Diversity & Inclusion Annual Report
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BLACK GIRLS ROCK!™ 2012 Celebrates and Inspires on Sunday, November 4 at 7P.M./ET*
BLACK GIRLS ROCK!™ 2012 Celebrates and Inspires on Sunday, November 4 at 7p.m./ET* Third Televised Installment of BLACK GIRLS ROCK!™ Co-Hosted by Tracee Ellis Ross and Regina King Honors Kerry Washington, Dionne Warwick, Alicia Keys, Janelle Monae, Dr. Hawa Abdi and Susan L. Taylor Performances and Appearances by Alicia Keys, Brandy, Keyshia Cole, India.Arie, Ciara, Missy Elliot, SWV, Eva Longoria, Taraji P. Henson, La La Anthony, Gabrielle Union, Meagan Good, Estelle, Marsha Ambrosius and First-Ever All-Male Tribute NEW YORK, Oct. 25, 2012 /PRNewswire/ -- On Saturday, October 13, 2012, extraordinary women of color came together for BLACK GIRLS ROCK! 2012, an evening commemorating the achievements and accomplishments of women and girls from diverse fields -- ranging from entertainment and business to social activism. Co-hosted for a second consecutive year by Tracee Ellis Ross and Regina King, BLACK GIRLS ROCK! 2012 honored actress Kerry Washington, Grammy Award- winning music legend Dionne Warwick, accomplished singer-songwriter Alicia Keys, captivating songstress Janelle Monae, human rights activists Dr. Hawa Abdi and her daughters and iconic editor, writer and journalist Susan L. Taylor. Star-studded performances from Alicia Keys, Brandy, Keyshia Cole, India.Arie, Ciara, SWV and others set the stage for an inspirational and entertaining show, which airs Sunday, November 4, 2012 at 7p.m./ET exclusively on BET. (Logo: http://photos.prnewswire.com/prnh/20070716/BETNETWORKSLOGO ) To kick off the festivities, Alicia Keys -- backed by an all-female drum line -- marched down the theater aisles singing her hit anthem "It's a New Day," as the audience rose to its feet. -
Investor Briefing
Q4 2019 AT&T EARNINGS Investor Briefing No. 307 | JANUARY 29, 2020 INVESTOR BRIEFING Q4 2019 AT&T EARNINGS Contents 3 Communications Mobility Entertainment Group Business Wireline 7 WarnerMedia Turner Home Box Office Warner Bros. 10 Latin America Mexico Vrio 11 Xandr 13 Financial and Operational Information 28 Discussion and Reconciliation of Non-GAAP Measures INVESTOR BRIEFING Q4 2019 AT&T EARNINGS Communications FINANCIAL HIGHLIGHTS Nj $36.5 billion, down 1.9% year over year due to declines in Entertainment Group and Business Revenues Wireline that were partially offset by gains in wireless service revenues Nj $29.0 billion, down 2.0% year over year, reflecting lower Entertainment Group and Business Operating Expenses Wireline expenses partially offset by increases in Mobility expenses Nj $7.5 billion, down 1.2% year over year; operating income margin of 20.6% compared to Operating Income 20.4% in the year-ago quarter MOBILITY Nj $18.7 billion, up 0.8% year over year due to an increase in service revenues offsetting declines in equipment revenues ■ Service revenues: $13.9 billion, up 1.8% year over year due to prepaid subscriber gains Revenues and postpaid phone ARPU growth ■ Equipment revenues: $4.8 billion, down 2.1% year over year with continued low postpaid phone upgrade rates Nj $13.2 billion, up 0.5% year over year due to higher bad debt, promotions and advertising Operating Expenses expenses partially offset by lower equipment costs and cost efficiencies Nj $5.5 billion, up 1.5% year over year; operating income margin of 29.4%, compared -
Cablefax Dailytm Tuesday — November 20, 2018 What the Industry Reads First Volume 29 / No
