Dike. Rivista Di Storia Del Diritto Greco Ed Ellenistico
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A Bronze Pail of Athena Alalkomenia
A BRONZE PAIL OF ATHENA ALALKOMENIA (PLATES 31-34) T HE remarkable archaic Greek bronze vessel published here (P1. 31, a) was l.4 purchased in Mantinea in Arcadia in the spring of 1957 and donated to the Museum in Tegea where other antiquities from the same region have their abode. It had been found by a local shepherd some distance to the north of the ruins of Man- tinea but, unfortunately, the exact location of the discovery could not be ascertained.' The major part of the vessel is preserved, including about half of its upper profiled edge and one attachment for the handle which passed through its upper ring. The whole of this ring is still filled with iron and it is evident that the missing handle was made of this material. The carefully proportioned body has a height of 0.241 m. to the upper edge of the lip. Its largest diameter, 0.215 m., is slightly smaller than the total height and exactly the same both at the outer edge of the lip and at the greatest width of the body which, in turn, occurs precisely half way between that edge and the bottom of the vessel, 0.12 m. distant from both. The upper face of the lip inclines outward slightly to allow overspilling liquid to run off, as it were, from an architectural cornice. The proportion of diameter to height, the rounded bottom and the contraction of the width under the lip combine to give the impression of an elastic curvilinear rhythm to the generally ovoid form. -
Sviatoslav Dmitriev the Theoric Fund, the Athenian Finance in the 330S
Sviatoslav Dmitriev The Theoric Fund, the Athenian fi nance in the 330s, and Apollodorus Abstract This article examines the history and role of the Theoric Fund in Athens, focusing on evidence and arguments in the long-running debate about whether a legal prohibition existed against channeling the surplus budget money designated for the Theoric Fund to military purposes. The argument here is that Libanius’ reference to this prohibition as being enforced by the death penalty for at least some time in the 340s cannot simply be rejected by adducing the evidence about either the proposal to have a public vote on diverting this money for military purposes, as was moved by Apollodorus in the early 340s, or the way in which the Theoric Fund operated in the 330s and 320s. Quite a lot has been written about the Theoric Fund, whose main declared purpose was to distribute money for public entertainment to qualifi ed Athe- nians, primarily for two reasons: the contested dating of its establishment, and the uncertainty about whether there existed a prohibition on diverting its money for other purposes. The foundation of the Theoric Fund is variously attributed to Pericles, to Agyrrhius in the early fourth century, or, according to the ma- jority opinion, to Diophantus and Eubulus in the mid-350s.1 Pinpointing the exact date of its establishment might not be as important as some think, since it is likely that the Fund, and the very idea of fi nancing public entertainment, evolved over time, paralleling the progress of Athenian democracy, which is 1 Pericles: Schol. -
Papyrus Bodmer XXVIII : a Satyr-Play on the Confrontation of Heracles and Atlas
Papyrus Bodmer XXVIII : a satyr-play on the confrontation of Heracles and Atlas Autor(en): Turner, Eric G. Objekttyp: Article Zeitschrift: Museum Helveticum : schweizerische Zeitschrift für klassische Altertumswissenschaft = Revue suisse pour l'étude de l'antiquité classique = Rivista svizzera di filologia classica Band (Jahr): 33 (1976) Heft 1 PDF erstellt am: 11.10.2021 Persistenter Link: http://doi.org/10.5169/seals-26396 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch MUSEUM HELVETICUM Vol. 33 1976 Fasc.l Papyrus Bodmer XXVIII: A Satyr-Play on the Confrontation of Heracles and Atlas By Eric G. Turner, London Dedicated to Bruno Snell, 80 years old June 1976 The fragments of a papyrus roll published and discussed in this paper were first seen by me in November 1972. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
Sacred Mushrooms of the Goddess and the Secrets of Eleusis
