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Shakespeare's First Folio
SHAKESPEARE’S FIRST FOLIO DR. SARAH HIGINBOTHAM GEORGIA INSTITUTE OF TECHNOLOGY OVERVIEW Fall 2016 F2 9:35-10:55 TR Clough 325 D4 1:35-2:55 TR Clough 127 Seven years after William Shakespeare died, one of the world’s most N 12:05-1:25 TR Skiles 308 important books was published: a collection of thirty-six of his plays E-Mail: [email protected] that we now call the “First Folio.” Without the First Folio, we would Office: Stephen C. Hall Building 009 not have Julius Caesar, Macbeth, The Taming of the Shrew, or two plays that have profoundly changed the way that I think, Measure for Measure and Twelfth Night. We also wouldn’t have the iconic stage direction, “exit, pursued by a bear” (The Winter’s Tale). As Georgia Tech phases out its MATERIALS physical library, and as the world celebrates the 400th anniversary of Shakespeare’s death with a First Folio tour, this course will investigate what the First Folio affords us in the twenty-first century. REQUIRED But while Shakespeare is our topic, our goals concern communication Henry V Folger Shakespeare Library, 2009 skills and critical thinking: you will learn to identify relevant questions Hamlet about an issue, synthesize multiple perspectives, assess the soundness of Folger Shakespeare Library, 2005 a position, revise your work based on feedback, and apply your research King Lear to real world issues. The course will also help you formulate and defend Modern Library Classics, 2009 your point of view via written essays, oral presentations, visual analysis, WOVENText and through electronic and nonverbal communication. -
Romeo-And-Juliet-1596480840.Pdf
Romeo and Juliet by Rebecca Olson is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License, except where otherwise noted. Contents ACKNOWLEDGEMENTS v PREFACE vii INTRODUCTION x LIST OF MAIN CHARACTERS xvi ACT 1 1 ACT 2 43 ACT 3 80 ACT 4 122 ACT 5 146 GLOSSARY 169 CREATIVE COMMONS LICENSE 180 RECOMMENDED CITATIONS 181 VERSIONING 183 ACKNOWLEDGEMENTS Many thanks to Open Oregon State for publishing and funding this edition, and the OSU School of Writing, Literature, and Film for financial and administrative support. The Oregon Shakespeare Festival made our field trip to Ashland to see Othello both feasible and memorable. And we are much indebted to the teachers and students who took the time to answer our questions and share experiences and lesson plans—thank you! Tessa Barone, Justin Bennett, Ethan Heusser, Aleah Hobbs, and Benjamin Watts served as lead editors for the project. Shannon Fortier, a recent OSU graduate, donated her time and talents. Jac Longstreth (a Biochemistry and Biophysics major!) provided a great deal of research and editing support, funded by the URSA Engage program at OSU. Jessie Heine was our graduate intern extraordinaire. Emily Kirchhofer designed the cover (deftly incorporating an abundance of ideas and opinions). Michelle Miller and Marin Rosenquist completed much of the late-stage editing and also promoted the project at the 2018 OSU Undergraduate Humanities Research Conference. The editors drew on editing work completed by their peers in ENG 435/535 (Fall 2017). And special thanks to Dr. Lara Bovilsky, who in January 2016 generously donated her time to lead ENG 435 students through the University of Oregon’s exhibit devoted to the First Folio (now an online exhibit Time’s Pencil); the student projects that resulted from that class inspired this textbook. -
The Nature of Stage Directions in the First Folio