www.cablefaxdaily.com, Published by Access Intelligence, LLC, Tel: 301-354-2101 Cablefax DailyTM Tuesday — November 20, 2018 What the Industry Reads First Volume 29 / No. 224 Franchise Fees: LFAs Sweating Proposed FCC Changes Cities, towns and public access channels have flooded theFCC with comments on a proposed rulemaking that seeks to include cable-related, in-kind contributions in the definition of franchise fees. The fees are the monies paid for using rights of way to provide service. Under the new definition, in-kind contributions would include things such as unlimited free or discounted cable services for Local Franchise Authorities (LFAs) . Thus those contributions would be subject to the statutory 5% franchise fee cap. While cable’s an obvious fan of the move, franchises, wary of losing money or services, aren’t. “The Commission’s proposals violate the plain language of the statute which authorizes LFAs to both collect franchise fees and to impose franchise requirements on cable operators,” said a joint filing from a number of players, including the cities of Atlanta, Dallas and Boston. Public access channels are concerned that the proposal deems non-capital Public, Educational & Governmental requirements as franchise fees. “Such an action would deci- mate our ability to provide services to our community,” said PhillyCAM, the nonprofit that operates the City of Phila- delphia’s public access TV. The FCC’s Second Further Notice of Proposed Rulemaking, which makes these tentative conclusions, was adopted 4-0 in September. It addresses issues raised in July after the US Sixth Circuit vacated parts of FCC decisions that had limited the ability of LFAs to regulate non-cable services provided over a mixed use cable system and nixed LFAs imposing non-monetary assessments on cable ops. -
Re-Mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity by Melina Kristine Dabney A
Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity By Melina Kristine Dabney A thesis submitted to the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Film Studies 2017 This thesis entitled: Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the new Femininity written by Melina Kristine Dabney has been approved for the Department of Film Studies ________________________________________________ (Melinda Barlow, Ph.D., Committee Chair) ________________________________________________ (Suranjan Ganguly, Ph.D., Committee Member) ________________________________________________ (Reiland Rabaka, Ph.D., Committee Member) Date: The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. Dabney, Melina Kristine (BA/MA Film Studies) Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity Thesis directed by Professor Melinda Barlow While there is a substantial amount of scholarship on the depiction of African American women in film and television, this thesis exposes the new formations of African American femininity on screen. African American women have consistently resisted, challenged, submitted to, and remixed racial myths and sexual stereotypes existing in American cinema and television programming. Mainstream film and television practices significantly contribute to the reinforcement of old stereotypes in contemporary black women characters. However, based on the efforts of African American producers like Shonda Rhimes, who has attempted to insert more realistic renderings of African American women in her recent television shows, black women’s representation is undergoing yet another shift in contemporary media. -
ON TV TONIGHT 12/1/12 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 the Insider Let’S Ask College Football: Texas at Kansas State
ON TV TONIGHT 12/1/12 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 The Insider Let’s Ask College Football: Texas at Kansas State. (N) (Live) (cc) Inside ^ (N) ’ America Pressbox College News Made in Jersey “Pay- Criminal Minds “Hope” 48 Hours “The Hunt for News Criminal # Football day” (N) ’ (cc) (cc) (DVS) Mr. Wright” (N) ’ Minds ’ % King/Hill Pregame College Football: Big Ten Championship -- Nebraska vs. Wisconsin. (N) (cc) News & News Inside College Football: Texas at Kansas State. (N) (Live) (cc) News ( Entertainment ’Night Movie: ›››› “It’s a Wonderful Life” (1946) (cc) (DVS) News SNL * Paid Prog. Access H. Movie: ›››› “It’s a Wonderful Life” (1946) (cc) (DVS) News SNL Carol Bur- John Den- Movie: ›››› “It’s a Wonderful Life” (1946) James Stewart. A guardian 11 News at Saturday + nett ver angel strengthens a man ruined by a miser. 11 (N) Night Live , Happy Holidays Celtic Woman, Christmas Great Performances ’ (cc) Dyer Wishes Fulfilled ` Football Tech Gifts Made in Jersey (N) Criminal Minds ’ 48 Hours (N) ’ (cc) News Criminal 1 Two Men Big Bang Big Bang Big Bang Two Men Two Men News Eagles Cheaters ’ (cc) 4 The Closer (cc) Burn Notice (cc) Burn Notice (cc) Law & Order ’ (cc) Law & Order ’ (cc) 8 Two Men The Office Burn Notice (cc) Burn Notice (cc) Two Men Raymond The Office Whacked = Inside Ed. Pregame College Football: Big Ten Championship -- Nebraska vs. Wisconsin. (N) (cc) News M Auction Pregame College Football: Big Ten Championship -- Nebraska vs. Wisconsin. (N) (cc) News V Jeopardy! Wheel Jdg Judy Jdg Judy Judge B. -
