Shared Solution Considered for Corridor
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
On the Ball! One of the Most Recognizable Stars on the U.S
TVhome The Daily Home June 7 - 13, 2015 On the Ball! One of the most recognizable stars on the U.S. Women’s World Cup roster, Hope Solo tends the goal as the U.S. 000208858R1 Women’s National Team takes on Sweden in the “2015 FIFA Women’s World Cup,” airing Friday at 7 p.m. on FOX. The Future of Banking? We’ve Got A 167 Year Head Start. You can now deposit checks directly from your smartphone by using FNB’s Mobile App for iPhones and Android devices. No more hurrying to the bank; handle your deposits from virtually anywhere with the Mobile Remote Deposit option available in our Mobile App today. (256) 362-2334 | www.fnbtalladega.com Some products or services have a fee or require enrollment and approval. Some restrictions may apply. Please visit your nearest branch for details. 000209980r1 2 THE DAILY HOME / TV HOME Sun., June 7, 2015 — Sat., June 13, 2015 DISH AT&T CABLE DIRECTV CHARTER CHARTER PELL CITY PELL ANNISTON CABLE ONE CABLE TALLADEGA SYLACAUGA SPORTS BIRMINGHAM BIRMINGHAM BIRMINGHAM CONVERSION CABLE COOSA WBRC 6 6 7 7 6 6 6 6 AUTO RACING 5 p.m. ESPN2 2015 NCAA Baseball WBIQ 10 4 10 10 10 10 Championship Super Regionals: Drag Racing Site 7, Game 2 (Live) WCIQ 7 10 4 WVTM 13 13 5 5 13 13 13 13 Sunday Monday WTTO 21 8 9 9 8 21 21 21 8 p.m. ESPN2 Toyota NHRA Sum- 12 p.m. ESPN2 2015 NCAA Baseball WUOA 23 14 6 6 23 23 23 mernationals from Old Bridge Championship Super Regionals Township Race. -
About the Artist
ABOUT THE ARTIST LeConte Stewart was born 15 April 1891 in Glenwood, Utah. After school- ing at Ricks Academy in Rexburg, Idaho, he studied art in Salt Lake City in 1912, and with the Art Students League in Woodstock, New York, and New York City in 1913-14. While on a mission in Hawaii in 1917-19, he was assigned to paint murals and decorative detail for the temple in Laie. He married Zipporah Layton while in Hawaii, and taught school and proselyted as well. In 1920-22, he painted murals in the Cardston Alberta temple, and returned to settle in Kaysville, Utah, in 1923. He was head of the Ogden High School art department from 1923-38, and from 1938-56 was chairman of the University of Utah Art Department. Stewart taught in elementary schools, high schools, and at the University of Utah, and after retiring in 1956 continued to teach, both with the Univer- sity and privately in Davis County. His on-site landscape painting classes con- tinued through the mid-1980s, and he worked actively in painting and draw- ing the landscapes of rural northern Utah to the age of ninety-five. Stewart's failing health has recently forced him to retire from painting, and at present he resides in a health care center in Clearfield, Utah. In an essay accompanying a 1985 retrospective exhibit at the Museum of Church History and Art in Salt Lake City (published in LeConte Stewart: The Spirit of Landscape, Salt Lake City: Church of Jesus Christ of Latter- day Saints, 1985), Robert O. -
WILLIAM M. MAJOR: Brigham Young, Mary Ann Angel Young and Family HASELTINE: Mormons and the Visual Arts/25
JOHN HAFEN: Pasture WILLIAM M. MAJOR: Brigham Young, Mary Ann Angel Young and Family HASELTINE: Mormons and the Visual Arts/25 Fine Arts Center at Brigham Young University. Art thrives by its separate dignity, not by being made part of an open lobby. When art is finally liberated from the society and entertainment sections of newspapers, and when it comes off the walls of converted tearooms, top floors, or basements of other structures and is installed in a properly designed, humidity-controlled, air-conditioned, properly lighted modern museum, then shall we have come of