Carey played excellent lead, always leaving room for the other horns. He played in Minor Hall, drs many different styles, always with the utmost of restraint, and the band understood him perfectly. It was a revelation to hear them. They could play every 1 HIGH SOCIETY kind of music and all of it was most enjoyable. They played pieces like Mood 2 BLUES FOR JIMMIE (Buzz Me) Indigo, Perdido, and Sophisticated Lady without losing any of the Ellington flavour, 3 SAVOY BLUES while adding their own New Orleans touch. They played swing tunes, like Tuxedo 4 CLARINET MARMALADE Junction and Christopher Columbus, using the familiar arrangements as a basis. They did pop tunes, cowboy tunes, waltzes, and rhumbas. They played every tune as the average square would expect to hear it, but with a flavor and swing all their CD own. The melody was always prominent and the things they added were always 1, 3 & 4 in keeping with the nature of the tune”. Quadromania(G) 222466 All on Harold Drob, Record Changer, November 1952 American Music AMCD-19

Note: The notes for American Music AMCD-19 date this session as late May 1946

Part C – KID ORY LIVE!

8 Riverside RB-005(CD X 3 set) 1947 2,3,4,5,6,7,8 Sat 9th August Recording Arts(I) JZCD368 “This Is Jazz” Broadcast, KHJ Studios, Hollywood, Los Angeles Writer & All on Narrator, Rudi Blesh Announcer, Tony Laprano Document(Au) DOCD-1002

KID ORY’S CREOLE JAZZ BAND Note: Andrew Blakeney, tpt Buster Wilson, pno *These are the original Circle Matrix numbers Kid Ory, tbn, vcl -1 Bud Scott, gtr, vcl -2 Joe Darensbourg, clt Ed Garland, sbs Minor Hall, drs

1 WAY DOWN YONDER IN NEW ORLEANS 2 OH DIDN‟T HE RAMBLE – 1 3 (LA1*) SNAG IT -2 4 MARYLAND, MY MARYLAND 5 (LA2*) SAVOY BLUES 6 (LA3*) DOWN AMONG THE SHELTERING PALMS 7 C‟EST L‟AUTRE CAN CAN (CREOLE SONG) -1 8 (LA4*) WEARY BLUES 9 WAY DOWN YONDER IN NEW ORLEANS

78 3 & 5 Circle J-12001 6 & 8 Circle J-12002 CD 3 Naxos 8.120587 Part C – KID ORY LIVE!

1947 Sun 10th August Recorded live by Jack Lewerke at the Rendezvous Ballroom, Crystal Pier, Hollister St., Santa Monica, Los Angeles.

KID ORY’S CREOLE JAZZ BAND Andrew Blakeney, tpt Buster Wilson, pno, Kid Ory, tbn, Bud Scott, gtr, vcl-1 Joe Darensbourg, clt, vcl -2 Ed Garland, sbs, Band, vcl-6 Minor Hall, drs

1 ST. LOUIS BLUES -1 2 DIPPERMOUTH BLUES 3 OH! DIDN‟T HE RAMBLE -6 4 DOWN HOME RAG 5 SNAG IT -1* 6 HIGH SOCIETY

CD 2 Jazz Greats(E) CD070 5 Fremeaux(F) FA5135 1 & 5 American Music AMCD-90

Note: *Bud Scott‟s vocal edited out on AMCD -90

Part C – KID ORY LIVE!

12 & 15 Recording Arts(I) JZCD368 1947 Sun 17th August Recorded live by Jack Lewerke at the Rendezvous Ballroom, Crystal Pier, Quote: Hollister St., Santa Monica, Los Angeles. “But for me the most important thing that happened during this period was the arrival of Kid Ory and their long engagement at the Green Room KID ORY’S CREOLE JAZZ BAND in San Francisco. (I first met Ralph Gleason there, he, (Gene) Williams and Andrew Blakeney, tpt Buster Wilson, pno, (Bill) Colburn had something to do with promoting Ory. I think it was here Kid Ory, tbn, vcl-1 Bud Scott, gtr, vcl-3 that Ralph learned about and got seriously interested in jazz.) (Lu) Joe Darensbourg, clt, Ed Garland, sbs, Watters initiated my interest (and that of many others), but it was the Ory Band vcl-6 Minor Hall, drs Band with its great line-up of the time (including Mutt Carey, Bud Scott, Minor Hall and Buster Wilson) which was an education in jazz to me. I 1 TIGER RAG haunted the Green Room, and I learned more there about what jazz might 2 MUSKRAT RAMBLE be all about than from any other source. Especially, that band taught a 3 MAHOGANY HALL STOMP lesson which had (and has) all but been forgotten in traditional jazz 4 MARYLAND MY MARYLAND circles: that the music can and should swing, be lyrical, beautiful and 5 ROYAL GARDEN BLUES graceful. That it can swing like mad and not be loud, dirty or raucous. 6 DOWN AMONG THE SHELTERING PALMS -3 That it should have wide variety in volume and that it is basically dance 7 HIGH SOCIETY music and never forget it.” 8 WININ‟ BOY BLUES -1 (#1) 9 THE WORLD IS WAITING FOR THE SUNRISE Jim Goggin, ‘Bob Mielke - A Life in Jazz’, 2008 10 WININ‟ BOY BLUES -1 (#2) 11 BILL BAILEY -3 12 EH LA-BAS -1 & 6 13 SISTER KATE -3 14 BLACK AND BLUE 15 DO WHAT ORY SAY -1

CD 6, 9, 10, 11 & 13 American Music AMCD-90 Part C – KID ORY LIVE!

1947 1947 Date Unknown Sun 7th September Recorded live by Jack Lewerke at the Rendezvous Ballroom, Crystal Pier, Recorded live by Jack Lewerke at the Rendezvous Ballroom, Crystal Pier, Hollister St., Santa Monica, Los Angeles. Hollister St., Santa Monica, Los Angeles. KID ORY’S CREOLE JAZZ BAND KID ORY’S CREOLE JAZZ BAND Andrew Blakeney, tpt Buster Wilson, pno, Andrew Blakeney, tpt Buster Wilson, pno, vcl-2 Kid Ory, tbn, vcl-1 Bud Scott, gtr, Kid Ory, tbn, Bud Scott, gtr, vcl-1 Archie Rosati, clt Ed Garland, sbs, vcl-2 Archie Rosati, clt Ed Garland, sbs, Band, vcl-3 Minor Hall, drs1 Band, vcl-3 Minor Hall, drs 1 BALLIN‟ THE JACK -1 & 2 1 SISTER KATE -1 2 OH DIDN‟T HE RAMBLE -3 2 INDIANA 3 SHEIK OF ARABY -1 & 2 3 SNAG IT -1 (#1) 4 JA-DA -2 4 SNAG IT -1 (#2) 5 HAPPY BIRTHDAY -3 CD 6 THE WORLD IS WAITING FOR THE SUNRISE -1 1 7 SAVOY BLUES American Music AMCD–90 8 I LEFT HER BY THE RIVER OF THE ROSES -2 9 BLUES FOR JIMMIE -1 (#1) * (incomplete) 10 BLUES FOR JIMMIE (# 2) (incomplete)

CD 5, 8 & 9 American Music AMCD-90

Note: * Titled “You Never Miss Your Water Till Your Well Runs Dry” on AMCD-90

Part C – KID ORY LIVE!

21 BALLIN‟ THE JACK -2 22 MUSKRAT RAMBLE 1947 Date Unknown 23 DIPPERMOUTH BLUES (#2) Recorded live by Jack Lewerke at the Rendezvous Ballroom, Crystal Pier, 24 SOUTH Hollister St., Santa Monica, Los Angeles. 25 IN A LITTLE SPANISH TOWN –3 (incomplete)

KID ORY’S CREOLE JAZZ BAND CD Andrew Blakeney, tpt Buster Wilson, pno, 24 Kid Ory, tbn, vcl-1 Bud Scott, gtr, vcl-3, 9 Jazz Greats(E) CD070 Joe Darensbourg, clt, vcl -2 Ed Garland, sbs, 1 & 25 Minor Hall, drs American Music AMCD-90

1 BLUES -3 (incomplete)

2 MY GAL SAL*

3 SNAG IT 4 PANAMA 5 WITHOUT YOU FOR AN INSIRATION (#1) 6 MAHOGANY HALL STOMP 7 EH LA-BAS 8 DO YOU KNOW WHAT IT MEANS? 9 SHEIK OF ARABY -3 (incomplete) 10 SAVOY BLUES 11 WITHOUT YOU FOR AN INSPIRATION (#2) 12 AT THE JAZZ BAND BALL 13 THERE‟LL BE SOME CHANGES MADE -2 14 WHERE THE BLUES WERE BORN IN NEW ORLEANS 15 DIPPERMOUTH BLUES (#1) 16 WITHOUT YOU FOR AN INSPIRATION (#3) 17 THE WORLD IS WAITING FOR THE SUNRISE -2 18 LOVELESS LOVE -3 19 SISTER KATE -3 20 BILL BAILEY (incomplete) Part C – KID ORY LIVE!

Quote “It was kind of monotonous you know, my experience was in playing all 1947 types of music. In this book (photo album) you can see that I played in Mon 22nd December marching bands, concert bands, community symphony orchestras, Broadcast from Louis Landry‟s New Orleans Swing Club, Post and Filmore minstrel shows.... I played everything. Playing with Ory was monotonous, St, San Francisco just confined to a small area of music. I‟m used to everything, so that‟s what I didn‟t like with Ory. But in any case, money rules, see. I made KID ORY’S CREOLE JAZZ BAND good money, so I made myself satisfied.” Andrew Blakeney, tpt Buster Wilson, pno Kid Ory, tbn Bud Scott, gtr Andrew Blakeney, Mississippi Rag, July 1985 Joe Darensbourg, clt, Ed Garland, sbs Minor Hall, drs

SAVOY BLUES Unissued

Part C – KID ORY LIVE!

1947 1948 Mon 29th December Mon 12th January Same venue and personnel as 22nd December Same venue and personnel as 22nd December Add Dick Barrows, vcl-1 BASIN STRE ET BLUES -2 WITHOUT YOU FOR AN INSPIRATION Unissued PANAMA Unissued Unissued THAT‟S A PLENTY Unissued ROYAL GARDEN BLUES Unissued THE WORLD IS WAITING FOR THE SUNRISE -1 Unissued SNAG IT Unissued THEME Unissued Note: There could well be more of the above as the announcer on the 22nd December says the band was there for 12 more weeks. Part C – KID ORY LIVE!

Quote 1949 “It is difficult to measure the pleasure that Kid Ory has given lovers of Sat 7th October authentic jazz throughout the world. In Europe, where the records by Ory Second “Dixieland Jubilee”, Shrine Auditorium, Los Angeles. Recording for from the Dixieland Jubilees are far outselling all others of this sort, he is Decca idolised by the public.”

KID ORY’S CREOLE JAZZ BAND Frank Bull, impresario with Gene Norman, Down Beat, Teddy Buckner, tpt Lloyd Glenn, pno August 10th 1951 Kid Ory, tbn, vcl-1 Ed Garland, sbs Joe Darensbourg, clt Minor Hall, drs

MM1360 12th STREET RAG MM1361 TIGER RAG MM1362 SAVOY BLUES MM1363 EH LA-BAS -1

78 1360 & 1362 Decca 9-11068 1361 & 1363 Decca 9-11067 CD 1360 United Audio Entertainment UAE30322, TKO(Sw) UAE30322 1361 Recording Arts(I) JZCD368, Giants of Jazz(I) CD53087 1362 Vogue(F) 655603 1360, 1361 & 1363 Vogue(F) VGCD600045, (F) CD655.618

Part C – KID ORY LIVE!

Note: 1949 In Floyd Levin‟s review of the above concert in the December 1949 Jazz Sat 7th October Journal, he mentions that Maryland was also played by Ory‟s band, and Second “Dixieland Jubilee”, Shrine Auditorium, Los Angeles Panama by the massed bands. On some labels MM1360 states Albert Nicholas added on clarinet. Although Nicholas was present with other KID ORY’S CREOLE JAZZ BAND bands at the concert, aural evidence seems that this is incorrect. Teddy Buckner, tpt Lloyd Glenn, pno Kid Ory, tbn, Ed Garland, sbs Joe Darensbourg, clt Minor Hall, drs

Plus the following massed jazz bands: On 80037, WHO‟S SORRY NOW only Castle Jazz Band, Pete Daily‟s Chicagoans, Charlie Lavere‟s Chicago Loopers On 80039, MUSCRAT RAMBLE and 80040, SOUTH RAMPART STREET PARADE Same, plus Firehouse 5+2, Bob Crosby‟s Bobcats, and his Five Pennies, and other individual musicians.

80037 WHO‟S SORRY NOW 80039 MUSKRAT RAMBLE 80040 SOUTH RAMPART STREET PARADE

78 80037 Decca 9-11065 80039 & 80040 Decca 9-11066

Part C – KID ORY LIVE!

1951 1951 Sat 5th May Fri 5th October* Pomona Junior College, Los Angeles, California Fourth Dixieland Jubilee Concert, Shrine Auditorium, Los Angeles.

KID ORY’S CREOLE JAZZ BAND KID ORY’S CREOLE JAZZ BAND Teddy Buckner, tpt Lloyd Glenn, pno Teddy Buckner, tpt Lloyd Glenn, pno Kid Ory, tbn Ed Garland, sbs Kid Ory, tbn Ed Garland, sbs Joe Darensbourg, clt Minor Hall, drs Joe Darensbourg, clt Minor Hall, drs

LK229 ORY‟S BOOGIE SHINE LK230 ST LOUIS BLUES MARYLAND LK313 BLUES FOR HOME (JIMMIE NOONE) LK314 BLUES FOR HOME (JIMMIE NOONE) PT.II CD 78 All on 229 & 230 Vogue(F) CD655.618, VGCD60045 Good Time Jazz 48 313 & 314 Note: Good Time Jazz 55 *Some issues date this session as the 10th May 1951 but as Frank Bull, CD co-producer of the Dixieland Jubilee concerts, is the announcer, it confirms 230 this as a Jubilee event and these were always held in the Autumn. I Good Time Jazz 4GTJCD4416-2 suspect the mistake is due to the American/English dating system 230, 313 & 314 Vogue(F) VGCD600045, (F) CD655.618 All on Good Time Jazz 12005-2

Part C – KID ORY LIVE!

