DOCSLIB.ORG

40 A-3 Bld Voile Cambr

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
40 A-3 Bld Voile Cambr Sheet1 S.NO. QUALITY WIDTH PROD. RATE A-1 BLD MULMUL 8072 42" 35 A-2 BLD MULMUL 9280 42" 40 A-3 BLD VOILE CAMBRIC 60S 42" 50 A-4 BLD CAMBRIC 60S 54" 65 A-5 BLD VOILE CAMBRIC 80S 54" 75 A-6 BLD FINE MULMUL 100S 54" 65 A-7 BLD POPLIN 40S 44" 55 A-8 WRINKLE COTTON 60S 32" 55 A-9 ORGANDY EQ 46' 42 A-10 LAWN ASHISH 44" 75 A-11 VOILE TWILL LIGHT 54" 75 A-12 VOILE TWILL HEAVY 54" 80 A-13 VOILE SLUB 54" 60 A-14 COTTON SATIN VOILE 44" 80 A-15 COTTON SATIN 80S 54" 110 A-16 REMIE LINEN 54" 140 A-17 LINEN 60" 325 A-18 COTTON LINEN 42" 110 B-1 VISCOSE CHIFFON 30X30 40" 60 B-2 VISCOSE GGEORGETTE 60S 44" 70 B-3 VISCOSE GEORGETTE 50s 44" 80 B-4 VISCOSE GEORGETTE 80GMS 44" 55 B-5 VISCOSE CREPE 44" 80 B-6 SHANTOON 10KG 42" 55 B-7 VISCOSE GAUGE 44" 60 B-8 VISCOSE GAUGE SLUB 44" 65 B-9 VISCOSE GAUGE SLUB 44" 65 B-10 DULL VISCOSE PLAIN 120GMS 40" 55 B-11 VISCOSE VOILE 80GMS 40" 65 B-12 SWEETY 50GMS 44" 35 B-13 VISCOSE TAFFETA 130GMS 46" 75 B-14 MOS RAYON 44" 55 C-1 MODAL CREPE 120GMS 46" 60 C-2 MODAL VOILE 70GMS 44" 75 C-3 MODAL VOILE TWILL 44" 85 C-4 MODAL SATIN TWILL 44" 95 C-5 COTTON VISCOSE SATIN 44" 90 C-6 VISCOSE SATIN 44" 75 C-7 MOS CREPE 42" 60 C-8 DULL VISCOSE TWILL 44" 65 C-9 SHINY VISCOSE TWILL 44" 75 C-10 D-1 NYLON SATIN 90 GMS 44" 50 D-2 RASGULLA CREPE 44" 45 D-3 CHIRMIN 44" 35 D-4 NYLON SATIN 10KG WJ 44" 60 D-5 POLY GGT 44" 40 Page 1 Sheet1 D-6 GLASS NYLON 54" 40 D-7 DYEABLE TISSUE 44" 40 E-1 SHANTOON JAQAURD 42" 65 E-2 SHANTOON JAQAURD 42" 65 E-3 SHANTOON JAQAURD 42" 65 E-4 SHANTOON JAQAURD 42" 65 E-5 SHANTOON 10KG 42" 55 F-1 LYCRA CAMBRIC 40" 100 F-2 LYCRA POPLIN 40S 44" 90 F-3 LYCRA POPLIN50S 54" 100 F-4 LYCRA TUSSAR 54" 150 F-5 LYCRA TWILL 44" 150 F-6 LYCRA COTTON SATIN HEAVY 44" 150 G-1 COTTON TWILL 40S PEACH FINISH58" 125 G-2 COTTON TWILL 30S 58" 100 G-3 COTTON TWILL 20S 58" 100 G-4 COTTON TWILL 20X16 58" 100 G-5 COTTON DRILL 7X7 58" 125 H-1 TUSSAR CANVAS 58" 110 H-2 DUCK CANVAS 16X8 58" 90 H-3 CANVAS 2/10 58" 125 H-4 MATTY CANVAS 7X7 58" 125 I-1 SILK DUPION CHINA 44" 475 I-2 RAW SILK 44" 375 I-3 SILK ORGANZA 1X1 44" 140 I-4 SILK CHIFFON 25 GMS 44" 135 I-5 SILK CHIFFON 40 GMS 44" 210 I-6 SILK CHIFFON 60 GMS 44" 260 I-7 FLAT SILK CHIFFON 40 GMS 44" 210 I-8 TABBY SILK 22GMS 44" 110 I-9 HABUTAI SILK 