THE GATE PRESENTATION 15-July-10
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Downloaded Is a VH1 Rockdoc About Napster and the Digital Revolution
MAGNOLIA PICTURES AND GREAT POINT MEDIA A TROUPER PRODUCTION IN ASSOCIATION WITH ZIPPER BROS FILMS AND ROXBOURNE MEDIA LIMITED Present ZAPPA A film by Alex Winter USA – 129 minutes THE FIRST ALL-ACCESS DOCUMENTARY ON THE LIFE AND TIMES OF FRANK ZAPPA Official Selection 2020 SXSW – World Premiere 2020 CPH:DOX FINAL PRESS NOTES Distributor Contact: Press Contact NY/Nat’l: Press Contact LA/Nat’l: George Nicholis Tiffany Malloy Sara Tehrani Rebecca Fisher Tiffical Public Relations DDA PR Magnolia Pictures [email protected] [email protected] (212) 924-6701 201.925.1122 [email protected] 49 west 27th street 7th floor new york, ny 10001 tel 212 924 6701 fax 212 924 6742 www.magpictures.com SYNOPSIS With unfettered access to the Zappa Vault, and the archival footage contained within, ZAPPA explores the private life behind the mammoth musical career that never shied away from the political turbulence of its time. Alex Winter's assembly features appearances by Frank's widow Gail Zappa and several of Frank's musical collaborators including Mike Keneally, Ian Underwood, Steve Vai, Pamela Des Barres, Bunk Gardner, David Harrington, Scott Thunes, Ruth Underwood, Ray White and others. 49 west 27th street 7th floor new york, ny 10001 tel 212 924 6701 fax 212 924 6742 www.magpictures.com DIRECTOR’S STATEMENT – ALEX WINTER It seemed striking to me and producer Glen Zipper that there had yet to be a definitive, all-access documentary on the life and times of Frank Zappa. We set out to make that film, to tell a story that is not a music doc, or a conventional biopic, but the dramatic saga of a great American artist and thinker; a film that would set out to convey the scope of Zappa’s prodigious and varied creative output, and the breadth of his extraordinary personal and political life. -
Lifelong Catalog Fall 2021 Fall Catalog Is Available Online!
Lifelong Catalog Fall 2021 A vibrant, active community center for Learning, Activities, and Social Groups for all adults age 50 and over "Autumn is a second spring when every leaf is a flower" – Albert Camus Fall catalog is available online! www.tclifelong.org Lifelong, 119 West Court Street, Ithaca NY 14850 Phone: (607) 273-1511 Fax: (607) 272-8060 Website: www.tclifelong.org Meet the Lifelong Team Liza Burger, Executive Director, [email protected] Tammy Dunn, Program Director/HIICAP Coordinator, [email protected] Robin Tuttle, Business Manager, [email protected] Joyce Billing, Administrative Assistant, [email protected] Karen Koyanagi, Program Assistant/Instructor, [email protected] Khaki Wunderlich, TCE Coordinator, [email protected] Ken Kleist, Custodian Meet the Board of Directors ▪President: Kate Supron ▪Vice-President: Colleen Perkins ▪Treasurer: Joe Sammons ▪Secretary: Anna Raphaelidis Josephine Allen, Maura Fetsko, Bill Ghiorse, Jeanette Knapp, Mike Schaff, Stephen Sedlock, Lynne Lacko-Sheldon, Sheila Squier, Kirk Tolhurst Meet our Volunteers Office Volunteers Walk Program Coordinators Helene Croft Elke Schofield & Carolyn Beeman Mary Slaght Wanda Clements Lifelong Learning Instructors All our instructors are volunteers who offer their time, experience, and knowledge on a multitude of topics to make our Lifelong Learning program what it is. Lifelong Contact Information Lifelong 119 West Court Street Office Hours Ithaca, NY 14850 Monday – Friday Phone: (607)-273-1511 / Fax: 607-272-8060 9:00am-4:00pm -
Keanu Reeves Brings Sunny 'Bill & Ted' Sequel To