1952 1953 Sat 6th April Sat 9th May Concert, Shrine Auditorium, Los Angeles. Announcer Gene Norman. “Doc Doherty Presents” broadcast for KCBS from Club Hangover, 729 Bush St, San Francisco, on Saturday nights from 11.00 to 11.30pm. KID ORY’S CREOLE JAZZ BAND Teddy Buckner, tpt Lloyd Glenn, pno KID ORY’S CREOLE JAZZ BAND Kid Ory, tbn, vcl-1 Ed Garland, sbs Teddy Buckner, tpt , pno Joe Darensbourg, clt Minor Hall, drs Kid Ory, tbn Ed Garland, sbs Joe Darensbourg, clt Minor Hall, drs 1 MILNEBERG JOYS 2 MUSKRAT RAMBLE -1 1 THEME 2 CLARINET MARMALADE LP (Original issue) 3 DOWN IN JUNGLE TOWN Both on 4 SAVOY BLUES Dixieland Jubilee DJ519 5 SUGAR BLUES CD 6 MAPLE LEAF RAG

Both on Vogue(F) VGCD600045, (F) CD655.618 LP (Original issue) All on Dawn Club(G) DC12013 CD 5 Storyville(D) STCD6035 Part C – KID ORY LIVE!

Note: April 7th should read May 7th Part C – KID ORY LIVE!

1953 1953 Sat 16th May Sat 23rd May KCBS broadcast from Club Hangover, San Francisco KCBS broadcast from Club Hangover, San Francisco

KID ORY’S CREOLE JAZZ BAND KID ORY’S CREOLE JAZZ BAND Teddy Buckner, tpt Harvey Brooks, pno Teddy Buckner, tpt Harvey Brooks, pno Kid Ory, tbn Ed Garland, sbs Kid Ory, tbn Ed Garland, sbs Joe Darensbourg, clt Minor Hall, drs Joe Darensbourg, clt Minor Hall, drs

1 THEME 1 THEME Unissued 2 MILNEBERG JOYS 2 SHINE 3 ALL THE GIRLS GO CRAZY 3 AUNT HAGAR‟S BLUES 4 SNAG IT 4 MUSKRAT RAMBLE 5 FIDGETY FEET 5 JUST A CLOSER WALK WITH THEE 6 THEME 6 PANAMA 7 THEME (incomplete) Unissued LP (Original issue) All on LP (Original issue) Dawn Club(G) DC12013 2, 3, 4, 5 & 6 CD Dawn Club(G) DC12016 5 Storyville(D) STCD6035

Part C – KID ORY LIVE!

1953 1953 Sat 30th May Sat 3rd October KCBS broadcast from Club Hangover, San Francisco KCBS broadcast from Club Hangover, San Francisco

KID ORY’S CREOLE JAZZ BAND KID ORY’S CREOLE JAZZ BAND Teddy Buckner, tpt Harvey Brooks, pno Teddy Buckner, tpt Don Ewell, pno Kid Ory, tbn Ed Garland, sbs Kid Ory, tbn Ed Garland, sbs Joe Darensbourg, clt Minor Hall, drs Bob McCracken, clt Minor Hall, drs

1 THEME 1 MUSKRAT RAMBLE Unissued 2 THE WORLD IS WAITING FOR THE SUNRISE 2 BLUES FOR JIMMIE NOONE 3 AT A GEORGIA CAMP MEETING 3 MILNEBERG JOYS Unissued 4 CREOLE LOVE CALL 4 SNAG IT 5 BIRTH OF THE BLUES 5 ORIGINAL DIXIELAND ONESTEP Unissued 6 WAY DOWN YONDER IN NEW ORLEANS CD LP (Original issue) 4 All on Lake(E) LACD255 Dawn Club(G) 12016 2 & 4 CD Storyville(D) STCD 6035 5 Storyville (D) STCD6035, Lake(E) LACD255

Part C – KID ORY LIVE!

1953 1953 Sat 10th October Sat 17th October KCBS broadcast from Club Hangover, San Francisco KCBS broadcast from Club Hangover, San Francisco

KID ORY’S CREOLE JAZZ BAND KID ORY’S CREOLE JAZZ BAND Teddy Buckner, tpt Don Ewell, pno Teddy Buckner, tpt Don Ewell, pno Kid Ory, tbn Ed Garland, sbs Kid Ory, tbn Ed Garland, sbs Bob McCracken, clt Minor Hall, drs Bob McCracken, clt Minor Hall, drs

1 THEME Unissued THEME Unissued 2 CLARINET MARMALADE Unissued MAHOGANY HALL STOMP Unissued 3 PANAMA Unissued JOSHUA FIT DE BATTLE OF JERICHO Unissued 4 SAVOY BLUES FIDGETY FEET Unissued 5 AT THE JAZZ BAND BALL Unissued JA-DA Unissued 6 YELLOW DOG BLUES HIGH SOCIETY Unissued 7 THEME Unissued THEME Unissued

CD 6 Lake(E) LACD255 4 & 6 Storyville(D) STCD6035

Part C – KID ORY LIVE!

1953 1953 Sat 24th October Sat 31st October KCBS broadcast from Club Hangover, San Francisco KCBS broadcast from Club Hangover, San Francisco

KID ORY’S CREOLE JAZZ BAND KID ORY’S CREOLE JAZZ BAND Teddy Buckner, tpt Don Ewell, pno Teddy Buckner, tpt Don Ewell, pno Kid Ory, tbn Ed Garland, sbs Kid Ory, tbn Ed Garland, sbs Bob McCracken, clt Minor Hall, drs Bob McCracken, clt Minor Hall, drs

1 THAT‟S A PLENTY Unissued THEME Unissued 2 ROYAL GARDEN BLUES Unissued SOUTH RAMPART STREET PARADE Unissued 3 WANG WANG BLUES ST. JAMES INFIRMARY Unissued 4 AUNT HAGAR‟S BLUES FOUR OR FIVE TIMES Unissued 5 EH LA-BAS Unissued MAPLE LEAF RAG Unissued AT A GEORGIA CAMP MEETING Unissued CD WHEN THE SAINTS GO MARCHING IN Unissued

3 & 4 Storyville(D) STCD6035, Lake(E) LACD255

PART C – KID ORY LIVE!

1954 1954 *Sat 6th March Sat 13th March KCBS broadcast from Club Hangover, San Francisco KCBS broadcast from Club Hangover, San Francisco

KID ORY’S CREOLE JAZZ BAND KID ORY’S CREOLE JAZZ BAND Rico Vallese, tpt Don Ewell, pno Rico Vallese, tpt Don Ewell, pno Kid Ory, tbn Ed Garland, sbs Kid Ory, tbn Ed Garland, sbs Bob McCracken, clt Minor Hall, drs Bob McCracken, clt Minor Hall, drs

1 THEME Unissued THEME Unissued 2 CLARINET MARMALADE Unissued WEARY BLUES Unissued 3 BALLIN‟ THE JACK Unissued HOW COME YOU DO ME LIKE YOU DO Unissued 4 MUSKRAT RAMBLE Unissued SAVOY BLUES Unissued 5 AUNT HAGAR‟S BLUES Unissued MAPLE LEAF RAG Unissued 6 ST. LOUIS BLUES MILNEBERG JOYS Unissued 7 AT THE JAZZ BAND BALL Unissued 8 WHEN THE SAINTS GO 9 MARCHING IN (Incomplete) Unissued

CD 6 Giants Of Jazz(I) CD53026, CDB1208, Storyville(D) STCD6035, Gold Sound(E) DCD-745/1

Note: *On some issues this session is incorrectly dated March 20th 1954.

PART C – KID ORY LIVE!

1954 1954 Sat 20th March Sat 1st May KCBS broadcast from Club Hangover, San Francisco KCBS broadcast from Club Hangover, San Francisco

KID ORY’S CREOLE JAZZ BAND KID ORY’S CREOLE JAZZ BAND Rico Vallese, tpt Don Ewell, pno Alvin Alcorn, tpt Don Ewell, pno Kid Ory, tbn Ed Garland, sbs Kid Ory, tbn Ed Garland, sbs Bob McCracken, clt Minor Hall, drs Albert Burbank, clt Minor Hall, drs

1 THEME Unissued 1 THEME Unissued 2 SOUTH Unissued 2 HIGH SOCIETY Unissued 3 SISTER KATE Unissued 3 SQUEEZE ME 4 SUGARFOOT STOMP (Dippermouth Blues) 4 PANAMA 5 BLUES FOR JIMMIE NOONE Unissued 5 MARYLAND MY MARYLAND Unissued 6 THEME Unissued 6 CLARINET MARMALADE Unissued

CD CD 4 4 Giants of Jazz(I) CD53026, CDB1208, Storyville(D) STCD 6035, Storyville(D) STCD 1036103 Storyville(D) STCD 37757 3 & 4 Storyville(D) STCD6010

PART C – KID ORY LIVE!

1954 1954 Sat 8th May Sat 15th May KCBS broadcast from Club Hangover, San Francisco KCBS broadcast from Club Hangover, San Francisco

KID ORY’S CREOLE JAZZ BAND KID ORY’S CREOLE JAZZ BAND Alvin Alcorn, tpt Don Ewell, pno Alvin Alcorn, tpt Don Ewell, pno Kid Ory, tbn Ed Garland, sbs Kid Ory, tbn Ed Garland, Albert Burbank, clt Minor Hall, drs Burbank, clt Minor Hall, drs

1 THEME Unissued 1 THEME Unissued 2 THAT‟S A PLENTY 2 SHINE 3 WOLVERINE BLUES 3 BLUES FOR JIMMIE NOONE 4 SAVOY BLUES Unissued 4 MAPLE LEAF RAG 5 MARYLAND MY MARYLAND 5 THEME 6 HOW COME YOU DO ME LIKE YOU DO? 7 THEME Unissued LP (Original issue) LP (Original issue) 2 & 3 2 Storyville(D) SLP6010, Storyville(D) SLP4070 4 & 5 3 Storyville(D) SLP 4070 Storyville(D) SLP6010 CD 5 & 6 2 & 3 Storyville(D) SLP6016 Storyville(D) STCD6010 CD 3 Storyville(D) STCD6010 6 Storyville(D) STCD 37757, Storyville(D) STCD 37664 5 & 6 Storyville(D) STCD6016 PART C – KID ORY LIVE!

1954 1954 Sat 22nd May Sat 26th June KCBS broadcast from Club Hangover, San Francisco KCBS broadcast from Club Hangover, San Francisco

KID ORY’S CREOLE JAZZ BAND KID ORY’S CREOLE JAZZ BAND Alvin Alcorn, tpt Don Ewell, pno Alvin Alcorn, tpt Don Ewell, pno Kid Ory, tbn Ed Garland, sbs Kid Ory, tbn Ed Garland, sbs Albert Burbank, clt Minor Hall, drs Albert Burbank, clt Minor Hall, drs

1 FIDGETY FEET Unissued 1 THEME Unissued 2 BASIN STREET BLUES Unissued 2 CLARINET MARMALADE 3 DARKTOWN STRUTTERS BALL 3 BALLIN‟ THE JACK 4 PANAMA Unissued 4 FIDGETY FEET 5 12TH STREET RAG Unissued 5 SAVOY BLUES 6 PANAMA Unissued LP (Original issue) 3 LP (Original issue) Storyville(D) SLP 6010 2 & 4 CD Storyville(D) SLP 6010 3 2, 3, 4 & 5 Storyville(D) STCD 6010, Storyville(D) STCD 1036103 Hot Society(G)HSLP 1003 The Hot Society issue is incorrectly dated 22nd June 1954 CD 2 & 4 Storyville(D) STCD 6010, Storyville(D) STCD 1036103 5

Storyville(D) STCD 37757, Storyville(D) STCD 37664

PART C – KID ORY LIVE!

1954 1954 Sat 3rd July Sat 10th July KCBS broadcast from Club Hangover, San Francisco KCBS broadcast from Club Hangover, San Francisco

KID ORY’S CREOLE JAZZ BAND KID ORY’S CREOLE JAZZ BAND Alvin Alcorn, tpt Don Ewell, pno Alvin Alcorn, tpt Don Ewell, pno Kid Ory, tbn Ed Garland, sbs Kid Ory, tbn Ed Garland, sbs Albert Burbank, clt Minor Hall, drs Albert Burbank, clt Minor Hall, drs

1 THEME Unissued 1 THEME 2 HIGH SOCIETY 2 SOUTH RAMPART STREET PARADE 3 WABASH BLUES 3 BASIN STREET BLUES 4 MILNEBERG JOYS 4 CHINATOWN MY CHINATOWN 5 MAPLE LEAF RAG Unissued 5 BALLIN‟ THE JACK 6 THAT‟S A PLENTY Unissued LP (Original issue) 2, 3 & 4 LP (Original issue) Storyville(D) SLP4070 1,2,3,4, & 5 CD Storyville(D) SLP4070 2 CD Storyville(D) STCD 37757 5 Storyville(D) STCD 37757

PART C – KID ORY LIVE!

1954 1954 Sat 17th July Sat 21st August KCBS broadcast from Club Hangover, San Francisco KCBS broadcast from Club Hangover, San Francisco

KID ORY’S CREOLE JAZZ BAND KID ORY’S CREOLE JAZZ BAND Alvin Alcorn, tpt Don Ewell, pno Alvin Alcorn, tpt Don Ewell, pno Kid Ory, tbn Ed Garland, sbs Kid Ory, tbn Ed Garland, sbs Albert Burbank, clt Minor Hall, drs George Probert, clt Minor Hall, drs

1 THEME Unissued 1 THEME Unissued 2 HIGH SOCIETY 2 ORIGINAL DIXIELAND ONESTEP 3 AUNT HAGAR‟S BLUES Unissued 3 AUNT HAGAR‟S BLUES Unissued 4 MUSKRAT RAMBLE 4 WOLVERINE BLUES 5 WOLVERINE BLUES Unissued 5 WHO‟S SORRY NOW Unissued 6 THEME Unissued 6 SHINE(Incomplete) Unissued

LP (Original issue) CD 2 2 Storyville(D) SLP6010 Storyville(D) STCD 37757 4 4 Storyville(D) SLP6016 Storyville(D) STCD6035 CD 2 Storyville(D) STCD6010, Storyville(D) STCD 1036103 4 Storyville(D) STCD6016, Storyville(D) STCD 37664

PART C – KID ORY LIVE!