40GMS 44" 200 I-10 HABUTAI SILK 50 GMS 44" 230 I-11 HABUTAI SILK 60 GMS 44" 250 I-12 COTTON SILK 60GMS SHINY 44" 135 I-13 COTTON SILK 40GMS SHINY 44" 95 I-14 COTTON SILK 60GMS DULL 44" 135 I-15 SILK GEORGETTE 40GMS 44" 210 I-16 SILK GEORGETTE 60GMS 44" 260 I-17 SILK GEORGETTE 60GMS LYCRA 44" 325 I-18 SILK GEORGETTE 120GMS 44" I-19 SILK CREPE GEORGETTE 80GMS 44" 335 I-20 SILK CREPE 60GMS 100GMS 44" 240 I-21 SILK CREPE 80 GMS 44" 325 I-22 SILK SATIN 60 GMS 44" 260 I-23 SILK SATIN 80 GMS 44' 330 I-24 SILK SATIN 100 GMS LYCRA 44" 425 I-25 COTTON SILK SATIN 60GMS 44" 180 I-26 SILK VELVET 44" 350 I-27 TUSSAR SILK 44" 325 I-28 SILK CHIFFON 22GMS 44" 160 I-29 SILK CHANDERI 60GMS 44" 105 I-30 SILK NET 44" 105 Page 2 Sheet1 I-31 SILK CREPE LYCRA 80GMS 44" 425 I-32 MATKA SILK PL 50" 300 I-33 MATKA SILK HL 50" 400 I-34 SILK CHIFFON DIAMOND 42" 225 J-1 VISCOSE VELVET 180GSM 40” 48 J-2 VISCOSE VELVET 160GSM 40” 60 J-3 COTTON VELVET 290GSM 48” 60 J-4 COTTON VELVET 240GSM 48” 60 J-5 COTTON VISCOSE VELEVT 300GSM48” 60 J-6 COTTON LYCRA VELVET 300GSM 40" J-7 VISCOSE LYCRA VELVET 40" J-8 POLY VISCOSE VELVET 44" J-9 POLY VELVET 58" J-10 POLY FUR 58" K-1 DULL SQUARE NET 56" 60 K-2 POWER LYCRA NET 60" 170 K-3 COTTON SQUARE NET 44" 65 K-4 DELUXE HARD NET 56" 40 K-5 DELUXE SOFT NET 56" 40 K-6 MAHARANI SOFT NET 56" 45 K-7 BUTTERFLY NET 60" 55 K-8 ROSE FLOWER NET 42" 60 K-9 ROSE FLOWER NET ZARI 42" 65 K-10 ROSE FLOWER NET BRIGHT 42" 60 K-11 DOTTED NET 42" 55 K-12 DULL FLOWER NET 42" 65 K-13 FLOWER NET 42" 65 K-14 FLOWER NET 42" 65 K-15 FLOWER NET 42" 65 K-16 FLOWER NET 42" 65 Please note that above rates are valid for minimum order quantity of 100mtrs. For sampling or less quantity then 100mtrs. , 25% extra rates will be charged. NEW FABRICS IN VISCOSE L-1 VISCOSE GAUGE 80GMS 42" 55 L-2 SILK COTTON SLUB 42" 160 L-3 MODAL VOILE TWILL 44" 95 L-4 MODAL SATIN TWILL 44" 115 L-5 VISCOSE SATIN TWILL 44" 90 L-6 VISCOSE TAFFETA TWILL 44" 90 L-7 VISCOSE LINEN 42" 150 L-8 KELLA SILK -VISCOSE 44' 40 Page 3 Sheet1 Page 4 Sheet1 Page 5 Sheet1 Please note that above rates are valid for minimum order quantity of 100mtrs. For sampling or less quantity then 100mtrs. , 25% extra rates will be charged. Page 6.
Load more

Recommended publications
  • Historic Costuming Presented by Jill Harrison
    Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs.
