DOCSLIB.ORG

Addendum 1 to the Catalogue: 52 Sutro Library

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Addendum 1 to the Catalogue: 52 Sutro Library Addendum 1 to the Catalogue: 52 Sutro Library California State Library [Th is description was inadvertently omitted from the main body of the catalogue, where it should properly follow the other Sutro Library First Folio, West 51.] history Th e copy is in twelve volumes, with plays distributed as listed in the Binding section. Th e fragments in Volume Eleven are from Timon of Athens, Richard II, and Henry VIII. Adolph Sutro (or one of his London agents) purchased the volumes at auction in 1889. Volume Seven, which contains King John, gives hints about the Folio’s provenance; in pencil there is a notation which reads: ‘12 vols. 8.8.0 S[otheby] W[ilkinson] & H[odge] ( 647) July 3. 1889.’ Like West 51, this Folio survived the fi res that consumed more than 100,000 of Sutro’s texts. provenance Lee, Census, no. 146, Class IIIB: ‘Acquired c 1889 by the late owner.’ Th e MS referenced in the History section provides information on Adolph Sutro’s acquisition of the volume. Th is Folio remained with West 51 after Sutro acquired them both. See the West 51 Provenance section for additional information. owners Adolph Sutro (1830–1898) Dr Emma Sutro Merritt (1856–1938) (and other Sutro heirs) Sutro Library, State of California (1915–present) binding General notes: All volumes were bound identically (half brown morocco, marbled upper and lower covers, and double parallel gold-tooled lines at the top and bottom of the spine) before 1889. Volume One: Th e spine reads ‘the first edition of measure for measure. – 1623’. Volume Two: Th e spine reads ‘first folio editions of much ado & love’s labour’s lost.’ Volume Th ree: Th e spine reads ‘the first folio edition of the midsummer night’s dream. – 1623.’ Volume Four : Th e spine reads ‘the first folio edition of the merchant of venice. –1623’ upside down. Volume Five: Th e spine has a gold-tooled title upside down, ‘the first edition of twelfth night – 1623’. Volume Six: Th e spine has a gold-tooled title upside down, ‘the first edition of the winter’s tale – 1623’. Addendum Volume Seven: Th e spine has a gold-tooled title upside down, ‘the first edition of king john – 1623’. Th ere is a small paste-on label near the bottom bands. Volume Eight: Th e spine has a gold-tooled title upside down, ‘imperfect first folio edition of henry the fourth’. Volume Nine: Th e spine has a gold-tooled title upside down, ‘imperfect copies of henry the fifth & henry the sixth – 1623’. Volume Ten: Th e spine has a gold-tooled title upside down, ‘the first folio edition of richard the third – 1623.’ Volume Eleven: Th e spine has a gold-tooled title upside down, ‘fragments of the first folio shakespeare.’ Th ere is rubbing at the upper and lower outer corners. Th e binding threads are purple and green. Volume Twelve: Th e spine has a gold-tooled title upside down, ‘the first edition of julius caesar – 1623.’ Th e lower outer corner is bent. Th e back corners are scuff ed. Th ere is wear at the edge of the marbled paper. condition: binder’s leaves original leaves present: No preliminaries and 211 (47) text leaves. missing leaves: πA1–E6, H1–I2, I6, Q3–Y1, d4, d5, gg3–6, i4, k6, x1–Gg1, gg6–hh6, ll6–bbb6. Pre-Original Leaves Volume One: Th e end-paper is marbled with brown and tan; there is a loose bookplate with the motto of the Sutro library and a picture depicting a mining scene and the Sutro mansion. Th ere are glue marks where it used to be attached. Th e verso of the free end-paper has a stamp of the Sutro Library near the top. Two slightly browned loose pages are inserted into the volume and entitled ‘Shakespeare Collection of First Folio Fragments, 1 v. in 12 | fv 822.33 | L j. | co. 2’ with a watermark reading ‘english bond | made in usa.’ Volume Two: Th e end-paper has a Sutro Library stamp. Th e free end-paper and fi rst binder’s leaf are blank. Th ere is an in-text binder’s leaf glued to K6v. Volume Th ree: Th eend-paper has a Sutro Library stamp in the top corner. Pencil MS on a binder’s leaf reads ‘fr 822.33 | Lj | cop. 2 | [v.3] | [Shakespeare, William | Mr. William Shakespeares Comedies, Histories, & Tragedies. 