1954 1954 Sat 28th August Sat 11th September KCBS broadcast from Club Hangover, San Francisco KCBS broadcast from Club Hangover, San Francisco

KID ORY’S CREOLE JAZZ BAND KID ORY’S CREOLE JAZZ BAND Alvin Alcorn, tpt Don Ewell, pno Alvin Alcorn, tpt Don Ewell, pno Kid Ory, tbn Ed Garland, sbs Kid Ory, tbn Ed Garland, sbs George Probert, clt Minor Hall, drs George Probert, clt Minor Hall, drs

MILNEBERG JOYS Unissued 1 THEME SAVOY BLUES Unissued 2 DIPPERMOUTH BLUES I‟VE FOUND A NEW BABY Unissued 3 MONDAY DATE SUGAR BLUES Unissued 4 DARKTOWN STRUTTERS BALL 12TH STREET RAG(Incomplete) Unissued 5 JA-DA 6 ST. LOUIS BLUES (Incomplete) Unissued

LP (Original issue)

1, 2, 3, 4 & 5

Dawn Club(G) 12017 CD 4 Fremeaux(F) FA5135

PART C – KID ORY LIVE!

1954 1954 Sat 25th September Sat 2nd October KCBS broadcast from Club Hangover, San Francisco KCBS broadcast from Club Hangover, San Francisco

KID ORY’S CREOLE JAZZ BAND KID ORY’S CREOLE JAZZ BAND Alvin Alcorn, tpt Don Ewell, pno Alvin Alcorn, tpt Don Ewell, pno Kid Ory, tbn Ed Garland, sbs Kid Ory, tbn Ed Garland, sbs George Probert, clt Minor Hall, drs George Probert, clt Minor Hall, drs

1 THEME THEME 2 SOUTH I‟VE FOUND A NEW BABY 3 YELLOW DOG BLUES AUNT HAGAR‟S BLUES 4 BILL BAILEY WASHINGTON AND LEE SWING 5 COPENHAGEN SWEET GEORGIA BROWN 6 EH LA-BAS (Incomplete) Unissued CD LP (Original issue) All on 1,2,3,4 & 5 Acrobat(E) ADDCD3070 Dawn Club(G) 12017 Quote “Kid, too, was always in great form and it was a real thrill for me to sit and listen to one of my idols play all the tunes I had listened to on record all those years. During the breaks I would shoot the bull with Kid a lot. He

loved to tell the story over and over again how Louis Armstrong offered him „plenty money‟ to go on tour with the All Stars and how Kid refused because he didn‟t want to give up his own band or quit living in Southern California.”

Burt Wilson ‘A History of Sacramento Jazz’

PART C – KID ORY LIVE!

1954 1954 Sat 9th October Sat 16th October KCBS broadcast from Club Hangover, San Francisco KCBS broadcast from Club Hangover, San Francisco

KID ORY’S CREOLE JAZZ BAND KID ORY’S CREOLE JAZZ BAND Alvin Alcorn, tpt Don Ewell, pno Alvin Alcorn, tpt Don Ewell, pno Kid Ory, tbn Ed Garland, sbs Kid Ory, tbn Ed Garland, sbs George Probert, clt Minor Hall, drs George Probert, clt Minor Hall, drs

THEME Unissued THEME AT THE JAZZ BAND BALL Unissued WOLVERINE BLUES MEMPHIS BLUES Unissued MUSKRAT RAMBLE CHINATOWN MY CHINATOWN Unissued BLACK AND BLUE A GOOD MAN IS HARD TO FIND Unissued ST. LOUIS BLUES 12TH STREET RAG Unissued CD All on Acrobat(E) ADDCD3070

PART C – KID ORY LIVE!

1954 1954 *Sat 23rd October Sat 30th October KCBS broadcast from Club Hangover, San Francisco KCBS broadcast from Club Hangover, San Francisco

KID ORY’S CREOLE JAZZ BAND KID ORY’S CREOLE JAZZ BAND Alvin Alcorn, tpt Don Ewell, pno Alvin Alcorn, tpt Don Ewell, pno Kid Ory, tbn Ed Garland, sbs Kid Ory, tbn Ed Garland, sbs George Probert, clt Minor Hall, drs George Probert, clt Minor Hall, drs

1 THEME THEME 2 BALLIN‟ THE JACK CLARINET MARMALADE 3 ST. JAMES INFIRMARY DARKTOWN STRUTTERS BALL 4 INDIANA ‟S BLUES 5 I‟VE FOUND A NEW BABY DIPPERMOUTH BLUES 6 SHINE MILNEBERG JOYS

LP (Original issue) LP (Original issue)

2, 3, 4, 5 & 6 All on Dawn Club(G) DC12014 Dawn Club(G) 12014 CD CD

All on All on Acrobat(E) ADDCD3070 Acrobat(E) ADDCD3070

Note: *The Dawn Club issue is incorrectly dated October 10th

PART C – KID ORY LIVE!

1954 1954 Sat 6th November Sat 25th December KCBS broadcast from Club Hangover, San Francisco KCBS broadcast from Club Hangover, San Francisco

KID ORY’S CREOLE JAZZ BAND KID ORY’S CREOLE JAZZ BAND Alvin Alcorn, tpt Don Ewell, pno Alvin Alcorn, tpt Don Ewell, pno Kid Ory, tbn Ed Garland, sbs Kid Ory, tbn Ed Garland, sbs George Probert, clt Minor Hall, drs Phil Gomez, clt Minor Hall, drs

1 THEME Unissued THEME Unissued 2 WEARY BLUES MAPLE LEAF RAG Unissued 3 MY BUCKET‟S GOT A HOLE IN IT BASIN STREET BLUES Unissued 4 MAPLE LEAF RAG Unissued THAT‟S A PLENTY Unissued 5 SISTER KATE Unissued WEARY BLUES Unissued 6 CHINATOWN MY CHINATOWN Unissued

LP (Original issue) 2 Storyville(D) SLP4064 3 Storyville(D) SLP6016 CD 2 Storyville(D) STCD6035, Gold Sound(E) DCD-745/2 3 Storyville(D) STCD6016, Storyville(D) STCD 37664 2 & 3 Giants of Jazz(I) CD53026, CDB1208

PART C – KID ORY LIVE!

1954 1955 Fri 31st December Sat 22nd January KCBS broadcast from Club Hangover, San Francisco KCBS broadcast from Club Hangover, San Francisco

KID ORY’S CREOLE JAZZ BAND KID ORY’S CREOLE JAZZ BAND Alvin Alcorn, tpt Don Ewell, pno Alvin Alcorn, tpt Don Ewell, pno Kid Ory, tbn Ed Garland, sbs Kid Ory, tbn Ed Garland, sbs Phil Gomez, clt Minor Hall, drs Phil Gomez, clt Minor Hall, drs

1 SHINE 1 THEME Unissued 2 BALLIN‟ THE JACK 2 THAT‟S A PLENTY Unissued 3 I‟VE FOUND A NEW BABY 3 TIN ROOF BLUES 4 EH LA-BAS LP (Original issue) 5 DARKTOWN STRUTTERS BALL Unissued All on 6 MILNEBERG JOYS Unissued Sounds 1208 CD LP (Original issue) 2 3 Giants of Jazz(I) 53026 Storyville(D) SLP4064, Giants Of Jazz(I) LPJT93 All on 4 Jazz Crusade JCCD-3119 Storyville(D) SLP6016 CD 3 Giants Of Jazz(I) CD53026, CDB1208, Storyville(D) STCD6035 4 Storyville(D) STCD6016, Storyville(D) STCD 37664

PART C – KID ORY LIVE!

1955 1955 Sat 29th January Sat 5th February KCBS broadcast from Club Hangover, San Francisco KCBS broadcast from Club Hangover, San Francisco

KID ORY’S CREOLE JAZZ BAND KID ORY’S CREOLE JAZZ BAND Alvin Alcorn, tpt Don Ewell, pno Alvin Alcorn, tpt Don Ewell, pno Kid Ory, tbn Ed Garland, sbs Kid Ory, tbn Ed Garland, sbs Phil Gomez, clt Minor Hall, drs Phil Gomez, clt Minor Hall, drs

CLARINET MARMALADE Unissued 1 ROYAL GARDEN BLUES AUNT HAGAR‟S BLUES Unissued 2 SAVOY BLUES MAPLE LEAF RAG Unissued 3 12TH STREET RAG CHINATOWN MY CHINATOWN Unissued 4 MAMA‟S GONE GOODBYE Unissued 5 ST. LOUIS BLUES (Incomplete) Unissued

LP (Original issue) 1

Storyville(D) SLP4064 2 & 3 Storyville(D) SLP6016 CD 1 Storyville(D) STCD 6035 3

Storyville(D) STCD 37664 2 & 3 Storyville(D) STCD 6016

PART C – KID ORY LIVE!

stipulated that if any night club, bar or restaurant put on entertainment, they would be liable to put an extra 20% tax on every customers bill. It 1955 would appear that singing was regarded as entertainment, but a jazz band Sat 26th February was not! KCBS broadcast from Club Hangover, San Francisco Quote KID ORY’S CREOLE JAZZ BAND “He will be remembered for creating a style, his tone is big fat and Alvin Alcorn, tpt Don Ewell, pno beautiful. He is a powerful man on trombone. Ed talks my music. I Kid Ory, tbn Ed Garland, sbs welcomed the chance to play with them, to get with a name band. The Phil Gomez, clt Minor Hall, drs Ory band has a huge public, because it is a good band. Put a diamond with cut glass and the diamond sticks out. Same with a good band. Ory 1 ORIGINAL DIXIELAND ONE-STEP could work six nights a week for as long as he likes. He only takes time 2 TIN ROOF BLUES Unissued off for his own benefit. We went to the Hangover Club for a month, and 3 MAHOGANY HALL STOMP stayed six.” 4 BILL BAILEY Alvin Alcorn, Melody Maker, 13th October 1956 5 WHEN THE SAINTS GO MARCHIN‟ IN Unissued

LP (Original issue) 1, 3 & 4 Storyville(D) SLP 6016 CD 3 Storyville(D) STCD 37757 4 Storyville(D) STCD 37664 1, 3 & 4 Storyville(D) STCD 6016

Note: Although the Ory band had three capable singers among its members, there are no vocals on either the Club Hangover or Beverly Cavern broadcasts. This was due to a cabaret tax law in force at that time, which PART C – KID ORY LIVE!

1955 1956 Dates unknown (one possibly April 9th) Sun 14th October KCBS broadcast from Club Hangover, San Francisco. A Swedish radio broadcast of a concert from Konserthuset, Stockholm, Sweden. KID ORY’S CREOLE JAZZ BAND Alvin Alcorn, tpt Don Ewell, pno KID ORY’S CREOLE JAZZ BAND Kid Ory, tbn Ed Garland, sbs Alvin Alcorn, tpt Cedric Haywood, pno Phil Gomez, clt Minor Hall, drs Kid Ory, tbn, vcl-1 Wellman Braud, sbs Phil Gomez, clt Wally Bishop, drs AT THE JAZZ BAND BALL (1) Unissued ST. LOUIS BLUES (incomplete) (1) Unissued HIGH SOCIETY Unissued THEME (2) Unissued CARELESS LOVE Unissued MAHOGANY HALL STOMP (2) Unissued MUSKRAT RAMBLE-1 Unissued MOOD INDIGO (2) Unissued TIN ROOF BLUES Unissued CLARINET MARMALADE (2) Unissued EH LA-BAS-1 Unissued BILL BAILEY (2) Unissued SOUTH RAMPART STREET PARADE Unissued WHEN THE SAINTS GO MARCHING IN (incomplete) (2) Unissued THEME (3) Unissued Note: FIDGETY FEET (3) Unissued A professional tape of the above is known to exist SUGAR BLUES (3) Unissued K id Ory talks to a reporter, Olle Helander INDIANA (3) Unissued SUGARFOOT STOMP (3) Unissued THE WORLD IS WAITING FOR THE SUNRISE (3) Unissued

Note: I believe that the above are recorded from three different broadcasts. These are indicated by the numbers following the titles.

PART C – KID ORY LIVE! PART C – KID ORY LIVE!

1956 1956 Sat 3rd November Fri 9th November A Dutch radio recording of a concert at Kurhaus, Scheveningen, The A Swiss radio recording of a concert at Kunsthaus, Lucerne, Switzerland. Hague, Holland. KID ORY'S CREOLE JAZZ BAND KID ORY'S CREOLE JAZZ BAND Alvin Alcorn, tpt Cedric Haywood, pno Alvin Alcorn, tpt Cedric Haywood, pno Kid Ory, tbn, Wellman Braud, sbs Kid Ory, tbn, Wellman Braud, sbs Phil Gomez, clt Kansas Fields, drs Phil Gomez, clt Kansas Fields, drs TIGER RAG Unissued MOOD INDIGO Unissued MAHOGANY HALL STOMP Unissued TIN ROOF BLUES Unissued MOOD INDIGO Unissued BILL BAILEY Unissued WOLVERINE BLUES Unissued ORIGINAL DIXIELAND ONE STEP Unissued DO YOU KNOW WHAT IT MEANS? Unissued I‟VE FOUND A NEW BABY Unissued DIPPERMOUTH BLUES Unissued HIGH SOCIETY Unissued MUSKRAT RAMBLE Unissued Note: SISTER KATE Unissued Thanks to Jasper Van Pelt for the above. WOLVERINE BLUES Unissued MAHOGANY HALL STOMP Unissued EH LA-BAS Unissued ORY‟S BOOGIE Unissued SHINE Unissued

PART C – KID ORY LIVE!