age in the arts. And then, we can hope, the rich collections of Brigham Young University will have the professional attention — documentation, interpretation, exhibition, and conservation — they deserve. It is all very well to say that art should be integrated with life. That it should. But the scholarly responsibilities must be met if the culture is to be more than a superficial or transitory one. The quixotic remark of the contemporary American painter, Ad Reinhardt, "Art is art and everything else is everything else," has much relevance. Another hinderance to the full development of art in Utah, one which has most likely been influenced by Mormon attitudes, is the denial of the use of the nude model in all but one of the art depart- ments of our institutions of higher learning, although other educa- tional institutions have sporadically employed nude models, for instance, Brigham Young University, for a brief period in the late 1930's. How preposterous such proscription can be is best illustrated by a recent student exhibition of figure drawings, arranged by an art professor in one of Utah's universities. -
The Loved Ones (2009)
Screen Sound n3, 2012 ALL MASHED UP? Songs, Music and Allusionism in The Loved Ones (2009) Philip Hayward Abstract This article considers Australian director Sean Byrne’s 2009 horror/comedy feature film The Loved Ones with particular regard to its uses of allusionism within a popular genre context.1 Within this focus, the article explores the various musical components of the soundtrack (including critical use of specific songs), the creative template determined by the director and the creative input and decision making of various members of the production team. In this manner, the article profiles the film’s audio-visual text, the perceptions and motivations of the production team and considers how these relate to the film’s reception and box-office performance. Keywords The Loved Ones, allusionism, film songs, soundtrack, Australian film Allusionism — An Introduction Back in 1982 the film theorist Noel Carroll considered and, it is not unfair to say, fretted over, the prevalence of allusionism in a range of popular films. Carroll’s critical persona and aesthetic approach drew on two strands: the auteur school of film criticism that attempted to identify distinguished creative authors working within the (supposedly largely undistinguished) mainstream film industry; and a parallel interest in and commitment to the modernism of the western cinematic avant-garde. His anxiety over allusionism in popular cinema arose from a position that considered that, while classic auteur cinema and (successful) modernist works could be identified to have allusionism skillfully woven into the fabric of their texts (and, more broadly, into their author’s aesthetic visions), a range of popular cultural texts seemed increasingly inclined to simply display their allusionism without any deep or thematically significant intent. -
White Ball-Breaking As Surplus Masculinity in Jackass
College of Saint Benedict and Saint John's University DigitalCommons@CSB/SJU English Faculty Publications English 2015 The Leisured Testes: White Ball-breaking as Surplus Masculinity in Jackass Christina M. Tourino College of Saint Benedict/Saint John's University, [email protected] Follow this and additional works at: https://digitalcommons.csbsju.edu/english_pubs Part of the Film and Media Studies Commons, and the Gender and Sexuality Commons Recommended Citation Tourino, Christina M., "The Leisured Testes: White Ball-breaking as Surplus Masculinity in Jackass" (2015). English Faculty Publications. 