THE NATURE OF STAGE DIRECTIONS IN THE FIRST FOLIO OF SHAKESPEARE -..L.c..:'~ / .~ A Thesis Submitted to the Faculty of the Department of English and the Graduate Council of the Kansas State Teachers College of Emporia In Partial Fulfillment of the Requirements for the Degree Master of Arts by Joan E. VanSickle ::::::" November 8, 1972 , ,< ,~. T), c.~ I .. '.i (I "! { I , Iii, / \'-i co~_~ vedJr t.he/C)' partment ----..r-' /'\ . 0. (~,.,'/ ' / ;';--'; A I:' L-~_ L ~ J __ Graduate Council 331.815 / PREFACE As is readily apparent to any reader of Shakespeare's folio or quarto plays, stage directions are minimal and, at times, almost entirely absent. Quite wisely, therefore, modern editors of Shakespeare have added stage directions to assist readers to an understanding of the stage action. It is not the purpose of this author to comment further upon these editorial additions~ many scholars have already widely discussed and deliberated the accuracies, and inaccuracies, of these later emendations to Shakespeare's own directions. It is, rather, the intent of this author to pursue a study of the stage directions written in Shakespeare's First Folio (1623). Because there are so few stage directions printed, the matter of interpretation and definition of stage action in these plays has become a matter of scholastic concern. Naturally, the study of staging involves more than simply a direct textual study of the stage directions. One must also consider Shakespeare's life and its influence on his plays, the nature of his acting companies and actors, the physical iv and psychological composition of Elizabethan audiences, and 'the structure of the theatres--especially the Globe Theatre, where most of the plays were enacted. -
Harvest Records Discography
Harvest Records Discography Capitol 100 series SKAO 314 - Quatermass - QUATERMASS [1970] Entropy/Black Sheep Of The Family/Post War Saturday Echo/Good Lord Knows/Up On The Ground//Gemini/Make Up Your Mind/Laughin’ Tackle/Entropy (Reprise) SKAO 351 - Horizons - The GREATEST SHOW ON EARTH [1970] Again And Again/Angelina/Day Of The Lady/Horizons/I Fought For Love/Real Cool World/Skylight Man/Sunflower Morning [*] ST 370 - Anthems In Eden - SHIRLEY & DOROTHY COLLINS [1969] Awakening-Whitesun Dance/Beginning/Bonny Cuckoo/Ca’ The Yowes/Courtship-Wedding Song/Denying- Blacksmith/Dream-Lowlands/Foresaking-Our Captain Cried/Gathering Rushes In The Month Of May/God Dog/Gower Wassail/Leavetaking-Pleasant And Delightful/Meeting-Searching For Lambs/Nellie/New Beginning-Staines Morris/Ramble Away [*] ST 371 - Wasa Wasa - The EDGAR BROUGHTON BAND [1969] Death Of An Electric Citizen/American Body Soldier/Why Can’t Somebody Love You/Neptune/Evil//Crying/Love In The Rain/Dawn Crept Away ST 376 - Alchemy - THIRD EAR BAND [1969] Area Three/Dragon Lines/Druid One/Egyptian Book Of The Dead/Ghetto Raga/Lark Rise/Mosaic/Stone Circle [*] SKAO 382 - Atom Heart Mother - The PINK FLOYD [1970] Atom Heart Mother Suite (Father’s Shout-Breast Milky-Mother Fore-Funky Dung-Mind Your Throats Please- Remergence)//If/Summer ’68/Fat Old Sun/Alan’s Psychedelic Breakfast (Rise And Shine-Sunny Side Up- Morning Glory) SKAO 387 - Panama Limited Jug Band - PANAMA LIMITED JUG BAND [1969] Canned Heat/Cocaine Habit/Don’t You Ease Me In/Going To Germany/Railroad/Rich Girl/Sundown/38 -
Dypdykk I Musikkhistorien - Del 18: Pink Floyd (19.02.2018 - TNB)
Dypdykk i musikkhistorien - Del 18: Pink Floyd (19.02.2018 - TNB) Spilleliste pluss noen ekstra lyttetips: Liveopptak, uutgitte låter og filmklipp er hentet fra cd-boxen: The Early Years 1965-1972 (2016) Sigma 6, The Tea Set, Abdabs, Architectual Abdabs osv. Pink Floyd 1965-1967: Fra R&B og blues til beat og psykedelia 1965: Lucy leave ; I’m a king bee 1966: Vegetable man Live med Syd Barrett: Instrumental improvisation, BBC - Tomorrow’s world Pow R. Toc H., intervju m/ Hans Keller, BBC Interstellar overdrive, Science Fiction, Roundhose, London Astronomy domine ; Matilda mother ; Interstellar overdrive ; Bike Piper at the gates of dawn (1967) Let there be more light ; Corporal Clegg ; Set the control for the heart of the sun A Saucerful of secrets (1968) Live 1968: Let there be more light, Bouton Rouge, Paris ; Interstellar overdrive, Pop 68, Roma ; Flaming, Tous en scene, Paris Be careful with that axe ; Several species of small furry animals gathered together in a cave and grooving with a pict ; The narrow way Ummagumma (1969) The Nile song ; Cymbaline More (1969) Live 1969: Careful with that axe Eugene, Essener Pop & Blues Festival, Tyskland ; Interstellar overdrive, Festival Actuel, Belgia Atom heart mother ; Summer ‘68 Atom heart mother (1970) Live 1970: Atom heart mother m/ orkester og kor, Hyde Park, London ; A Saucerful of secrets, Kralingen Music Festival, Rotterdam On the highway [Zabriskie point] One of these days ; A pillow of winds ; Echoes ; Meddle (1971) Obscured by clouds ; When you’re in ; Childhood’s -
