Music History & Musicology Forthcoming, New and Recent Titles

Historical Atlas of Medieval Music The History of European Jazz edited by Vera Minazzi and Cesarino Ruini The Music, Musicians Music is rooted in the heart of Western culture. The absence and Audience in Context of music from the usual publications of medieval history edited by Francesco Martinelli and history of art of the Middle Ages is understandable, The increased circulation of people and ideas considering the rarity of sources. And yet, throughout the within is not matched by an awareness last decades, an intense activity of historico-musicological of a shared history among its jazz community. research has been carried out internationally by a select In the course of almost a century, European group of specialized scholars. The ambitious goal of this jazz musicians not only produced a corpus of work is to set medieval music within its historical and cul- work worthy of much wider appreciation, but tural context and to provide readers interested in different also adopted strategies to deal with a variety of disciplines with an overall picture of music in the Middle situations, ranging from outright prohibition to survival in the market and institutions. Ages; multifaceted, enjoyable, yet scientifically rigorous. To This volume provides an organic overview of European jazz history in order to serve as achieve this goal, the most prominent scholars of medieval an inspiration for new generations of listeners and musicians independently of current musicology were invited to participate, along with archae- marketing hype. It covers the linear narrative of jazz history in Europe from its inception ologists, experts of acoustics and architecture, historians to the year 2000 presented on a geographical basis country by country. Each article is and philosophers of medieval thought. The volume offers authored by a jazz history specialist from the specific country contextualizing the music exceptional iconography and several maps to accompany in the cultural landscape of that country, discussing the most influential figures of its the reader in a fascinating journey through a network of development, and referencing the sometimes considerable literature available in the places, cultural influences, rituals and themes. national language. An unprecedented pool of authors makes much of this information 288p, 380 col illus (Brepols Publishers, March 2018) available in English for the first time. paperback, 9782503540849, $125.00. 600p, illus (Equinox Publishing, February 2018) hardcover, 9781781794463, $250.00. Special Offer $100.00 Special Offer $200.00

70 Enterprise Drive, Suite 2 • Bristol, CT 06010, USA Distributor of phone: (+1) 860 584 6546 • fax: (+1) 860 516 4873 Scholarly Books www.isdistribution.com • [email protected] Trajectories and Themes Sounds Northern in World Popular Music Popular Music, Culture and Place Globalization, Capitalism, Identity in England’s North by Simone Krüger Bridge edited by Ewa Mazierska This book offers a way to study world Many bands and performers coming from popular music from the perspective of critical the North, including the Beatles, the social theory. It provides a powerful contem- Animals, the Smiths, Joy Division, Pulp and porary framework for contemporary popular Oasis belong to most popular and influential music studies with a distinctive global pop-rock musicians in the world. This collec- and interdisciplinary awareness, covering tion presents some of the less well-known empirical research from across the world in facets of popular music in the North of Eng- addition to well-established and newer theory. land, examining how popular music reflected on various aspects of the North. 288p, 2 figs (Equinox Publishing, April 2018) 256p, 20 photos (Equinox Publishing, March 2018) paperback, 9781781796221, $29.95. Special Offer $24.00 paperback, 9781781795712, $29.95. Special Offer $24.00 hardcover, 9781781796214, $100.00. Special Offer $80.00 hardcover, 9781781795705, $100.00. Special Offer $80.00

This is Hip Mosaics The Life of Mark Murphy The Life and Works of Graham Collier by Peter Jones by Duncan Heining This Is Hip is more than a biography: it also evaluates Murphy’s work as a Graham Collier’s career in jazz lasted over five singer and as a teacher of singers. Based on numerous interviews with those decades. He was a bassist, a band-leader, a who knew him best, the book delves into a performing and recording career composer, an educator and an author, who that spanned 60 years and earned him five Grammy nominations. wrote extensively about the music. Mosaics 224p, 27 photos (Equinox Publishing, March 2018, Popular Music History) draws extensively on Collier’s personal hardcover, 9781781794739, $29.95. Special Offer $24.00 archive, as well as on interviews with fellow musicians, ex-students and colleagues. It Bill Russell and the locates Collier and his work within the social and cultural changes which occurred during his life. New Orleans Jazz Revival 256p, 17 photos (Equinox Publishing, March 2018, Popular Music History) by Ray Smith and Mike Pointon hardcover, 9781781792636, $35.96. Special Offer $29.00 This is the first full-length book about Mr. Russell's life to be mostly “in his Sounds Icelandic own words.” The book is based largely edited by Þorbjörg Daphne Hall, Nicola Dibben, on personal interviews about the great Árni Heimir Ingólfsson and Tony Mitchell diversity of his life's work, interspersed This is a book of wide-ranging essays on different aspects of Icelandic music, with views and anecdotes about him from the ancient traditional chants of rímur to the large output of classical from his friends and associates and music by nationalist composer Jón Leifs and others, to the plethora of Icelan- archival material. These sources give dic rock and pop groups that have already made an impact on the world as a portrait of an extremely talented, modest man who forsook an academic well as more idiosyncratic and genre-bending musicians now emerging from career to become a champion of the music and musicians of New Orleans. the Reykjavik music scene. 384p, 308 b/w illus (Equinox Publishing, January 2018, Popular Music History) 256p (Equinox Publishing, February 2018) hardcover, 9781781791455, $90.00. hardcover, 9781781791691, $49.95. Special Offer $40.00 Special Offer $72.00

