SLIFF Program 2006
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Strand Releasing presents CECILE DE FRANCE - PATRICK BRUEL - LUDIVINE SAGNIER JULIE DEPARDIEU - MATHIEU AMALRIC A SECRET A FILM BY CLAUDE MILLER Based on the Philippe Grimbert novel "Un Secret" (Grasset & Fasquelle), English translation : "Memory, A Novel" (Simon and Schuster) Winner : 2008 César Award for Julie Depardieu (Best Actress in a Supporting Role) Grand Prix des Amériques, 2007 Montreal World Film Festival In French with English subtitles 35mm/1.85/Color/Dolby DTS/110 min NY/National Press Contact: LA/National Press Contact: Sophie Gluck / Sylvia Savadjian Michael Berlin / Marcus Hu Sophie Gluck & Associates Strand Releasing phone: 212.595.2432 phone: 310.836.7500 [email protected] [email protected] [email protected] [email protected] Please download photos from our website: www.strandreleasing.com/pressroom/pressroom.asp 2 CAST Tania Cécile DE FRANCE Maxime Patrick BRUEL Hannah Ludivine SAGNIER Louise Julie DEPARDIEU 37-year-old François Mathieu AMALRIC Esther Nathalie BOUTEFEU Georges Yves VERHOEVEN Commander Beraud Yves JACQUES Joseph Sam GARBARSKI 7-year-old Simon Orlando NICOLETTI 7-year-old François Valentin VIGOURT 14-year-old François Quentin DUBUIS Robert Robert PLAGNOL Hannah's mother Myriam FUKS Hannah's father Michel ISRAEL Rebecca Justine JOUXTEL Paul Timothée LAISSARD Mathilde Annie SAVARIN Sly pupil Arthur MAZET Serge Klarsfeld Eric GODON Smuggler Philippe GRIMBERT 2 3 CREW Directed by Claude MILLER Screenplay, adaptation, dialogues by Claude MILLER and Natalie CARTER Based on the Philippe -
Barbara Hammer, 70 Years Old, Hands the Camera to Gina Carducci, a Young Queer Film- Maker
Generations is a film about mentoring and passing on the tradi- tion of personal experimental filmmaking. Barbara Hammer, 70 years old, hands the camera to Gina Carducci, a young queer film- maker. Shooting during the last days of Astroland at Coney Is- land, New York, the filmmakers find that the inevitable fact of ageing echoes in the architecture of the amusement park and in the emulsion of the film medium itself. Editing completely sep- arately both picture and sound, the filmmakers join their films in the middle when they’ve finished, making a true generational and experimental experiment. In a time when digital dominates the art domain, a DIY aesthet- ic is embraced by Gina Carducci, a young thirty-year-old filmmak- er who hand processes 16mm film and a seventy-year-old pioneer of queer experimental cinema, Barbara Hammer. Hammer invites Carducci to collaborate on a new film, Generations. Barbara Hammer Celebrating Hammer’s spontaneous shooting style and dense ed- Maya Deren’s Sink iting montage with Carducci’s studied cinematography, the two filmmakers, generations apart in age, shoot the last days of Astro- land in Coney Island, New York. The aged but vibrant amusement Eine Hommage an die Mutter des amerikanischen Avantgarde- park, characteristic of the 70-year-old Hammer, is a fitting envi- films. Der Film beschwört durch Gespräche mit WeggefährtInnen ronment for the photoplay of the two Bolex filmmakers. und ZeitgenossInnen den Geist einer überlebensgroßen Person. Teiji Itos Familie, Carolee Schneemann und Judith Malvina schwe- Inspired by the revolutionary Shirley Clarke film,Bridges Go ben durch Derens Wohnorte und erinnern sich an kleinste Details Round (1953), where Clarke printed the same footage twice us- der architektonischen und persönlichen Innenräume. -
Barbara Hammer – Technology of Touch Chapter 2