Friday 21 Lifestyle | Movies Friday, August 28, 2020 Bollywood star Aamir Khan under fire over China, Turkey links uslim Bollywood star Aamir Khan has long been a hate in 2014, the BJP government has enacted a number of policies figure for India’s Hindu far-right, but now they have a that have raised fears of marginalisation among India 200-mil- Mnew line of attack-his massive popularity in China. lion-strong Muslim minority. Khan, 55, is a brand ambassador for Chinese smartphone maker Bollywood has a long tradition of Muslim movie stars and the Vivo, and is also major draw on the mainland with films such as so-called three Khans-Aamir, Salman and Shah Rukh-have “Dangal” (2016). He even has 1.16 million followers on China’s dominated box offices for the last three decades. But Aamir Twitter-like platform Weibo. But this week the hardline Khan stands out because of his outspokenness-although he has Rashtriya Swayamsevak Sangh (RSS) Hindu group put the actor also been photographed meeting Modi. He is one of Bollywood’s on the cover of its magazine, calling him “The Dragon’s favorite most bankable leading men and has appeared in dozens of Khan”, a reference to China. Also criticizing Khan’s ties with films-often playing Hindu or Sikh heroes. He has an enormous Turkey-which has slammed India over Kashmir-the article said fan club, which includes millions of Hindus. Khan was the target he was “forging friendships with those that are considered ene- of a vicious online campaign in 2015 and forced out of several mies of India”. -
Against Nietzsche's 'Theory' of the Drives
Page 1 of 31 Against Nietzsche’s ‘Theory’ of the Drives1 Tom Stern University College London [N.B. This is the accepted manuscript of the paper, which is forthcoming in the Journal of the American Philosophical Association.] Nietzsche, it is often suggested, had an account of the ‘self’ or the ‘mind’ or a ‘philosophical psychology’, in which what he calls our ‘drives’ play the significant role. This underpins not merely his understanding of mind – in particular, of consciousness and action – but also his positive ethics, be they understood as authenticity, freedom, (self-)knowledge, autonomy, self-creation or power.2 But, as this paper argues, Nietzsche did not in fact have anything like a coherent account of ‘the drives’, according to which the self, the relationship between thought and action, or consciousness could be explained; consequently, he did not have an account of the drives on which his positive ethics could rest. By this, I do not mean that his account is incomplete, nor that it is philosophically indefensible, nor even that his writings move ambiguously between some two distinct variants: all would leave open, wrongly I argue, the possibility of a rational reconstruction of Nietzsche’s views; all would already assume more unity and coherence than we find in his texts. I make no objection to rational reconstruction in the history of philosophy or in Nietzsche scholarship. But not every writer’s claims on every subject can be rationally reconstructed; here, it cannot be done. For the things Nietzsche says about drives – what they are, what we can know about them, and their relationship to actions – are so deeply and centrally conflicting, and in so many ways, that no 1 I would like to thank Sebastian Gardner, Ken Gemes, Lucy O’Brien and the anonymous readers at the Journal of the American Philosophical Association for their comments on earlier drafts. -
Against Nietzsche's 'Theory' of the Drives Tom Stern
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UCL Discovery Page 1 of 31 Against Nietzsche’s ‘Theory’ of the Drives1 Tom Stern University College London [N.B. This is the accepted manuscript of the paper, which is forthcoming in the Journal of the American Philosophical Association.] Nietzsche, it is often suggested, had an account of the ‘self’ or the ‘mind’ or a ‘philosophical psychology’, in which what he calls our ‘drives’ play the significant role. This underpins not merely his understanding of mind – in particular, of consciousness and action – but also his positive ethics, be they understood as authenticity, freedom, (self-)knowledge, autonomy, self-creation or power.2 But, as this paper argues, Nietzsche did not in fact have anything like a coherent account of ‘the drives’, according to which the self, the relationship between thought and action, or consciousness could be explained; consequently, he did not have an account of the drives on which his positive ethics could rest. By this, I do not mean that his account is incomplete, nor that it is philosophically indefensible, nor even that his writings move ambiguously between some two distinct variants: all would leave open, wrongly I argue, the possibility of a rational reconstruction of Nietzsche’s views; all would already assume more unity and coherence than we find in his texts. I make no objection to rational reconstruction in the history of philosophy or in Nietzsche scholarship. But not every writer’s claims on every subject can be rationally reconstructed; here, it cannot be done. -