An Introduction to William Shakespeare's First Folio
An Introduction to William Shakespeare’s First Folio By Ruth Hazel Cover illustration courtesy of Stephen Collins This eBook was produced by OpenLearn - The home of free learning from The Open University. It is made available to you under a Creative Commons (BY-NC-SA 4.0) licence. 2 Brush up your Shakespeare The comic gangsters in Kiss Me Kate, Cole Porter’s 1948 musical based on Shakespeare’s The Taming of the Shrew, offer Shakespeare’s poetry – by which they actually mean his plays – as a guaranteed way to a woman’s heart: quoting Shakespeare will impress her and be a sure-fire aphrodisiac. Today, Shakespeare has become a supreme icon of Western European high culture, which is ironic since in his own day Shakespeare’s craft – jobbing playwright – was not a well-regarded one. Indeed, those who wrote plays to entertain the ‘groundlings’ (as the people who paid just one penny to stand in the open yard round the stage in public playhouses were called) were often considered little better than the actors themselves – who, in their turn, were only one level up, in the minds of Puritan moralists, from whores. Shakespeare himself did not seem eager to advertise authorship of his plays by seeing them into print, and when some of his plays were printed, in the handy quarto-sized editions for individual consumption, his name was not always on the title page. (The terms ‘folio’ and ‘quarto’ refer to the size of the pages in a book: in a Folio, each sheet of paper was folded just once, with a page height of approx. -
Romeo and Juliet First Folio
FIRST FOLIO: TEACHER CURRICULUM GUIDE by William Shakespeare directed by David Muse September 9–October 12 FIRST FOLIO Teacher Curriculum Guide Table of Contents Page Number Welcome to the About the Play Shakespeare Theatre Company’s Synopsis of Romeo and Juliet….... ……..…..2 production of The Elizabethan Stage: The Tradition of Romeo and Juliet All-Male Casts.………………………....3 by William Shakespeare! An Interview with Director David Muse.…....4 Family Feud: Montagues vs. Capulets and This season, the Shakespeare Theatre Who’s Who……………………...…..….5 Company presents seven plays by William Shakespeare’s Italy.………….………..……..6 Shakespeare and other classic playwrights. Consistent with the Shakespeare Theatre Classroom Connections Company's central mission to be the leading Before and After the Performance………….7 force in producing and preserving the highest quality classic theatre , the Education Resources and Standards of Learning Department challenges learners of all ages Resource List and Standards of Learning…8 to explore the ideas, emotions and principles Theatre Etiquette……………………………..9 contained in classic texts and to discover the connection between classic theatre and our modern perceptions. We hope that this First The First Folio Teacher Curriculum Guide for Folio Teacher Curriculum Guide will prove Romeo and Juliet was developed by the useful as you prepare to bring your students Shakespeare Theatre Company Education to the theatre! Department and compiled and edited by Caroline Alexander. “Shakespeare’s Italy” For the 2008-09 season, the Education was written by Wendy Leibowitz. Cover Department will publish First Folio Teacher photo of James Davis by Scott Suchman. Curriculum Guides for our productions of Romeo and Juliet, Twelfth Night and Ion. -
Dark Side of the Moon Pdf, Epub, Ebook