1623]’. Th e free end-paper has some off set ink from N1. Volume Four : Th e end-paper has a Sutro Library stamp in the top corner; there is a Sutro Library bookplate in the centre. Th e free end-paper has MS listing the title, call number, and volume number. Th e verso of the fi nal binder’s leaf has some off set ink from the fi rst page of Th e Merchant of Venice. Volume Five: Th e end-paper has a Sutro Library stamp in the top centre. Th e free end-paper is blank. Th e fi rst binder’s leaf is mottled brown except for a white band, possibly from being held open. Volume Six: Th e end-paper has a Sutro Library stamp in the top centre. Th e free end-paper has MS pencil listing the call number and title. Th e fi rst and second binder’s leaves are blank. Volume Seven: Th e end-paper has a Sutro Library stamp in the top left corner; a catalogue entry is pasted in: ‘647 shakespeare (w.) Th e following plays from the fi rst folio, bound.’; in MS pencil below the catalog entry it reads, ‘Separately in 12 volumes half brown moroco, viz | HenryIV. Julius Addendum Caesar. Measure for Measure. | Winter’s Tale. Twelth Night. Merchant of Venice | Much Ado. Loves Labour Lost. Richard III | Midsummer Night’s Dream & King John | 12 vols. 8.8.0 | S.W. & H (647) | July 3.1889.’ Th e free end-paper has MS pencil with the title and call number. Th e verso of the fi rst binder’s leaf is browned with images of lines. Volume Eight: Th e end-paper has a Sutro Library stamp in the top centre. Th e free end-paper has MS pencil listing the title and call number. Th e fi rst and second binder’s leaves are blank. Volume Nine: Th e end-paper has a Sutro Library stamp in the top centre. Th e free end-paper has MS pencil listing the title and call number. Th e fi rst binder’s leaf is blank. Volume Ten: Th e end-paper has a Sutro Library stamp in the top centre. Th e free end-paper has MS pencil listing the title and call number. Th e fi rst binder’s leaf is blank. Volume Eleven: Th e end-paper has a Sutro Library stamp in the top centre. Th e free end-paper has MS pencil listing the title and call number. Th e fi rst binder’s leaf is blank. Volume Twelve: Th e end-paper has a Sutro Library stamp in the top centre. Th e free end-paper has MS pencil listing the title and call number. Th e verso of the fi rst binder’s leaf shows some off set ink from the fi rst page of Julius Caesar. Post-Original Leaves Volume One: Th e fi rst binder’s leaf has faint off set ink from the last page of the text. Th ere are a total of eleven browned binder’s leaves follow the text. Th e end-papers are marbled with brown and tan. Volume Two: Th e fi rst binder’s leaf has faint off set ink from the last page of the text. Seven binder’s leaves follow the text. Th e end-papers are blank. Volume Th ree: Th e fi rst binder’s leaf has faint off set ink from the last page of the text. Five binder’s leaves follow the text. Th e end-papers are blank. Volume Four : Th e fi rst binder’s leaf has stains from the fi nal leaf of Th e Merchant of Venice. Th irteen binder’s leaves follow the text. Th e end-papers are blank. Volume Five: Five binder’s leaves follow the text. Th e free end-paper is blank. Th e end-paper has purple pencil MS reading ‘14/S.W&H. / 647 / July, 3.89’. Volume Six: Th ere are fi ve binder’s leaves. Th e end-papers are blank. Volume Seven: Th e fi rst binder’s leaf shows off set ink from printed columns. Th ere are ten binder’s leaves. Th e end-papers are blank. Volume Eight: Th e fi rst binder’s leaf and free end-paper are blank. Th e end-paper is browned around the edges. Volume Nine: Th e fi rst binder’s leaf has some lines, possibly from ink rubbing off . Th e end-papers are blank. Volume Ten: Th e fi rst binder’s leaf has some lines, possibly from ink rubbing off . Th ere are nine binder’s leaves. Th e end-papers are blank. Volume Eleven: Th e fi rst binder’s leaf has some lines, possibly from ink rubbing off . Th e end-papers are blank. Volume Twelve: Th e fi rst binder’s leaf has some lines, possibly from ink rubbing off . Th ere are nine binder’s leaves. Th e end-papers are blank. condition: preliminaries πA3 contains MS: the call number, ‘v.
