Mediaeval and Renaissance Studies
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World Without End Nicholas of Cusa's View of Time And
WORLD WITHOUT END NICHOLAS OF CUSA’S VIEW OF TIME AND ETERNITY Matthieu van der Meer* In his preface to the first printed edition of Apuleius’ works, Giovanni Andrea Bussi, librarian of the Vatican Library, praised his former patron Cardinal Nicholas of Cusa (1401-1464) as a connoisseur, not only of authors from an- cient times, but also from the media tempestas.1 Until recently, Bussi’s remark was considered to be the first witness of Renaissance self-awareness.2 No doubt, many authors (e.g. Petrarch, Salutati, Bruni) at that time were striving for the realisation of a new concept of man in which human dependence on God (oratio) and independence through man’s own rational powers (ratio) were united.3 Subsequently, the study of what it means to be human, the studia hu- manitatis, changed the traditional curricula and opened new intellectual hori- zons. Even if Bussi’s phrase media tempestas is less new than it has been pre- sumed to be, it characterises Nicholas of Cusa as a figure at the crossroads of the middle ages and the age of humanism.4 Ever since the renewed interest in * The author wishes to thank Anthony Lewis, Daniel O’Connell and Albrecht Diem for their comments. 1 M. Miglio, Giovanni Andrea Bussi. Prefazioni alle edizioni di Sweynheym e Pan- nartz (Milan, 1978), p. 17: “Vir ipse, quod rarum est in Germanis, supra opinionem elo- quens et latinus, historias idem omnes non priscas modo, sed mediae tempestatis, tum veteres, tum recentiores usque ad nostra temp ora, memoria, retinebat”. 2 T. -
Illinois Classical Studies
i 11 Parallel Lives: Plutarch's Lives, Lapo da Castiglionchio the Younger (1405-1438) and the Art of Italian Renaissance Translation CHRISTOPHER S. CELENZA Before his premature death in 1438 of an outbreak of plague in Ferrara, the Florentine humanist and follower of the papal curia Lapo da Castiglionchio the Younger left behind three main bodies of work in Latin, all still either unedited or incompletely edited: his own self-collected letters, a small number of prose treatises, and a sizeable corpus of Greek-to-Latin translations. This paper concerns primarily the last of these three aspects of his work and has as its evidentiary focus two autograph manuscripts that contain inter alia final versions of Lapo's Latin translations of Plutarch's Lives of Themistocles, Artaxerxes, and Aratus. In addition, however, to studying Lapo's translating techniques, this paper will address chiefly the complexities of motivation surrounding Lapo's choice of dedicatees for these translations. The range of circumstances will demonstrate, I hope, the lengths to which a young, little-known humanist had to go to support himself in an environment where there was as yet no real fixed, institutional place for a newly created discipline. Lapo and Translation: Patronage, Theory, and Practice Of the three areas mentioned, Lapo's translations represent the most voluminous part of his oeuvre and in fact it is to his translations that he owes his modem reputation. But why did this young humanist devote so much energy to translating? And why were Plutarch's Lives such an important part of his effort? An earlier version of this paper was delivered as an Oldfather Lecture at the University of Illinois at Urbana-Champaign on 8 November 1996. -
Cusanus, on Learned Igorance-17Z8dxd
On Learned Ignorance Harries 1 Karsten Harries Nicholas of Cusa On Learned Ignorance Seminar Notes Fall Semester 2015 Yale University Copyright Karsten Harries On Learned Ignorance Harries 2 Contents 1. Introduction 3 Book One 2. Learned Ignorance 17 3. The Coincidence of Opposites 30 4. The Threat of Pantheism 47 5. The Power of Mathematics 61 6. Naming God 76 Book Two 7. The Shape of the Universe 90 8. Matter and Becoming 105 9. The Condition of the Earth 118 Book Three 10. The Need for Christ 131 11. Death and Resurrection 146 12. Faith and Understanding 162 13. Death, Damnation, and the Church 176 On Learned Ignorance Harries 3 1. Introduction 1 Many philosophers today have become uneasy about what philosophy has become and where it has led us. Nietzsche and Heidegger, Derrida and Rorty are just a few names. Their