21. https://digitalcommons.csbsju.edu/english_pubs/21 © 2015 Wiley Periodicals, Inc The Leisured Testes: White Ball-breaking as Surplus Masculinity in Jackass In Jackass: Number Two (2006), Bam Margera allows Ryan Dunn to brand his posterior with a hot iron depicting male genitalia. Bam cannot tolerate the pain enough to remain perfectly still, so the brand touches him several times, resulting in multiple images that seem blurry or in motion. Bam’s mother, who usually plays the role of game audience for his antics, balks when she learns that her son has been hurt as well as permanently marked. She asks Dunn why anyone would ever burn a friend. “Cause it was funny,” Dunn answers.1 Jackass mines the body in pain as well as the absurd and the taboo, often dealing with one or more of the body’s abject excretions. Jackass offers no compelling narrative arc or cliffhangers, presenting instead a series of discrete segments that explore variations on the singular eponymous focus of the show: playing the fool. This deliberate idiocy is the show’s greatest strength, and its excesses seem calculated to repeatedly provide the viewer with a mix of schadenfreude, horror, and disbelief. -
National Register of Historic Places Registration Form
NPS Form 10-900 (Oct. 1990) Utah WordPerfect 5.1 Format (Revised Feb. 1993) RECEIVED ??Sil IB No. 10024-0018 United States Department of the Interior National Park Service National Register of Historic Places MAY 2 8 1996 Registration Form This form is for use in nominating or requesting determinations of eligibility for individual properties or districts. See instructions in How to Complete the National Register of Historic Places Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If an item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer to complete all items. historic name Stewart. LeConte. House other names/site number m street & number 172 West 100 South N/A not for publication city or town Ka.ysvi 11 e_______ N/A vicinity state Utah code UT county Davis code Oil zip code 84037_____ As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this _X_nomination _request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property _X_meets does not meet the National Register criteria. I recommend that this property Be considerecTsignificant _nationally _statewide JXJocally. -
Jackass 3D - Filmcritic.Com Movie Review 10-10-19 8:33 PM
Jackass 3D - Filmcritic.com Movie Review 10-10-19 8:33 PM RSS Twitter Facebook movie titles, actors, directors IN THEATERS NEW ON DVD TOP RATED COLUMNS & FEATURES TRAILERS & VIDEO Watch Trailer Jackass 3D Reviewed by Bill Gibron on Oct 14 2010 Trailers from Video Detective critics: users: you: Film: Jackass 3D Whether they're covered in filth, excrement, or any other Bill Gibron bodily or environmental fluids, the Jackass gang always Bill Gibron is a veteran film Starring: Johnny Knoxville seem to be having a good time. Even as bones are critic from Tampa, Florida. broken, bladders are ruptured, and vital organs are full bio of Bill Gibron Director: Jeff Tremaine destroyed, the friendship between Johnny Knoxville and his scatology-as-slapstick brothers in (fractured) arms -- Bam Margera, Steve-O, Ryan Dunn, Chris Pontius, Ehren McGhehey, Screenwriter: Preston Lacy Preston Lacy, Dave England, and Jason "Wee Man" Acuña -- is absolutely addictive. For their http://www.filmcritic.com/reviews/2010/jackass-3d/ Page 1 of 4 Jackass 3D - Filmcritic.com Movie Review 10-10-19 8:33 PM third feature-length film, these arrested adolescents have decided to delve into the cinematic Producer: Spike Jonze, Johnny Knoxville, Jeff "stunt" of 3D. While the new optical gimmick adds some interesting touches, the rest of the film Tremaine is the same old Jackass antics -- and we wouldn't have it any other way. Genre: Comedy Sure, it's lowbrow and loaded with bad taste. Yes, we see more vomit, feces, and male genitalia than a civilized society should ever have to. Granted, there are moments and certain skits (the Year: 2010 "lewd Grandpa" bit, the sequence where Bam is, once again, terrorized by snakes) that drag a bit. -