NEW ARRI M8 800-Watt M8 Lamphead Rounds out the Versatile M-Series
NEWS IBC ISSUE 2013 NEW ARRI M8 800-watt M8 lamphead rounds out the versatile M-Series CFAST 2.0 FOR ALEXA XT/XR ARRISCAN ARCHIVE ULTRA WIDE ZOOM CFast 2.0 Adapter allows in-camera Century-old Mexican film footage New UWZ 9.5-18/T2.9 delivers recording to new SanDisk cards saved by ARRI archive technology exceptional super wide-angle images EDITORIAL DEAR FRIENDS AND COLLEAGUES Going into IBC we’re excited by Our new M8 lamphead expands the amazing take-up of the ALEXA XT the highly successful M-Series cameras and XR Module upgrade family of HMI fixtures equipped with since we introduced them in patented MAX Technology; we also February. Inside this issue you’ll find have another new LED Fresnel light a global overview of major movies in the L-Series – the L7-DT tuneable recording ARRIRAW in-camera to ALEXA XT/XR daylight model. On the lenses side we are proud to models, using the proven Codex workflow. You’ll unveil a remarkable Ultra Wide Zoom, and to also find details of a new CFast 2.0 Adapter for announce that the Master Anamorphic series has these models, which offers super-quick data rates begun shipping. Representing our ARRISCAN and further expands in-camera recording options. archive technologies we feature a case study in Top directors and DPs have every reason to continue these pages about the restoration of 100-year-old embracing ALEXA as the camera of choice, whatever Mexican film footage. the distribution format or resolution. Don’t forget to check in at our IBC show page We’re thrilled to have a working prototype of a arri.com/ibc2013 where you’ll find full details new camera at the show, not a successor to ALEXA about all of our products and activities at the show. -
An American Werewolf in Paris"
"AN AMERICAN WEREWOLF IN PARIS" by Anthony Waller, Tim Burns & Tom Stern Based on characters created by John Landis BLACKNESS. Pink Floyd's "Dark Side of the Moon (Brain Damage)" plays as WHITE TITLES appear over black. As the song crescendos at the first chorus, SUNLIGHT flares over the lunar horizon and a crescent sliver of THE MOON is illuminated - huge, filling the screen from top to bottom. We're in space, circling around from the dark side until a HUGE FULL MOON fills the screen with whiteness - TITLES continue as we pull back from the moon, into the earth's atmosphere, through CLOUDS, until we reveal PARIS AT NIGHT We come to rest on an ancient, vaguely wolf-like GARGOYLE high atop a gothic cathedral in the Latin Quarter - a maze of narrow, twisting streets - desolate at this late hour. Clouds move over the moon. End TITLES. The song fades. A THUNDER CRACK. Rain drops spatter on the church's metal roof. Water trickles out of the gargoyle's mouth. We follow the STREAM OF WATER down to street level where it falls onto A YOUNG COUPLE wobbling down the street, sharing a bottle of wine. They open an umbrella and stand underneath it, smooching and giggling. We follow the STREAM OF WATER from their umbrella to the street, where it swirls into drain holes in the MANHOLE COVER that they're standing on. Suddenly... CLANG!! The manhole cover pushes up under their feet. He flinches - bites down on her lip, drawing blood. She yelps. Script provided for educational purposes. -
Jonathan Ross Free Episodes Download Keanu Reeves Don’T Be Surprised If Keanu Reeves Gets a Golden Globe Nom for ‘Bill and Ted Face the Music’ – It’S the Keanu-Ssance