uneasiness mirrors widespread concern about the shape of our modern culture. As more and more begin to suspect that the road on which we have been travelling may be a dead end, attempt are made to retrace steps taken; a search begins for missed turns and for those who may have misled us. Among these Descartes has long occupied a special place as the thinker whose understanding of proper method helped found modern philosophy, science, and indeed the shape of our technological world. It is thus to be expected that attempts to question modernity, to confront it, in order perhaps to take a step beyond it, should have often taken the form of attempts to confront Descartes or Cartesian rationality. -
Images of Homeric Manuscripts from the Biblioteca Marciana1
2008 Annual Conference of CIDOC Athens, September 15 – 18, 2008 Christopher W. Blackwell IMAGES OF HOMERIC MANUSCRIPTS FROM THE BIBLIOTECA MARCIANA1 Christopher W. Blackwell Classics University or Organization: Furman University Address: 3300 Poinsett Highway Greenville, SC 29609 USA E-Mail: [email protected] URL: http://chs.harvard.edu/chs/homer_multitext Abstract This paper describes the manuscript Marcianus Graecus Z.454 (=822), the “Venetus A” and the work of capturing high-resolution digital images of its folios. The manuscripts is a masterpiece of 9th Century “information technology”, combing a primary text, the Homeric Iliad, with secondary texts in the form of scholiastic notes, and other metadata in the form of critical signs. Thus the images of this manuscript provide wide access to an invaluable window into two millennia of the history of the Homeric tradition. INTRODUCTION In May of 2007 an international team of Classicists, conservators, photographers, and imaging experts came together in the Biblioteca Marciana—the Library of St. Mark—in Venice, in order to bring to light a cultural treasure that had been hidden away for over 100 years. The Venetus A manuscript of the Iliad (Marcianus Gr. Z. 454 [=822]), the 1 The following paper is about a collaborative project, of which I am one of four primary editors. We have worked together to produce a number of presentations and publications connected to the project over the past year, including the forthcoming book: Recapturing a Homeric Legacy: Images and Insights from the Venetus A Manuscript of the Iliad. For this reason, this paper should be considered to be co-authored by Casey Dué, Mary Ebbott, and Neel Smith. -
Nicholas of Cusa and Modern Philosophy
//FS2/CUP/3-PAGINATION/HRP/2-PROOFS/3B2/9780521846486C09.3D 173 [173–192] 2.5.2007 8:03AM 9 DERMOT MORAN Nicholas of Cusa and modern philosophy ‘‘Gatekeeper of the modern age’’ Nicholas of Cusa (Niklas Krebs, known as Cusanus, 1401–64), one of the most original and creative intellects of the fifteenth century,1 has been variously described as ‘‘the last great philosopher of the dying Middle Ages’’ (Alexandre Koyre´), as a ‘‘transition-thinker’’ between the medieval and modern worlds (Frederick Copleston),2 and as the ‘‘gatekeeper of the modern age’’ (Rudolf Haubst).3 He is a lone figure with no real successor although he had some influence on Copernicus, Kepler, Bruno, and, tangen- tially, on Descartes. The German Idealists showed some interest in Nicholas of Cusa but the real revival of his thought was stimulated by the neo-Kantian philosopher Ernst Cassirer (1874–1945) who called him ‘‘the first modern thinker’’ and by the existentialist Karl Jaspers.4 Cassirer compared him to Kant for his view that objects have to be understood in terms of the categories of our own thought.5 Other scholars, notably Alexandre Koyre´,6 Hans-Georg Gadamer7 Hans Blumenberg,8 Werner Beierwaltes,9 and Karsten Harries,10 all see him in a certain way as a harbinger of modernity.11 Yet his outlook is essentially conservative, aiming, as Hans Blumenberg has recognized, to maintain the medieval synthesis.12 Cusanus was a humanist scholar, Church reformer – his De concordantia catholica (On Catholic Concord, 1434) included proposals for the reform of Church and state – papal diplomat, and Catholic cardinal. -
Chryssa Maltezou Still More on the Political Views of Bessarion