Load more

Recommended publications
  • Addendum/Erratum for Elliptic Curves 2006
    Addendum/Erratum for Elliptic Curves 2006 J.S. Milne Last revised September 7, 2016. In the blurb and introduction, I should have noted that the group is commutative. p28. The third cubic curve should be `.R;Q/ `.P;Q R/ `.PQ;O/ 0 C D (Dmitriy Zanin). p36. In the definition of kŒC p, the condition on h should be h p (Jochen Gerhard). … p39. In the definition of a regular map between projective plane curves, am should read a2 (Rankeya Datta). p100, 3.23b. The sign is wrong: it should read 4d c2 0. As PENG Bo pointed out to me, I forgot to include the proof. Here it is. Let X 2 c X d det.X n˛ T E/: C 0 C 0 D j ` By linear algebra, we see that c nc and d n2d. On substituting m for X in the equality, we 0 D 0 D find that m2 cmn n2d det.m n˛ T E/: C C D j ` According to Proposition 3.22, the right hand side equals the degree of mid n˛. Therefore m2 cmn n2d 0 C C for all m;n Z, i.e., 2 r2 cr d 0 C C 2 c 2 c c2 for all r Q. The minimum value of r cr d; r R, is . / c. / d d, and so 2 C C 2 2 C 2 C D 4 C 4d c2 (happily, this is how I used it on p150 in the proof of the congruence Riemann hypothesis). p107, line 2 (exact sequence of cohomology groups): a bracket “/” is missing: H 1.G;.kal // instead of H 1.G;.kal / (Michael Mueller).
    [Show full text]
  • Willa Cather and American Arts Communities
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 8-2004 At the Edge of the Circle: Willa Cather and American Arts Communities Andrew W. Jewell University of Nebraska - Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the English Language and Literature Commons Jewell, Andrew W., "At the Edge of the Circle: Willa Cather and American Arts Communities" (2004). Dissertations, Theses, and Student Research: Department of English. 15. https://digitalcommons.unl.edu/englishdiss/15 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. AT THE EDGE OF THE CIRCLE: WILLA CATHER AND AMERICAN ARTS COMMUNITIES by Andrew W. Jewel1 A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English Under the Supervision of Professor Susan J. Rosowski Lincoln, Nebraska August, 2004 DISSERTATION TITLE 1ather and Ameri.can Arts Communities Andrew W. Jewel 1 SUPERVISORY COMMITTEE: Approved Date Susan J. Rosowski Typed Name f7 Signature Kenneth M. Price Typed Name Signature Susan Be1 asco Typed Name Typed Nnme -- Signature Typed Nnme Signature Typed Name GRADUATE COLLEGE AT THE EDGE OF THE CIRCLE: WILLA CATHER AND AMERICAN ARTS COMMUNITIES Andrew Wade Jewell, Ph.D. University of Nebraska, 2004 Adviser: Susan J.