1956 Sat 1st December A Swiss radio recording of a concert at The Theatre Beaulieu, Lausanne, Swizerland.

KID ORY'S CREOLE JAZZ BAND Alvin Alcorn, tpt Cedric Haywood, pno Kid Ory, tbn Wellman Braud, sbs Phil Gomez, clt Kansas Fields, drs

ORY'S BOOGIE Unissued BLUES FOR JIMMIE Unissued WHEN THE SAINTS GO MARCHING IN Unissued TIN ROOF BLUES Unissued HIGH SOCIETY Unissued MAGOGANY HALL STOMP Unissued

Note: Thanks to Jasper Van Pelt for the above. Quote “ Wednesday - Over 300 jazz fans, and the music of Maxim Saury and his six-piece band, welcomed veteran American trombonist Kid Ory to Paris on Thursday last week. When Ory arrived at the Gare St Lazare, the fans pushed through the ticket barriers, climbed on each other‟s shoulders to look into the windows of the train, and went crazy when Ory finally appeared. The 69 year old New Orleans jazzman was accompanied by his attractive red-haired wife, his two teenage sons and two year old daughter. Ory is to give three Paris concerts and the Salle Pleyel before starting an extensive tour of Europe with his band.”

Melody Maker, 22nd September 1956 PART C – KID ORY LIVE!

LP (Original Issue) 1 to 8

1956 Verve MGV8254

Weds 5th December

Concert from Theatre Des Champs-Elysees, Paris, France CD

1-6, 8 KID ORY IN EUROPE Upbeat(E) URCD 236 Alvin Alcorn, tpt Cedric Haywood, pno 1,2, 4-16 Kid Ory, tbn, vcl-1 Wellman Braud, sbs

Phil Gomez, clt Kansas Fields, drs Mosaic MD8-189 (CD X 8 set )**, Gitanes (F) (no number)

C oncert one

1 TIGER RAG 2 MEMPHIS BLUES 3 DIPPERMOUTH BLUES - 1 4 FOUR OR FIVE TIMES 5 SOUTH 6 WASHINGTON AND LEE SWING 7 DOWN IN JUNGLE TOWN 8 BASIN STREET BLUES

Co ncert two

9 ORIGINAL DIXIELAND ONESTEP

10 MUSKRAT RAMBLE 11 WHEN THE SAINTS GO MARCHING IN 12 LADY BE GOOD 13 SAVOY BLUES 14 WABASH BLUES 15 THE WORLD IS WAITING FOR THE SUNRISE

16 Dippermouth blues - 2

17 12 th STREET RAG (rejected)

18 DO YOU KNOW WHAT IT MEANS? (rejected) 19 ST. LOUIS BLUES (rejected) PART C – KID ORY LIVE!

1957 Thurs 4th July , Newport, Rhode Island

RED ALLEN, AND KID ORY AT NEWPORT Henry “Red” Allen, tpt Claude Hopkins, pno J C Higginbotham, tbn Arvell Shaw, sbs Kid Ory, tbn, vcl-1 Cozy Cole, drs Jack Teagarden, tbn Buster Bailey, clt

1 MUSKRAT RAMBLE -1 2 HIGH SOCIETY

LP (Original Issue) Both on Verve MGV8233 CD Both on Mosaic189-2 (CD X 8 set)*, Upbeat(E) URCD 236 The Newport Jazz Concert. Arvell Shaw b, Jack Note: *Mosaic 189 is titled “The Complete Verve Recordings of Kid Ory” Teagarden tb, Kid Ory tb, J C Higginbotham tb, Red Allen tp, Buster Bailey cl.

PART C – KID ORY LIVE!

1959 1959 Tues 22nd September – Afternoon Show Tues 22nd September – Evening Show Recorded for American Forces Network, Berlin from a concert at the Recorded for American Forces Network, Berlin from a concert at the Sportpalast, Berlin, Germany Sportpalast, Berlin, Germany

KID ORY’S CREOLE JAZZ BAND KID ORY’S CREOLE JAZZ BAND Henry “Red” Allen, tpt, Cedric Haywood, pno Henry “Red” Allen, tpt, vcl-2 Cedric Haywood, pno Kid Ory, tbn, vcl-1 Squire Gersh, sbs Kid Ory, tbn, vcl-1 Squire Gersh, sbs Bob McCracken, clt Alton Redd, drs, vcl-2 Bob McCracken, clt Alton Redd, drs

1 ORIGINAL DIXIELAND ONE-STEP 1 BILL BAILEY -1 2 (I WISH‟T I WAS IN) PEORIA 2 SAINT JAMES INFIRMARY BLUES -2 3 CARELESS LOVE -2 3 WOLVERINE BLUES 4 HIGH SOCIETY 4 SISTER KATE -1 5 SAVOY BLUES 5 SUGARFOOT STOMP 6 TIN ROOF BLUES 6 AUNT HAGAR‟S BLUES 7 MUSKAT RAMBLE -1 7 KID ORY‟S BOOGIE WOOGIE 8 PANAMA 8 AT THE JAZZ BAND BALL 9 WHEN THE SAINTS GO MARCHING IN -2 9 TUXEDO JUNCTION 10 BANTER – IN GERMAN CD 11 TIGER RAG All on 12 WITHOUT YOU FOR AN INSPIRATION Jazz Crusade JCCD-3125 CD All on Jazz Crusade JCCD3126

Note: The Rights for the above two concerts were purchased by Bill Bissonnette for his Jazz Crusade label from Ory‟s daughter Babette PART C – KID ORY LIVE!

1959 1959 Sun 4th October - 6.00pm show Sun 4th October - 9.00pm show Recorded for FFB Berlin Radio from a concert at the Salle Pleyel, Paris, Recorded for FFB Berlin Radio from a concert at the Salle Pleyel, Paris, France. First broadcast on 10th October 1959. France. First broadcast on 10th October 1959.

KID ORY’S CREOLE JAZZ BAND KID ORY’S CREOLE JAZZ BAND Henry “Red” Allen, tpt, vcl-23 Cedric Haywood, pno Henry “Red” Allen, tpt Cedric Haywood, pno Kid Ory, tbn, vcl-14 , 24 Squire Gersh, sbs Kid Ory, tbn, vcl-37 , 46 Squire Gersh, sbs Bob McCracken, clt Alton Redd, drs Bob McCracken, clt Alton Redd, drs, vcl-37

6.00 PM First part 9. 00 PM First part

11 Panama 31 I Wish I Was In Peoria 12 Basin Street Blues E 32 Tailgate Ramble 13 Tiger Rag #1 E 33 Tin Roof Blues 14 Do You Know What It Means To Miss New Orleans E' 34 Wolverine Blues 15 Royal Garden Blues E 35 Ory' s Boogie 16 Savoy Blues 36 South Rampart Street Parade 17 When The Saints Go Marching In 37 Shine E 18 Without you for an inspiration dear E' 9.00 PM Second part

6.00 PM Second part 41 Original Dixieland One Step

21 Do What Ory Say E' 42 Muskrat Ramble 43 High society #2 E' 22 Clarinet Marmalade 23 St. James Infirmary 44 Aunt Hagar' s Blues E'

24 I Wish I Could Shimmy Like My Sister Kate E 45 Tiger Rag #2

25 High Society #1 (illustrated audio) 46 Ory Interviewed By S im Cop ans E

See b elow a transcription of the Copans interview Sound tapes exist See , for the list of YouTube movies: http://www.fellers.se/Kid/1959_Salle_Pleyel_movies.html

I would like to thank Franz Hoffman for his help in compiling the above. PART C – KID ORY LIVE!

The concerts were telerecorded by ORTF and aired in a cross-mixture of the afternoon and evening tunes on TV late 1959/60.

Parts of the concerts were also issued in a cross-mixture of afternoon and evening tunes on on JAZZ AVERTY-E-video (E).

Five clips (E') from this were aired on NBC-TV(Europe)- SuperChannels before the video-release.

The afternoon concert was broadcasted on FFB-Berlin 10 October 1959.

The afternoon concert was also shown to the French and US Army in Berlin Quartier Latin. NOTE: Above we show the tunes that we could find. The number of tunes is by no means complete. The order of the found tunes from the concerts is the best estimation based on various evidences such as a mixture of slow and fast tunes, microphone positions and on the fact that a bag is seen to the right of the stage on the first part of the 6.00 PM show.

In many cases the original files have incomplete or abrupt starts and endings. We have chosen to add suitable movie parts and fading ends to make the listening and viewing as pleasant as possible. We thank Franz Hoffmann for the invaluable cooperation during editing and discussions and in finding sound- and movie files.

In one case we have found a sound file and have chosen to present it Jean-Christophe Averty, the producer of the E video is standing. by a suitable movie illustration. Sim Cop ans, who interviewed the Kid Ory is seated . The photograph is taken by the famous french photographer Jean- Pierre Leloir during the Paris concerts on 4 October 1959.

PART C – KID ORY LIVE!

1959 1959 Sat 24th October - 6:00pm Show Sat 24th October – 8:30pm Show Concert from the Free Trade Hall, Manchester, England Concert from the Free Trade Hall, Manchester, England

KID ORY’S CREOLE JAZZ BAND KID ORY’S CREOLE JAZZ BAND Henry “Red” Allen, tpt, vcl-2 Cedric Haywood, pno Henry “Red” Allen, tpt, vcl-2 Cedric Haywood, pno Kid Ory, tbn, vcl-1 Squire Gersh, sbs Kid Ory, tbn, vcl-1 Squire Gersh, sbs Bob McCracken, clt Alton Redd, drs -3 Bob McCracken, clt Alton Redd, drs, vcl-3

1 ORIGINAL DIXIELAND ONESTEP ORIGINAL DIXIELAND ONESTEP Unissued 2 (I WISH‟T I WAS IN) PEORIA AUNT HAGAR‟S BLUES Unissued 3 CARELESS LOVE -3 WON‟T YOU COME HOME BILL BAILEY-1Unissued 4 WON‟T YOU COME HOME BILL BAILEY -1 CARELESS LOVE -3 Unissued 5 ST JAMES INFIRMARY -2 BOURBON STREET PARADE-1 Unissued 6 THAT‟S A PLENTY ST JAMES INFIRMARY -2 Unissued 7 DO YOU KNOW WHAT IT MEANS? -1 Unissued WOLVERINE BLUES Unissued 8 MARYLAND, MY MARYLAND Unissued BASIN STREET BLUES -3 Unissued 9 SAVOY BLUES Unissued MARYLAND, MY MARYLAND Unissued 10 MUSKRAT RAMBLE -1 Unissued DO YOU KNOW WHAT IT MEANS? -1 Unissued 11 TIGER RAG Unissued MUSKRAT RAMBLE-1 Unissued 12 THEME Unissued THEME Unissued

LP (Original Issue) Note: 1, 2, 3, 4, 5 & 6 A private 57 minute tape of the above session is known to exist Queen Disc(I) Q-052

Note: Queen Disc titled “Kid Ory‟s Creole Jazz Band featuring Red Allen, Live in England 1959”. All others unissued.

PART C – KID ORY LIVE!

Quote “I asked Harold Pendleton, who was running the tour, if he could get the Kid to autograph my programme, but he said „no chance, the Kid doesn‟t like being disturbed‟. Just at that moment the Kid appeared at the top of the stairs and shouted down to Pendleton that he had left his shoes back at the hall. Without being asked, I shouted back „I‟ll go‟, and dashed off for the shoes. When I got back the Kid was still at the top of the stairs. He said to me „come on up‟. I was off like a flash. He asked me into his room and I asked if he would sign my programme, „sure he would‟. He also got out some photos and I asked him to sign one for my son, „I named him after you‟. The Kid was delighted, he thought this was the greatest”.

Malcolm Webb, Footnote, February/March 1977

“I was a member of the Terry Lightfoot band that supported Ory on his 1959 British tour and as I was the trombonist, I was given the job of Ory‟s minder. I have many happy memories of those days. One thing that impressed me was Ory‟s bandroom warming up exercises, they were exactly the same ones I was taught by my old brass band teacher! another was the great respect Henry Allen had for his leader. He always referred to him as Mister Ory.”

Phil Rhodes in conversation at the 100 Club

PART C – KID ORY LIVE!

1959 1959 Mon 9th November Fri 13th November Broadcasted concert from the Liederhalle, Basle, Switzerland Concert from the Falkner Centret, Copenhagen, Denmark

KID ORY’S CREOLE JAZZ BAND KID ORY’S CREOLE JAZZ BAND Henry “Red” Allen, tpt, vcl-1 Cedric Haywood, pno Henry “Red” Allen, tpt, vcl-2 Cedric Haywood, pno Kid Ory, tbn Squire Gersh, sbs Kid Ory, tbn, vcl-1 Squire Gersh, sbs Bob McCracken, clt Alton Redd, drs Bob McCracken, clt Alton Redd, drs

ORIGINAL DIXIELAND ONESTEP (I WISH‟T I WAS IN) PEORIA SISTER KATE-1 BASIN STREET BLUES WOLVERINE BLUES ST JAMES INFIRMARY -1 ST JAMES INFIRMARY -2 WOLVERINE BLUES TIN ROOF BLUES SAVOY BLUES CLARINET MARMALADE TIN ROOF BLUES MUSKRAT RAMBLE -1 THAT‟S A PLENTY DO YOU KNOW WHAT IT MEANS? -1 AUNT HAGAR‟S BLUES AT THE JAZZ BAND BALL PANAMA SAVOY BLUES AT THE JAZZ BAND BALL THE SHEIK OF ARABY*/ INDIANA HIGH SOCIETY

Note: *Announced by Ory as “Ole Miss” LP (Original Issue ) Storyville STCD-6038 incorrectly lists Frank Haggerty as playing guitar on All on this concert. After Bud Scott died, Ory only used guitar on studio recording Rarities (E) No.60 (Titled “The Very Great Henry Red Allen with Kid Ory‟s Creole Jazz Band”) sessions. CD All on Storyville(D) STCD-6038 (Titled “Kid Ory and Red Allen in Denmark”) Part C- KID ORY LIVE C84- -X

1971 Tues 20th April

Rehearsal for the co ncert a t the New Orleans Jazz and Heritage Festiva l - sh own in C 84

Thomas Jefferson, tpt Don Ewell , p Kid Ory, tb Emanuel Sayles , bjo Raymond Burke , clt , gtr Chuck Badie or Ed Garland, sbs * , drs

1. BIG BUTTER AND EGG MAN 2. SISTER KATE 3. BILL BAILEY 4. YELLOW DOG BLUES 5. YELLOW DOG BLUES ( incomplete ) Unissued

6. MUSKRAT RAMBLE* Unissued

7. MILNEBERG JOYS * 8. MUSKRAT RAMBLE (incomplete )* Unissued Unissued 9. AUNT HAGAR ’S BLUES (incomplete ) * 10. AUNT HAGAR ’S BLUES * Unissued 11. THAT’S A PLENTY *

CD 1, 2, 3, 4, 7 & 10 Upbeat ( E) URCD 187

PART C – KID ORY LIVE!