In memory of Blaise Daniel Staples, my companion and soul mate. He is dearly missed. PREFACE by Huston Smith WHEN I WAS ABOUT TO PUBLISH Cleansing the Doors of Perception: The Religious Significance of Entheogenic Plants and Chemicals, there were those who advised me not to do so, saying that it would destroy my reputation. Time has proved them wrong. As the religious significance of these substances comes to be increasingly accepted—the glaring exception being the Food and Drug Administration—the sales of that book (favorably reviewed from the beginning) continue to rise. As does my conviction of the importance of the issue, and I will say why. The great achievement of the linguist Noam Chomsky, who was my colleague during the fifteen years I taught at MIT, was to discover the universal grammar that every spoken language–– English, Chinese, French, whatever––must conform to, for it seems to be imprinted into the human brain. I, for my part, have worked out the universal grammar of religion to which authentic religions conform. Reduced to a single sentence, that grammar concludes that Reality is Perfect, and that human beings should do their best to conform their lives to that perfection. Reality’s perfection seems to be contradicted by perception of the world, but this is not surprising, for Reality is Infinite and our minds are not. Out minds must expand if they are to receive even glimpses of the Infinite Perfection. Thus the question is: how can they do this? Perfect Reality has provided a way. Through the entheogens, to be sure, but here we come to a point that has been under-noticed in the discussion of this important subject. -
Section Iii Greek and Roman Goddesses of Peace Contents Introduction Greek Goddesses of Peace and Harmony: Eirene and Harmonia R
SECTION III GREEK AND ROMAN GODDESSES OF PEACE CONTENTS INTRODUCTION GREEK GODDESSES OF PEACE AND HARMONY: EIRENE AND HARMONIA ROMAN GODDESSES OF PEACE AND CONCORDANCE: PAX AND CONCORDIA CLOSING COMMENTS ***** INTRODUCTION Lady Peace has many faces. Pinning down her attributes is no simple enterprise. The simplistic rendition is that Peace is the absence of War. But this definition does not outline how to end on-going war or how to prevent the start of war. The International Community set up peace-based global institutions, the League of Nations and United Nations, to prevent future war. Although both proved irresolute to prevent all wars, they were able to moderate some looming conflicts through the practices of peace-keeping and judicial mediation. There is a growing consensus among spirituality-oriented peace practitioners that the peace institutions that humanity needs will not be developed until humans establish a global system in which all peoples accept or submit to global authority. Until then nations are left to find their way through grievances and possible annihilation given the massive destruction of some of the existing weapon systems. What marks the Homo sapiens species special is its level of consciousness and its analytic thinking. But they are still insufficiently developed to coral the surge toward war (As this paragraph is being written war has broken out in Ethiopia’s Northern border.) Fortunately, humanity carries an archetypal template that points to how to address life issues such as peace. Dreams and mythology are places where the archetypal template projects itself. What follows is a brief review of Greek and Roman Peace Goddesses and their main companions. -
The Making of a Prostitute: Apollodoros's Portrait Of
Apollodoros’s Portrait of Neaira 161 THE MAKING OF A PROSTITUTE: APOLLODOROS’S PORTRAIT OF NEAIRA1 ALLISON GLAZEBROOK Apollodoros’s account of the life of Neaira ([Demosthenes] 59.16–49) is the most extensive narrative extant on a historical woman from the classical period. The recent publication of Debra Hamel’s book, Trying Neaira: The True Story of a Courtesan’s Scandalous Life in Ancient Greece (2003), has made the famous speech against Neaira and its recent scholarship accessible to a popular audience. The strength of Hamel’s work lies in the political, legal, and social context she provides for the speech, along with her ques- tioning of the various claims Apollodoros makes about Neaira’s “children” and her conclusion that he never proves beyond a doubt that Neaira has been acting as Stephanos’s wife. But does Apollodoros offer “the true story” of Neaira’s life as a courtesan, as Hamel’s title so boldly claims?2 The narrative detail of the speech and the testimony of witnesses convince Hamel (2003.156) that Apollodoros accurately portrays the events of Neaira’s early life. While one function of such witnesses was to attest to the veracity of a speaker’s comments, as in the modern day, their second 1A version of this paper was originally presented at the APA annual meeting in San Diego (2001). I would like to thank the audience for their lively discussion and helpful response, as well as Susan Cole, for her many suggestions, and my anonymous readers whose comments proved most fruitful. 2There is an assumption that oratory is a more objective source of evidence on women than other genres (Pomeroy 1975.x–xi). -