Chryssa Maltezou (Venedig) Still more on the political views of Bessarion An imposing universal figure, Bessarion, metropolitan of Nicaea and in later life a cardinal of the Catholic Church, was undoubtedly one of the most important personalities of the 15th century. He played a key role in the renewal of intellectual life in Italy, offering the western community the benefit of his own special perspective on the world and, along with other Byzantine men of letters, familiarising Western Europe with what has aptly been called ‘Proto- Europe’, i.e. the thousand-year-old Byzantine Empire1). The nature of Bessa- rion’s conduct and deeds in general have tended to create an ideologically loaded picture as regards his political conscience: his actions lay beyond the normal pattern of the Byzantine or Western world, suggesting a broader European synthesis. According to his contemporary, the Italian humanist, Loren- zo Valla, Bessarion was “in Rome the most Latin of the Greeks and in Constantinople the most Greek of the Latins” (Latinorum graecissimus, Graeco- rum latinissimus),2) while Bessarion’s protégé, the scholar and scribe Michael Apostoles, considered the cardinal to be among the “last of the Greeks” and the “first of the Europeans” (eön tvqn Graikvqn toiqw uÖstaßtoiw kaöntoiqw prvßtoiw tvqn Euörvpaißvn).3) Modern scholars have since emphasized from time to time either the Greek or the Latin dimension of his personality. His decision to embrace the Latin Church and his stance on the issue of the union of the churches explains why western -
Libraries: Architecture and the Ordering of Knowledge
Libraries: Architecture and the Ordering of Knowledge English text of March 29, 2009, by J. Connors for “Biblioteche: l’architettura e l’ordinamento del sapere,” with Angela Dressen, in Il Rinascimento Italiano e l’Europa, vol. 6, Luoghi, spazi, architetture, ed. Donatella Calabi and Elena Svalduz, Treviso-Costabissara, 2010, pp. 199-228. All the texts describing ancient libraries had been rediscovered by the mid-Quattrocento. Humanists knew Greek and Roman libraries from the accounts in Strabo, Varro, Seneca, and especially Suetonius, himself a former prefect of the imperial libraries. From Pliny everyone knew that Asinius Pollio founded the first public library in Rome, fulfilling the unrealized wish of Juliuys Caesar ("Ingenia hominum rem publicam fecit," "He made men's talents public property"). From Suetonius it was known that Augustus founded two libraries, one in the Porticus Octaviae, and another, for Greek and Latin books, in the temple of Apollo on the Palatine, where the sculptural decoration included not only a colossal statue of Apollo but also portraits of celebrated writers. The texts spoke frequently of author portraits, and also of the wealth and splendor of ancient libraries. The presses for the papyrus rolls were made of ebony and cedar; the architectural order and the revetments of the rooms were of marble; the sculpture was of gilt bronze. Boethius added that libraries were adorned with ivory and glass, while Isidore mentioned gilt ceilings and restful green cipollino floors. Senecan disapproval of ostentatious libraries, of "studiosa luxuria," of piling up more books than one could ever read, gave way to admiration for magnificent libraries. -
OGGETTO: Venezia – Ex Palazzo Reale
MINISTERO PER I BENI E LE ATTIVITA’ CULTURALI DIREZIONE REGIONALE PER I BENI CULTURALI E PAESAGGISTICI DEL VENETO Soprintendenza per i Beni Architettonici e Paesaggistici di Venezia e Laguna Palazzo Ducale, 1 V e n e z i a PERIZIA DI SPESA N. 23 del 2 luglio 2012 D.P.C.M. 10 Dicembre 2010 di ripartizione della quota dell’otto per mille dell’IRPEF a diretta gestione statale per l’anno 2010 RELAZIONE STORICA E RELAZIONE TECNICA CON CRONOPROGRAMMA VENEZIA – PIAZZA SAN MARCO LAVORI DI CONSERVAZIONE DELLA FACCIATA, DEL PORTICO E DELLE COPERTURE DELLE PROCURATIE NUOVE – Campate XI – XXXVI C.U.I. 13854 CUP F79G10000330001 Venezia, 2 LUGLIO 2012 IL PROGETTISTA Visto:IL SOPRINTENDENTE Arch. Ilaria Cavaggioni arch. Renata Codello IL RESPONSABILE DEL PROCEDIMENTO Arch. Anna Chiarelli Venezia - Procuratie Nuove o Palazzo Reale Intervento di conservazione della facciata principale e dalla falda di copertura (…) guardatevi dal voler comparire sopra le cose fatte: accomodatele, assicuratele, ma non aggiungete, non mutilate, e non fate il bravo. Giuseppe Valdier L’Architettura