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Black Soldiers in Liberal Hollywood
Katherine Kinney Cold Wars: Black Soldiers in Liberal Hollywood n 1982 Louis Gossett, Jr was awarded the Academy Award for Best Supporting Actor for his portrayal of Gunnery Sergeant Foley in An Officer and a Gentleman, becoming theI first African American actor to win an Oscar since Sidney Poitier. In 1989, Denzel Washington became the second to win, again in a supporting role, for Glory. It is perhaps more than coincidental that both award winning roles were soldiers. At once assimilationist and militant, the black soldier apparently escapes the Hollywood history Donald Bogle has named, “Coons, Toms, Bucks, and Mammies” or the more recent litany of cops and criminals. From the liberal consensus of WWII, to the ideological ruptures of Vietnam, and the reconstruction of the image of the military in the Reagan-Bush era, the black soldier has assumed an increasingly prominent role, ironically maintaining Hollywood’s liberal credentials and its preeminence in producing a national mythos. This largely static evolution can be traced from landmark films of WWII and post-War liberal Hollywood: Bataan (1943) and Home of the Brave (1949), through the career of actor James Edwards in the 1950’s, and to the more politically contested Vietnam War films of the 1980’s. Since WWII, the black soldier has held a crucial, but little noted, position in the battles over Hollywood representations of African American men.1 The soldier’s role is conspicuous in the way it places African American men explicitly within a nationalist and a nationaliz- ing context: U.S. history and Hollywood’s narrative of assimilation, the combat film. -
Sciatica and Chronic Pain
Sciatica and Chronic Pain Past, Present and Future Robert W. Baloh 123 Sciatica and Chronic Pain Robert W. Baloh Sciatica and Chronic Pain Past, Present and Future Robert W. Baloh, MD Department of Neurology University of California, Los Angeles Los Angeles, CA, USA ISBN 978-3-319-93903-2 ISBN 978-3-319-93904-9 (eBook) https://doi.org/10.1007/978-3-319-93904-9 Library of Congress Control Number: 2018952076 © Springer International Publishing AG, part of Springer Nature 2019 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors, and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. -
A Mind in the Water: the Dolphin As Our Beast of Burden
A Mind in the WAter The dolphin as our beast of burden D. Graham Burnett 38 O R I O N m ay | june 2010 m ay | june 2010 O R I O N 39 On the 3rd Of July 1814, a gang of scrappy Devonshire fish- selves. If, as Thoreau wrote a few years after the slaying of the ermen and crabbers working the Duncannon Pool of the Dart Dart River dolphin, “animals . are all beasts of burden, in a River in southwestern England fell upon a huge and disoriented sense, made to carry a portion of our thoughts,” then there are sea creature that had made its way too far up the tidal reach few creatures that have done more hauling for Homo sapiens in and too close to the village of Stoke Gabriel. After four hours of the twentieth century than Tursiops truncatus. bludgeoning it with boathooks in the muddy shallows (aided by How? Why? Answering these questions demands a turn a pair of furious terriers), they heard the twelve-foot fish emit a through the strange history of postwar American science and plaintive, expiring wail, “like the bellowing of a bull.” And that culture, and the unbraiding of a set of unlikely historical threads: was that. Cold War brain science, military bioacoustics, Hollywood mytho- Or that would have been that, except word of the catch reached poesis, and early LSD experimentation. Recovering our strange the ears of Colonel George Montagu, who lived in patrician se- and changing preoccupations with the bottlenose dolphin across clusion on his estate some ten miles down the road. -
1001 Classic Commercials 3 DVDS
1001 classic commercials 3 DVDS. 16 horas de publicidad americana de los años 50, 60 y 70, clasificada por sectores. En total, 1001 spots. A continuación, una relación de los spots que puedes disfrutar: FOOD (191) BEVERAGES (47) 1. Coca-Cola: Arnold Palmer, Willie Mays, etc. (1960s) 2. Coca-Cola: Mary Ann Lynch - Stewardess (1960s) 3. Coca-Cola: 7 cents off – Animated (1960s) 4. Coca-Cola: 7 cents off – Animated (1960s) 5. Coca-Cola: “Everybody Need a Little Sunshine” (1960s) 6. Coca-Cola: Fortunes Jingle (1960s) 7. Coca-Cola: Take 5 – Animated (1960s) 8. Pet Milk: Mother and Child (1960s) 9. 7UP: Wet and Wild (1960s) 10. 7UP: Fresh Up Freddie – Animated (1960s) 11. 7UP: Peter Max-ish (1960s) 12. 7UP: Roller Coaster (1960s) 13. Kool Aid: Bugs Bunny and the Monkees (1967) 14. Kool Aid: Bugs Bunny and Elmer Fudd Winter Sports (1965) 15. Kool Aid: Mom and kids in backyard singing (1950s) 16. Shasta Orange: Frankenstein parody Narrated by Tom Bosley and starring John Feidler (1960s) 17. Shasta Cola: R. Crumb-ish animation – Narrated by Tom Bosley (1960s) 18. Shasta Cherry Cola: Car Crash (1960s) 19. Nestle’s Quick: Jimmy Nelson, Farfel & Danny O’Day (1950s) 20. Tang: Bugs Bunny & Daffy Duck Shooting Gallery (1960s) 21. Gallo Wine: Grenache Rose (1960s) 22. Tea Council: Ed Roberts (1950s) 23. Evaporated Milk: Ed & Helen Prentiss (1950s) 24. Prune Juice: Olan Soule (1960s) 25. Carnation Instant Breakfast: Outer Space (1960s) 26. Carnation Instant Breakfast: “Really Good Days!” (1960s) 27. Carnation: “Annie Oakley” 28. Carnation: Animated on the Farm (1960s) 29. Carnation: Fresh From the Dairy (1960s) 30. -