Apollo and His Purpose in Sophocles' Oedipus Tyrannus
APOLLO AND HIS PURPOSE IN SOPHOCLES’ OEDIPUS TYRANNUS Stuart Lawrence Abstract Apollo actively intervenes in the fulfilment of Oedipus’ destiny through oracles and immanently in the onstage action. Rather than to punish him for any offence, the god’s purpose appears to be to impress upon Oedipus his existential insignificance. In the context of an ordered but absurd universe, Sophocles emphasises the paradox of the moral greatness of a man whose ‘official’ existential value is less than zero. With the partial exception of Athena in the Ajax, Sophocles’ gods are largely inscruta‐ ble. In no play is this inscrutability more problematical than in the Tyrannus, and the resulting difficulties for the interpreter are well stated by R. Parker (1999), who warns us about drawing inferences where the poet is silent. Sensitive critics have always been struck by these silences of Sophocles’ text, of which the most famous is doubtless the apparent silence in Oedipus Tyrannus about the ulti‐ mate motivation for the destiny prophesied for Laius and Oedipus. In a sense the cen‐ tral problem for any study of Sophocles’ presentation of the divine is that of respond‐ ing to these silences: at all events, it is at this point that the paths of even the best critics diverge. Does Sophocles leave the divine will unexplained because to reason about it would be a distraction from the true human centre of the plays? Or is the point rather the ultimate incomprehensibility to mortals of the divine world? And if so, if the ways of the gods are incomprehensible, is that because those ways are good, but human comprehension weak? Or because mortals seek justice where none is to be found?1 Apollo never appears in person in the Tyrannus, though he declares his condition for the salvation of Thebes in the oracle that requires the discovery of Laius’ killer while he predicts the parricide in the original oracle to Laius and both the parricide and the incest in the later oracle given to Oedipus. -
Legend of the Myth
MYTH Graph of greek mythological figures CHAOS s tie dei ial ord EREBUS rim p EROS NYX GAEA PONTU S ESIS NEM S CER S MORO THANATO A AETHER HEMER URANUS NS TA TI EA TH ON PERI IAPE HY TUS YNE EMNOS MN OC EMIS EANUS US TH TETHYS COE LENE PHOEBE SE EURYBIA DIONE IOS CREUS RHEA CRONOS HEL S EO PR NER OMETH EUS EUS ERSE THA P UMAS LETO DORIS PAL METIS LAS ERIS ST YX INACHU S S HADE MELIA POSEIDON ZEUS HESTIA HERA P SE LEIONE CE A G ELECTR CIR OD A STYX AE S & N SIPH ym p PA hs DEMETER RSES PE NS MP IA OLY WELVE S EON - T USE OD EKATH M D CHAR ON ARION CLYM PERSEPHONE IOPE NE CALL GALA CLIO TEA RODITE ALIA PROTO RES ATHENA APH IA TH AG HEBE A URAN AVE A DIKE MPHITRIT TEMIS E IRIS OLLO AR BIA AP NIKE US A IO S OEAGR ETHRA THESTIU ATLA S IUS ACRIS NE AGENOR TELEPHASSA CYRE REUS TYNDA T DA AM RITON LE PHEUS BROS OR IA E UDORA MAIA PH S YTO PHOEN OD ERYTHE IX EUROPA ROMULUS REMUS MIG A HESP D E ERIA EMENE NS & ALC UMA DANAE H HARMONIA DIOMEDES ASTOR US C MENELA N HELE ACLES US HER PERSE EMELE DRYOPE HERMES MINOS S E ERMION H DIONYSUS SYMAETHIS PAN ARIADNE ACIS LATRAMYS LEGEND OF THE MYTH ZEUS FAMILY IN THE MYTH FATHER MOTHER Zeus IS THEM CHILDREN DEMETER LETO HERA MAIA DIONE SEMELE COLORS IN THE MYTH PRIMORDIAL DEITIES TITANS SEA GODS AND NYMPHS DODEKATHEON, THE TWELVE OLYMPIANS DIKE OTHER GODS PERSEPHONE LO ARTEMIS HEBE ARES HERMES ATHENA APHRODITE DIONYSUS APOL MUSES EUROPA OSYNE GODS OF THE UNDERWORLD DANAE ALCEMENE LEDA MNEM ANIMALS AND HYBRIDS HUMANS AND DEMIGODS circles in the myth 196 M - 8690 K } {Google results M CALLIOPE INOS PERSEU THALIA CLIO 8690 K - 2740 K S HERACLES HELEN URANIA 2740 K - 1080 K 1080 K - 2410 J. -
Mystery Cults and the Polis of Athens Amended