2 www.isdistribution.com Quote promotional code 950–17 for Special Offers (+1) (860) 584 6546 Nineteenth-Century Music Criticism Musical Theatre in Europe edited by Teresa Cascudo García- 1830–1945 Villaraco edited by Michela Niccolai The long nineteenth century encompasses and Clair Rowden what has been described by some authors From the mid-1800s in Europe as newspaper civilization. Music was fun- there was a vigorous and enthu- damental for many men and women who siastic expansion of diverse forms lived during that century. Not surprisingly, of musical theatre. An explosion at this time, music was a common theme in of different types of venues—the the press. On the one hand, news, chronicles cabarets, music-halls and private and criticism played a central part in the theaters—rubbed shoulders with musical market, since the success of that market was predicated on the dissemina- the subsidized and official theaters offering more established types of tion of information about performers, musical events and new repertoires. On spectacle. In the midst of this creative dynamism, alongside revues and the other hand, the prominence of music opened the door to new types of critical café-concert spectacles, operetta and its derivative forms took centre reflection in longer essays. Writings about music in those years were the result stage. This volume offers a panoramic vision of the diverse genres and of artistic aspirations and preferences; the same writings also present evidence types of musical theatre which multiplied and blossomed during this of prejudices and modes of perception marked by specific ideological issues. This period, and is divided into six sections: the revue de fin d’année as a volume collects twenty-two articles that address these issues, focusing on case theatrical genre which also influenced all other lighter genres in France studies in Europe and America. The collection reflects the growing importance of during its heyday; dance music in Offenbach’s operettas and his musical music criticism and the press as objects of study for contemporary musicology. recreation of the Parisian soundscape; transformation of the opera 552p (Brepols Publishers, July 2017, Music, Criticism & Politics 3) hardcover, repertoire in operetta and revue parodies; Viennese operetta and English 9782503574974, $138.00. Special Offer $111.00 operetta and musical comedy from the end of the ‘reign’ of Gilbert and Sullivan until the outbreak of World War II; diverse theatrical practices Opera in Search of the Just Ruler from Parisian puppet theater to contemporary Italian operetta before for a Unified Italy the rise of Fascism; and national case studies. edited by Jehoash Hirshberg 400p, illus (Brepols Publishers, November 2017, Speculum Musicae 30) hardcover, 9782503577661, $138.00. Special Offer $111.00 With the establishment of Il Regno d’Italia in 1861 the heydays of Risorgimento opera as a powerful political tool were over. A new The Repertory of Processional Antiphons category of operas, which is the subject of by Clyde W. Brockett the present book, was that of the politically Processions formed an essential part of the presentation of liturgical oriented operas that replaced the wan- ceremonies during the Middle Ages. They marked the openings and clos- ing category of the Risorgimento operas. ings of services and the ritual movement from place to place within the Those operas turned public attention to the church as the ceremony required that specific actions occur at a specific pitfalls and dangers of forming the new government of the unifying Italy. The new location. Processions always received musical accompaniment. This category commenced with Verdi’s Simon Boccanegra (1857), Un Ballo in Maschera edition assembles the processional chants that served as the background (1859), and Don Carlos (1867), in which Verdi indirectly expressed his alarm at the to these liturgical movements from repertories that originated across dangers facing the future kings of Italy. A great many operas were composed in the Latin West primarily during the eleventh and twelfth centuries, and the decade of unification of Italy. presents them in a modern, critical edition with full commentary. 250p, illus (Brepols Publishers, August 2017, Music, Criticism & Politics 4) hardcover, 836p, 4 tbls (Brepols Publishers, November 2017, De musicae cultu 1) 9782503577395, $94.00. Special Offer $76.00 hardcover, 9782503574523, $169.00. Special Offer $136.00