    [Show full text]
  • West India Textile Mills Private Limited
    +91-8048372579 West India Textile Mills Private Limited https://www.indiamart.com/west-india-textile-mills/ PRINTED COTTON CAMBRIC FABRIC 72X72 P r o d u c t s & S e r v i c e s P r o d u c t s & S e r v i c e s Printed Cotton Cambric Fabric Printed Cotton Cambric Fabric 72x72 72x72 Printed Cotton Cambric Fabric Printed Cotton Cambric Fabric 72x72 72x72 PRINTED COTTON CAMBRIC 40X60 FABRIC P r o d u c t s & S e r v i c e s Cotton Cambric Printed Fabric Printed Cotton Cambric Fabric Cotton Cambric Printed Fabric Printed Cotton Cambric Fabric Printed Cotton Cambric Fabric Printed Cotton Cambric Fabric RAYON GOLD PRINTED FABRIC 12KG P r o d u c t s & S e r v i c e s Rayon Gold Print Dotted Rayon Gold Print Fabric Fabric Rayon Gold Print Fabric Rayon Gold Print Checks Print Fabric PRINTED COTTON CAMBRIC 32X40 FABRIC P r o d u c t s & S e r v i c e s Printed Cambric Cotton 32x40 Printed Cambric Cotton 32x40 Fabric Fabric Cambric Cotton Printed Fabric Printed Cambric Cotton 32x40 Kairi Design Fabric RAYON GOLD PRINTED FABRIC 14KG P r o d u c t s & S e r v i c e s Rayon Gold Print Fabric Gold Print Rayon Fabric Rayon Gold Print Rayon Gold Print Fabric GURJARI NAPTHOL PRINT FABRIC P r o d u c t s & S e r v i c e s P r o d u c t s & S e r v i c e s Gurjari Napthol Print Cotton Gurjari Napthol Print Cotton Fabric Fabric Gurjari Napthol Print Cotton Gurjari Napthol Print Cotton Fabric Fabric PRINTED COTTON CAMBRIC FABRIC 72S P r o d u c t s & S e r v i c e s Printed Cotton Cambric Fabric Printed Cotton Cambric Fabric 72x72 72x72 Printed Cotton Cambric
    [Show full text]
  • Bachelor of Textile Science Syllabus 2016-17
    RASHTRASANT TUKADOJI MAHARAJ NAGPUR UNIVERSITY NAGPUR (Established by Government of Central Provinces Education Department by Notification No. 513 dated the 1st of August, 1923 & presently a State University governed by Maharashtra Universities Act, 1994) FACULTY OF HOME SCIENCE DIRECTION NO. 70 OF 2016 DIRECTION GOVERNING THE EXAMINATION LEADING TO THE DEGREE OF BACHELOR OF TEXTILE SCIENCE (SEMESTER PATTERN) (Issued under section 14(8) of the Maharashtra University Act 1994) Whereas the Maharashtra Universities act No. XXXV of 1994 has come into force with effect from 22nd July, 1994 and was amended from time to time. AND WHEREAS, the University Grants Commission, New Delhi vide letter No.D.O.No.F-2/2008/(XI Plan), dated 31st January 2008 regarding new initiatives under the XI Plan – Academic reforms in the University has suggested for improving quality of higher education and to initiate the academic reform at the earliest, AND Whereas the Task Force in BFD/BTS/BPD in the Faculty of Home Science at its meeting held on 25/08/2016, have recommended for starting of semester pattern and prepared the syllabus and scheme of examination for Bachelor of Textile Science, commensurate with the governing guidelines. AND Whereas the Coordinator, Faculty of Home Science concurred with the recommendations of the Task Force in BFD/BTS/BPD in the Faculty of Home science vide his observations dated 25/08/2016, AND Whereas, the new draft direction and scheme of examination as per semester pattern is to be implemented from the academic session 2016-2017 for Bachelor of Textile Science which is to be regulated by this direction and as such there is no existence and framing of an ordinance for the above examination, AND WHEREAS the Hon’ble Vice-Chancellor has accepted the syllabus along with draft direction on the behalf of Academic Council on 7-10- 2016 under section 14(7) of Maharashtra University Act 1994.
    [Show full text]
  • Graded-In Textiles
    Graded-In Textiles For a list of each of our partner commpany’s patterns with Boss • Indicate GRADED-IN TEXTILE on your order and Boss Design Design Grades visit www.bossdesign.com. To order memo will order the fabric and produce the specified furniture. samples visit the websites or call the numbers listed below. • Boss Design reserves the right to adjust grades to accommodate price changes received from our suppliers. • Refer to our website www.bossdesign.com for complete pattern memo samples: www.arc-com.com or 800-223-5466 lists with corresponding Boss Design grades. Fabrics priced above our grade levels and those with exceptionally large repeats are indicated with “CALL”. Please contact Customer Service for pricing. • Orders are subject to availability of the fabric from the supplier . • Furniture specified using multi-fabric applications or contrasting welts be up charged. memo samples: www.architex-ljh.com or 800-621-0827 may • Textiles offered in the Graded-in Textiles program are non- standard materials and are considered Customer’s Own Materials (COM). Because COMs are selected by and used at the request of a user, they are not warranted. It is the responsibility of the purchaser to determine the suitability of a fabric for its end use. memos: www.paulbraytondesigns.com or 800-882-4720 • In the absence of specific application instructions, Boss Design will apply the fabric as it is sampled by the source and as it is displayed on their website. memo samples: www.camirafabrics.com or 616 288 0655 • MEMO SAMPLES MUST BE ORDERED DIRECTLY FROM THE FABRIC SUPPLIER.