DARK SIDE OF THE MOON PDF, EPUB, EBOOK Sherrilyn Kenyon | 336 pages | 05 Apr 2012 | Little, Brown Book Group | 9780749956318 | English | London, United Kingdom Dark Side Of The Moon PDF Book And everyone's views are insane to someone else. There's no reason for it, you've gotta go sometime. What Rap Genius says : "In an interview for Mojo magazine in March of , keyboardist Rick Wright mentions that this song is about life gradually descending into death. Long you live and high you fly And smiles you'll give and tears you'll cry And all you touch and all you see Is all your life will ever be. It came as a heavy blow, but we sorted the matter out" Us and Them Waters, Wright 7: 40 Us, and them And after all we're only ordinary men. That'll do. But passing strangers also took part. And rock 'n' roll. And now that you want to run, it's too late. Updated and edited by Carolyn Collins Petersen. But on Dark Side Of The Moon these themes were still relatively unsophisticated and easier to follow. Breathe reprise 7: 06 Home, home again. At first the motto is simply, "Get a good job with good pay and you're okay. It was also headphone heaven. What is the dark side, or far side, of the moon? The Secret of the Dark Side of the Moon. Because of this, as the moon rotates around the earth, it also rotates around its axis in such a way that the same side of the moon is always facing the earth. -
PINK FLOYD ‘The Early Years 1965-1972’ Released: 11 November 2016
** NEWS ** ISSUED: 28.07.16 STRICTLY EMBARGOED UNTIL: 14:00HRS BST, THURSDAY 28 JULY 2016 PINK FLOYD ‘The Early Years 1965-1972’ Released: 11 November 2016 • Unreleased demos, TV appearances and live footage from the Pink Floyd archives • 6 volumes plus a bonus EXCLUSIVE ‘Extras’ package across 27 discs • Over 20 unreleased songs including 1967’s Vegetable Man and In the Beechwoods • Remixed and updated versions of the music from ‘Zabriskie Point’ • 7 hours of previously unreleased live audio • 15 hours 35 mins of video including rare concert performances, interviews and 3 feature films * 2 CD selection set ‘The Early Years – CRE/ATION’ also available * On 11 November 2016, Pink Floyd will release ‘The Early Years 1965-1972’. Pink Floyd have delved into their vast music archive, back to the very start of their career, to produce a deluxe 27-disc boxset featuring 7 individual book-style packages, including never before released material. The box set will contain TV recordings, BBC Sessions, unreleased tracks, outtakes and demos over an incredible 12 hours, 33 mins of audio (made up of 130 tracks) and over 15 hours of video. Over 20 unreleased songs including 7 hours of previously unreleased live audio, plus more than 5 hours of rare concert footage are included, along with meticulously produced 7” singles in replica sleeves, collectable memorabilia, feature films and new sound mixes. Previously unreleased tracks include 1967’s Vegetable Man and In The Beechwoods which have been newly mixed for the release. ‘The Early Years 1965-1972’ will give collectors the opportunity to hear the evolution of the band and witness their part in cultural revolutions from their earliest recordings and studio sessions to the years prior to the release of ‘The Dark Side Of The Moon’, one of the biggest selling albums of all time. -
Romeo & Juliet
Romeo & Juliet by William Shakespeare The title page of Romeo & Juliet from the First Folio of Shakespeare’s plays, published in 1623. Handsome bound facsimiles of Romeo & Juliet , published in the Globe Folios series in association with the British Library, are available from the shop, price £9.99. Each volume includes an introduction by the foremost First Folio scholar, Anthony James West. Sources, early Performance and Publication Shakespeare’s principal sources for Romeo & Romeo & Juliet was almost certainly first Juliet were a long narrative poem called The performed by Shakespeare’s company, the Tragicall Historye of Romeus and Juliet by Arthur Chamberlain’s Men, in or around 1596 – a Brooke, first published in 1562 and, to a lesser ‘lyrical’ period of Shakespeare’s writing career degree, the prose romance Rhomeo and Julietta which also includes A Midsummer Night’s Dream, by William Painter. Both sources were based Richard II and many of the