Pratica, III, p. 115 Relazione illustrativa con cenni sulla storia della fabbrica SOMMARIO 1. Introduzione 2. Cenni sulla storia della fabbrica 3. Caratteri stilistici 4. Caratteri costruttivi 5. La ricerca d’archivio 6. Stato di conservazione 7. Descrizione dell’intervento: linee guida e tecniche 8. Riferimenti bibliografici 1. Introduzione Molti degli aspetti descritti in questa relazione, relativi alla vicenda storica della fabbrica delle Procuratie Nuove, alle caratteristiche stilistiche e costruttive della facciata principale del palazzo, al suo stato di conservazione, ecc., si basano su ipotesi fondate sull’osservazione a distanza, ai piedi della fabbrica, sulla letteratura artistica consultata, su precedenti restauri documentati, su analogie con le Progetto definitivo 2 Venezia - Procuratie Nuove o Palazzo Reale Intervento di conservazione della facciata principale e dalla falda di copertura fabbriche coeve, sulle raccomandazioni dei manuali storici, ecc. -
THE VENETUS T of PLATO by G. J. BOTER Codex Venetus Marcianus Graecus App. Class. IV, 1, Which Bears the Siglum T, Consists of F
THE VENETUS T OF PLATO BY G. J. BOTER Codex Venetus Marcianus graecus App. Class. IV, 1, which bears the siglum T, consists of four parts 1). The oldest part contains Plato's tetralogies I-VII completely, and tetr. VIII 1,2, breaking of suddenly at Rep. III 389d7. The rest of the Republic is added by a fifteenth-century hand; Timaeus has been added by Caesar Strategus and Timaeus Locrus et alia by joannes Rhosus, both at the end of the fifteenth century. The oldest part is the subject of this paper. * There are two problems concerning the old part of T, its age and its exemplar. The old official catalogue in the Biblioteca Marciana attributes T to the twelfth century, and this dating is accepted by many scholars2). Others have assumed that T is older3). Recently, A. Diller has published a note on T4), in which he submits that T has been written by Ephraim Monachus, who was active as a scribe in the middle of the tenth century. Diller mentions four mss. which bear his subscription; in the Biblioteca Marciana, I have compared one of these, namely Marcianus 201, which contains Aristotle's Organon s) , with T, and after a careful examination I believe that the 1) For a brief description of T, see E. R. Dodds, Plato Gorgias(Oxford 1959), 37f. For fuller information see M. Schanz, Uberden Platocodex in der Markusbibliothek in Venedig(Leipzig 1877), passim, esp. pp. 1-6; W. W. Waddell, The Parmenidesof Plato (Glasgow 1894), cxxii-cxxv. 2) Among others E. Chambry, Platon, La République(Paris 1932-4), tome 1, cxli f.; Dodds, l.c.; N. -
Lucretius Carus, Titus
Lucretius Carus, Titus. Addenda et Corrigenda* ADA PALMER (University of Chicago) The Addenda follow the order of the original article (CTC 2.349–65) and consist of a) additional material for the Fortuna, Bibliography and commen- taries, b) vernacular translations of the seventeenth century. New information on copyists, owners and annotators is included within the Fortuna, following the original structure. Fortuna p. 349a4. Add: A theory, now discredited, was much discussed in the fifteenth century that the surviving six-book poem was actually the middle or end of a twenty-one- book work. This confusion arose from a passage in M.T. Varro De( Lingua Latina * The author is grateful for the support and assistance of David Butterfield, Alison Brown, James Hankins and Michael Reeve. She owes much to the support given to her by the Villa I Tatti Harvard University Center for Italian Renaissance Studies, and the Mel- bern G. Glasscock Humanities Center at Texas A&M University. Gracious help was also provided by librarians at many institutions, including the Biblioteca Medicea Lauren- ziana, Biblioteca Nazionale and Biblioteca Berenson, Florence; Biblioteca Nazionale, Rome; Biblioteca Apostolica Vaticana, Vatican City; Biblioteca Marciana, Venice; Biblioteca Ambrosiana, Milan; Biblioteca Comunale A. Mai, Bergamo; Biblioteca Estense, Modena; Biblioteca Malatestiana, Cesena; Biblioteca Comunale Passerini- Landi, Piacenza; Biblioteca Capitolare, Padua; Biblioteca dell’Accademia Rubiconia dei Filopatridi, Savignano sul Rubicone; Biblioteca Nazionale, Naples; Bibliothèque Sainte-Geneviève and Bibliothèque Nationale, Paris; Öffentliche Bibliothek der Uni- versität, Basel; Österreichische Nationalbibliothek, Vienna; Cambridge University Library; Bodleian Library, Oxford; Harvard University’s Widener and Houghton Libraries, Cambridge, Mass.; Cushing Memorial Library & Archives, College Station, Tex.; and especially the British Library, London. -