    [Show full text]
  • African Lace
    Introduction Does changing an original material destroy its traditional context? If a material assumes new meaning or significance in a new context, is this inherently an appropriation of the object? What loss does this cause, and is it a positive change, a negative one, or neither? This lexicon revolves around African Lace. Through an analysis of this particular material, I broadly explain, craftsmanship, authenticity and reasons behind an object’s creation, including why and how it is made, from which materials, and how the object translates into a specific environment. Various kinds of objects are created in and relate to specific places and time periods. If situated in an environment in which it did not originate, the meaning of an object changes. In fact, the object is used from a new perspective. Although it is possible to reuse an object as a source of inspiration or research, it cannot be used as it was in its previous context. Thus, it is necessary to rethink the authenticity of an object when it is removed from its past context. History is important and can explain a materials origin, and it therefore warrants further attention. A lack of knowledge results in a loss of authenticity and originality of a historical material. In view of this, I develop this Lexicon to elaborate on the importance of this historical attention. It is interesting to consider how an object can influence a user in relation to emotional or even material value. The extent of this influence is uncertain, but it is a crucial aspect since any situation could diminish the value and the meaning of an object.
    [Show full text]
  • Identifying Textile Types and Weaves 1750-1950 DATS in Partnership with the V&A
    Identifying Textile Types and Weaves 1750-1950 DATS in partnership with the V&A DATS DRESS AND TEXTILE SPECIALISTS 1 Identifying Textile Types and Weaves 1750-1950 Text copyright © DATS, 2007 Image copyrights as specified in each section. This information pack has been produced to accompany a one-day workshop of the same name taught by Sue Kerry and held at Birmingham Museum and Art Gallery Collections Centre on 29th November 2007. The workshop is one of three produced in collaboration between DATS and the V&A, funded by the Renaissance Subject Specialist Network Implementation Grant Programme, administered by the MLA. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audience. Participants will have the chance to study objects at first hand to help increase their confidence in identifying textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the public. Other workshops / information packs in the series: Identifying Printed Textiles in Dress 1740 -1890 Identifying Handmade and Machine Lace Front Cover - English silk tissue, 1875, Spitalfields. T.147-1972 , Image © V&A Images / Victoria and Albert Museum 2 Identifying Textile Types and Weaves Contents Page 2. List of Illustrations 1 3. Introduction and identification checklist 3 4. Identifying Textile Types - Fibres and Yarns 4 5. Weaving and Woven Cloth Historical Framework - Looms 8 6. Identifying Basic Weave Structures – Plain Cloths 12 7. Identifying Basic Weave Structures – Figured / Ornate Cloths 17 8.
    [Show full text]
  • Tranquillo Gmbh
    P a ck your ba ckpack and co m e w i th us! We are fo llowi n g a path up a mountai n on a warm and breezy summer day. On our way we w ill climb up steep rocks , run down bloomin g meadows, h i de in ch illy caves and watc h the birds fly... Well-prepared we go . Su mmer is just wai t i n g for our fancy pri nted dresses – we g athered up the rai n b ow for these cute and co l ourf u l styles from pag e 5 onwards. We use org anic cotton in a ll our stretc h jersey s be c ause we only want what is best f or you and for our nature – real cotton candy! These are la b e lled w i th the green O r g anic Cotton Elephant. F a ll in love w i th our new Chambray styles. Th i s light and a i r y cotton fa b r ic lets you float throug h a day at the la k e and ma k es the perf e c t outfit for any summer event. Matc h a dressy modal blouse w i th our denim trousers and look gorg eous when it ' s t ime to dress more form a lly. We o ffer you an in c reasi n g rang e o f styles certified w i th the GOTS la b e l, which assures total fa i rness and transparency in a ll produc t i on and supply proc esses and the use o f approved org anic fibres.