!1 ! The concerns of O’Neill’s first 15 years of filmmaking — the graphic qualities of the image, the role of stasis in the context of a time-based art form, and the process-based applications of technology in making art — are writ large in the second phase of his career, in which he shifted to 35mm for a series of extraordinarily accomplished feature-length films. In these films, which include Water and Power (1989) and Decay of Fiction (2002), the sketch- based experimentation of his earlier work is supplanted with a symphonic form that seeks to unify its disparate elements into a thematically cohesive whole, often with more pronounced political engagement. In both phases of his career, O’Neill has used the optical printer to experiment with form, which is often linked to art historical ideas about design, process, and perspective. This stands in contrast to Barbara Hammer, whose own innovative use of the printer is tied directly to its capacity to provide an emotionally accurate representation of her personal feelings and desires. ! Barbara Hammer: The Technology of Touch If ever there were a meta-film about optical printing, materiality, and the marginalization of the avant-garde filmmaker, Barbara Hammer’s Endangered (1988) is it. An urgent warning about the precarious position of experimental filmmakers, light, and life on planet Earth, this fragile film begins with an off-kilter double exposure of Hammer working steadily on her optical printer while snowflakes, depicted as particles of light energy, swirl around her silhouette. In a series of traveling mattes, boxes-within-boxes expand and contract, dividing abstract patterns of light into discontinuous fragments. -
7A Temporada 4.- El Rayo Mortal / Mr. Wonderful Daniel Clowes Gener 2014
7a Temporada 4.- El Rayo Mortal / Mr. Wonderful Daniel Clowes Gener 2014 Índex: Club de Lectura: L’autor: Daniel Clowes ......................................................................................................................................... 1 La seva obra .............................................................................................................................................................. 1 El Rayo Mortal / Daniel Clowes Random House Mondadori, 2013 El Rayo Mortal / Ressenya / Gerardo Vilches.......................................................................................... 2 El Rayo Mortal / Article / Juanjo Villalba................................................................................................... 3 Mr. Wonderful / Daniel Clowes Random House Mondadori, 2012 Mr. Wonderful / Ressenya / Gerardo Vilches........................................................................................... 5 Mr. Wonderful / Article / Antonio Fraguas ................................................................................................ 6 “Wilson es una respuesta triste a Mr. Wonderful ” / Entrevista / Noel Murray ........................................ 8 “El Rayo Mortal no trata de mostrar un mundo, sino insinuarlo” / Entrevista / Albert Fernández .. 9 Altres Recomanacions ....................................................................................................................................................... 10 Novetats de la tardor / Secció Còmics d’Adults / Bib. -
In Another Country
Presents IN ANOTHER COUNTRY A Kino Lorber Release 333 West 39 Street, Suite 503 New York, NY 10018 (212) 629-6880 www.kinolorber.com Press Contacts: Rodrigo Brandão – [email protected] Matt Barry – [email protected] SYNOPSIS A young film student and her mother run away to the seaside town of Mohang to escape their mounting debt. The young woman begins writing a script for a short film in order to calm her nerves. Three women named Anne appear, and each woman consecutively visits the seaside town of Mohang. The first Anne is a successful film director. The second Anne is a married woman secretly in an affair with a Korean man. The third Anne is a divorcee whose husband left her for a Korean woman. A young woman tends to the small hotel by the Mohang foreshore owned by her parents. A certain lifeguard can always be seen wandering up and down