jonathan ross free episodes download keanu reeves Don’t be surprised if Keanu Reeves gets a Golden Globe nom for ‘Bill and Ted Face the Music’ – it’s the Keanu-ssance. To say the least, the “Bill and Ted” sci-fi comedies aren’t generally considered awards fare. They follow the title pair of stoned slackers (played by Alex Winter and Keanu Reeves ) as they travel through time. And yet, in the back of my mind, I keep having the sneaking feeling that we’re underestimating the latest film in the franchise, “Bill and Ted Face the Music,” at the Golden Globes. In particular, I think Reeves could get a surprise nom for Best Film Comedy/Musical Actor. “Bill and Ted’s Excellent Adventure” started the franchise back in 1989. Its awards success was limited to a couple of nominations at the Saturn Awards. The sequel, “Bill and Ted’s Bogus Journey,” followed in 1991 with a couple more Saturn noms, including a win for William Sadler ‘s supporting performance as the Grim Reaper. Not exactly knocking on Oscar’s door. But a lot has changed in the last 30 years. Reeves, especially, has been enjoying a Keanu-ssance where the public has reevaluated his life and career in the context of his charitable, down-to-Earth public image and his comeback performances in the “John Wick” films. Even the Razzie Awards have come around: Reeves used to be a perennial nominee, but then they cited him for two Redeemer Awards (2014, 2019) for all the newfound goodwill he’s accumulated. -
JAY RICHARDSON Music Editor
JAY RICHARDSON Music Editor THE PHONE CBS Films (Temp Tracking) Jon Lucas, Scott Moore, Directors A DOG’S WAY HOME Columbia Pictures (Temp Tracking) Charles Martin Smith, Director JUSTICE LEAGUE Warner Bros. (Temp Tracking & Final) Danny Elfman, Composer Zack Snyder, Director GRINGO Amazon Studios (Temp Tracking and Final) Christophe Beck, Composer Nash Edgerton, Director FLOCK OF FOUR Bristol Pictures / High Windows Films Tim Callobre, Composer Gregory Caruso, Director FENCES Paramount Pictures (Temp Tracking and Final) Marcelo Zarvos, Composer Denzel Washington, Director LOVING Focus Features David Wingo, Composer Jeff Nichols, Director ALL I SEE IS YOU Eagle Films (Temp Tracking and Final) Marc Streitenfeld, Composer Marc Forster, Director OUR BRAND IS CRISIS Warner Bros. (Temp Tracking and Final) David Wingo, Composer David Gordon Green, Director www.FormosaGroup.com/Music Leigh Kotkin : [email protected] Stacey Kozak : [email protected] Page 1 MIDNIGHT SPECIAL Warner Bros. (Temp Tracking and Final) David Wingo, Composer Jeff Nichols, Director IF I STAY MGM (Temp Tracking and Final) Heitor Pereira, Composer RJ. Cutler, Director DANNY COLLINS Inimitable Pictures (Temp Tracking and Final) Theodore Shapiro, Composer Dan Fogelman, Director DELIVERY MAN DreamWorks (Temp Tracking) Ken Scott, Director PARADISE Mandate Films (Temp Tracking and Final) Rachel Portman, Composer Diablo Cody, Director G.I. JOE: RETALIATION Paramount Pictures (Temp Tracking) John M. Chu, Director THE ODD LIFE OF TIMOTHY GREEN Walt Disney Pictures (Temp -
2019 Annual Report
FISCAL YEAR 2019 ANNUAL REPORT YOUR SUPPORT & HOW IT WAS USED FY 2019 BOARD OF DIRECTORS CHAIR Mark Schwartz VICE CHAIR Pamela Gann CONTENTS SECRETARY James Selbert ASSISTANT SECRETARY Siri Marshall TREASURER Linda J. Gluck ASSISTANT TREASURER Mark Linehan 03 28 Fiscal Year 2019 in Review Strategic Foundation Partnerships Steven Amerikaner • Patricia Aoyama Bitsy Becton-Bacon • Lou Buglioli 13 30 Jeffrey Branch • David A. Brown How Direct Relief was Funded Investors Charles Fenzi, MD • Patrick Fitzgerald David Lee Gibbs, PhD • Elizabeth Green, RN 17 43 FISCAL YEAR 2019 ANNUAL REPORT Angel Iscovich, MD • Michael Kelly How Your Support Was Used In Memoriam Jane Olson • Jamie Ruffing, PhD 6100 Wallace Becknell Rd, Santa Barbara, CA 93117 Byron Scott, MD • Thomas Sturgess T: 805-964-4767 | TOLL-FREE: 800-676-1638 Steven A. Weintraub 23 44 Financial Statements Guiding Principles F: 805-681-4838 | DirectRelief.org INTERNATIONAL ADVISORY BOARD 26 E. Carmack Holmes, MD • S. Roger Horchow Corporate