    [Show full text]
  • First Folio Table of Contents the Tragedie of Cymbeline
    THE TRAGEDIE OF CYMBELINE. by WILLIAM SHAKESPEARE Based on the Folio Text of 1623 DjVu Editions E-books © 2001, Global Language Resources, Inc. Shakespeare: First Folio Table of Contents The Tragedie of Cymbeline . 1 Actus Primus. Scoena Prima. 1 Scena Secunda. 3 Scena Tertia. 6 Scena Quarta. 7 Scena Quinta. 8 Scena Sexta. 12 Scena Septima. 14 Actus Secundus. Scena Prima. 20 Scena Secunda. 21 Scena Tertia. 22 Scena Quarta. 26 Actus Tertius. Scena Prima. 32 Scena Secunda. 34 Scena Tertia. 36 Scena Quarta. 38 Scena Quinta. 43 Scena Sexta. 47 Scena Septima. 48 Scena Octaua. 50 Actus Quartus. Scena Prima. 51 Scena Secunda. 51 Scena Tertia. 62 Scena Quarta. 63 Actus Quintus. Scena Prima. 65 Scena Secunda. 66 Scena Tertia. 67 Scena Quarta. 69 Scena Quinta. 74 - i - Shakespeare: First Folio The Tragedie of Cymbeline The Tragedie of Cymbeline zz3 Actus Primus. Scoena Prima. 2 Enter two Gentlemen. 3 1.Gent. 4 You do not meet a man but Frownes. 5 Our bloods no more obey the Heauens 6 Then our Courtiers: 7 Still seeme, as do’s the Kings. 8 2 Gent. But what’s the matter? 9 1. His daughter, and the heire of’s kingdome (whom 10 He purpos’d to his wiues sole Sonne, a Widdow 11 That late he married) hath referr’d her selfe 12 Vnto a poore, but worthy Gentleman. She’s wedded, 13 Her Husband banish’d; she imprison’d, all 14 Is outward sorrow, though I thinke the King 15 Be touch’d at very heart. 16 2 None but the King? 17 1 He that hath lost her too: so is the Queene, 18 That most desir’d the Match.
    [Show full text]
  • Shakespeare in Geneva
    Shakespeare in Geneva SHAKESPEARE IN GENEVA Early Modern English Books (1475-1700) at the Martin Bodmer Foundation Lukas Erne & Devani Singh isbn 978-2-916120-90-4 Dépôt légal, 1re édition : janvier 2018 Les Éditions d’Ithaque © 2018 the bodmer Lab/université de Genève Faculté des lettres - rue De-Candolle 5 - 1211 Genève 4 bodmerlab.unige.ch TABLE OF CONTENts Acknowledgements 7 List of Abbreviations 8 List of Illustrations 9 Preface 11 INTRODUctION 15 1. The Martin Bodmer Foundation: History and Scope of Its Collection 17 2. The Bodmer Collection of Early Modern English Books (1475-1700): A List 31 3. The History of Bodmer’s Shakespeare(s) 43 The Early Shakespeare Collection 43 The Acquisition of the Rosenbach Collection (1951-52) 46 Bodmer on Shakespeare 51 The Kraus Sales (1970-71) and Beyond 57 4. The Makeup of the Shakespeare Collection 61 The Folios 62 The First Folio (1623) 62 The Second Folio (1632) 68 The Third Folio (1663/4) 69 The Fourth Folio (1685) 71 The Quarto Playbooks 72 An Overview 72 Copies of Substantive and Partly Substantive Editions 76 Copies of Reprint Editions 95 Other Books: Shakespeare and His Contemporaries 102 The Poetry Books 102 Pseudo-Shakespeare 105 Restoration Quarto Editions of Shakespeare’s Plays 106 Restoration Adaptations of Plays by Shakespeare 110 Shakespeare’s Contemporaries 111 5. Other Early Modern English Books 117 NOTE ON THE CATALOGUE 129 THE CATALOGUE 135 APPENDIX BOOKS AND MANUscRIPts NOT INCLUDED IN THE CATALOGUE 275 Works Cited 283 Acknowledgements We have received precious help in the course of our labours, and it is a pleasure to acknowl- edge it.