the beach that lies nearby. Each Anne stays at this small hotel, receives some assistance from the owner’s daughter, and ventures onto the beach where they meet the lifeguard. Technical Information: Country: South Korea Language: English and Korean w/English subtitles Format: 35mm Aspect Ratio: 1.85:1 Sound Dolby: SRD Running Time: 89 min CREW Written and Directed By Hong Sang-soo Producer ― Kim Kyounghee Cinematography ― Park Hongyeol, Jee Yunejeong Lighting ― Yi Yuiheang Recording ― Yoon Jongmin Editor ― Hahm Sungwon Music ― Jeong Yongjin Sound ― Kim Mir CAST Anne ― Isabelle Huppert Lifeguard ― Yu Junsang Womu ― Jung Yumi Park Sook ― Youn Yuhjang Jongsoo ― Kwon Hyehyo Kumhee ― Moon Sori A Kino Lorber Release HONG SANG-SOO Biography Hong Sang-soo made his astounding debut with his first feature film The Day a Pig Fell Into a Well in 1996. -
Sin Aliento, Nº 1117/04/10
DIARIO DEL FESTIVAL 11 Año 11 | Número 11 | Domingo 17 de abril de 2011 DISTRIBUCIÓN GRATUITA FestivalesGCBA www.festivales.gob.ar FestivalesGCBA 2 FILMandO MÚSICA CAMPESIna EN NASHVILLE UN PAÍS QUE ES UN SET Nuestro amigo chileno Alberto Fuguet volvió hace unos días a la ciudad donde filmó su última película, Música campesina, que pudo verse en este Bafici. Desde el avión, nos mandó esta decla- ración de amor a Nashville, a la música, al cine. Lujitos que nos damos. Escribo esto en un avión pequeño que vuela desde Miami a Nashville. Hace unas Vuelo a Nashville y en mi iPod suenan las mismas canciones (“I’m Easy”, el tema Yo siempre invento personajes que, me consta, se parecen a personas que no conoz- horas estuve en Buenos Aires, en el Bafici. En Santiago grabé mi programa de ra- central de la cinta de Altman; “Help Me Make It Through the Night”, el tema de Fat co, que están allá afuera y andan desesperadamente buscando verse en ese inmenso dio, despaché una nota, me pasaron la copia HDCam para la versión “americana” City interpretado por Kris Kristofferson; “Everybody’s Talkin’” de Nilsson, el tema espejo que es la pantalla (sea la de cine o esa extensión íntima que es tu computa- de este film bilingüe llamadoMúsica campesina. que unía y armaba Perdidos en la noche) que sonaban hace un año cuando volé dor). Que Pablo lo interpretara, era clave porque ya nos teníamos confianza y me creía en un avión parecido y tipeaba el último borrador de una suerte de memo para Llueve, el avión es American Eagle y delgado como un pasillo de un mal hotel. -
Nuevo Cine Argentino De Rapado a Historias Extraordinarias Veinticinco Años, Veinticinco Libros
Nuevo Cine Argentino De Rapado a Historias extraordinarias Veinticinco años, veinticinco libros El ciclo político inaugurado en Argentina a fines de 1983 se abrió bajo el auspicio de generosas promesas de justicia, renovación de la vida pública y ampliación de la ciudadanía, y conoció logros y retrocesos, fortalezas y desmayos, sobresaltos, obstáculos y reveses, en los más diversos planos, a lo largo de todos estos años. Que fue- ron años de fuertes transformaciones de los esquemas productivos y de la estructura social, de importantes cambios en la vida pública y privada, de desarrollo de nuevas formas de la vida colectiva, de actividad cultural y de consumo y también de expansión, hasta ni- veles nunca antes conocidos en nuestra historia, de la pobreza y la miseria. Hoy, veinticinco años después, nos ha parecido interesante el ejercicio de tratar de revisar estos resultados a través de la publica- ción de esta colección de veinticinco libros, escritos por académicos dedicados al estudio de diversos planos de la vida social argentina para un público amplio y no necesariamente experto. La misma tiene la pretensión de contribuir al conocimiento general de estos procesos y a la necesaria discusión colectiva sobre estos problemas. De este modo, dos instituciones públicas argentinas, la Biblioteca Nacional y la Universidad Nacional de General Sarmiento, a través de su Instituto del Desarrollo Humano, cumplen, nos parece, con su deber de contribuir con el fortalecimiento de los resortes cognos- citivos y conceptuales, argumentativos y polémicos, de la democra- cia conquistada hace un cuarto de siglo, y de la que los infortunios y los problemas de cada día nos revelan los déficits y los desafíos. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