Streaming Yujin Luo Final
The Streaming War During the Covid-19 Pandemic Yujin Luo The Streaming War During the Covid-19 Pandemic 2 home, which is the ideal condition for The Covid-19 pandemic has drastically binge-watching. disrupted all business sectors. The arts, culture, and entertainment industries have To understand how the pandemic is shaping been hit exceptionally hard since the virus’ the streaming industry, it is important to first outbreak in January. In response to the understand its pre-Covid and current status. crisis, businesses have taken immediate The following analysis will divide the actions: transitioning to remote work, timeline into before 2020 and in 2020 based canceling and postponing live events on Covid-19’s first outbreak in January nationwide, shutting down entertainment 2020. venues, etc., resulting in lost revenues from sales, merchandising, advertising, and The Streaming Industry’s Pre-Covid promotions. Unfortunately, the Covid-19 State of the Major Players in the pandemic’s impacts are far more Streaming War permanent for an audience-oriented industry that requires a high level of Early adopters and fast followers used to be engagement. The business model might be the main audiences of streaming services, fundamentally changed and there will or in other words, streaming used to be a certainly be a shift in how content is niche add-on to traditional TV. Now, it is produced and consumed. transitioning to a new stage as a mainstream element in the entertainment While lockdowns and social distancing industry. The major streaming services from measures to contain the pandemic have before Covid are shown in the table below, had a huge impact on the traditional movie except for HBO Max, Peacock, and Quibi industry, the video streaming model seems (RIP) that just launched in 2020. -
Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected]
Clemson University TigerPrints All Dissertations Dissertations 12-2016 Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_dissertations Recommended Citation Elrick, Kathy, "Ironic Feminism: Rhetorical Critique in Satirical News" (2016). All Dissertations. 1847. https://tigerprints.clemson.edu/all_dissertations/1847 This Dissertation is brought to you for free and open access by the Dissertations at TigerPrints. It has been accepted for inclusion in All Dissertations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. IRONIC FEMINISM: RHETORICAL CRITIQUE IN SATIRICAL NEWS A Dissertation Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Rhetorics, Communication, and Information Design by Kathy Elrick December 2016 Accepted by Dr. David Blakesley, Committee Chair Dr. Jeff Love Dr. Brandon Turner Dr. Victor J. Vitanza ABSTRACT Ironic Feminism: Rhetorical Critique in Satirical News aims to offer another perspective and style toward feminist theories of public discourse through satire. This study develops a model of ironist feminism to approach limitations of hegemonic language for women and minorities in U.S. public discourse. The model is built upon irony as a mode of perspective, and as a function in language, to ferret out and address political norms in dominant language. In comedy and satire, irony subverts dominant language for a laugh; concepts of irony and its relation to comedy situate the study’s focus on rhetorical contributions in joke telling. How are jokes crafted? Who crafts them? What is the motivation behind crafting them? To expand upon these questions, the study analyzes examples of a select group of popular U.S. -