Partnerships IMPROVING Donald E. Petersen • John W. Sweetland ON THE COVER: THE HEALTH MEDICAL ADVISORY BOARD Responding to the devastation wrought by Hurricane Juan Carlos Alvarenga, MD Sofia Merajver, MD, PhD • Carol Millage, PharmD Michael across the Florida Federico Antillon, MD, PhD Charles Nicholson, MD • Raj Panjabi, MD, MPH AND panhandle, Mexico Beach Steve Arrowsmith, MD Bakht Sarwar, MD, MS Fire Chief Donald ‘Sandy’ Ayesha Shaikh, MD, OB/GYN LIVES Hon. Regina Benjamin, MD, MBA Walker loads a Direct Elizabeth Duarte, MD Hambardzum Simonyan, MD • Tom Stern, MD Relief Emergency Response Georges Dubuche, MD, MPH Larry Stock, MD, FACEP Backpack into his cruiser on OF PEOPLE Adrian Ebner, MD • Paul Farmer, MD, PhD Elizabeth A. -
Chapter I Introduction
CHAPTER I INTRODUCTION A. Background of the Study Flags of Our Fathers is one of epic drama movies of world war II. The Screenplay of this film is adapted from a New York Times Bestseller book (year 2000) written by James Bradley. It was made in October 20, 2006 and released in Desember 20, 2006. The setting of place is at Backlot, Universal Studios - 100 Universal City Plaza, Universal City, California, USA and setting of time is the World War II. The film runtime is 2 hours and 12 minutes with production cost $336.6 M. Flags of Our Fathers is distributed by Paramount. This movie is also known as La conquista del honor. The film was directed by Clint Eastwood from a screenplay by William Broyles, JR. and Paul Haggis. Clint Eastwood has won five Academy Awards, twice as Best Director and as producer of the Best Picture (1992's Unforgiven and 2004's Million Dollar Baby) and he received the Irving G. Thalberg Memorial Award in 1995. Flags of Our Fathers is a movie about war between the United States marines and Japanese soldier to govern one island of Japan, i.e Iwo Jima. In that war, the United States can occupy a half of Iwo Jima .When there was a war, more than 22,000 Japaneseese soldiers would die defending a patch of ground a third the size of Manhattan, while nearly 1 2 26,000 Americans fell taking it from them. The battle, the largest sea armada invasion ever assembled and the costliest war ever fought by the US Marines, was also a turning point in the war because control of the island of Iwo Jima (Japaneseese territory) allowed Allied forces to launch B-29 bomber raids into the heart of Japanese with the eventual dropping of the Atomic Bomb that would end World War II. -
Camera Systems Highlights
2019/2020 CAMERA SYSTEMS HIGHLIGHTS Table of contents Table of Content ARRI camera system approach Camera Stabilizer Systems Introduction 6 Stabilized Remote Head SRH-3 32 Digital Encoder Head DEH-1 33 Large-format cameras Digital Remote Wheels DRW-1 34 Large-format cinematography 8 External Radio Modules ERM-2400/ERM-900 35 ARRI large-format camera system 9 TRINITY 36 ALEXA LF 10 artemis 37 ALEXA Mini LF 11 LPL mount 12 Pro Camera Accessories | Electronic Control System Wireless Video System 38 Super 35 cameras Wireless Compact Unit WCU-4 40 ALEXA Mini 14 Single Axis Unit SXU-1 41 AMIRA 15 Operator Control Unit OCU-1 42 ALEXA SXT W 15 Master Grips 43 Cine lenses Pro Camera Accessories | Mechanical accessories Lens overview 16 Lightweight matte boxes 44 ARRI Signature Prime lenses 18 Diopter accessories 46 Magnetic Rear Filter Holder 24 Rota Pola Filter Frame 47 B-Mount 48 Optical accessories Crew supplies 49 FSND Filter 26 Accessories for third-party cameras 50 ARRI Broadcast Solutions 28 Workflow Solutions Online tools for set and post 52 Cinematic Multicam 30 Codex Recording Media/Codex High Density Encoding 54 ARRI Academy 56 ARRI Service 58 Extended warranty 59 2 3 “I really like the Signature Primes. “The SRH-3 is a must-have. I never thought it “The wireless video signal is the best I’ve Super MTF, but not too sharp or contrasty. would be possible to film on a race track at come across. It’s almost as good as the They are extremely fast and have a great speeds of over 120 mph and hold a perfectly recording quality, it’s absolutely beautiful.