1971 Sat 24th April Concert at the New Orleans Jazz and Heritage Festival, Municipal Auditorium, New Orleans.

KID ORY’S CREOLE JAZZ BAND

Thomas Jefferson, tpt, Emanuel Sayles, bjo Bobby Hackett, cor Danny Barker, gtr Kid Ory, tbn, vcl Chuck Badie or Ed Garland, sbs * Raymond Burke, clt Freddie Kohlman, drs Don Ewell, pno

EH LAS-BAS Unissued YELLOW DOG BLUES Unissued BILL BAILEY Unissued

MUSKRAT RAMBLE* Unissued BIG BUTTER AND EGG MAN* Unissued

Note: We are indebted to the Japanese trumpet player Yoshio Toyama who recorded the above concert and also supplied the information

Part D – THE VOICE OF INFORMATION AND EDUCATION

JUBILEE PROGRAMMES

1946 1944 Late May April 1-10 L.Z Cooper, pno Bud Scott, gtr, JUBILEE 198 JUBILEE 74 Ed Garland, sbs Recorded at NBC Studios, Hollywood for AFRS Jubilee Broadcasts Recorded at NBC Studios, Hollywood for AFRS Jubilee broadcasts Minor Hall, drs

KID ORY‟S CREOLE JAZZ BAND Jack Teagarden with All Star New Orleans Band Mutt Carey, tpt Jack Teagarden (tbn,voc) Buster Wilson (pno) Kid Ory, tbn Mutt Carey (tpt) Bud Scott (gtr) Albert Nicholas, clt Unissued Kid Ory (tbn) Ed Garland (sbs) Jimmie Noone (clt) Zutty Singleton (drs) M.C. Ernie Whitman

M.C. Ernie (Bubbles) Whitman 1 HIGH SOCIETY

2 SAVOY BLUES

1 BLUES Unissued 3 SAVOY BLUES encore

78

1 V- Disc 723 LP (original issue)

1 & 2

Wolf(Au) WJS-1002

CD 1 Note: When Jubilee moved to Calirornia in January 1943, Ernest "Bubbles" Zeta(F) CDZET716, Recording Arts(I) JZCD368, Apollon(J) BY28-9, American Music AMCD-19, Whitman became the regular master of ceremonies. He was both an actor Wolf(Au) WJS-1002\CD and entertainer and appeared in numerous films, as the Egyptian pharaoh in "Green Pastures"(1936), a band leader in "Stormy Weather" (1943) and 2 American Music AMCD-19, Wolf(Au) WJS-1002\CD many others. Notes: Other tracks on Jubilee 198 by Wingy Manone and Stan Wrightsman Part D – THE VOICE OF INFORMATION AND EDUCATION

1946 Late May

JUBILEE 199 Recorded at NBC Studios, Hollywood for AFRS Jubilee Broadcasts

KID ORY‟S CREOLE JAZZ BAND Mutt Carey, tpt L.Z Cooper, pno Kid Ory, tbn Bud Scott, gtr, vcl-1 Albert Nicholas, clt Ed Garland, sbs Minor Hall, drs M.C Bud Widdam

1 BLUES FOR JIMMIE NOONE -1 2 CLARINET MARMALADE

LP (original issue) 1 & 2 Wolf(Au) WJS-1002 CD 1 & 2 Wolf(Au) WJS-1002CD, American Music AMCD-19

Notes: Other tracks on Jubilee 199 by the Wingy Manone band and Frankie Laine

Part D – THE VOICE OF INFORMATION AND EDUCATION

1947 1947

JUBILEE 250 JUBILEE 288 Concert in Hollywood Concert in Hollywood

KID ORY‟S CREOLE JAZZ BAND KID ORY‟S CREOLE JAZZ BAND Andrew Blakeney, tpt Buster Wilson, pno Andrew Blakeney, tpt unknown, pno Kid Ory, tbn, vcl -1 Bud Scott, gtr, vcl -1 Kid Ory, tbn, vcl-1 Bud Scott, gtr Barney Bigard, clt Ed Garland, sbs Barney Bigard, clt unknown, sbs Alton Redd, drs Alton Redd, drs

1 MUSKRAT RAMBLE Unissued MUSKRAT RAMBLE Unissued

2 OH, DIDN‟T HE RAMBLE -1 Notes:

Other tracks on Jubilee 288 by and Count Basie LP (original issue) 2 Swing House(E) SWH-42

Note: Other tracks on Jubilee 250 by Murray McEachern Orchestra and Nellie Lutcher Andrew Blakeney joined Ory‟s band in May 1947 and Barney Bigard recorded as a member of Louis Armstrong‟s All Stars on the 9th September 1947. Therefore we assume the above was recorded sometime in the Summer.

Jubilee 198 is duplicated on Jubilee 298 Part D – THE VOICE OF INFORMATION AND EDUCATION

1949 c. July

JUBILEE 341 Recorded at the Beverly Cavern, Hollywood

KID ORY AND HIS CREOLE DIXIELAND BAND Andrew Blakeney, tpt Buster Wilson, pno Kid Ory, tbn Ed Garland, sbs Joe Darensbourg, clt Minor Hall, drs

1 SOUTH 2 ROYAL GARDEN BLUES 3 SNAG IT 4 CREOLE SONG 5 SOUTH RAMPART STREET PARADE 6 MAHOGANY HALL STOMP 7 WHEN THE SAINTS GO MARCHING IN

CD 1, 2, 3, 4, 6, & 7 Avid(E) AMSC 972 All on 504(E) CD85A

Note: The introduction and sign off theme on this and all subsequent Jubilee programmes is “One O‟Clock Jump” by the . Part D – THE VOICE OF INFORMATION AND EDUCATION

1949 1949 c. July. c. July

JUBILEE 343 JUBILEE 346 Recorded at the Beverly Cavern, Hollywood Recorded at the Beverly Cavern, Hollywood

KID ORY AND HIS CREOLE DIXIELAND BAND KID ORY AND HIS CREOLE DIXIELAND BAND Andrew Blakeney, tpt Buster Wilson, pno Andrew Blakeney, tpt Buster Wilson, pno Kid Ory, tbn Ed Garland, sbs Kid Ory, tbn Ed Garland, sbs Joe Darensbourg, clt Minor Hall, drs Joe Darensbourg, clt Minor Hall, drs M.C George Patton M.C Johnny Grant 1 BILL BAILEY WON‟T YOU PLEASE COME HOME 1 DOWN AMONG THE SHELTERING PALMS 2 ROYAL GARDEN BLUES 2 ALL THE GIRLS GO CRAZY „BOUT THE WAY I WALK 3 SOUTH RAMPART STREET PARADE 3 THAT‟S A PLENTY 4 EH LA-BAS 4 DO WHAT ORY SAY 5 WABASH BLUES 5 I‟M WITH YOU WHERE YOU ARE* 6 ORY‟S BOOGIE 6 DIPPERMOUTH BLUES 7 TIGER RAG CD 3 LP (original issue) 504(E) CD87 2, 3, 4 & 6 2 & 6 Swing House(E) SWH-42 504(E) CD85B CD 1, 4 & 5 504(E) CD85A All on 1, 3, 4, 5 & 6 504(E) CD85A, Avid(E) AMSC 972 Avid(E) AMSC 972

Note: * The MC announces (5)” I‟m With You Where You Are” as a medley with “Near You” but this does not appear on the transcription.

Part D – THE VOICE OF INFORMATION AND EDUCATION

1949 1949 c.August - Broadcast Oct 22nd 1949 c. September – Broadcast 12 Nov 1949

JUBILEE 348 JUBILEE 351 Recorded at the Beverly Cavern, Hollywood Recorded at the Beverly Cavern, Hollywood (Broadcast 12 November 1949) KID ORY AND HIS CREOLE DIXIELAND BAND Andrew Blakeney, tpt Buster Wilson, pno KID ORY AND HIS CREOLE DIXIELAND BAND Kid Ory, tbn Ed Garland, sbs Andrew Blakeney, tpt Buster Wilson, pno Joe Darensbourg, clt Minor Hall, drs Kid Ory, tbn Ed Garland, sbs M.C. George Patton Joe Darensbourg, clt Minor Hall, drs M.C George Patton 1 1919 RAG 2 SAVOY BLUES 1 SOME OF THESE DAYS 3 YELLOW DOG BLUES 2 SOUTH RAMPART STREET PARADE 4 I‟M WITH YOU WHERE YOU ARE 3 CREOLE SONG 5 12TH STREET RAG 4 CAROLINA IN THE MORNING 6 ORIGINAL DIXIELAND ONESTEP 5 BABY WON‟T YOU PLEASE COME HOME 7 I‟M LOOKING OVER A FOUR LEAF CLOVER 6 SAVOY BLUES 7 12TH STREET RAG CD 7 CD Avid(E) AMSC 973 1, 2, 3, 4, 5 & 6 3 & 5 Avid(E) AMSC 973 Avid(E) AMSC 972 1, 2, 3, 4, 5 & 7 1, 2, 3, 4, 6 & 7 504(E) CD85B 504(E) CD85B All on All on Document(Au) JUBCD-1013, “The best of AFRS Jubilee vol. 13”. AMCD-121

Part D – THE VOICE OF INFORMATION AND EDUCATION

1949 1949 c. July c. July

JUBILEE 354 JUBILEE 358 Recorded at the Beverly Cavern, Hollywood KID ORY AND HIS CREOLE DIXIELAND BAND KID ORY AND HIS CREOLE DIXIELAND BAND Andrew Blakeney, tpt Buster Wilson, pno Andrew Blakeney, tpt Buster Wilson, pno Kid Ory, tbn Ed Garland, sbs Kid Ory, tbn Ed Garland, sbs Joe Darensbourg, clt Minor Hall, drs Joe Darensbourg, clt Minor Hall, drs M.C. Alan Jefferey M.C. Alan Jefferey 1 SAN 1 BLUES FOR JIMMIE NOONE (same as D13) 2 ROYAL GARDEN BLUES 2 DO WHAT ORY SAY 3 BABY WON‟T YOU PLEASE COME HOME 3 MUSKRAT RAMBLE (Interview by Alan Jefferey with Kid Ory) 4 ORIGINAL DIXIELAND ONESTEP 4 SOUTH 5 CARELESS LOVE (same as D13) 5 MEDLEY: CUDDLE UP A LITTLE CLOSER - OLE MISS 6 ALEXANDERS RAGTIME BAND 6 12TH STREET RAG CD 3 CD 504 (E) CD86A All on 1, 2, 5 & 6 504(E) CD86A, Document(Au) JUBCD-1014, “The best of AFRS Jubilee vol. 504 (E ) CD85 B 14”, Avid(E) AMSC 973 2, 3, 4 & 5 Avid(E) AMSC 973

Part D – THE VOICE OF INFORMATION AND EDUCATION

1949 c. July

JUBILEE 362 Recording at the Beverly Cavern, Hollywood

KID ORY AND HIS CREOLE DIXIELAND BAND Andrew Blakeney, tpt Buster Wilson, pno Kid Ory, tbn Ed Garland, sbs Joe Darensbourg, clt Minor Hall, drs

1 MISSISSIPPI MUD 2 JOSHUA FIT DE BATTLE OF JERICHO 3 JAZZ ME BLUES 4 SAVOY BLUES 5 BLUES FOR JIMMIE NOONE (same as D11) 6 CARELESS LOVE (same as D11)

CD 5 (part) 504(E) CD86B 1, 2, 3 & 4 504(E) CD86A 3, 4 & 5 Avid(E) AMSC 973

Part D – THE VOICE OF INFORMATION AND EDUCATION

KID ORY AFRS TRANSCRIPTIONS

Recorded during 1949/1950. Station KGFJ broadcasts for the US Armed

Forces Radio Service, from the Beverly Cavern, 4289 Beverly Boulevard,

Hollywood, Los Angeles, California.

Kid Ory 2

Kid Ory 1 First broadcast – 2nd June 1949 personnel as for Kid Ory 1 First broadcast - ? 1 AFTER YOU‟VE GONE

KID ORY AND HIS CREOLE JAZZ BAND 2 AM I BLUE Unissued

Andrew Blakeney, tpt Buster Wilson, pno 3 JA-DA (same as D20) Unissued

Kid Ory, tbn Ed Garland, sbs 4 THE WORLD IS WAITING FOR THE SUNRISE

Joe Darensbourg, clt Minor Hall, drs 5 TUXEDO JUNCTION 6 DARKTOWN STRUTTERS BALL Unissued

1 THEME Unissued

2 WEARY BLUES Unissued LP (Original issue)

3 I‟M WITH YOU WHERE YOU ARE (same as D19) 1, 4 & 5

4 WANG WANG BLUES Sounds (E) 1208

5 DOWN IN JUNGLE TOWN CD

6 I‟M BUSY AND YOU CAN‟T COME IN 1, 4 & 5

7 PANAMA Unissued Jazz Crusade JCCD-3119

8 THEME (Incomplete) Unissued For some reason, Kid Ory 1 is identical to Kid Ory 9 and Kid Ory 2 is

LP (Original issue) identical to Kid Ory 10

3, 4, 5 & 6

Sounds(E) 1208

CD Quote 3, 4, 5 & 6 “Kid Ory continues to pack the popular Beverly Cavern. Buster Wilson has Jazz Crusade JCCD-3119 rejoined the band on piano and the group sounds better than ever. A great many of the local collectors are busily making home recordings of Ory‟s nightly broadcasts, which are also recorded by the Armed Forces Radio Services for distribution throughout the world.”