News and Documentary Emmy Winners 2020
NEWS RELEASE WINNERS IN TELEVISION NEWS PROGRAMMING FOR THE 41ST ANNUAL NEWS & DOCUMENTARY EMMY® AWARDS ANNOUNCED Katy Tur, MSNBC Anchor & NBC News Correspondent and Tony Dokoupil, “CBS This Morning” Co-Host, Anchor the First of Two Ceremonies NEW YORK, SEPTEMBER 21, 2020 – Winners in Television News Programming for the 41th Annual News and Documentary Emmy® Awards were announced today by The National Academy of Television Arts & Sciences (NATAS). The News & Documentary Emmy® Awards are being presented as two individual ceremonies this year: categories honoring the Television News Programming were presented tonight. Tomorrow evening, Tuesday, September 22nd, 2020 at 8 p.m. categories honoring Documentaries will be presented. Both ceremonies are live-streamed on our dedicated platform powered by Vimeo. “Tonight, we proudly honored the outstanding professionals that make up the Television News Programming categories of the 41st Annual News & Documentary Emmy® Awards,” said Adam Sharp, President & CEO, NATAS. “As we continue to rise to the challenge of presenting a ‘live’ ceremony during Covid-19 with hosts, presenters and accepters all coming from their homes via the ‘virtual technology’ of the day, we continue to honor those that provide us with the necessary tools and information we need to make the crucial decisions that these challenging and unprecedented times call for.” All programming is available on the web at Watch.TheEmmys.TV and via The Emmys® apps for iOS, tvOS, Android, FireTV, and Roku (full list at apps.theemmys.tv). Tonight’s show and many other Emmy® Award events can be watched anytime, anywhere on this new platform. In addition to MSNBC Anchor and NBC. -
Saugus Clerk Reed Dead at 57 336 Receive Vaccinations at Lynn
SATURDAY, FEBRUARY 6, 2021 Swampscott plans special Town Meeting By Trea Lavery ITEM STAFF SWAMPSCOTT — The town will hold a special town meeting on March 1 to decide Wendy Reed whether to approve a replacement to the Swampscott Middle School roof. Peter Spellios, chair of the Select Board, explained in the board’s Wednesday night Saugus meeting that the repair could not wait to be approved at the annual town meeting in May. clerk “This project is of signi cant scale and it takes time to mobilize,” Spellios said. “The duration of the project will take the entire- Reed ty of the summer. Therefore, it is important COURTESY PHOTO that that project is able to start the day af- ter school is over.” Mary Darby gives the camera a thumbs up after being vaccinated at Mass Gen- While some parts of the roof have been dead eral Brigham Healthcare Center in Lynn. repaired or replaced over the last 20 years, Town Administrator Sean Fitzgerald ex- plained that much of the roof was installed 336 receive vaccinations in 1996, and has outlived its expected life at 57 cycle. The part of the roof that holds solar By Elyse Carmosino panels, however, will not have to be re- ITEM STAFF placed. at Lynn medical center While there is not yet a set price for the SAUGUS — Board of project, it is expected to cost up to $2 mil- Selectmen clerk and for- By Gayla Cawley received the rst dose of the P zer vaccine lion. A more speci c price will be deter- mer School Committee ITEM STAFF over the rst two days of a new COVID-19 mined before the March 1 town meeting. -
2019 At&T Earnings
2019 AT&T EARNINGS Investor Briefing No. 306 | OCTOBER 28, 2019 INVESTOR BRIEFING Q3 2019 AT&T EARNINGS Contents 3 Communications Mobility Entertainment Group Business Wireline 7 WarnerMedia Turner Home Box Office Warner Bros. 10 Latin America Mexico Vrio 11 Xandr 13 Financial and Operational Information 28 Discussion and Reconciliation of Non-GAAP Measures INVESTOR BRIEFING Q3 2019 AT&T EARNINGS Communications FINANCIAL HIGHLIGHTS (Puerto Rico and U.S. Virgin Islands wireless and business wireline operations, which are pending divestiture, are reported within Corporate & Other instead of the Mobility and Business Wireline business units. Prior quarters have been recast.) Nj $35.4 billion, down 1.7% year