NSD Hosts the 8Th Theatre Olympics –

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NSD Hosts the 8th Theatre Olympics – India 2018 About Theatre Olympics The Theatre Olympics was established in 1993 at Delphi, Greece. As an international theatre festival, the Theatre Olympics presents some of the greatest theatre practitioners from around the world, offering a platform where despite ideological, culture and language differences, dialogue is encouraged. Since 1993, the Theatre Olympics has been held seven times in: Japan (1999), Russia (2001), Turkey (2006), South Korea (2010), China (2014), and Poland (2016). 17th February 2018: Imprinting her name in the global theatre map, India on this day threw the floor open to the 8th Theatre Olympics, the largest theatre festival of the world, being hosted for the first time in India by the National School of Drama, under the aegis of Ministry of Culture, Government of India. Shri Venkaiah Naidu, Hon’ble Vice President of India, along with Union Minister of State for Culture (IC) Dr. Mahesh Sharma, inaugurated the mega event at the historic Red Fort. “The 8 th Theatre Olympics will take Indian culture and heritage to the world and bring the world to us. Art has the power to unite people across the globe. India believes in the culture of Vasudhaiva Kutumbakam which means the entire universe is one, which is an integral part of the Indian cultural and theatrical tradition,” said Vice President of India Shri Venkaiah Naidu on the occasion “Through the 8 th Theatre Olympics, we meet the rich theatrical tradition of India and we encourage the articulation of a free and collective voice which will defend the value of the theatre tradition, research, and experimentation,” said Chairman of International Committee of Theatre Olympics, Mr. Theodoros Terzopoulos.on the occasion The video film, prepared by students of IIIT, Delhi, shows some of the major highlights of the festival including glimpses of Directors Meet in which Theatre Directors interacted with Theatre Critics, Theatre Students, Theatre Buffs a day after the show and so many other highlights like the Food and Theatre Bazar. It captures the festive ambience of the event Theatre Olympics: First time in India .

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World Theatre Day 2021 Event Report
International Theatre Institute ITI World Organization for the Performing Arts World Theatre Day 2021 Event Report 27 March 2021 Online Celebration Under the patronage of UNESCO United Nations Educational, Scientiﬁc and Cultural Organization www.world-theatre-day.org Content Introduction 3 Welcome Address by Tobias BIANCONE, Director General of ITI 4 Welcome Address by Ernesto Renato OTTONE RAMIREZ, 5 UNESCO Assistant Director-General for Culture World Theatre Day 2021 Message Author 6 World Theatre Day 2021 Message 7 Interview | Helen MIRREN Thoughts on Theatre for World Theatre Day 2021 8 An Invitation to Watch the Event and its Performances 10 Main Online Celebration Programme 11 Main Celebration 14 Performance Videos from ITI Centres 15 Performance Videos from World Performing Arts Communities 23 Special Projects 26 Inspirational Moments 27 Presentations 28 Promotion 29 Worldwide Events of World Theatre Day 34 Promotion in China 36 Event Participation 37 The Outcome 38 Event Organizers 39 Expression of Gratitude 40 Participation List 41 Click this icon, back to Content page. Introduction Due to the unpromising situation of the global pandemic, The WTD 2021 online Celebration was held under the the General Secretariat of ITI was unable to organize the main Shakespearean theme “All the world’s a stage”. Facing the Celebration of World Theatre Day 2021 at UNESCO in Paris as lockdown and isolation caused by the pandemic, the planned. performing arts communities have been forced, much like the WTD Celebration, to create their platforms virtually – but However, since the world is getting more used to attending where there is theatre, there is a stage.
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Bibliography
BIBLIOGRAPHY Aeschylus. 2002. Persians.InThe Complete Plays. Trans. Carl R. Mueller. New Hampshire: Smith and Kraus. Allain, Paul. 2002. The Art of Stillness: The Theater Practice of Tadashi Suzuki. London: Methuen Publishing. ———. 2011. The Theatre Practice of Tadashi Suzuki. New York: Bloomsbury Methuen Drama. Anthony, D. 1992. The Propagation of Olympic Education as a Weapon Against the Corruption and Commercialization of World-Wide Sport. In 32nd Young Participants Session, ed. International Olympic Academy, 157–64. Olympia: International Olympic Academy. Arvanitakis, Kostas I. 2006. Psychoanalysis and the Theatre of Terzopoulos. In Journey with Dionysus: The Theatre of Theodoros Terzopoulos,ed.Frank M. Raddatz, 188–199. Berlin: Theater der Zeit. Bakhtin, Mikhail. 1984. Rabelais and His World. Trans. Helene Iswolsky. Bloomington: Indiana University Press. Becker, Carl L. 1959. What Are Historical Facts? In The Philosophy of History in Our Time, ed. Hans Meyerhoff, 120–139. Garden City: Doubleday & Company. Beumers, Birgit. 1997. Yury Lyubimov at the Taganka Theatre 1964–1994. Amsterdam: Harwood Academic Publishers. Bharucha, Rustom. 1993. Theatre and the World: Performance and the Politics of Culture. New York: Routledge. Boulogne, Y. P. 1999. Olympism more than ever. Olympic Review XXVI(25) February–March: 37–39. Bradby, David, and David Williams. 1988. Directors’ Theatre. London: Palgrave Macmillan. © The Author(s) 2016 139 J.K. Kim, International Theatre Olympics, DOI 10.1007/978-981-10-2573-0 140 BIBLIOGRAPHY Çarkoğlu, Ali, and Kemal Kirișci. 2005. The View from Turkey: Perceptions of Greeks and Greek-Turkish Rapprochement by the Turkish Public. In Greek- Turkish Relations in an Era of Détente, ed. Ali Çarkoğlu and Barry Rubin, 117–153.
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