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Bibliography BIBLIOGRAPHY Aeschylus. 2002. Persians.InThe Complete Plays. Trans. Carl R. Mueller. New Hampshire: Smith and Kraus. Allain, Paul. 2002. The Art of Stillness: The Theater Practice of Tadashi Suzuki. London: Methuen Publishing. ———. 2011. The Theatre Practice of Tadashi Suzuki. New York: Bloomsbury Methuen Drama. Anthony, D. 1992. The Propagation of Olympic Education as a Weapon Against the Corruption and Commercialization of World-Wide Sport. In 32nd Young Participants Session, ed. International Olympic Academy, 157–64. Olympia: International Olympic Academy. Arvanitakis, Kostas I. 2006. Psychoanalysis and the Theatre of Terzopoulos. In Journey with Dionysus: The Theatre of Theodoros Terzopoulos,ed.Frank M. Raddatz, 188–199. Berlin: Theater der Zeit. Bakhtin, Mikhail. 1984. Rabelais and His World. Trans. Helene Iswolsky. Bloomington: Indiana University Press. Becker, Carl L. 1959. What Are Historical Facts? In The Philosophy of History in Our Time, ed. Hans Meyerhoff, 120–139. Garden City: Doubleday & Company. Beumers, Birgit. 1997. Yury Lyubimov at the Taganka Theatre 1964–1994. Amsterdam: Harwood Academic Publishers. Bharucha, Rustom. 1993. Theatre and the World: Performance and the Politics of Culture. New York: Routledge. Boulogne, Y. P. 1999. Olympism more than ever. Olympic Review XXVI(25) February–March: 37–39. Bradby, David, and David Williams. 1988. Directors’ Theatre. London: Palgrave Macmillan. © The Author(s) 2016 139 J.K. Kim, International Theatre Olympics, DOI 10.1007/978-981-10-2573-0 140 BIBLIOGRAPHY Çarkoğlu, Ali, and Kemal Kirișci. 2005. The View from Turkey: Perceptions of Greeks and Greek-Turkish Rapprochement by the Turkish Public. In Greek- Turkish Relations in an Era of Détente, ed. Ali Çarkoğlu and Barry Rubin, 117–153. New York: Routledge. Carruthers, Ian, and Takahashi Yasunari. 2004. The Theatre of Suzuki Tadashi. New York: Cambridge University Press. Chatziefstathiou, Dikaia, and Ian P. Henry. 2012. 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The Russia Journal 266, April 6. http://russiajournal.com/node/10256 Eade, John, and Michael J. Sallnow, ed. 1991. Introduction to Contesting the Sacred: The Anthropology of Christian Pilgrimage,1–29. New York: Routledge. Erincin, Serap. 2007. 15th Istanbul International Theatre Festival. Theatre Journal 59(2): 296–299. European Cultural Center of Delphi, ed. 1995. The First Theatre Olympics Program Book. Delphi: ECCD. ———. 1998. Program book “Delphi ’98 Theatre Movement Music”. Delphi: ECCD. ———. 2000. X International Meeting of Ancient Greek Drama Program Book. Delphi: ECCD. ———. 2003. European Cultural Centre of Delphi Handbook. Delphi: ECCD. Evin, Ahemt O. 2005. Changing Greek Perspectives on Turkey: An Assessment of the post-Earthquake Rapprochement. In Greek-Turkish Relations in an Era of Détente, ed. Ali Carkoglu and Barry Rubin, 4–20. New York: Routledge. Fischer-Lichte, Erika. 2005. Theatre, Sacrifice, Ritual: Exploring Forms of Political Theatre. 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London: Routledge. International Committee of the Theatre Olympics. 1994a. Theatre Olympics: Crossing Millennia. International Committee of the Theatre Olympics, Athens. ———. 1994b. Theatre Olympics Charter. International Committee of the Theatre Olympics, Athens. International Olympic Committee. 