    [Show full text]
  • De Sussex Spaniel
    Meesterwerk Tekst en illustraties: Ria Hörter Augustus Elliot Fuller (1777-1857) De Sussex Spaniel In Meesterwerk stellen we hondenrassen voor die zonder die ene fokker niet zouden bestaan. Dit keer is die fokker een steenrijke Engelse landeigenaar, woonachtig in Sussex, Wales en Londen en eigenaar van overzeese bezittingen. Zijn negentiende eeuwse ’Rose Hill’ Spaniels staan model voor de huidige Sussex Spaniels... Zwaar werk die rond 1795 aanwijsbaar begint met voorlopers. Het verhaal van de Sussex Vrijwel iedere kynologische auteur het fokken van Spaniels voor de jacht. Spaniel begint – hoe kan het anders – gaat er van uit dat Augustus Elliot (ook Spaniels die we vandaag de dag als in het Engelse graafschap Sussex, in gespeld Eliot, Eliott of Elliott) Fuller Sussex Spaniels betitelen of die we zuidoost Engeland. De Sussex Spaniel één van de eersten, zo niet de eerste, is tenminste kunnen zien als hun vroege werd en wordt gefokt voor de jacht in • De afbeelding met Spaniels uit Sydenham Edwards’ ’Cynographia Brittannica’ (1799-1805). Vier Spaniels in de kleuren lever en wit, zwart en wit, zandkleurig lever en lemon en wit. Getekend in de periode dat Augustus Fuller begint met de fokkerij van Sussex Spaniels. 64 Onze Hond 10 | 2010 Meesterwerk de dichte begroeiing op de zware kleigronden in dit graafschap. Niet zo maar een Spaniel, maar een zwaarge- bouwde hond voor zwaar werk. Squire De familie Fuller heeft haar wortels in Uckfield en Waldron (oost Sussex). De oudste Fuller die ik heb kunnen vinden is John Fuller, een rechtstreekse voorvader van Augustus Elliot, die in 1446 in Londen wordt geboren.
    [Show full text]
  • This Is My Story Addendum to Headers Footers and Page Numbering Physical Page 1 – the Title Page the Ruler Has a Right
    This is my story Addendum to Headers Footers and Page Numbering Physical page 1 – the Title page The ruler has a right tab set for the position of the page number, but as instructed, there is no number on this page. The open Header shows this as First Page Header –Section 1. This is physical page 1, the title page, showing the ruler, the open Header and the Header and Footer Toolbar. The formatting is correct in that there is no page 1 shown at the right tab position in the Header. Page numbering formatting was told not to put a number on page 1. The Header and Footer toolbar shows the Same as Previous icon button is also greyed-out. Also a Section Break (Next Page) has to be inserted at the end of page 1 in order to format physical page 2 with no number 2. To insert a Section Break click on the Insert menu command, then click on Break and in the pop-up dialog box for Break choose a Next Page Section Break. This is my story Addendum to Headers Footers and Page Numbering This is physical page 2 – the Acknowledgement/Dedication page. This is now First Page Header –Section 2-. This is physical page 2, the Dedication page, showing the ruler, the open Header and the Header and Footer Toolbar. Again the formatting is correct in that there is no page 2 shown at right-tab position in the Header. In the Header and Footer toolbar the Same as Previous icon button is depressed.
    [Show full text]
  • Shakespeare's First Folio
    SHAKESPEARE’S FIRST FOLIO DR. SARAH HIGINBOTHAM GEORGIA INSTITUTE OF TECHNOLOGY OVERVIEW Fall 2016 F2 9:35-10:55 TR Clough 325 D4 1:35-2:55 TR Clough 127 Seven years after William Shakespeare died, one of the world’s most N 12:05-1:25 TR Skiles 308 important books was published: a collection of thirty-six of his plays E-Mail: [email protected] that we now call the “First Folio.” Without the First Folio, we would Office: Stephen C. Hall Building 009 not have Julius Caesar, Macbeth, The Taming of the Shrew, or two plays that have profoundly changed the way that I think, Measure for Measure and Twelfth Night. We also wouldn’t have the iconic stage direction, “exit, pursued by a bear” (The Winter’s Tale). As Georgia Tech phases out its MATERIALS physical library, and as the world celebrates the 400th anniversary of Shakespeare’s death with a First Folio tour, this course will investigate what the First Folio affords us in the twenty-first century. REQUIRED But while Shakespeare is our topic, our goals concern communication Henry V Folger Shakespeare Library, 2009 skills and critical thinking: you will learn to identify relevant questions Hamlet about an issue, synthesize multiple perspectives, assess the soundness of Folger Shakespeare Library, 2005 a position, revise your work based on feedback, and apply your research King Lear to real world issues. The course will also help you formulate and defend Modern Library Classics, 2009 your point of view via written essays, oral presentations, visual analysis, WOVENText and through electronic and nonverbal communication.