Floyd Levin, Jazz Journal, July 1949 Part D – THE VOICE OF INFORMATION AND EDUCATION

Kid Ory 3 Kid Ory 4 First broadcast - 28th May 1949 First Broadcast - 31st May 1949

KID ORY AND HIS CREOLE JAZZ BAND KID ORY AND HIS CREOLE JAZZ BAND Andrew Blakeney, tpt Buster Wilson, pno Andrew Blakeney, tpt Buster Wilson, pno Kid Ory, tbn Ed Garland, sbs Kid Ory, tbn Ed Garland, sbs Joe Darensbourg, clt Minor Hall, drs Joe Darensbourg, clt Minor Hall, drs

1 WITHOUT YOU FOR AN INSPIRATION 1 THEME Unissued 2 PANAMA (same as D18) 2 1919 3 SISTER KATE 3 YELLOW DOG BLUES (same as D25) 4 MAHOGANY HALL STOMP 4 THAT‟S A PLENTY 5 MARGIE (same as D17) 5 MARYLAND, MY MARYLAND 6 CHINATOWN, MY CHINATOWN 6 AT A GEORGIA CAMP MEETING 7 BLACK AND BLUE 7 MUSKRAT RAMBLE 8 12TH STREET RAG (incomplete) 8 MARGIE (sam e as D1 6) Unissued 9 PANAMA (incomplete) Unissued 9 YELLOW DOG BLUES (incomplete)

CD CD 4 & 8 2 & 3 504(E) CD86B 504(E) CD 86A 3, 5, 6 & 7 4, 5, 6 & 7 504(E) CD86A 504(E) CD86B 2, 3, 5, 6 & 7 2, 3, 4, 5, 7 & 9 American Music AMCD-20, Quadromania(G) 222466, Membran(G) 222800- Avid(E) AMSC 974 387 1, 2, 3, 4, 5, 6 & 7 Avid(E) AMSC 974

Part D – THE VOICE OF INFORMATION AND EDUCATION

Kid Ory 5 Kid Ory 6 First Broadcast 7th June 1949 First Broadcast - 10th June 1949

KID ORY AND HIS CREOLE JAZZ BAND KID ORY AND HIS CREOLE JAZZ BAND Andrew Blakeney, tpt Buster Wilson, pno Andrew Blakeney, tpt Buster Wilson, pno Kid Ory, tbn Ed Garland, sbs Kid Ory, tbn James P Johnson, pno -1 Joe Darensbourg, clt Minor Hall, drs Joe Darensbourg, clt Ed Garland, sbs Minor Hall, drs 1 THEME Unissued 2 PANAMA (same as D16) 1 CHINATOWN, MY CHINATOWN -1 3 STORYVILLE BLUES (FAREWELL TO STORYVILLE) 2 FOUR OR FIVE TIMES -1 ( same as D25) 4 SWEET GEORGIA BROWN 3 I‟M WITH YOU WHERE YOU ARE (same as D14) 5 CAROLINA IN THE MORNING 4 OH, DIDN‟T HE RAMBLE -1 6 MISSISSIPPI MUD 5 BACK HOME AGAIN IN INDIANA -1 7 TIGER RAG 6 ORIGINAL DIXIELAND ONESTEP -1 8 CHINATOWN, MY CHINATOWN (incomplete) Unissued 7 12TH STREET RAG Unissued 8 CHINATOWN, MY CHINATOWN (incomplete) -1 Unissued CD 3 & 7 CD 504(E) CD86A 3 & 6 2, 4, 5 & 6 504(E) CD87 504(E) CD86B 1, 2, 4 & 5 3, 4, 5, 6 & 7 504(E) CD86B Avid(E) AMSC 974 1, 2, 3, 4 & 5 Avid(E) AMSC 974

Note: Although unannounced, James P Johnson was in Los Angeles for his show “Sugar Hill” and sat in with the band at the Beverly Cavern. Part D – THE VOICE OF INFORMATION AND EDUCATION

Kid Ory 7 Kid Ory 8 First Broadcast 26th July 1949 First Broadcast - 1st May 1949

KID ORY AND HIS CREOLE JAZZ BAND KID ORY AND HIS CREOLE JAZZ BAND Andrew Blakeney, tpt Buster Wilson, pno Andrew Blakeney, tpt Buster Wilson, pno Teddy Buckner, tpt - 1 Lloyd Glenn, pno -1 Kid Ory, tbn Ed Garland, sbs Kid Ory, tbn Ed Garland, sbs Joe Darensbourg, clt Minor Hall, drs Joe Darensbourg, clt Minor Hall, drs 1 THEME Unissued THEME -1 Unissued 2 IT‟S A LONG WAY TO TIPPERARY Unissued WEARY BLUES -1 Unissued 3 ROYAL GARDEN BLUES Unissued SHEIK OF ARABY -1 Unissued 4 MEMPHIS BLUES Unissued BASIN STREET BLUES -1 Unissued 5 I‟M LOOKING OVER A FOUR LEAF CLOVER Unissued CHINATOWN MY CHINATOWN -1 Unissued 6 ORY‟S BOOGIE SAVOY BLUES -1 Unissued 7 SOUTH RAMPART STREET PARADE Unissued JA-DA (s ame as D15) Unissued 8 THEME (incomplete) Unissued WEARY BLUES-1 (incomplete) Unissued CD 6 American Music AMCD-20

Note: The personnel on AMCD-20 is incorrectly given as Teddy Buckner tpt and Lloyd Glenn pno.

Part D – THE VOICE OF INFORMATION AND EDUCATION

Kid Ory 9 Kid Ory 11 First Broadcast 1st June 1949 No personnel or date details available

KID ORY AND HIS CREOLE JAZZ BAND DIXIELAND ONE STEP Unissued Andrew Blakeney, tpt Buster Wilson, pno CARELESS LOVE Unissued Kid Ory, tbn Ed Garland, sbs ALEXANDER‟S RAGTIME BAND Unissued Joe Darensbourg, clt Minor Hall, drs MUSKRAT RAMBLE Unissued BLUES FOR JIMMIE Unissued THEME DO WHAT ORY SAY Unissued WEARY BLUES ROYAL GARDEN BLUES (incomplete) Unissued I‟M WITH YOU WHERE YOU ARE WANG WANG BLUES DOWN IN JUNGLE TOWN I‟M BUSY AND YOU CAN‟T COME IN Kid Ory 12 PANAMA First Broadcast - 28th June 1949 THEME (incomplete) KID ORY AND HIS CREOLE JAZZ BAND Andrew Blakeney, tpt Buster Wilson, pno For Issues see Kid Ory 1 (D14) Kid Ory, tbn James P Johnson, pno -1 Joe Darensbourg, clt Ed Garland, sbs Minor Hall, drs

1 THEME Unissued 2 MISSISSIPPI MUD Kid Ory 10 3 YELLOW DOG BLUES Personnel as Kid Ory 9 4 JOSHUA FIT DE BATTLE OF JERICHO 5 JAZZ ME BLUES AFTER YOU‟VE GONE 6 SAVOY BLUES Unissued AM I BLUE 7 FOUR OR FIVE TIMES -1 (sam e as D1 9) 8 ALEXANDER‟S RAGTIME BAND JA-DA 9 MISSISSIPI MUD (incomplete) Unissued THE WORLD IS WAITING FOR THE SUNRISE TUXEDO JUNCTION CD DARKTOWN STRUTTERS BALL (incomplete) 2, 3, 4 & 8 Avid(E) AMSC 975 For Issues see Kid Ory 2 (D15) 2, 4, 5, 6 & 8 504(E) CD87 Part D – THE VOICE OF INFORMATION AND EDUCATION

Kid Ory 15 Kid Ory 13 No personnel or date details available Personnel as for Kid Ory 12 T eddy Buckner tp (?) * SHINE Unissued

I‟M BUSY AND YOU CAN‟T COME IN Unissued

THEME JOSHUA FIT DE BATTLE OF JERICHO Unissued 1 EH LA-BAS Unissued WANG WANG BLUES Unissued 2 WANG WANG BLUES Unissued GEORGIA CAMP MEETING Unissued 3 SWEET GEORGIA BROWN * SAN Unissued 4 SAN PANAMA Unissued 5 SHAKE THAT THING* 6 DIPPERMOUTH * Unissued WABASH BLUES (incomplete) Unissued 7 ORY‟S BOOGIE

CD

3, 4 & 5 Needle Notice (on cover of Library of Congress copy) American Music AMCD20 3, 4, 5, & 7 Membran(G) 222800-387, Quadromania(G) 222466 When permanent jewelled transcription needle is not available: Use medium tone shadowgraph needles. Remember, a bad needle can ruin a program Change needle after every selection. A needle which has been removed from the pickup after being used, Kid Ory 14 however slightly, should never be re-inserted, as damage to the record will No personnel or date details available occur. Best way to cue numbers in is to pre-determine first note of music: set the JAZZ ME BLUES Unissued needle back a few inches back of this and hold record as turntable WABASH BLUES Unissued AT THE JAZZ BAND BALL Unissued revolves. At CUE record is released and a clean, fast pickup of music CUDDLE UP A LITTLE CLOSER Unissued results. ORY‟S BOOGIE Unissued THAT‟S A PLENTY Unissued

Part D – THE VOICE OF INFORMATION AND EDUCATION

Kid Ory 16 Kid Ory 17 No personnel or date details available First Broadcast - 24th June 1949

WEARY BLUES Unissued KID ORY AND HIS CREOLE JAZZ BAND WABASH BLUES Unissued Andrew Blakeney, tpt Buster Wilson, pno JAZZ ME BLUES Unissued Kid Ory, tbn Ed Garland, sbs THE SHEIK OF ARABY Unissued Joe Darensbourg, clt Minor Hall, drs I‟M WITH YOU WHERE YOU ARE Unissued ORY‟S BOOGIE Unissued 1 THEME 1919 Unissued 2 OH, DIDN‟T HE RAMBLE 3 BUCKET‟S GOT A HOLE IN IT (I‟M BUSY AND YOU CAN‟T COME IN) 4 HIGH SOCIETY 5 DO YOU KNOW WHAT IT MEANS? Quote 6 SUGARFOOT STOMP An explanation of the sound quality of these recordings can be given by 7 ORIGINAL DIXIELAND ONESTEP considering the processes that are involved at the time. Originally they 8 ORY‟S BOOGIE would certainly have been made on disc (not tape) then transferred and 9 OH, DIDN‟T HE RAMBLE (incomplete) Unissued edited onto the transcriptions, thus making them a second generation. The relatively primitive facilities resulted in loss of quality, variation in CD sound character and introduction of distortion. The original discs would 7 certainly have been superior but the chances of locating them now 504(E) CD86B virtually impossible. 2, 4, 5 & 6 American Music AMCD-20, Quadromania(G) 222466, Membran(G) 222800- Such tenuous recording quality requires layback equipment capable of 387 extracting every minute detail so as to capture the full remaining body of 2, 3, 4, 5, 6 & 7 sound. This was available to us through the good services of Tom 504(E) CD87 Fletcher, a genius turntable and tone-arm designer (also, incidentally a 1, 2, 3, 4, 5, 6, 7 & 8 great New Orleans Jazz enthusiast). Cursory comparisons of these Avid(E) AMSC 975 transfers with others of the same source material would quickly reveal the important difference. Inevitably, however a degree of distortion will still be evident on some tracks.”

Notes for Avid 4 CD set AMBX152

Part D – THE VOICE OF INFORMATION AND EDUCATION

Kid Ory 18 Kid Ory 21 No personnel or date details available First Broadcast - 11th July 1949

HIGH SOCIETY Unissued KID ORY AND HIS CREOLE JAZZ BAND Andrew Blakeney, tpt Buster Wilson, pno ROYAL GARDEN BLUES Unissued Kid Ory, tbn Ed Garland, sbs YES SIR, THAT‟S MY BABY Unissued Joe Darensbourg, clt Minor Hall, drs BUCKET‟S GOT A HOLE IN IT Unissued MAHOGANY HALL STOMP Unissued 1 THEME Unissued THE SHEIK OF ARABY Unissued 2 ALEXANDER‟S RAGTIME BAND MARYLAND, MY MARYLAND Unissued 3 BUCKET‟S GOT A HOLE IN IT 4 BLUES FOR JIMMIE 5 AT THE JAZZ BAND BALL 6 CARELESS LOVE Kid Ory 19 7 MUSKRAT RAMBLE No personnel or date details available 8 SAVOY BLUES 9 THEME (incomplete) SHINE Unissued TUXEDO JUNCTION Unissued CD IT‟S A LONG WAY TO TIPPERARY Unissued 2 & 3 MAHOGANY HALL STOMP Unissued 504(E) CD86B ROYAL GARDEN BLUES Unissued 4, 5, 6, 7 & 9 SHAKE THAT THING Unissued 504(E) CD87 THAT‟S A PLENTY Unissued 2, 3, 4, 5, 6, 7, 8 & 9 Avid(E) AMSC 975

Kid Ory 20 No personnel or date details available

WHEN THE SAINTS GO MARCHING IN Unissued DOWN AMONG THE SHELTERING PALMS Unissued CARELESS LOVE Unissued MUSKRAT RAMBLE Unissued SOUTH Unissued WABASH BLUES Unissued DIPPERMOUTH BLUES Unissued

Part D – THE VOICE OF INFORMATION AND EDUCATION

Kid Ory 22 Kid Ory 24 No personnel or date details available No personnel or date details available

WEARY BLUES Unissued HIGH SOCIETY Unissued AM I BLUE Unissued STORYVILLE BLUES (FAREWELL TO STORYVILLE) Unissued JA-DA Unissued SWEET GEORGIA BROWN Unissued YELLOW DOG BLUES Unissued BASIN STREET BLUES Unissued THAT‟S A PLENTY Unissued CHINATOWN, MY CHINATOWN Unissued MARYLAND MY MARYLAND Unissued SAVOY BLUES Unissued MUSKRAT RAMBLE (incomplete) Unissued WEARY BLUES (incomplete) Unissued

Kid Ory 23 No personnel or date details available Kid Ory 25 No personnel or date details available AFTER YOU‟VE GONE Unissued I‟M WITH YOU WHERE YOU ARE Unissued SHINE Unissued I‟M BUSY AND YOU CAN‟T COME IN Unissued OH DIDN‟T HE RAMBLE Unissued WANG WANG BLUES Unissued BACK HOME AGAIN IN INDIANA Unissued DOWN IN JUNGLE TOWN Unissued THE SHEIK OF ARABY Unissued TUXEDO JUNCTION (incomplete) Unissued ROYAL GARDEN BLUES Unissued MEMPHIS BLUES Unissued ORY‟S BOOGIE Unissued SOUTH RAMPART STREET PARADE (incomplete) Unissued

Part D – THE VOICE OF INFORMATION AND EDUCATION

Kid Ory 26 No personnel or date details available

OH DIDN‟T HE RAMBLE Unissued SAN Unissued SHAKE THAT THING Unissued JAZZ BAND BALL Unissued HIGH SOCIETY Unissued DO YOU KNOW WHAT IT MEANS? Unissued SUGAR FOOT STOMP Unissued ORIGINAL DIXIELAND ONE STEP (incomplete) Unissued

Part D – THE VOICE OF INFORMATION AND EDUCATION

UNUMBERED KID ORY SESSIONS

The following is also part of the AFRS Kid Ory series of transcriptions, but we do not have any information as to its numbers. The personnel is assumed to be the same as previous sessions. This has not been available for aural inspection.

