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Piero Manzoni Metonymien Des Körpers

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Piero Manzoni Metonymien Des Körpers Piero Manzoni Metonymien des Körpers Abbildungsband Inaugural-Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultäten der Albert-Ludwigs-Universität zu Freiburg im Breisgau vorgelegt von Martin Engler aus Freiburg im Breisgau Sommersemester 2000 Abb. 1: Carlo Carrà: L’attesa, 1926, Öl auf Leinwand, 88 x 138 cm, Privatbesitz. Abb. 2: Mario Sironi: La famiglia, 1929, Öl auf Leinwand, 167 x 210 cm, Privatbesitz. 1 Abb. 3: Osvaldo Licini: Archipittura, 1933, Öl auf Leinwand, 83 x 102 cm, Privatbesitz. Abb. 4: Renato Guttuso: Occupazione delle terre incolte in Sicilia, 1947/48, Öl auf Leinwand, 265 x 344 cm, Akademie der Künste, Berlin. 2 Abb. 5: Emilio Vedova: Europa ‘50, 1949/50, Öl auf Leinwand, 123 x 126 cm, Galleria d’Arte Moderna Cà Pesaro, Venedig. Abb. 6: Giulio Turcato: Comizio, 1950, Öl auf Leinwand, 145 x 220 cm, Galleria Anna D’Ascanio, Rom. 3 Abb. 7: Lucio Fontana: Uomo Nero, 1930, bemalter Gips, 130 cm. (verloren) Abb. 8: Lucio Fontana: Ceramica spaziale, 1949, bemalter Ton, 60 x 60 x 60 cm, Privatbesitz, Deutschland. Abb.9a/b: Lucio Fontana: Vittoria dell‘Aria, 1936, Gips, 500 cm.(zerstört) 4 Abb. 10: Lucio Fontana: Figure nere, 1931, Terrakotta, 40 x 18 x 20 cm, Privatbesitz, Mailand. Abb. 11: Lucio Fontana: Signorina seduta, 1934, bemalte Bronze, 82 x 85 cm, Civica Galleria d’arte Moderna, Mailand. 5 Abb. 12: Lucio Fontana: Scultura astratta, 1934, bemalter Gips, 29 x 31,5 cm, Sammlung Monti, Mailand. Abb. 13: Lucio Fontana: Scultura astratta, 1934, Eisen und Ton, 33 x 19 cm, Fondazione Lucio Fontana, Mailand. 6 Abb. 14: Lucio Fontana: Ambiente spaziale a luce nera, 1948-49, bemaltes Pappmaché, Eisendraht und Schwarzlicht, Maße unbekannt, Fondazione Lucio Fontana, Mailand. (Rekonstruktion) Abb. 15: Lucio Fontana: Ambiente spaziale, 1951, Neonröhre, 100 Meter x 18mm, Fondazione Lucio Fontana, Mailand. (Detail der Rekonstruktion von 1984) 7 Abb. 16: Lucio Fontana: Concetto spaziale, 1949, Karton auf Leinwand, 100 x 100 cm, Fondazione Lucio Fontana, Mailand. Abb. 17: Lucio Fontana: Concetto spaziale, 1951, Öl auf Leinwand, 85 x 65 cm, Sammlung Schulhof, New York. 8 Abb. 18: Lucio Fontana: Concetto spaziale, 1952, Mischtechnik auf Metall, 65 x 60 cm, Fondazione Lucio Fontana, Mailand. Abb. 19: Lucio Fontana: Concetto spaziale, 1956, Öl und Mischtechnik auf Leinwand, 100 x 80 cm, Galerie Bonnier, Genf. 9 Abb. 20: Lucio Fontana: Concetto spaziale, Attese, 1959, ungrundierte Leinwand, 100 x 125 cm, Privatbesitz, Mailand. Abb. 21: Lucio Fontana: Concetto spaziale, Attese, 1960, Idropittura auf Leinwand, 130,5 x 97 cm, Van Abbemuseum, Eindhoven. 10 Abb. 22: Lucio Fontana: Concetto spaziale, Attese, 1959, Idropittura auf Leinwand, 125 x 100 cm, Musée National d’Art Moderne, Paris. 11 Abb. 23: Alberto Burri: Sacco e Rosso, 1954, Sackleinen, Stoff, Schnur, Leim und Öl auf Leinwand, 86 x 100 cm, Tate Gallery, London. Abb. 24: Alberto Burri: Sacco e Oro, 1953, Sackleinen und Gold auf bemalter Leinwand, 124 x 109,5 cm, Privatbesitz. 12 Abb. 25: Alberto Burri: Bianco, 1952, Zinkweiß und Leim auf Leinwand, 57 x 45 cm, Privatbesitz. Abb. 26: Alberto Burri: Muffa, 1951, Öl, Bimsstein und Leim auf Leinwand, 43 x 56 cm, Privatbesitz. 