    [Show full text]
  • Romeo-And-Juliet-1596480840.Pdf
    Romeo and Juliet by Rebecca Olson is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License, except where otherwise noted. Contents ACKNOWLEDGEMENTS v PREFACE vii INTRODUCTION x LIST OF MAIN CHARACTERS xvi ACT 1 1 ACT 2 43 ACT 3 80 ACT 4 122 ACT 5 146 GLOSSARY 169 CREATIVE COMMONS LICENSE 180 RECOMMENDED CITATIONS 181 VERSIONING 183 ACKNOWLEDGEMENTS Many thanks to Open Oregon State for publishing and funding this edition, and the OSU School of Writing, Literature, and Film for financial and administrative support. The Oregon Shakespeare Festival made our field trip to Ashland to see Othello both feasible and memorable. And we are much indebted to the teachers and students who took the time to answer our questions and share experiences and lesson plans—thank you! Tessa Barone, Justin Bennett, Ethan Heusser, Aleah Hobbs, and Benjamin Watts served as lead editors for the project. Shannon Fortier, a recent OSU graduate, donated her time and talents. Jac Longstreth (a Biochemistry and Biophysics major!) provided a great deal of research and editing support, funded by the URSA Engage program at OSU. Jessie Heine was our graduate intern extraordinaire. Emily Kirchhofer designed the cover (deftly incorporating an abundance of ideas and opinions). Michelle Miller and Marin Rosenquist completed much of the late-stage editing and also promoted the project at the 2018 OSU Undergraduate Humanities Research Conference. The editors drew on editing work completed by their peers in ENG 435/535 (Fall 2017). And special thanks to Dr. Lara Bovilsky, who in January 2016 generously donated her time to lead ENG 435 students through the University of Oregon’s exhibit devoted to the First Folio (now an online exhibit Time’s Pencil); the student projects that resulted from that class inspired this textbook.
    [Show full text]
  • Postscript Printer Description (PPD)
    PostScript Printer Description File Format POSTSCRIPTR Specification Software From Adboe Adobe Developer Support Version 4.3 9 February 1996 Adobe Systems Incorporated Adobe Developer Technologies 345 Park Avenue San Jose, CA 95110 http://partners.adobe.com/ PN LPS5003 Copyright 1987-1996 by Adobe Systems Incorporated. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written consent of the publisher. Any software referred to herein is furnished under license and may only be used or copied in accordance with the terms of such license. PostScript is a registered trademark of Adobe Systems Incorporated. All instances of the name PostScript in the text are references to the PostScript language as defined by Adobe Systems Incorporated unless otherwise stated. The name PostScript also is used as a product trademark for Adobe Systems’ implementation of the PostScript language interpreter. Any references to a “PostScript printer,” a “PostScript file,” or a “PostScript driver” refer to printers, files, and driver programs (respectively) which are written in or support the PostScript language. The sentences in this book that use “PostScript language” as an adjective phrase are so constructed to reinforce that the name refers to the standard language definition as set forth by Adobe Systems Incorporated. PostScript, the PostScript logo, Display PostScript, Adobe, and the Adobe logo are trademarks of Adobe Systems Incorporated which may be registered in certain jurisdictions. Apple, AppleTalk, LaserWriter, and Macintosh are registered trademarks of Apple Computer, Inc.
    [Show full text]
  • |||GET||| King Henry IV Part 2 Third Series 3Rd Edition
    KING HENRY IV PART 2 THIRD SERIES 3RD EDITION DOWNLOAD FREE William Shakespeare | 9781904271376 | | | | | King Henry IV Part 2: Third Series See more. King Henry IV Part 2 Third Series 3rd edition landmark new edition by textual expert and General Editor of the Arden Shakespeare, Richard Proudfoot, offers a full account of the play's text and Namespaces Article Talk. Please keep the receipt. Namespaces Article Talk. James C. Each edition features facing-page notes, short definitions of words, guidance on metre and punctuation, large font for easy reading, and plenty of blank space to write notes. Macbeth is one of Shakespeare's most performed King Henry IV Part 2 Third Series 3rd edition studied tragedies. One unusual aspect of this series was its edition of Hamletwhich presents the play in two separate volumes. This major new Arden edition offers students detailed on-page commentary notes highlighting meaning and theatrical ideas and themes, as well as an illustrated, lengthy introduction setting the play in its Stock photo. It presents fully edited modern-spelling editions of the plays and poems, with lengthy introductions and King Henry IV Part 2 Third Series 3rd edition commentaries. Bulman is Henry B. Cymbeline: Third Series. Hardcover William Shakespeare Collectibles. The Passionate Pilgrim To the Queen. Its first publication was Edward Dowden 's edition of Hamletpublished in The play was published in quarto the same year printing by Valentine Simmes. Thank you for shopping at our store. We ship within Three business days of payment, usually sooner. Loved Henry the IV's speech about sleep, or the lack thereof.