El Abrazo Partido
LAS ESCUELAS VAN AL CINE EL ABRAZO PARTIDO 1 INCAA LAS ESCUELAS CUADERNILLO VAN AL CINE PRESIDENTE AUTORES Ralph Haiek COORDINADORA Lucía Cedrón GENERAL Ernesto López Jové GERENTE GENERAL Virginia Petrozzino Virginia Roffo Juan García Aramburu CAPACITACIONES DISEÑO Y CONTENIDOS Equipo de diseño INCAA Lucía Cedrón LAS ESCUELAS VAN AL CINE EL ABRAZO PARTIDO 2017 LAS ESCUELAS VAN AL CINE . INCAA 1 LA PELÍCULA ¿DE QUÉ TRATA LA PELÍCULA? Nos los representantes del pueblo de la Nación Argentina, reunidos […] con el objeto de constituir la unión nacional […], proveer a la de- fensa común, promover el bienestar general, y asegurar los benefi- cios de la libertad, […] para todos los hombres y mujeres del mundo que quieran habitar en el suelo argentino […]ordenamos, decretamos y establecemos esta Constitución, para la Nación Argentina. Fragmentos del Preámbulo de la Constitución Nacional Ariel Makarof se pasa todos los días, muy a su pesar, en pleno barrio del Once, en Buenos Aires trabajando en una lencería dentro de una galería comercial donde conviven personas y familias de orígenes y costumbres muy distintas: hay criollos, hijos de italianos, bolivianos, judíos polacos, coreanos que apenas hablan castellano, peruanos, FICHA DE LA PELÍCULA FICHA TÉCNICA DE LA PELÍCULA TÍTULO: El abrazo partido DIRECTOR: Daniel Burman GUIÓN: Marcelo Birmajer, Daniel Burman FECHA DE ESTRENO: 25 de marzo de 2004 GÉNERO: Comedia DURACIÓN: 100 minutos PRODUCCIÓN: Diego Dubcovsky COMPAÑÍAS PRODUCTORAS: BD Cine, Wanda Visión, Nirvana Films DISTRIBUCIÓN: BD Cine ACTORES PRINCIPALES: Daniel Hendler, Sergio Boris, Adriana Aizemberg, Jorge D’Elía y Rosita Londner DIRECCIÓN DE FOTO- GRAFÍA: Ramiro Civita DIRECCIÓN DE ARTE: María Eugenia Sueiro MONTAJE: Alejandro Brodersohn MÚSICA: César Lerner DIRECCIÓN DE SONIDO: Martín Grignaschi DIRECCIÓN DE VESTUARIO: Roberta Pesci, Natalia Zubeldía PAÍSES DE PRODUCCIÓN: Coproducción entre Argentina, Francia, Italia y España 4 paraguayos, lituanos… todo un encuentro de culturas lleno de graciosos desencuentros y ma- los entendidos. -
Ahead of Their Time
NUMBER 2 2013 Ahead of Their Time About this Issue In the modern era, it seems preposterous that jazz music was once National Council on the Arts Joan Shigekawa, Acting Chair considered controversial, that stream-of-consciousness was a questionable Miguel Campaneria literary technique, or that photography was initially dismissed as an art Bruce Carter Aaron Dworkin form. As tastes have evolved and cultural norms have broadened, surely JoAnn Falletta Lee Greenwood we’ve learned to recognize art—no matter how novel—when we see it. Deepa Gupta Paul W. Hodes Or have we? When the NEA first awarded grants for the creation of video Joan Israelite Maria Rosario Jackson games about art or as works of art, critical reaction was strong—why was Emil Kang the NEA supporting something that was entertainment, not art? Yet in the Charlotte Kessler María López De León past 50 years, the public has debated the legitimacy of street art, graphic David “Mas” Masumoto Irvin Mayfield, Jr. novels, hip-hop, and punk rock, all of which are now firmly established in Barbara Ernst Prey the cultural canon. For other, older mediums, such as television, it has Frank Price taken us years to recognize their true artistic potential. Ex-officio Sen. Tammy Baldwin (D-WI) In this issue of NEA Arts, we’ll talk to some of the pioneers of art Sen. Sheldon Whitehouse (D-RI) Rep. Betty McCollum (D-MN) forms that have struggled to find acceptance by the mainstream. We’ll Rep. Patrick J. Tiberi (R-OH) hear from Ian MacKaye, the father of Washington, DC’s early punk scene; Appointment by Congressional leadership of the remaining ex-officio Lady Pink, one of the first female graffiti artists to rise to prominence in members to the council is pending. -