The Hypnerotomachia Poliphili: Image and Text in a Renaissance Romance
The Hypnerotomachia Poliphili: Image and Text in a Renaissance Romance April Oettinger Winston-Salem, North Carolina B.A., Colgate University, 1994 M.A., University of Virginia, 1996 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy McIntire Department of Art University of Virginia May2000 To my parents, ever supportive guides in my ongoing discovery of the forestand the trees; To Carrie, my companionon those early journeys through the Dark Forest; and To Max, my Poliphilo. 11 © Copyright by April Oettinger AllRights Reserved May2000 ill Acknowledgments I am indebted to numerous friendsand colleagues who have guided and enriched my journey at every turn. My advisors Paul Barolskyand David Summers first encouraged me to pursue my studies of the Polifilo; their unflagging support sustained me throughout, and their example continues to inspire me to follow in Poliphilo's path. My other readers, Francesca Fiorani and David Van Der Muelen provided valuable suggestions andadvice on patronage, dedications, and incunabula. I also wish to expressmy gratitude to Anne Schutte, Alistair Fowler, Deborah Parker, Martin Colker, and Terry Bellanger for stimulating conversations and generous advice, and Martin Colker and Thomas Govero for their assistance with the translations of Leonardo Grassi's dedication of the Polifiloand Ludovico Odassio's dedication of the Comucopiae. I am also grateful to Linda Carroll, Wendy Steadman Sheard, Patricia Fortini Brown, Wolfgang Wolters, Louisa Matthews, Anne Barriault,Norman Land, Ralph Lieberman, DeborahHoward, Jurgen Schultz, Ann Markam Schultz, and Mark SamuelsLasner forthought-provoking conversations at home and abroad. A Dupont Fellowship fromthe University of Virginia in 1998-1999 and a Fulbright Fellowship in 1999-2000 enabled me to continue my research in Italy, where I was fortunate to explore the holdings of several marvelous libraries. -
László Bene: Constructing Pagan Platonism: Plethon's Theory of Fate
1 László Bene: Constructing Pagan Platonism: Plethon’s Theory of Fate and the Ancient Philosophical Tradition 1. The question of Plethon’s Platonism The Stoic theory of fate and the debates it has given rise to in ancient philosophy have been at the focus of interest in recent research.1 We are currently in a better position to assess how Medieval and Renaissance treatments of fate and human autonomy relate to ancient strands of thought. I set out here to examine Plethon’s theory of fate against the background of the ancient philosophical tradition. The particular problems I wish to address are the following. What is the relationship between Plethon’s doctrine of fate and the corresponding ancient Platonic theories? What are his possible motives for adopting a deterministic position? What kind of Platonism does he propound, and how is it related to ancient Platonism? Before turning to the details of Plethon’s doctrine of fate, let me first spell out the last question in some detail. Plethon famously attacked Aristotle and embraced Plato as his primary philosophical authority in a work which initiated a long-standing dispute between Platonists and Aristotelians in Byzantine and Renaissance philosophy.2 That seems in itself to justify his standard classification as a Platonist in scholarly literature. However, given that Platonism is a rich tradition comprising several varieties, there is room for the question as to what ‘Platonist’ means in his particular case. Various suggestions have been formulated concerning his precise philosophical affiliations.3 For instance, Karamanolis argues that Plethon draws on certain Middle Platonists as used by Eusebius.4 He points out that Plethon’s fundamentalist Platonic ideology according to which Plato’s philosophy contains the complete truth, and, therefore, any deviation from it qualifies as error or even apostasy, is reminiscent of Numenius and Atticus.