    [Show full text]
  • Identifying Woven Textiles 1750-1950 Identification
    Identifying Woven Textiles 1750–1950 DATS in partnership with the V&A 1 Identifying Woven Textiles 1750–1950 This information pack has been produced to accompany two one-day workshops taught by Katy Wigley (Director, School of Textiles) and Mary Schoeser (Hon. V&A Senior Research Fellow), held at the V&A Clothworkers’ Centre on 19 April and 17 May 2018. The workshops are produced in collaboration between DATS and the V&A. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audience. Participants will have the chance to study objects at first hand to help increase their confidence in identifying woven textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the wider public and is also intended as a stand-alone guide for basic weave identification. Other workshops / information packs in the series: Identifying Textile Types and Weaves Identifying Printed Textiles in Dress 1740–1890 Identifying Handmade and Machine Lace Identifying Fibres and Fabrics Identifying Handmade Lace Front Cover: Lamy et Giraud, Brocaded silk cannetille (detail), 1878. This Lyonnais firm won a silver gilt medal at the Paris Exposition Universelle with a silk of this design, probably by Eugene Prelle, their chief designer. Its impact partly derives from the textures within the many-coloured brocaded areas and the markedly twilled cannetille ground. Courtesy Francesca Galloway. 2 Identifying Woven Textiles 1750–1950 Table of Contents Page 1. Introduction 4 2. Tips for Dating 4 3.
    [Show full text]
  • The Complete Costume Dictionary
    The Complete Costume Dictionary Elizabeth J. Lewandowski The Scarecrow Press, Inc. Lanham • Toronto • Plymouth, UK 2011 Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2011 by Elizabeth J. Lewandowski Unless otherwise noted, all illustrations created by Elizabeth and Dan Lewandowski. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Lewandowski, Elizabeth J., 1960– The complete costume dictionary / Elizabeth J. Lewandowski ; illustrations by Dan Lewandowski. p. cm. Includes bibliographical references. ISBN 978-0-8108-4004-1 (cloth : alk. paper) — ISBN 978-0-8108-7785-6 (ebook) 1. Clothing and dress—Dictionaries. I. Title. GT507.L49 2011 391.003—dc22 2010051944 ϱ ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America For Dan. Without him, I would be a lesser person. It is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise; to be disgraced by miscarriage or punished for neglect, where success would have been without applause and diligence without reward.
    [Show full text]
  • Zia Homes Status Sheet 05-20
    Andrew Ryan John Etienne Cooper A Brock 915.920.1953 915.777.2112 254.291.6827 MODEL HOMES EAST: 14272 Richard Wiles El Paso, TX 79938 We Guarantee that you will love your New Zia Home! If you do not love your Zia Home in the first year, we will list it at a 0% Commission and sell you a new home with a 0% Selling Commission LAST UPDATED: 05.20.19 Hot Sheet Updated 05.20.2019 Can Close in 60 days or Less! TIERRA DEL ESTE UNIT 78 ADDRESS PLAN # LOT BLOCK LVLS $$$ STAGE COMMISSION STATUS 14188 Charles Pollock Argyle 2335-S 21 491 4 3 TL $224,950 Trim 3% AVAIL 14206 Charles Pollock Trellis 2255-S 16 493 5 2.5 2 $219,950 Frame 3% AVAIL 14190 Charles Pollock Velour 2150-P 22 491 4 2.5 2 $214,950Trim 3% AVAIL 14213 Peyton Edwards Argyle 2335-S 6 493 4 3 TL $229,950Frame 3% AVAIL ENCHANTED HILLS ADDRESS PLAN # LOT BLOCK LVLS $$$ STAGE COMMISSION STATUS MODEL 7878 Enchanted Ridge Cashmere 2704-S 1 15 5 3.5 2 $274,950Trim 3% NFS 7825 Enchanted Ridge Cashmere 2704-H 11 16 5 3.5 2 $269,950Finals 3% AVAIL 7821 Enchanted View Calico 1935 15 1 4 3 1 $239,950 Sheetrock 3% AVAIL MESQUITE HILLS ADDRESS PLAN # PLAN # LOT BLOCK LVLS $$$ STAGE COMM STATUS 6924 Brown Mesquite Velour 2150 P 21 52 4 2.5 2 $209,950 Frame 3% AVAIL 12020 Mesquite River Poplin 1750 S 6 47 4 2 1 $189,950 Frame 3% AVAIL 6933 Copper Town Trellis 2255 S 6 52 5 2.5 1 $214,950 Frame 3% AVAIL 6941 Copper Town Cashmere 2704 S 4 52 5 3.5 2 $244,950 Frame 3% AVAIL 6945 Copper Town Paisley 1876 S 3 52 4 2 2 $199,950 Frame 3% AVAIL John Etienne Cooper A Brock Andrew Ryan 915.777.2112 254.291.6827