over year due to declines in Entertainment Group and Business Revenues Wireline that were partially offset by gains in wireless service revenues Nj $27.4 billion, down 1.8% year over year reflecting lower Entertainment Group and Mobility Operating Expenses expenses partially offset by increases in Business Wireline Nj $8.0 billion, down 1.4% year over year; operating income margin of 22.7% compared to Operating Income 22.6% in the year-ago quarter MOBILITY Nj $17.7 billion, down slightly year over year due to declines in equipment revenues which were mostly offset by an increase in service revenues ■ Service revenues: $13.9 billion, up 0.7% year over year due to postpaid phone ARPU Revenues growth and prepaid subscriber gains ■ Equipment revenues: $3.8 billion, down 3.5% year over year with continued low postpaid phone upgrade rates Nj $12.0 -
AT&T Announces Xandr
Publication date: 18 Oct 2018 Author: Jack Kent Director, Media and Advertising AT&T announces Xandr Brought to you by Informa Tech AT&T announces Xandr 1 AT&T has unveiled its advertising and analytics business Xandr. Named after AT&T founder Alexander Graham Bell, Xandr will house all of the telco giant’s data-led offerings, including addressable advertising service AT&T AdWorks, analytics business ATT.net and ad-tech unit AppNexus. Xandr is rebrand of AT&T’s AdCo unit, which was a temporary business until AT&T’s advertising plan had solidified. Revenue for the advertising business (AdCo) grew 16% year-on-year to $1.8 billion in Q2 2018. The announcement follows in the aftermath of its approved Warner Media acquisition. Our analysis AT&T is settling into a strong position in the ad market as it seeks to challenge the Google-Facebook duopoly for market share. In the aftermath of its landmark acquisition of Warner Media, the group now has three key components in place; access and distribution through AT&T, premium content through Warner Media created by the likes of HBO and CNN and ad monetization through AppNexus. On the back of AppNexus acquisition, AT&T has now decided it is an appropriate time to rebrand its AdCo advertising company, and build its brand in the ad ecosystem. The business aims to provide targeted advertisements across multiple platforms and bolster average ad prices by leveraging the enlarged group’s enhanced customer data. Where Xandr differs is in its apparent rejection of the walled garden mentality common amongst its new rivals. -
Stories for a Global Audience
T:225 mm C A N A D A T:290 mm + Y O U STORIES Talent and stories that are far reaching. = Canada has a wealth of talent, stunning FOR A locations and many funding options to help create stories that appeal to audiences GLOBAL around the world. Work with Canada and leverage business opportunities that can AUDIENCE take your next project to a new place. Discover more at CMF-FMC.CA Brought to you by the Government of Canada and Canada’s cable, satellite and IPTV distributors. WWW.PRENSARIO.TV WWW.PRENSARIO.TV CMF_20128_Prensario_FP_SEPT13_Ad_FNL.indd 1 2019-09-11 4:34 PM Job # CMF_20128 File Name CMF_20128_Prensario_FP_SEPT13_Ad_FNL.indd Modified 9-11-2019 4:34 PM Created 9-11-2019 4:34 PM Station SOS Daniel iMac Client Contact Emmanuelle Publication Prensario CMYK Helvetica Neue LT Std Designer Shravan Insertion Date September 13, 2019 Production Sarah Ad Due Date September 13, 2019 INKS Account Manager Sarah Bleed 235 mm x 300 mm FONTS PERSONNEL Production Artist Daniel SPECIFICATIONS Trim 225 mm x 290 mm Comments None Safety 205 mm x 270 mm 64x60 WWW.PRENSARIO.TV WWW.PRENSARIO.TV Live: 205 Trim: 225 Bleed: 235 //// COMMENTARY NICOLÁS SMIRNOFF Mipcom: Truth or Dare Prensario International ©2018 EDITORIAL PRENSARIO SRL PAYMENTS TO THE ORDER OF EDITORIAL PRENSARIO SRL OR BY CREDIT CARD. REGISTRO NACIONAL DE DERECHO DE AUTOR Nº 10878 Mipcom 2018 is again the main content event Also through this print issue, you will see ‘the Argentina: Lavalle 1569, Of. 405 of the year, with about 13,000 participants, newest of the newest’ about trends: strategies, C1048 AAK 4,000 buyers and almost 2000 digital buyers.