First Broadcast - 8th May 1949

SHINE Unissued YELLOW DOG BLUES Unissued THAT‟S A PLENTY Unissued MARYLAND, MY MARYLAND Unissued ROYAL GARDEN BLUES Unissued MEMPHIS BLUES Unissued ORY‟S BOOGIE Unissued

Part D – THE VOICE OF INFORMATION AND EDUCATION

SOME UNTRACEABLE ISSUED AFRS ORY ITEMS

“HERE‟S TO VETERANS” Programme 393. Time 14.30 AT THE JAZZ BAND BALL Kid Ory as presenter only playing the following records: CD American Music AMCD-20, Quadromania(G) 222466 CPM-10-33-1A SOUTH/Theme (Edited) – B1 346 BILL BAILEY (Edited) – D8 CPM-10-32-1A GET OUT OF HERE (AND GO ON HOME) – B1 (Not the same recording as on KO21) CRE1022-1-C2567 ORIGINAL DIXIELAND ONESTEP – B6 CPM-10-34-2A BLUES FOR JIMMIE – B1 CPM-10-33-1A SOUTH/Theme (incomplete) – B1 Quote “I enjoyed working at the Cavern. We had a nice presentable band. We was making little more than scale, but it was no big deal - there wasn‟t that much big money around. Our pay was flat salary, something like $100 per week. Ory was just as big time as any of the rest of us really. We got along but he was not a good businessman. Ory was a very suspicious character - he always figured someone was trying pull a deal on him, trying to beat him out of some or trying to take his band away from him or run his business.”

Joe Darensbourg, „Telling It Like It Is‟

Part E – YOU OLD TIME QUEENS FROM NEW ORLEANS

1946 NEW ORLEANS Dir. Arthur Lubin (U.S.A - 90 mins) FILM PRE-PRODUCTION RECORDINGS Commenced Wednesday 11th September At the Studio and Artist Recorders, Hollywood, California

LOUIS ARMSTRONG AND HIS BAND Louis Armstrong, tpt, vcl-1 Charlie Beal, pno Mutt Carey, tpt-4 Bud Scott, gtr Kid Ory, tbn Red Callender, sbs Barney Bigard, clt Zutty Singleton, drs Lucky Thompson, tnr-4 Unknown studio musicians-2 , vcl-3

1 TMX1-3 FLEE AS A BIRD 2 TMX3A-3 WHEN THE SAINTS GO MARCHIN‟ IN(incomplete) 3 TMX3A-5 WHEN THE SAINTS GO MARCHIN‟ IN -2 4 TMX7-3 5 TMX33-3 TIGER RAG 6 TMX42 DO YOU KNOW WHAT IT MEANS? -3 7 TMX42 WHERE THE BLUES WERE BORN IN NEW ORLEANS 8 TMX53 BASIN STREET BLUES -1

Kid Ory and rhythm section on next title only

9 TMX53G1-2 BUDDY BOLDEN‟S BLUES 10 TMX53G1-3 BUDDY BOLDEN‟S BLUES -1 11 TMX53G1-4 BUDDY BOLDEN‟S BLUES -1 12 TMX62-4 MILNEBERG JOYS 13 TMX84 FAREWELL TO STORYVILLE -3

Part E – YOU OLD TIME QUEENS FROM NEW ORLEANS

E1 continued... CD Omit Armstrong on next three titles only 6 Anthology(I) -7/1, Rare(Sw) RARECD02, Jazz Up Top Box(I) JUTB3036 14 TMX119-1 BEALE STREET STOMP(incomplete) 13 15 TMX119-1 BEALE STREET STOMP(incomplete) Jazz Up Top Box(I) JUTB3036 16 TMX119-1 BEALE STREET STOMP(incomplete) 27 17 TMX120-1 DIPPERMOUTH BLUES Ambassador(Sd) CLA1915 18 TMX120-1 DIPPERMOUTH BLUES(incomplete) 4 & 14 19 TMX120-1 DIPPERMOUTH BLUES Jazz Greats(E) CD070 20 TMX120-1 DIPPERMOUTH BLUES 12, 23 & 26 21 TMX130-1 SHIMMY-SHA-WABBLE Recording Arts(I) JZCD368 22 TMX131-2 BALLIN‟ THE JACK -4 1, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13, 15, 17, 20, 21, 22, 23, 24, 25 23 TMX149-2 KING PORTER STOMP -4 Giants of Jazz(Cz) GOJ-1025, Jazz Crusade JCCD3043 24 TMX182-5 MAHOGANY HALL STOMP -4 25 TMX183-3 MAHOGANY HALL STOMP Video & DVD 26 TMX183-3 MAHOGANY HALL STOMP 17 27 TMX183-3 MARYLAND, MY MARYLAND Vintage Jazz Classics VJC-2002 24 & 27 Notes: Jazz and Jazz Video(I) VIDJAZZ20, All these tunes were pre-recorded but not all were used in the movie. The Complete Movie following (some in edited form) were featured in the movie:- Amanda Movies AM1, Kino on Video K159, Orbit Media(E) HSC10136, Bach 4, 5, 6, 7, 8, 12, 13, 14, 15, 16, 17, 20, 21, 22, 25, 26 & 27 Films(E) BCH157

Numbers 22, 23 and 24 were played by a band titled “Louis Armstrong‟s Original New Orleans Jass Band”

Part E – YOU OLD TIME QUEENS FROM NEW ORLEANS

Quote 1947 “But to get back to Ory. I made a picture with his band too. It was called CROSSFIRE „Crossfire‟ and starred Robert Young, Robert Mitchum and Robert Ryan. I Dir. Edward Dymtryk don‟t remember too much about it but I do remember Bud Scott had to sing (U.S.A - 86 mins) „Shine‟ in that old deep voice of his. The band wasn‟t seen on the screen but just played some music behind some of the scenes.” KID ORY’S CREOLE JAZZ BAND Andrew Blakeney, tpt Buster Wilson, pno Barney Bigard, ‘With Louis and The Duke’ Kid Ory, tbn Bud Scott, gtr, vcl-1 Barney Bigard, clt Ed Garland, sbs Minor Hall, drs

MUSKRAT RAMBLE

SHINE-1 1949 T.V. SHOW - KLAC WININ‟ BOY BLUES This was reported in Jazz Notes and Record Changer in May 1949 but no Video further information is available. Complete Movie The Video Collection VC3045(E)(PAL) DVD Complete Movie Universal DVD 825205OD

Note: The band do not appear on screen but provide background music for a dancehall sequence.

Part E – YOU OLD TIME QUEENS FROM NEW ORLEANS

1950 1952 MAHOGANY MAGIC INTRODUCTION TO JAZZ Dir. Will Cowan Dir. Dennis Sanders (U.S.A- 15 mins) (U.S.A - 12 mins)

KID ORY’S CREOLE JAZZ BAND Commercial Recordings used on the soundtrack featuring Kid Ory:- Teddy Buckner, tpt Lloyd Glenn, pno Kid Ory, tbn Ed Garland, sbs JELLY ROLL MORTON & HIS RED HOT PEPPERS Joe Darensbourg, clt Minor Hall, drs 37257-3 DOCTOR JAZZ (16/12/26 – A23)

MUSKRAT RAMBLE KID ORY’S CREOLE JAZZ BAND CRE1013 1919 RAG (8/9/45 – B5) Video Classic Jazz Movie Theatre(H) “Dixieland Vol 2” Note: This short feature on the beginnings of jazz, also includes recordings by Note: Huddie Leadbetter, The above was also used in a compilation of Will Cowen shorts call “Jazz Louis Armstrong and Lu Watters Cocktail” released about the same time and also a 1967 compilation produced by Leonard Feather called “Feather on Jazz”.

Part E – YOU OLD TIME QUEENS FROM NEW ORLEANS

1955 THE STORY 1956 Dir. Valentine Davies TAILGATE MAN FROM NEW ORLEANS (U.S.A - 116 mins) 22 Septem ber 1956

KID ORY’S CREOLE JAZZ BAND Dir. Thomas L Rowe Alvin Alcorn, tpt Lionel Reason, pno (France - 12 mins ) Kid Ory, tbn Unknown, sbs Phil Gomez, clt Minor Hall, drs KID ORY AND HIS CREOLE JAZZ BAND Benny Goodman, clt Alvin Alcorn , tpt Cedric Haywood, pno ORIGINAL DIXIELAND ONESTEP Kid Ory, tbn Wellman Braud, sbs Phil Gomez , clt Minor Hall, drs Note: The Riverboat sequence featured the Ory Band, with Alvin Alcorn “ghosting” BLUES for trumpeter McLure “Red Mac” Morris and Benny Goodman for actor Barry MUSKRAT RAMBLE(incomplete) Truex. BLUES TAILGATE RAMBLE (incomplete) BLUES BLUES FOR JIMMIE(incomplete) C‟EST L‟AUTRE CAN-CAN (CREOLE SONG) MUSKRAT RAMBLE BLUES

Video Complete Movie The Classic Jazz Movie Theatre(H) “New Orleans Vol 1”

Note: This was also released in a French language version entitled “L‟Homme de la Nouvelle -Orleans”

Part E – YOU OLD TIME QUEENS FROM NEW ORLEANS

Quote “On reflection two important points emerge from Ory‟s performances. 1. The unanimity of opinion on his outstanding success and the bands ability to play 1956 jazz which pleased tastes acquired by Panassie and Jimmy Deuchar (in Paris th with the Tommy Whittle Band). 2. Ory‟s principle of giving the audience it‟s Mon June 24 (First airing date) monies worth. On each of the three concerts his was the only band. It STARS OF JAZZ played for two hours ten minutes on each show and averaged 21 numbers. T.V Show on KABC Everyone in Britain connected with jazz should hear this group, and it won‟t Producer Jimmy Baker be Ory‟s fault if they don‟t. He asked me „do you think I can come to Britain? Dir. Norman Abbott I would love to play there‟.” Host. Bobby Troup

Jack Hutton, Melody Maker, 29th September 1956 KID ORY AND HIS CREOLE JAZZ BAND Alvin Alcorn, tpt Cedric Haywood, pno Kid Ory, tbn Wellman Braud, sbs Phil Gomez, clt Minor Hall, drs

1956 HIGH SOCIETY JAZZ INFORMAL JUST A CLOSER WALK WITH THEE T.V Show on KFMV WHEN THE SAINTS GO MARCHING IN

Note: Note: Kid Ory was interviewed by the shows host Art Anderson. We do not know This was the first show of 130 shows. The first half of the first show featured whether any musical items were included in the show. .

Part E – YOU OLD TIME QUEENS FROM NEW ORLEANS

1959 October 4th* CONCERT AT LA SALLE PLAYEL, PARIS Telerecorded for ORTF-TV

KID ORY AND HIS CREOLE JAZZ BAND Henry “Red” Allen, tpt Cedric Haywood, pno Kid Ory, tbn-1 Squire Gersh, sbs Bob Mc Cracken, clt Alton Redd, drs-2

DO YOU KNOW WHAT IT MEANS? -1 Kid Ory interviewed by Simon Copens TIGER RAG AUNT HAGAR‟S BLUES HIGH SOCIETY MUSKRAT RAMBLE -1 SISTER KATE -1 ROYAL GARDEN BLUES BASIN STREET BLUES SHINE -1 & 2 DO WHAT ORY SAY -1 WITHOUT YOU FOR AN INSPIRATION

Video Complete Movie Jazz Averty (F) 665003

Note: See C78 and C79 for additional tunes and further information.

Part E – YOU OLD TIME QUEENS FROM NEW ORLEANS

1960 CHICAGO AND ALL THAT JAZZ First shown Sunday 26th November 1961, 11.00pm N.Y time T.V Show on NBC

THE NEW ORLEANS BAND Henry “Red” Allen, tpt Lil Armstrong, pno Kid Ory, tbn Johnny St. Cyr, bjo Buster Bailey, clt , sbs Zutty Singleton, drs

1 BACK O‟ TOWN BLUES (incomplete) 2 JELLY ROLL BLUES 3 DOCTOR JAZZ 4 CORNET CHOP SUEY 5 TIGER RAG *

Video 2 DCI Music Video Warner Brothers VHO248 (Legends of Jazz Drumming) ** Complete Movie Vintage Jazz Classics VJC-2002*** CD Jazz Crusade JCCD-3066 – all on soundtrack

Notes: * Tiger Rag is a jam session featuring all the musicians who appeared on the show ** 2 is listed incorrectly as “Back O‟ Town Blues” on VHO248 *** Also featured is “Dippermouth Blues” from the 1946 film “New Orleans”

Part E – YOU OLD TIME QUEENS FROM NEW ORLEANS

1961 Sept 30th 1963 Sept 27th & 28th DISNEYLAND AFTER DARK MEET ME AT DISNEYLAND Dir. H S Luske and W Beaudine TV Series on KTTV 1 Hour format (U.S.A - 46 mins) Episode 12 Filmed on the “Mark Twain” riverboat, Disneyland, California „Dixie on the Delta‟ Introduced by Walt Disney Features amongst other bands Kid Ory with The Young Men from New Orleans LOUIS ARMSTRONG AND KID ORY WITH THE YOUNG MEN FROM Louis Armstrong, tpt, vcl-1 Harvey Brooks, pno Note: Mike DeLay, tpt Johnny St. Cyr, bjo No further details known Kid Ory, tbn Alton Redd, drs Paul Barnes, clt Unknown, sbs Monette Moore, vcl-2

1 KANSAS CITY -2 1965 2 UP A LAZY RIVER -1 THE ED SULLIVAN SHOW 3 MUSKRAT RAMBLE 4 BOURBON STREET PARADE -1 & 2 Note: No further details known Video 2, 3 & 4 Milan Jazz Video(F) 153313 DVD Disney DVD21540 Part E – YOU OLD TIME QUEENS FROM NEW ORLEANS

1971 THREE MEN OF JAZZ NEW ORLEANS JAZZ FILMS, THE CLASSICS WYES - TV12 Producer, Seth Weinstein Note: Video Biopic of Danny Barker, Louis Nelson and Chester Zardis A short film clip of the Ory band rehearsal for the 1971 New Orleans Festival No number is featured in the Danny Barker sequence. (See page 161)

Note: This video has a section titled "Momentous Meetings At The Jazz Fest” which was filmed at the 1971 New Orleans Jazz Festival. It features brief appearances by , the Eureka Brass Band and but also shows clips of Ory singing and playing, (Bill BaileylSister Kate) plus a short interview with the Kid by Steve Teeter of the State Museum.