Faculty Film Festival TUESDAY, OCTOBER 25, Gaines Theater, 6:30PM : CRUMB
5/11/2015 Christopher Newport University Mail Reminder! 'CNU @ the Movies', CRUMB, tonight at 6:30pm Susan Barber <[email protected]> Reminder! 'CNU @ the Movies', CRUMB, tonight at 6:30pm 1 message Personal Announcement Do Not Reply Tue, Oct 25, 2011 at <[email protected]> 10:50 AM ReplyTo: [email protected] To: [email protected], [email protected], [email protected] Dear Faculty, Students, and Staff: Reminder: Crumb, Tonight, 6:30pm, Gaines! Come check out Terry Zwigoff's compelling documentary about countercultural icon, Robert Crumb, whose graphic comix in the 1960s introduced one of the most talented comic artists of the 20th century to the world. Through an exploration of his life and backgroundwarts and all, the film supports the connection between artistic expression and basic human survival. Follow this link to the IMDB and see below for our original blurb! CNU @ the Movies: Faculty Film Festival TUESDAY, OCTOBER 25, Gaines Theater, 6:30PM : CRUMB Terry Zwigoff, 1994, featuring Robert Crumb. This film launched the directorial career of Terry Zwigoff ("Ghost World," "Bad Santa," "Art School Confidential") and is often referred to as one of the best documentaries ever made. The father of underground comics, Robert Crumb is a beguiling combination of madness and artistic genius, at once the strangest person you might ever meet and probably the funniest. "Crumb" juxtaposes his heartbreaking family story with his remarkable artistic achievement, treating you to Crumb's incredible and hilarious https://mail.google.com/mail/u/0/?ui=2&ik=283ac54fb8&view=pt&cat=Archives&search=cat&th=1333b8fbda00abf7&siml=1333b8fbda00abf7 1/2 5/11/2015 Christopher Newport University Mail Reminder! 'CNU @ the Movies', CRUMB, tonight at 6:30pm vision, wit and wisdom all the while. -
First Woman Named Director of Jackson's Public Works Department
www.mississippilink.com Vol. 20, No. 40 July 31 - August 6, 2014 50¢ Congratulations to winners of ... The 36th Mississippi The 40th Jackson Gospel Music Awards & Music Awards First woman James Brown biopic “Get named director of On Up!” filmed in Mississippi Jackson’s Public premieres in Jackson area By Stephanie R. Jones Contributing Writer Works Department Movie director Tate Taylor once again brought the glitz of Hollywood to Mississippi with a special premiere show- Kishia L. Powell’s city council ing of his latest project, the confirmation passes 5 yeas 1 abstention James Brown biopic “Get On Up!” By Ayesha K. Mustafaa About 575 attended the tick- Editor eted Sunday show at Malco Grandview in Madison, Miss., The Jackson City Council Sunday, July 27, 2014, to see held a confirmation hearing and greet movie stars as they in the public council meeting walked the red carpet, leading Tuesday, July 29, accepting up to a nationwide opening of with five yeas and one ab- the film on Friday, August 1. stention Mayor Tony Yarber’s The charity fundraiser took selection of Kishia L. Powell, in $30,000 for Mission Mis- Gov. Phil Bryant with wife Deborah, Tate Taylor, director of Get On Up! and Chadwick Boseman who P.E., as the director of the sissippi, an organization that portrays James Brown in the movie are all smiles at the movie premiere. PHOTO BY JAY JOHNSON city’s Public Works Depart- promotes racial reconcilia- ment., making her the first tion through the teachings of New York, but because it was “our visionary.” ter.