    [Show full text]
  • Greco RC-II 2006 9E Final Addendum Belgium PUBLIC
    DIRECTORATE GENERAL OF HUMAN RIGHTS AND LEGAL AFFAIRS DIRECTORATE OF MONITORING Strasbourg, 15 May 2009 Public Greco RC-II (2006) 9E Addendum Second Evaluation Round Addendum to the Compliance Report on Belgium Adopted by GRECO at its 42 nd Plenary Meeting (Strasbourg, 11-15 May 2009) Secrétariat du GRECO GRECO Secretariat www.coe.int/greco Conseil de l’Europe Council of Europe F-67075 Strasbourg Cedex +33 3 88 41 20 00 Fax +33 3 88 41 39 55 I. INTRODUCTION 1. GRECO adopted the Second Round Evaluation Report on Belgium at its 21 st Plenary Meeting (2 December 2004). The report (Greco Eval II Rep (2004) 1E) was made public by GRECO on 24 January 2005, following authorisation from the Belgian authorities. 2. Belgium submitted the situation report required under GRECO's compliance procedure on 8 June 2006. On the basis of this report, and following a discussion in plenary session, GRECO adopted the Second Round Compliance Report (RC report) on Belgium at its 33 rd Plenary Meeting (1 June 2007). It was made public on 25 June 2007. The compliance report (Greco RC-II (2006) 9E) concluded that recommendations ii and vii had been implemented satisfactorily. Recommendation i had been dealt with in a satisfactory manner. Recommendations iv, v, vi and ix had been partly implemented and recommendations iii and viii had not been implemented. GRECO requested additional information on their implementation. This information was submitted to it on 2 December 2008, and on 18 March 2009 in a supplementary report. 3. Pursuant to Rule 31, paragraph 9.1 of GRECO's Rules of Procedure, the purpose of this addendum to the second round compliance report is to assess the implementation of recommendations iii, iv, v, vi, viii and ix in the light of the additional information referred to in paragraph 2.
    [Show full text]
  • The Other W.S., William Stanley, Sixth Earl of Derby
    The Other W.S., William Stanley, Sixth Earl of Derby John Raithel n the following, I hope to provide a reasonable summary of the evidence I that I believe points to William Stan- ley, the sixth earl of Derby, as the author of the works generally attributed to Shake- speare. I do not intend, of course, to pre- sent all the material here, but do hope to give a reasonable history of the Derbyite conviction, and in so doing point to some of the sources, compilers, and interpreters of this information, and then bring it up to date with recent discoveries and publica- tions. Beginning with the referenced works, I believe the interested reader will find much to flesh-out the skeleton sketched here. There are good reasons for suspecting that the traditional assignation of the authorship of Shakespeare’s works is misplaced. These are based on statements made about the works at the time of their appearance, evidence concerning the traditional candidate, and inferences derived from the works themselves. There are also good reasons for suspecting the true author to be William Stanley, the sixth earl of Derby. Some of these, too, are based on statements made about the author of the works, and inferences derived from the works themselves. And some are based on evidence concerning William Stanley. None of the statements, evidence, or inferences is conclusive—for Stanley or anyone else—or there would be no controversy. The case for Derby is made by examining the available material and attempting to weight it appropriately, assigning, for example, less weight to inferences drawn from the plays by a Derbyite—where there must be a natural bias toward interpreting the evidence in support of Derby—and more weight to a contemporary’s comments about the author, or to modern research by a non-Derbyite scholar.
    [Show full text]