Sonnets . No records on a French version of the Italian story Giulietta exist to tell us where it was first seen, but it e Romeo first published in about 1530. Such is likely to have been either the Theatre or the The Curtain Theatre, Shoreditch (to the right), where Italian ‘novelles’ were popular reading in Curtain playhouse in Shoreditch. It has been Romeo & Juliet was probably first performed in or around Shakespeare’s time and Painter’s collection, suggested that Richard Burbage, the company’s 1596. A detail from Abram Booth’s ‘View of London from The Palace of Pleasure , was singled out by the leading man, took the role of Romeo (he would the North’. -
Macbeth First Folio
1 MACBETH CURRICULUM GUIDE Consistent with the Shakespeare Theatre Company’s central mission to be the leading force in producing and preserving the Table of Contents highest quality classic theatre, the Education Department Synopsis 3 challenges learners of all ages to explore the ideas, emotions Characters in Macbeth 4 and principles contained in classic texts and to discover the connection between classic theatre and our modern Shakespeare’s Language 6 perceptions. We hope that this Curriculum Guide will prove Elizabethan England 12 useful to you while preparing to attend Macbeth. Shakespeare’s Genres 13 This curriculum guide provides information and activities to About the Director 14 help students form a personal connection to the play before attending the production. It contains material about the The Double Meanings of Macbeth 16 playwright, their world and their works. Also included are The “Scottish Play” 18 approaches to explore the play in the classroom before and Costume Design 19 after the performance. Theatre Superstitions 21 We encourage you to photocopy these articles and activities Discussion Questions 23 and use them as supplemental material to the text. Resource List 24 Enjoy the show! Theatre Etiquette 25 The First Folio Curriculum Guide for the 2016-2017 Founding Sponsors Season was developed by the Miles Gilburne and Nina Zolt Shakespeare Theatre Company Education Department: Presenting Sponsors Beech Street Foundation Suzanne and Glenn Youngkin Director of Education Samantha K. Wyer Leadership Support Associate Director of Education Dat Ngo D.C. Commission on the Arts & Humanities, an agency Audience Enrichment Manager Hannah Hessel Ratner supported in part by the National Endowment for the Arts Paul M. -
The Hamlet First Quarto (1603) & the Play of Typography
3189 Early Theatre 21.1 (2018), 59–86 https://doi.org/10.12745/et.21.1.3189 Erika Boeckeler The Hamlet First Quarto (1603) & the Play of Typography I argue that the First Quarto of Hamlet (1603) expresses a more intense sensitivity to polysemous typography than has been critically articulated. The orthography, typ- ography, and layout functioned as rich sources of meaning-making for early modern readers, poets, and publishers. Performances happened on the playtext page that were often unavailable in a live theatrical setting. This article makes a crucial critical intervention by recuperating the poetic value of Q1, a text that has historically gener- ated interest mostly within analytical bibliography, performance studies, and charac- ter studies. Readers were sensitive to how visual wordplay activated important themes to which my critical analysis attends. Early modern textuality is a culture of orthographic variation, yet the scholarly disciplines have inconsistently heeded D.F. McKenzie’s call in 1986 to consider how the specific forms of words contribute to scholarly interpretation. His exam- ination of typography in William Congreve’s 1710 play The Way of the World ‘bears upon the most obvious concerns of textual criticism — getting the right words in the right order, on the semiotics of print and the role of typography in forming meaning; on the critical theories of authorial intention and reader response; on the relation between past meanings and present uses of verbal texts’.1 Scholars have likewise ignored the ground-breaking