2011. Olympic Charter. Lausanne: International Olympic Committee. http://www.olympic.org/Documents/ olympic_charter_en.pdf. Accessed August 31, 2011. 142 BIBLIOGRAPHY Jacobson, Howard. 1997. Seriously Funny: From the Ridiculous to the Sublime. New York: Viking. Kennedy, Gilles. 1999. A Triumphant “Olympics” in Japan. International Herald Tribune, June 16. http://www.iht.com/articles/1999/06/16/theater.t.php. Accessed March 28, 2010. Kihl, Young Whan. 2005. Transforming Korean Politics: Democracy, Reform, and Culture. New York: M.E. Sharpe. Kim, Bang-ok. 2011a. Comments on the Fifth Theatre Olympics in Seoul. In The Fifth Theatre Olympics Official Record, ed. The Fifth Theatre Olympics Executive Committee, 164–165. Seoul: The Fifth Theatre Olympics Executive Committee. Kim, Jae Kyoung. 2011b. Krapp’s Last Tape. Theatre Journal 63(2): 250–253. ———. 2016. The Sixth Theatre Olympics. Asian Theatre Journal 33(1): 198–202. Leach, Robert. 1999. Russian Theatre in World Theatre. In A History of Russian Theatre, ed. Robert Reach and Victor Borovsky, 1–5. Cambridge: Cambridge University Press. Liu, Siyuan. 2013. Performing Hybridity in Colonial-Modern China. New York: Palgrave. Louie, Kam. 2008. Defining Modern Chinese Culture. In The Cambridge Companion to Modern Chinese Culture, ed. Kam Laouie, 1–19. Cambridge: Cambridge University Press. Lucas, John. 1981. The Genesis of the Modern Olympic Games. In Olympism, ed. Jeffrey Segrave and Donald Chu, 22–32. Illinois: Human Kinetics Publishers. Luo, Jinlin. 2007. Director’s Note. XIII International Meeting on Ancient Drama Program Book. Delphi: ECCD. Lyubimov, Yuri. 1995. Reviving Greek Tragedy. NHK, NHK, August. Documentary. MacAloon, J. 1996. Humanism as political necessity? Reflections on the pathos of anthropological science in Olympic contexts. Quest 48: 67–81. Mahoney, Josef Gregory. 2014. Interpreting the Chinese Dream: An Exercise of Political Hermeneutics. Journal of Chinese Political Science 19: 15–34. McDonald, Marianne. 2003. The Living Arts of Greek Tragedy. Indianapolis: Indiana University Press. Palmer-Sikelianos, Eva. 1993. Upward Panic: The Autobiography of Eva Palmer-Sikelianos, ed. John P. Anton. Philadelphia: Harwood Academic Publishers. Pamuk, Orhan. 2006. Istanbul: Memories and the City. Trans. Maureen Freely. New York: Vintage International. Papavassiliou, Vassilis. 1995. Reviving Greek Tragedy. NHK, NHK, August. Documentary. BIBLIOGRAPHY 143 Park, Ji-won. 2000. Dreaming of the Cultural Power in the 21st Century. Ministry of Culture, Sports, and Tourism,February25.http://www.mcst.go.kr. Accessed June 20, 2012. Pavis, Patrice. 1992. Theatre at the Crossroads of Culture. New York: Routledge. ———. 1993. Production and Reception in the Theatre. In New Directions in Theatre, ed. Julian Hilton, 25–71. New York: St. Martin’s Press. ———. 1996. Introduction: Towards a Theory of Interculturalism in Theatre? In Intercultural Performance Reader, ed. Patrice Pavis, 1–26. New York: Routledge. ———. 2003. Analyzing Performance: Theater, Dance, and Film. Trans. David Williams. Ann Arbor: University of Michigan Press. Perdue, Peter C. 2013. The Chinese. In Demystifying China, ed. Naomi Standen, 15–24. Plymouth: Rowman & Littlefield Publishers. Powell, John T. 1994. Origins and Aspects of Olympism. Illinois: Stipes Publishing Company. Rebellato, Dan. 2009. Theatre & Globalization. New York: Palgrave Macmillan. Redmond, General. 1981. The Pseudo-Olympics. In
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