    [Show full text]
  • Weaving Technology Ii
    WEAVING TECHNOLOGY II Prof.Dr. Emel Önder Ass.Prof.Dr.Ömer Berk Berkalp IntroductionIntroduction • Fabrics are textile surfaces. These structures are extremely long in comparison with their thickness. • There are basically 3 methods in fabric manufacture: 1. Weaving 2. Knitting 3. Nonwoven fabric manufacture (felt making) • The yarn is used to produce fabrics by either weaving or knitting. • An alternative method of producing a fabric from fibers, without making a yarn is that of felt making. • Fabrics can be produced by one of those methods or by a combination of them. TEK332E Weaving Technology II Prof. Dr. Emel Önder/ Assoc. Dr.Ömer Berkalp 2 Samples for different fabric structures Handbook of Weaving Sabit Adanur TEK332E Weaving Technology II Prof. Dr. Emel Önder/ Assoc. Dr.Ömer Berkalp 3 EndEnd--useuse FieldsFields ofof WovenWoven FabricsFabrics • Weaving and knitting are the two most common processes of making cloth. • Of these two processes, weaving is the most common method, although new and improved knitting machines make cloth quickly, satisfactorily, and with attractive patterns. The majority of the fabric production is based on the woven fabrics. • Woven fabrics are manufactured for many end-use purposes: 1. apparel fabrics for clothing/garmenting, i.e., suits, dresses, shirts, coats, sportswear etc. 2. household textiles & furnishings, i.e., curtains, tablecloths, bed sheets, towels, upholstery and tapestry fabrics, carpets, etc., 3. industrial and technical fabrics, i.e., transmission belts, safety belts, sail cloths, sack cloth, tent cloth, geotextiles for buildings. TEK332E Weaving Technology II Prof. Dr. Emel Önder/ Assoc. Dr.Ömer Berkalp 4 TEK332E Weaving Technology II Prof. Dr.
    [Show full text]
  • Grade-In Listing Download Brochure
    Effective Date: 5.6.21 TEXTILE PARTNER PROGRAM // JANUARY 2021 To simplify the ordering of products and fabrics at one time, Arcadia and Encore are pleased to present this grade-in supplement with our featured textile partners. All applicable upholstery fabrics from each partner are listed by grade as well as alphabetically for your convenience. For additional information or assistance with fabric grade pricing, please contact our Client Services Department at 800.585.5957. Patterns represent the full offering of our textile partners and may not be compatible with all products. Patterns Listed Alphabetically Please contact Client Services to verify that the selected fabric has been approved for your specification. PATTERN GRADE PATTERN GRADE PATTERN GRADE PATTERN GRADE PATTERN GRADE 45 RPM 3 Boulevard 5 Crew 4 C Friendship 6 V Irving 3 57 Chevron 8+ Boyle 8+ V Croc (A) 5 Frond 8+ Isle 8 78 RPM 4 Brick and Mortar 4 Crossover 4 S Front Desk 5 Islington 8+ Aberdeen 8+ Brixton 8+ S Cruise 8+ Furstenberg 2 SV Jackpot (A) 4 Adare Manor 4 Brompton 3 Cupertino (A) 8+ Gaia 6 James Dean 4 Adlon 8+ Bryn Mawr 8+ Cupid 4 Gala 7 Javelin 3 Affinity 6 Buenos Aires 5 Cutting Edge 8 Gallon 7 Juliet 4 After Party 4 Burlington 5 V Dakar (A) 4 SV Ganesha (A) 8+ C Jump For Joy 8+ Alcantara 8+ Cabin 8 V Dakota (A) 5 Gargrave 8+ Just Dandy 3 Aldgate 8+ S Cadillac 5 Damen 3 S Gate House 3 Kainai 4 Algonquin 4 Calabasas 4 Dance Party 4 Gecko (A) 8+ Kensington 8+ SV Allure (A) 7 V Calf (A) 8+ SV Dapple (A) 8+ S Getaway 8 V Kent (A) 7 Althrop 8+ Calyx 8+ Dash 5
    [Show full text]