Mystery Cults and the Polis of Athens: A Reading of Bakchai and Frogs [Volume One of One] Submitted by Luigi Barzini to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Classics. [May 2019] This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signed: 1 Abstract This work is dedicated to a comparative study of Euripides’ Bakchai and Aristophanes’ Frogs (also “the plays”) in their religious, historical and political context and in particular in their connection with mystery cults. Aristophanes had his comedy Frogs performed at the Lenaia festival in the winter of 405. The son of Euripides had his father’s tragedy Bakchai produced at the Great Dionysia at some point after Euripides’ death, possibly in the spring of the same year 405. The two plays have several points in common: the protagonist, the god Dionysos; they are both rich in themes, motifs and images connected with the initiation cults of Dionysos (in Bakchai) and those of Demeter (in Frogs); the choruses have the same role on stage as they have in their cultic reality in the theatre, worshippers of the deity; the two plays were awarded the first prize. This thesis is dedicated to exploring the plays in their Athenian religious and socio-political context, a theme largely ignored by classical scholars. -
Designing Women: Aristophanes' Lysistrata
Aristophanes’ Lysistrata 37 DESIGNING WOMEN: ARISTOPHANES’ LYSISTRATA AND THE “HETAIRIZATION” OF THE GREEK WIFE* SARAH CULPEPPER STROUP INTRODUCTION Aristophanes’ Lysistrata is a comedy of political and sexual negotiation and of what happens when complementary but distinct spheres of social interaction—the polis and the oikos, the public and the private—are torn apart and turned inside-out by protracted and seemingly ineluctable warfare. Produced, most probably, at the Lenaia of 411,1 this unusually topical drama offers an alluring reversal of the more standard comic representation of female sexuality as implicitly destructive to the civic body, forging in its place a fantasy world in which strictly proscribed sexual negotiation might * Various drafts of this article have benefited greatly from the criticisms and advice of numerous readers. I am indebted to, among others, Ruby Blondell, Mary LeBlanc, and two especially helpful anonymous readers for Arethusa. Thanks are due also to Jeffrey Henderson and Christopher Faraone, who forwarded to me manuscript versions of their own work on the topic, and to Andrew Stewart and Christopher Hallet, for their generous help with my use of the visual material. Any errors that remain are my own and should not be credited to my kind and conscientious readers. 1 A secure dating for this drama is difficult. As Henderson 1987.xv–xviii argues, however, the internal evidence of the play—the attitudes, assumptions, and arguments of the characters—in addition to the evidence given in the eighth book of Thukydides (though admittedly problematic in chronology at some places) will support a date of 411. For fuller discussions of dating, see Sommerstein 1977 and Westlake 1980. -
Sozial Versus Politisch: Divergierende Rollenbilder Citizenship in Action
Sozial versus Politisch: divergierende Rollenbilder Citizenship in Action: „Reading“ Sacrifice in Classical Athens* Josine H. Blok „It was we, men of Athens, who made Charidemos a citizen, and by that gift bestowed upon him a share in our hiera kai hosia, in our legal traditions, and in everything in which we ourselves participate.“ With these words, Demosthenes summarised what it meant to be a citizen of Athens. „A share in the hiera and hosia“ was no wording of his own, but a stock phrase, used frequently in discourse about citizenship. Being an Athenaios or Athenaia, a citizen of Athens, entitled one to participation in the hiera and hosia of the city. And one could only be a citizen if born in an Athenian oikos, unless one was literally naturalised – changed to the condition as if one was born an Athenian and thus made a citizen (dêmopoiêtos). Considering that birth from two Athenian parents was the normal prerequisite for citizenship, it should come as no surprise that both men and women were counted as citizens, even if their respective roles in public and private life were different. Participation in the hiera and hosia of the polis concomitantly applied to male and female citizens alike. Conversely, by participating in the hiera and hosia, a citizen could demonstrate that he or she was a citizen. In this way, membership of the polis was put into practice. * I am grateful to Christian Mann for inviting me to the conference at Freiburg i. Br. in Novem- ber 006, and to Stephen Lambert for continuous discussions, in particular for his comments on a concise version of this essay for the Festschrift for Herman Brijder (Blok 008, in press).