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Rhythmic Cycles and Brahms’ Piano Concerto No. 2, Structures in the Art Music Op. 83 of the Middle East Analytical and Contextual Studies edited by Zeynep Helvaci, Jacob Olley by Julian Horton and Ralf Martin Jäger This book offers a detailed analytical study This volume presents the proceedings of Brahms’ Piano Concerto No. 2, Op. 83. It of the international congress “Rhythmic develops a theoretical model for analyzing Cycles and Structures in the Art Music of nineteenth-century instrumental forms, the Middle East” that took place at West- which elucidates Op. 83 in the context of fälische Wilhelms-Universität, Münster, Brahms’ concerted works, their precedents on 27–28 February 2014. The congress in the broader intertextual network of was organized by the Ethnomusicology and European Music History Section post-classical piano concerti, and their subsequent influence. of the Department for Musicology and Music Education in cooperation with Contents: Prologue – Brahms’ Op. 83, Analysis and Reception History; Part Orient-Institut Istanbul (part of the Max Weber Foundation). The present vol- 1: Theoretical and Historical Contexts – Perspectives on Nineteenth-century ume follows on thematically from the book Writing the History of “Ottoman Form, Towards a Theoretical Model, The Post-classical Piano Concerto: Form Music,” which discusses the foundations and current problems of research on and History, Brahms and the Concerto Idea; Part 2: Analysis – First to Fourth music and music history in the Ottoman context, thereby contributing to the Movements, Analysis and Meaning: Hermeneutic Approaches; Epilogue: Is development of new perspectives and methods. there a Post-Brahmsian Piano Concerto? 314p (Ergon Verlag, March 2017, Istanbuler Texte und Studien 36) hardcover, 378p (Peeters Publishers, April 2017, Analysis in Context. Leuven Studies in 9783956501722, $94.00. Special Offer $76.00 Musicology 4) hardcover, 9789042933408, $138.00. Special Offer $111.00 Great Women on Stage Guillaume de Machaut: The Reception of Women Monarchs The Complete Poetry from Antiquity in Baroque Opera and Music edited by Kerstin Dross-Krüpe Volume 9: The Motets Baroque opera is entirely plurimedial. Like edited by R. Barton Palmer no other medium, it offers unique possibili- and Jacques Boogaart ties to create, transform and reinterpret This long overdue new edition of common historical images and figures, Guillaume de Machaut’s twenty-three using different but closely intertwined motets, the largest surviving collection semantic levels (drama, music, acting). This of such works by a single composer makes baroque opera a promising subject in this period, is based on the most of historical, political and gender-specific analysis. The present volume is authoritative of the surviving manuscripts and is designed to meet the needs based on a session of the Eleventh European Social Science History conference both of advanced scholars and musicians as well as students and performers. in 2016 and examines the (re-)presentation of antique female rulers in ba- This user-friendly format indicates variants on the scores and has a layout roque opera. The volume is not about music history or music theory studies, that makes each work’s structure clearly visible; the lyrics, with full English but deals with how, in the baroque period, librettists, composers and stage translation, are presented at the end of each work. processed the ancient material in order to present female rulers on stage. 266p (Medieval Institute Publications, January 2018, TEAMS Middle English Baroque opera is a particularly suitable model of study, as ancient themes Texts Series) paperback, 9781580442879, $39.95. Special Offer $36.00 occupy a prominent place during that period of time. hardcover, 9781580443029, $99.00. Special Offer $80.00 72p (Harrassowitz Verlag, February 2017) paperback, 9783447107846, $28.00. Special Offer $23.00