13 Abb. 27: Alberto Burri: SZ 1, 1949, Öl und Sackleinen auf Leinwand, 48 x 58 cm, Fondazione Palazzo Albizzini, Collezione Burri, Città di Castello. Abb. 28: Alberto Burri: Legno SP, 1958, Holz, Acryl, Leim, Heftklammern und Brandspuren auf Leinwand, 128 x 200 cm, Fondazione Palazzo Albizzini, Collezione Burri, Città di Castello. 14 Abb. 29: Alberto Burri: Rosso Plastica M 3, 1961, Kunstofffolie und Brandspuren auf Leinwand, 120 x 180 cm, Fondazione Palazzo Albizzini, Collezione Burri, Città di Castello. Abb. 30: Alberto Burri: Cellotex, 1980-89, Acryl und Leim auf Cellotex, 250 x 361 cm, Sammlung Incutti. 15 Abb. 31: Alberto Burri: Bianco Cretto C 1, 1973, Acrovinyl auf Cellotex, 101 x 126 cm, Privatbesitz. Abb. 32: Alberto Burri: Catrame, 1950, Teer, Öl, Pflanzenelemente auf Leinwand, 55 x 46,5 cm, Privatbesitz, Bergamo. 16 Abb. 33: Alberto Burri: Nero Cretto C 1, 1975, Acrovinyl auf Cellotex, 171 x 151 cm, Galleria Nazionale d’Arte Moderna, Rom. Abb. 34: Alberto Burri: Two Shirts, 1957, Stoff, Öl und Leim auf Leinwand, 79,5 x 190 cm, Fondazione Palazzo Albizzini, Collezione Burri, Città di Castello. 17 Abb. 35: Alberto Burri: Tutto Bianco, 1958, Acrovinyl auf Leinwand, 200 x 190 cm, Fondazione Prada, Mailand. 18 Abb. 36: Piero Manzoni: Composizione, 1955, Öl auf Leinwand, 29,5 x 20 cm, Sammlung Chiosca, Mailand. Abb. 37: Piero Manzoni: Albisola Marina, 1953, Öl auf Leinwand, 39,5 x 50 cm, Sammlung Maurani, Mailand. Abb. 38: Piero Manzoni: Composizione, 1956, Öl auf Leinwand, 80 x 100 cm, Privatbesitz. 19 Abb. 39: Piero Manzoni: Paradoxus Smith, 1957, 99,5 x 130 cm, Privatbesitz. Abb. 40: Piero Manzoni: ohne Titel, 1957, Öl und Teer auf Leinwand, 56,5 x 44 cm, Privatbesitz, Paris. Abb. 41: Piero Manzoni: Composizione, 1956, Tempera auf Papier, 34 x 25,5 cm, Sammlung Giolo, Mailand. 20 Abb. 42: Piero Manzoni: ohne Titel, 1957, Öl und Teer auf Leinwand, 60 x 50 cm, Hirschl and Adler Modern, New York. Abb. 43: Piero Manzoni: Composizione, 1956, Tempera auf Papier, 33,5 x 25,5 cm, Sammlung Maurani, Mailand. Abb. 44: Piero Manzoni: Pince, 1956/57, Öl und Teer auf Leinwand, 55 x 54 cm, Sammlung Consolandi, Mailand. 21 Abb. 45: Piero Manzoni: Spille, Öl und Teer auf Leinwand, 1957, 60 x 85 cm, Privatbesitz, Vesenaz. Abb. 46: Piero Manzoni: Le cose, Öl auf Karton, 100 x 130 cm, Sammlung Laurini, Mailand. 22 Abb. 47: Enrico Baj: I fidanzati con la suocera, 1956, Öl und Gouache auf Leinwand, 100 x 105 cm Sammlung Marconi, Mailand. Abb. 48: Enrico Baj/Piero Manzoni: Composizione, 1958, Öl und Collage auf Leinwand, 114 x 146 cm, Sammlung Manuli, Mailand. 23 Abb. 49: Piero Manzoni: Composizione, 1956, Öl auf Karton, 90 x 76 cm, Privatbesitz, Mailand. Abb. 50: Piero Manzoni: Achrome, 1958, Gips auf Leinwand, 60 x 120,2 cm, Sperone Westwater, New York. 24 Abb. 51: Piero Manzoni: Composizione, 1955, Öl auf Leinwand, 245 x 18 cm, Sammlung Giolo, Mailand. Abb. 52: Jean Fautrier: Petite Peinture, Paysage, 1936, Öl auf Leinwand, 12 x 19,5 cm, Privatbesitz, Paris. 25 Abb. 53: Piero Manzoni: Achrome, 1958, Kaolin auf Leinwand, 90 x 70 cm, Archivio Opera Piero Manzoni, Mailand. Abb. 54: Piero Manzoni: Achrome, 1958, Kaolin auf Leinwand, 100 x 80 cm, Dennis Hotz Fine Art, New York. 26 Abb. 55: Piero Manzoni: Achrome, 1957-58, Kaolin auf Leinwand, 45 x 55 cm, Archivio Opera Piero Manzoni, Mailand. Abb. 56: Piero Manzoni: Achrome, 1958, Kaolin auf Leinwand, 70 x 90 cm, Sammlung Consolandi, Mailand. 