1971 ‘TIL THE BUTCHER CUTS HIM DOWN Dir. Philip Spalding (U.S.A - 53 mins)

Video Kay Jazz KJ009 MOVIE TRIVIA Note: This documentary of trumpeter Punch Miller contains a non playing appearance by In the 1992 spy thriller “Blue Ice”, Michael Caine proceeds to Kid Ory smash up a 78 jazz record collection as a means of gaining information, starting with “Ory‟s Crayole (sic) Trombone”.

Part F - ORY ODDS AND ENDS

Date unknown 1952 Kid Ory, valve tbn-1, clt-2 Unknown, pno Saints And Sinners Jazz Club, Bud Brown’s Barn, Phoenix, Arizona

BUCKET’S GOT A HOLE IN IT -1 Unissued KID ORY’S CREOLE JAZZ BAND B FLAT BLUES -2 Unissued Teddy Buckner, tpt Lloyd Glenn, pno Kid Ory, tbn Ed Garland, sbs Note: Bob McCracken, clt Minor Hall, drs Hal Smith kindly sent me taped copies and details of the above, which originally came from Vivien Boarman, owner of the Yerba Buena Music SOUTH RAMPART STREET PARADE (incomplete) Shop, Oakland, California.. Note: The above is included on a 10” LP compilation album of bands who played Quote at the club. (Dixieland Rhythm Kings, Pete Daly, Red Nichols and The “And speaking of Kid Ory, here’s some news which I am afraid the more Firehouse Five.) Titled “The Saints.....Since The Beginning”. However euphemistic of our purists will receive with shock - he plays the Ory’s segment only lasts 45 seconds! . I well remember the day I went to Ed’s house to do an interview.... and found him practising the Alto Sax. And this great Crescent City tram also performs capably on trumpet, bass, tenor, drums, guitar and piano.

Paul Vandervoort II - Jazz Record, September 1947

Part F - ORY ODDS AND ENDS

Unissued Kid Ory material in the “Good Time Jazz” moved to C 84-X vaults

I am indebted to Brian O’Brian, who researched the above, and Ralph Kaffel of Fantasy Records, for providing this list of twelve unissued Ory tracks still in their vaults on 10th April 1998. Unfortunately there is no information relating to dates and personnel. There would seem to be just enough to fill a CD. Maybe someday!!

AIN’T MISBEHAVIN’ Unissued IT’S A LONG WAY TO TIPPERARY Unissued IN A LITTLE SPANISH TOWN Unissued FAREWELL TO STORYVILLE Unissued MEMPHIS BLUES Unissued DIPPERMOUTH BLUES Unissued DO YOU KNOW WHAT IT MEANS? Unissued MY GAL SAL Unissued BUDDY BOLDEN’S BLUES Unissued (Untitled) BLUES Unissued WININ’ BOY BLUES Unissued WITHOUT YOU FOR AN INSPIRATION Unissued

Part F - ORY ODDS AND ENDS

Quote:

“One time we went to Los Angeles and stayed with Kid Ory and his wife. At the time, Ory was learning to play the clarinet, so we played a few tunes (just cornet and clarinet), which I recorded. The music wasn't great, but passable, and I cherish this home recording.

Before leaving, I had to ask Ory about one of his most famous tunes. Was it "Muskrat Ramble" or "Muskat Ramble" (as some of the jazz experts believed)? Ory told us it was Muskrat Ramble. So there!”

Dick Oxtot and Jim Goggin, “Jazz Scrapbook” 1999

Part F - ORY ODDS AND ENDS

Any information on the following unissued sessions would be appreciated:

1958? Recorded at “On the Levee” or May “Dixieland Jubilee”

Thomas Jefferson, tpt Lloyd Glenn, pno 1946 Kid Ory, tbn Unknown, sbs Unknown, clt Unknown, drs Recording by Dave Caughran of a live dance session featuring the Ory

Band with Mutt Carey/Barney Bigard/ Buster Wislon etc. SAVOY BLUES

NO DETAILS OF TUNES

1947 Recording of an Ory Band rehearsal with Andrew Blakeney/Joe Darensbourg

AIN’T MISBEHAVIN’

1949 May 5th or August 5th Beverly Cavern?

Teddy Buckner, tpt Buster Wilson, pno Kid Ory, tbn Ed Garland, sbs Joe Darensbourg, clt Minor Hall, drs

SHINE

PART 7 – NON ORY AND IS IT ORY?

1926 1926 January May Recording for Paramount, Chicago Recording for Paramount, Chicago

OZIE McPHERSON (vocal) with ’S SERENADERS VIOLA BARTLETTE (vocal) with LOVIE AUSTIN’S SERENADERS Bob Shoffner, cor Lovie Austin, pno Unknown, cor Lovie Austin, pno Albert Wynn, tbn W.E.Burton, drs Albert Wynn, tbn Jimmy O‟Bryant, clt Johnny Dodds, clt-1 Junie Cobb, clt-2 2423-1 STANDING ON THE CORNER BLUES Paramount 12350 2425-2 HE‟S MY MAN Paramount 12350 2546-2 YOU DON‟T MEAN ME NO GOOD -2 Paramount 12363 2552-1/2 OUT BOUND TRAIN BLUES -1 Paramount 12363 VIOLA BARTLETTE (vocal) with LOVIE AUSTIN’S SERENADERS 2554-2 WALK EASY „CAUSE MY PAPA‟S HERE -1 Paramount 12369 Date and personnel as above.

2426-1 YOU NEVER CAN TELL WHAT YOUR PERFECTLY GOOD MAN WILL DO Paramount 12351

1926 April Recording for Paramount, Chicago

LOVIE AUSTIN’S SERENADERS Unknown, cor Lovie Austin, pno Albert Wynn, tbn W.E.Burton, drs Johnny Dodds, clt

11096-2 JACKASS BLUES Paramount 12361 11097-2 FROG TONGUE STOMP Paramount 12361

PART 7 – NON ORY AND IS IT ORY?

1926 1926 August September Recording for Paramount, Chicago Recording for Paramount, Chicago

LOVIE AUSTIN’S SERENADERS (vocal) accompanied by LOVIE AUSTIN’S SERENADERS Shirley Clay, cor Lovie Austin, pno Shirley Clay or Dave Nelson, cor Lovie Austin, pno Albert Wynn, tbn Houston Woodfork, bjo Albert Wynn, tbn Houston Woodfork, bjo Johnny Dodds, clt W.E.Burton, drs Johnny Dodds, clt Henry Williams, vocal-1 26333-2 DON‟T BLAME ME Paramount 12381 2621-1 MESS AROUND -1 Paramount 12380 2634-2 SCOTTLE DE DOO Paramount 12381 2622-1 GALION STOMP Paramount 12380 2623-2 IN THE ALLEY BLUES Paramount 12391 2624-2 MERRY MAKERS TWINE -1 Paramount 12391

1926 Sat 27th November Recording for Okeh/Columbia, Chicago

LOUIS ARMSTRONG and his HOT FIVE Louis Armstrong, cor Lil Armstrong, pno Henry Clark, tbn Johnny St. Cyr, bjo Johnny Dodds, clt

9980-A YOU MADE ME LOVE YOU Okeh 8447 9981-A IRISH BLACKBOTTOM Okeh 8447 9982-A LEAVE MINE ALONE Unissued

PART 7 – NON ORY AND IS IT ORY?

1927 1927 Fri 22nd April Sat 7th May Recording for Vocalion/Brunswick, Chicago Recording for Okeh, Chicago

JOHNNY DODDS’ BLACKBOTTOM STOMPERS LOUIS ARMSTRONG and his HOT SEVEN Louis Armstrong, cor , pno Louis Armstrong, tpt, vocal-1 Lil Armstrong, pno, vocal-2 Roy Palmer, tbn Budd Scott, bjo John Thomas, tbn Johnny St. Cyr. bjo/gtr Johnny Dodds, clt Baby Dodds, drs Johnny Dodds, clt Pete Briggs, tuba Barney Bigard, tnr Baby Dodds, drs

C792/ E22721 WEARY BLUES Vocalion 15632 80847-C WILLIE THE WEEPER Okeh 8482 /E6672 80848-C WILD MAN BLUES Okeh 8474 C794/E22723 NEW ORLEANS STOMP Vocalion 15632 /E6674 C796/E22725 WILD MAN BLUES Brunswick 3567 C797/E22726 WILD MAN BLUES Brunswick 3567 C798/E22727/ MELANCHOLY Brunswick 3567 E6441 C799/E22728/ MELANCHOLY Brunswick 3567 1927 E6442 th Tues 10 May Note: Personnel as for 7th May There is a bit of a puzzle regarding the personnel for this session, as Ory was in the same studio that day recording with King Oliver‟s Dixie Syncopaters. 80854-B ALLIGATOR CRAWL Okeh 8482 The matrix for “Doctor Jazz”, is C800 following on from the above, and both 80855-C POTATO HEAD BLUES Okeh 8503 Bigard and Scott are definitely on both sessions!

PART 7 – NON ORY AND IS IT ORY?

1927 1927 Weds 11th May August Personnel as for 7th May Recording for Paramount, Chicago.

80862-A MELANCHOLY BLUES Okeh 8496 (vocal) and her GEORGIA BAND 80863-A WEARY BLUES Okeh 8519 Shirley Clay, cor Claude Hopkins, pno 80864-A TWELFTH STREET RAG Columbia 35663 Albert Wynn, tbn Unknown, bjo Unknown, vocal (Male)-1 Unknown, tuba

4682-2 BIG BOY BLUES Paramount 12548 4683-2 BLUES OH BLUES Paramount 12566 4690-3 DAMPER DOWN BLUES Paramount 12584 1927 4691-2 GONE DADDY BLUES -1 Paramount 12526 th Fri May 13 4692-1 OH PAPA BLUES Paramount 12566 Personnel as for 7th May

80876-B KEYHOLE BLUES Okeh 8496 81126-B S. O. L. BLUES Columbia 35661

1927 August Recording for Paramount, Chicago

1927 MA RAINEY (vocal) and her GEORGIA BAND th Sat 14 May Albert Wynn, tbn Claude Hopkins, pno Personnel as for 7th May. Unknown, tuba

80877-D GULLY LOW BLUES-1 Okeh 8474 4707-1 MISERY BLUES Paramount 12508 80884-D THAT‟S WHEN I‟LL COME BACK TO YOU -1 & 2 Okeh 8519 4709-1 SLOW DRIVING MOAN Paramount 12526

PART 7 – NON ORY AND IS IT ORY?

Move d to A23-X

1927 1928 th Sat 8th October Weds 4 July

Recording for Brunswick, Chicago Recording for Okeh, Chicago

JOHNNY DODDS’ BLACKBOTTOM STOMPERS THE CHICAGO FOOT WARMERS

George Mitchell, cor , pno Natty Dominique, cor Jimmy Blythe, pno

Natty Dominique, cor Bud Scott, bjo Honore Dutrey, tbn Bill Johnson, bass

Johnny Dodds, clt Baby Dodds, drs, vocal on -1 Johnny Dodds, clt Baby Dodds , wbd John Thomas, tbn 400986-A SWEEP ‟EM CLEAN Okeh 8792 C1237/E6749 COME ON AND STOMP STOMP STOMP Brunswick 3568 400987-B LADY LOVE Okeh 8613 C1239 AFTER YOU‟VE GONE -1 Brunswick 3568 400988-A/B BROWN BOTTOM BESS Okeh 8613 C1241/E6748 AFTER YOU‟VE GONE Brunswick 3568 C1242 JOE TURNER BLUES Brunswick 3696 C1245 WHEN ERASTUS PLAYS HIS OLD KAZOOBrunswick 3696

PART 7 – NON ORY AND IS IT ORY?

1929 1929 Thurs 7th February Thurs 18th July Recording for Victor, Chicago JIMMIE NOONE’S APEX CLUB ORCHESTRA Recording for Vocalion Records (vocal) Natty Dominique, cor Unknown, pno Unknown, tpt Zinky Cohn, pno Honore Dutrey, tbn Bill Johnson, bass Unknown, tbn Junie Cobb, bjo Johnny Dodds, clt Jimmie Noone, clt Bill Newton, tuba Joe Poston, alt Johnny Wells, drs 48870-2 I‟M A MIGHTY TIGHT WOMAN Victor V38502 May Alix, vcl-1

C-3898 AIN‟T MISBEHAVIN‟ - 1 Vocalion 15819 C-3899 THAT RHYTHM MAN -1 Vocalion 15823 C-3900 OFF TIME Vocalion 15819 CD JSP(E) 926B (part of a 4 CD set)

Note: It has recently been brought to my notice that in a 1959 interview Ory claimed to have recorded with J immy N oone. ( See C 79 for a transcript of the interview )

PART 7 – NON ORY AND IS IT ORY?

1930 Fri 5th September Recording for Columbia, New York

BENNETT’S SWAMPLANDERS Walter Bennet, tpt J. C. Johnson, pno Unknown, tbn Bernard Addison, gtr Albert Socarras, clt, flt-1 Unknown, tuba Unknown, vocal-1

150767-2 BIG BEN Columbia 14557D 150768-2 YOU CAN‟T BE MINE -1 Columbia 14557D 150769-2 JET BLACK BLUES Columbia 14662D