GSN Edition 07-02-20
The MIDWEEK Tuesday, July 2, 2013 Goodland1205 Main Avenue, Goodland, Star-News KS 67735 • Phone (785) 899-2338 $1 Volume 81, Number 53 8 Pages Goodland, Kansas 67735 weather County report enacts ban 67° 10 a.m. Monday on burns, Today • Sunset, 8:17 p.m. Wednesday fireworks • Sunrise, 5:25 a.m. • Sunset, 8:17 p.m. By Kevin Bottrell [email protected] Midday Conditions The Sherman County Commis- • Soil temperature 72 degrees sioner have put in place a burn ban, • Humidity 50 percent which includes a prohibition on • Sky mostly sunny fireworks, until further notice. • Winds south 3 mph The commissioners passed the • Barometer 30.31 inches ban at their meeting Friday, saying and steady that although conditions in some • Record High today 104° (1921) parts of the county are better than • Record Low today 46° (1924) last year, it has still be extremely dry. Last 24 Hours* The commissioners called in Ru- ral Fire Chief Brian James, who said High Sunday 82° he would be comfortable both with Low Sunday 54° or without the ban, but he prefers to Precipitation none err on the side of caution. This month none “Last year went great with the Year to date 7.40 ban,” he said. “Fire calls were way Below normal 2.33 inches down.” The Topside Forecast The commissioners voted unani- Today: Mostly sunny with a high mously to put the burn ban in place. near 82, winds out of the east at 5 They said if the county receives any to 15 mph and a low around 54. -
The Asignifying Force of Humor and Laughter Kevin Michael Casper Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 In spite of yourself : the asignifying force of humor and laughter Kevin Michael Casper Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Casper, Kevin Michael, "In spite of yourself : the asignifying force of humor and laughter" (2013). LSU Doctoral Dissertations. 1142. https://digitalcommons.lsu.edu/gradschool_dissertations/1142 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. IN SPITE OF YOURSELF: THE ASIGNIFYING FORCE OF HUMOR AND LAUGHTER A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in Partial fulfillment of the requirements for the Degree of Doctor of Philosophy in The Department of English by Kevin Michael Casper B.A., California State University, Northridge, 2005 M.A., California State University, Northridge, 2008 August 2013 Table of Contents Abstract………………………………………………………………………………………iii Introduction…………………………………………………………………………………...1 Part I: Loss of Control Chapter One Nonrational Seizures: Beyond Reason, Signification, -
Exposure to On-Screen Tobacco in Movies Among Ontario Youth, 2004-2013
Exposure to On-Screen Tobacco in Movies Among Ontario Youth, 2004-2013 1434 Top-grossing Movies Released in the Domestic Market (Canada and US), 2004-2013, in Alphabetic Order by Year Movie Title (Alpha Order) OFRB MPAA Tobacco Ontario, OFRB Detail OFRB Detail OFRB Rating Rating Incidents In-Theatre Observation Observation Content Bold = tobacco incidents at at Bracket Tobacco "Tobacco "Illustrated" Advisory Shaded = lower rating in Ontario Releasea Releasea (TUTD)b Impressionsc Use" d "Tobacco Use" 2004 13 Going on 30 PG PG-13 1-9 1,722,000 50 First Dates PG PG-13 0 0 After the Sunset PG PG-13 10-29 2,959,000 Against the Ropes 14A PG-13 30-49 1,229,000 Agent Cody Banks 2: Destination London G PG 10-29 1,569,000 Alamo, The PG PG-13 10-29 3,029,000 Alexander 14A R 0 0 Alfie 14A R 50+ 14,074,000 Alien vs. Predator PG PG-13 0 0 Along Came Polly PG PG-13 0 0 Anacondas: The