27 Abb. 57: Piero Manzoni: Achrome, 1958, Kaolin auf Leinwand, 100,3 x 100,3 cm, Tate Gallery, London. Abb. 58: Piero Manzoni: Achrome, 1958, Gips auf Leinwand, 82 x 135 cm, Privatbesitz. 28 Abb. 59: Piero Manzoni: Achrome, 1959, Gips auf Leinwand, 81 x 64 cm, Sammlung Pezzino, Verona. Abb. 60: Günther Uecker: Informelle Struktur, 1957, Nägel, Gips auf Leinwand, 100 x 70 cm, Besitz des Künstlers. 29 Abb. 61: Heinz Mack: ohne Titel, 1958, Kunstharz auf Seide, ca. 44 x 35 cm, Privatbesitz. Abb. 62: Jan J. Schoonhoven: Erstes serielles Relief, 1960, Papiermaché, 50 x 65 cm, Sammlung Hundt, Frankfurt. 30 Abb. 63: Mack, Piene, Uecker: Silberne Lichtmühle, 1964, Holz, Edelstahl, Aluminium, Nägel, Scheinwerfer, Elektromotor, 227 x 150 x 80 cm, Besitz der Künstler. 31 Abb. 64: Piero Manzoni: Achrome, 1959, Kaolin auf Leinwand, 80 x 100 cm, Archivio Opera Piero Manzoni, Mailand. Abb. 65: Piero Manzoni: Achrome, 1960, genähte Leinwand, 80 x 60 cm, Sammlung Rira, Deutschland. 32 Abb. 66: Piero Manzoni: Achrome, 1960, genähter Filz, 162 x 135 cm, Privatbesitz. Abb. 67: Piero Manzoni: Achrome, 1961, genähter Plüsch, 24 x 19 cm, Sammlung Manzoni, Mailand. 33 Abb. 68 : Piero Manzoni: Achrome, 1961, Wattebäusche auf Holz, 25 x 18 cm, Kunstmuseum, Düsseldorf. Abb. 69a: Piero Manzoni: Achrome, 1960, Wattekompressen, 64 x 49 cm, Archivio Opera Piero Manzoni, Mailand. 34 Abb. 69b: Piero Manzoni: Achrome, 1961, Wattekompressen und Kobaltchlorid, 53,7 x 45,8 cm, Kunstmuseum Herning, Dänemark. Abb. 70 : Piero Manzoni: Achrome, 1961, Fiberglas auf Holz, 61,5 x 46 cm, Archivio Opera Piero Manzoni, Mailand. 35 Abb. 71: Piero Manzoni: Achrome, 1962-63, Styropor auf Leinwand, 31,5 x 25 cm, Archivio Opera Piero Manzoni, Mailand. Abb. 72: Piero Manzoni: Achrome, 1962-63, Kaolin auf Steinchen auf Leinwand, 30 x 24 cm, Archivio Opera Piero Manzoni, Mailand. 36 Abb. 73: Piero Manzoni: Achrome, 1961, Kaolin, Stroh, verbranntes Holz, 46,3 x 38,1 x 6 cm, Kunstmuseum Herning, Dänemark. Abb. 74: Piero Manzoni: Achrome, 1961-62, Kaolin auf Brötchen auf Leinwand, 31 x 31 cm, Archivio Opera Piero Manzoni, Mailand. 37 Abb. 75: Enrico Castellani: Senza Titolo, 1959, Öl und Fäden auf Leinwand. (Maße und Verbleib unbekannt) Abb. 76: Dadamaino: Volume a moduli sfasati, 1960/61, schwarze Astralonfolie, 100 x 100 cm. (Verbleib unbekannt, Foto: Paolo Wandrasch, Mailand) 38 Abb. 77: Enrico Castellani: Senza Titolo, 1959, Tempera auf Leinwand, 114 x 145 cm, Privatbesitz, Rom. Abb. 78: Gruppo N: Rilievo ottico-dinamico o Gocce, 1962, gelochtes Blech, bemalter Karton, 50 x 50 x 5 cm. (Verbleib unbekannt) 39 Abb. 79: Emil Schumacher: Sodom, 1957, Öl auf Leinwand, 132 x 170 cm, Karl Ernst Osthaus Museum, Hagen. Abb. 80: Piero Manzoni: Linea m. 15,80 cm, 1959, Tinte auf Papier in Kartonzylinder, 21 x 6 cm, Privatbesitz. 40 Abb. 81: Piero Manzoni: Linea, 1961, Tinte auf Papier, 65 x 47 cm, Archivio Piero Manzoni, Mailand. Abb. 82: Piero Manzoni: Linea m. 1000, 24. Juli, 1961, Tinte auf Papier in verchromtem Metallzylinder, 51 x 39 cm, Museum of Modern Art, New York. 41 Abb. 83: Piero Manzoni: Linea m.
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