4 www.isdistribution.com Quote promotional code 950–17 for Special Offers (+1) (860) 584 6546 Une vie de gloire Le Processionnal en Aquitaine, et de souffrance IXe–XIIIe siècle Le mythe de Beethoven Genèse d’un livre et d’un répertoire sous la Troisième by Gisèle Clément République Based on a corpus of Aquitaine sources written between the by Marie Gaboriaud late ninth century and the thirteen century, this work studies France’s Third Republic the genesis of the processional, illuminating the nature of the misrepresented Beethoven formula and its organization, ways of enriching rubrics and when it turned him into directions, and the process through which the sung repertoire a character whose values was constituted. French text. were foundational in the 319p (Classiques Garnier, March 2017, Musicologie 2) construction of the nation’s identity. This myth is found in a paperback, 9782406056256, $67.00. Special Offer $54.00 vast body of Beethoven literature, which borrows from epic and hagiographic literature as much as it does from popular La Circulation de la musique literature. French text. et des musiciens d’église 606p (Classiques Garnier, June 2017, Études de littérature des France, XVIe-XVIIIe siècle XXe et XXIe siècles 65) paperback, 9782406062400, $90.00. Special Offer $72.00 edited by Xavier Bisaro, Gisèle Clément and Fañch Thoraval The proceedings from the concluding colloquium of the Baldassare Galuppi MUSEFREM project offer a variety of approaches to the L’œuvre opératique, circulation of ancien régime church music and musicians: instrumental et exploring sources, analyzing musical works, and studying the religieux careers of musicians and cases inscribed in a specific environ- ment. French and English text. edited by Émilie 395p (Classiques Garnier, April 2017, Musicologie 3) paperback, 9782406056287, $67.00. Corswarem and Special Offer $54.00 Christophe Pirenne The re-edition of the score Catalogue des fonds musicaux anciens of L’Inimico delle donne, an opera buffa by Baldassare conservés dans les Pays-de-la-Loire Galuppi (1706–1785), and Tome I: Angers its international creation by the Royal Opera of Wallonia, by Marco Gurrieri is an opportunity to re-interrogate his biography and his This catalogue of old musical sources from the town of Angers religious and operatic productions, as well as the reception of is part of the “Regional musical heritage” activities financed his works. French, Italian, and English text. by the Department of Culture and Communications under the 220p (Classiques Garnier, February 2017, Musicologie 5) aegis of the Bibliothèque nationale de France and the Centre paperback, 9782406058335, $47.00. Special Offer $38.00 of further studies of the Renaissance in Tours. French text. 416p (Classiques Garnier, March 2017, Musicologie 1) paperback, 9782406056225, $80.00. Special Offer $64.00

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Conductors in Conversation The Art of Piano Playing by Robert Chesterman by Heinrich Neuhaus In this re-edited edition, Robert Chesterman’s Neuhaus taught at the Conservatory interviews with conductors as celebrated and his pupils included some of the greatest as Leonard Bernstein, Claudio Abbado and pianists of the twentieth century: Emil Gilels, Herbert von Karajan present fresh insights Sviatoslav Richter, Nina Svetlanova, Alexei into their individual characters, their personal Lubimov and Radu Lupu. His legacy continues ideologies and their practical approaches - today and many teachers around the world and in many cases, their private lives - as well regard this book as the most authoritative on as into classical music in general. the subject of piano playing. 356p, illus (Kahn & Averill, December 2010) Contents: The Artistic Image of a Musical Com- paperback, 9781871082937, $29.95. Special Offer $24.00 position; A Word or Two about Rhythm; On Tone; On Technique — General Considerations, Confidence as a Basis for Freedom, The Locomotor System, On Horn Freedom, On Fingering, The Pedal; Teacher and Pupil; Concert Activity. 256p (Kahn & Averill, December 2016) paperback, 9781871082456, $29.95. by Barry Tuckwell Special Offer $24.00 Barry Tuckwell, until his retirement, was one of the world’s leading horn virtuosos and The Music of India thus eminently suited to writing this Yehudi by Reginald and Jamila Massey Menuhin Music Guide. This versatile musician The classical music of India, Pakistan and combines a soloist’s experience, an orchestral Bangladesh is one of the ancient art forms still player’s inside knowledge and a conductor’s widely practiced today. This book is invaluable broad view of the horn and its music. to the student and specialist alike. In his fore- 244p (Kahn & Averill, December 2003, word, Ravi Shankar recommends this book to Yehudi Menuhin Music Guides) paperback, all who wish to be introduced to India’s music, 9781871082425, $24.95. Special Offer $20.00 culture, and peoples. 192p (Kahn & Averill, December 2006) paperback, Flute The Interpretation 9781871082500, $24.95. Special Offer $20.00 of French Song by James Galway Not Pulling Strings by Pierre Bernac Who better to write an authoritative yet Application of Neuro-Linguistic Programming fascinating introduction to flute playing than First published in 1970, this work on the art to Teaching and Learning Music James Galway whose glittering career extends of the French melodie, is suitable for singers, from principal flute in the Berlin Philharmonic accompanists and concert-goers alike. The book by Joseph O’Connor to the top of the international pop music covers 18 composers, including Berlioz, Gounod, This informative guide provides practical applications charts? His unique advice and experience is Duparc, Chausson, Faure, Debussy, Ravel, Satie for accelerating the learning process and breaking brought to bear on the problems and tech- and Poulenc. Texts of nearly 200 songs are given self-defeating behaviors. Focusing on the structure of niques of learning, practicing and playing— in French, and also included are notes on pro- musical talent, it offers insight into the workings of in solo, ensemble, at home, in concert and in nunciation, and simple but detailed suggestions musical minds, provides neuro-linguistic programming the recording studio. for performance and interpretation. methods to utilize musical memory, and uses mental 256p (Kahn & Averill, December 1998, 352p (Kahn & Averill, December 2016) rehearsal to improve skills. Yehudi Menuhin Music Guides) paperback, paperback, 9781871082630, $29.95. 170p (Kahn & Averill, December 2007) paperback, 9781871082135, $24.95. Special Offer $20.00 Special Offer $24.00 9781871082906, $24.95. Special Offer $20.00