Hunt for the Blood Orchid PG PG-13 1-9 387,000 Anchorman PG PG-13 50+ 53,243,000 Around the World in 80 Days PG PG 10-29 2,212,000 Aviator, The 14A PG-13 50+ 65,960,000 Barbershop 2: Back in Business PG PG-13 30-49 12,771,000 Big Fish PG PG-13 1-9 1,628,000 Blade: Trinity 18A R 10-29 7,726,000 Bourne Supremacy, The PG PG-13 1-9 5,408,000 Breakin' All the Rules PG PG-13 10-29 1,235,000 Bridget Jones: The Edge of Reason 14A R 50+ 21,736,000 Butterfly Effect, The 14A R 50+ 24,794,000 Calendar Girls PG PG-13 1-9 1,715,000 Catch that Kid G PG 0 0 Ontario Tobacco Research Unit 1 Exposure to On-Screen Tobacco in Movies Among Ontario Youth, 2004-2013 Movie Title (Alpha Order) OFRB -
Video-Windows-Grosse
THEATRICAL VIDEO ANNOUNCEMENT TITLE VIDEO RELEASE VIDEO WINDOW GROSS (in millions) DISTRIBUTOR RELEASE ANNOUNCEMENT WINDOW DISNEY Fantasia/2000 1/1/00 8/24/00 7 mo 23 Days 11/14/00 10 mo 13 Days 60.5 Disney Down to You 1/21/00 5/31/00 4 mo 10 Days 7/11/00 5 mo 20 Days 20.3 Disney Gun Shy 2/4/00 4/11/00 2 mo 7 Days 6/20/00 4 mo 16 Days 1.6 Disney Scream 3 2/4/00 5/13/00 3 mo 9 Days 7/4/00 5 mo 89.1 Disney The Tigger Movie 2/11/00 5/31/00 3 mo 20 Days 8/22/00 6 mo 11 Days 45.5 Disney Reindeer Games 2/25/00 6/2/00 3 mo 8 Days 8/8/00 5 mo 14 Days 23.3 Disney Mission to Mars 3/10/00 7/4/00 3 mo 24 Days 9/12/00 6 mo 2 Days 60.8 Disney High Fidelity 3/31/00 7/4/00 3 mo 4 Days 9/19/00 5 mo 19 Days 27.2 Disney East is East 4/14/00 7/4/00 2 mo 16 Days 9/12/00 4 mo 29 Days 4.1 Disney Keeping the Faith 4/14/00 7/4/00 2 mo 16 Days 10/17/00 6 mo 3 Days 37 Disney Committed 4/28/00 9/7/00 4 mo 10 Days 10/10/00 5 mo 12 Days 0.04 Disney Hamlet 5/12/00 9/18/00 4 mo 6 Days 11/14/00 6 mo 2 Days 1.5 Disney Dinosaur 5/19/00 10/19/00 5 mo 1/30/01 8 mo 11 Days 137.7 Disney Shanghai Noon 5/26/00 8/12/00 2 mo 17 Days 11/14/00 5 mo 19 Days 56.9 Disney Gone in 60 Seconds 6/9/00 9/18/00 3 mo 9 Days 12/12/00 6 mo 3 Days 101.6 Disney Love’s Labour’s Lost 6/9/00 10/19/00 4 mo 10 Days 12/19/00 6 mo 10 Days 0.2 Disney Boys and Girls 6/16/00 9/18/00 3 mo 2 Days 11/14/00 4 mo 29 Days 21.7 Disney Disney’s The Kid 7/7/00 11/28/00 4 mo 21 Days 1/16/01 6 mo 9 Days 69.6 Disney Scary Movie 7/7/00 9/18/00 2 mo 11 Days 1212/00 5 mo 5 Days 157 Disney Coyote Ugly 8/4/00 11/28/00 3 -
The Sword, November 2010
Volume 47, Issue 2 student newspaper November 2010 since 1966 f10 m D) inqi -J * #• November EleSopis page 5 Dig For The Cure page 9 The University Avenue Project page 14 Johnny Knoxville Interview page 15 Follow the Sword on kuiilefeerl @ CSPnewsupdater Concordia UN ! \' E R SIT Y- S A1 N T PAUL I r •me SWORD TABLE OF CONTENTS COVER A student potter at work in Concordia's clay studio NEWS Student Outburst p.3 ' Parking Tickets p.3 Ayd Mill Standstill p.3 Promoting Human Dignity p.4 Presidential Support p.4 Columbus & Thanksgiving p.5 Student Complaints p.5 Greetings students, faculty and staff of Concordia University St. Paul, Election Recoimt p.6 Kyle Herman Bill p.6 I would like to open with a brief explanation of our cover page. It is a pic C.A.B. Overview p.6-7 ture taken by Professor Vermeland at the University Avenue Project (Article Student Assault p.7 p.14). This particular picture contains a huge projection monitor that is displaying some of the photos that had been taken so far. Vermeland is a OPINION/EDITORIAL volunteer for this ongoing project. "Smart" Phone p.7 As I mentioned last issue, the main goal for the year is to coimect with the My Fake Butt p.8 Ode to the Dining Hall p.8 student body more and more each month. I have received a few emails in response to certain articles and an overflow of Post Secret art clips (p.16). SPORTS The Sword is making strides, but we need to continue to hear from you; your interests are our interests.