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Epic Folk Songs from Bosnia and Herzegovina The Collection of Matija Murko (1912, 1913) edited by Gerda Lechleitner and Christian Liebl This edition comprising the collections of Matija Murko, made in 1912 and 1913, releases all his recordings preserved in the Phonogrammarchiv; it also aims to shed light on Murko’s research and phonographic fieldwork in Bosnia and Herzegovina, which he carried out just before the outbreak of World War I. Murko’s results can be considered the basis for ’s ground-breaking research in the field of orality, since his meeting with Murko in in 1928 stimulated Parry’s studies in former . (Austrian Academy of Sciences Press, August 2017, Tondokumente des Phonogrammarchivs 40) Audio CD, 9783700180722, $45.00. Special Offer $36.00 “Can a Song Save your Life?” Musikalische Grenzgänge Das Singen im Religionsunterricht Europäisch-jüdische Kunstmusik im Spiegel seiner Perspektiven und der Soundtrack der israelischen by Teresa Tenbergen Geschichte For many centuries, singing was an integral by Assaf Shelleg part of any kind of religious education This book explores the history of Israeli art (RE). This is no longer self-evident for the music and its ongoing discourse with modern current RE. Based on physical, theological, Jewish art music. It introduces the reader to psychological and pedagogical precondi- various aesthetic dilemmas involved in the tions, the book leads to didactical perspec- emergence of this music and considers part tives of singing in RE. It is possible to show of the music’s translocation to Mandatory its conceptional relevance for present and future as well as it being a teaching Palestine, studying its brisk discourse with Hebrew culture, and how compos- method. If you want, can or have to sing in RE is therefore not only a question ers grappled with modern and Zionist images of the self. German text. for musical teachers. German text. 350p (Mohr Siebeck, November 2017, Schriftenreihe wissenschaftlicher 283p (Evangelische Verlagsanstalt, February 2017) paperback, Abhandlungen des Leo Baeck Instituts) hardcover, 9783161552533, $120.00. 9783374047536, $48.00. Special Offer $39.00 Special Offer $96.00 Mes souvenirs et autres écrits Agostino Steffani by Jules Massenet, Europäischer Komponist, hannoverscher edited by Jean-Christophe Branger Diplomat und Bischof der Leibniz-Zeit A few days after the death of Massenet, / European Composer, Hanoverian Pierre Lafitte published the memoirs of the Diplomat and Bishop in the Age of Leibniz composer in a text entitled Mes Souvenirs. edited by Claudia Kaufold, Nicole K. Based on new sources, this book aims to Strohmann and Colin Timms correct and clarify certain points of conten- This interdisciplinary volume presents the tion surrounding Massenet’s memoirs. latest state of knowledge on this inter- It also argues that the composer himself nationally rediscovered multi-talented wrote Mes Souvenirs — or at least largely cosmopolitan. English and German text. supervised its publication. French text. 366p (V&R unipress, August 2017) hardcover, 9783847107095, $57.00. 360p (Librairie Philosophique J. Vrin, April 2017, MusicologieS) paperback, Special Offer $46.00 9782711626748, $38.00. Special Offer $31.00 www.isdistribution.com Quote promotional code 950–17 for Special Offers (+1) (860) 584 6546 7 Distributor of Scholarly Books

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