Youngj0507.Pdf (190.0Kb)
ANIMAL VIEWING IN POSTMODERN AMERICA: A CASE STUDY OF THE YELLOWSTONE WOLF WATCHERS by Jo Anne Young A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Science and Natural History Filmmaking MONTANA STATE UNIVERSITY Bozeman, Montana April 2007 © COPYRIGHT by Jo Anne Young 2007 All Rights Reserved ii APPROVAL of a thesis submitted by Jo Anne Young This thesis has been read by each member of the thesis committee and has been found to be satisfactory regarding content, English usage, format, citations, bibliographic style, and consistency, and is ready for submission to the Division of Graduate Education. Dr. Dennis Aig Approved for the Department of Media and Theatre Arts Dr. Walter Metz Approved for the Division of Graduate Education Dr. Carl A. Fox iii STATEMENT OF PERMISSION TO USE In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Montana State University, I agree that the Library shall make it available to borrowers under rules of the Library. If I have indicated my intention to copyright this thesis by including a copyright notice page, copying is allowable only for scholarly purposes, consistent with “fair use” as prescribed in the U.S. Copyright Law. Requests for permission for extended quotation from or reproduction of this thesis (paper) in whole or in parts may be granted only by the copyright holder. Jo Young April 2007 iv ACKNOWLEDGEMENTS I would like to thank Dr. Dennis Aig for all his support throughout the master’s thesis process. Without Dr. -
Wins DITMAR and ATHELING AWARDS Harlan Ellison Wins Fans at Syncon *83 BRUCE GILLESPIE to RECEIVE WORLD SF AWARD
Terry Dowling Wins DITMAR and ATHELING AWARDS Harlan Ellison Wins Fans At Syncon *83 BRUCE GILLESPIE TO RECEIVE WORLD SF AWARD TOE AUSTRALIAN SCIENCE FICTION ACHIEVEMENT AWARDS - THE DITMARS, were presented at the 22nd Australian National Science Fiction Convention -SYNCON '83, which was held at the Shore Motel, Artarmon, Sydney, June 10-13. The highlight of this well organised convention, one of the best all round sf cons we have seen in Australia, was the showman like performance of the Guest of Honour, HARLAN ELLISON. He had all the fans practically eating out of his hands, with the colourful and dramatic style of his speech making, readings and conversation. Besides TERRY DOWLING, the inevitable two awards went to MARC ORTLIEB again and ROBIN JOHNSON received the Special Award for Services to Australian Science Fiction. The full list of winners is as follows: BEST INTERNATIONAL SCIENCE FICTION OR FANTASY RIDDLEY WALKER by Russell Hoban (Jonathan Cape / Pan J BEST AUSTRALIAN SCIENCE FICTION OR FANTASY "The Man Who Walked Away Behind the Eyes" by Terry Dowling (OMEGA May/June '83 ) BEST AUSTRALIAN FANZINE BEST AUSTRALIAN FAN WRITER Q 36 Edited by Marc Ortlieb Marc Ortlieb BEST AUSTRALIAN SCIENCE FICTION OR FANTASY ARTIST BRUCE GILLESPIE & ELAINE COCHRANE (Photo John Litchen) Marilyn Pride Melbourne fan and publisher BRUCE GILLESPIE has been awarded the World SF organisation's BEST AUSTRALIAN SCIENCE FICTION OR FANTASY CARTOONIST "Harrison Award" for Increasing the Status John Packer of Science Fiction Internationally. Two other recipients of this award were Sam Lundwell BEST AUSTRALIAN SCIENCE FICTION OR FANTASY EDITOR and Krsto Mazuranic. -
Introduction to the Retro Hugo Awards for 1953
Retro Hugo Awards for 1953 1 Introduction to the Retro Hugo Awards for 1953 to be presented at Noreascon 4 September 2-6, 2004 2 Noreascon 4 1953 Retro Hugo Awards Table of Contents An Introduction by Andrew I. Porter......................................... 3 Identifying Items to Nominate by Joe Siclari ............................ 4 The Year of the Hugos by Juanita Coulson ............................... 5 Additional comments by Robert Silverberg.......................... 9 1953: The Good Ones by Don D’Ammassa.............................11 Short Fiction of 1953 by Mark L. Olson & Jim Mann ............ 15 Artists of 1953 by Alex Eisenstein .......................................... 17 Dramatic Presentations by Daniel M. Kimmel ........................ 27 Editor: Andrew I. Porter Asst. Editor & Layout: Joe Siclari Staff: Edie Stern From the WSFS Constitution: Section 3.13: Retrospective Hugos. (http://worldcon.org/bm/const-2002.html) A Worldcon held 50, 75, or 100 years after a Worldcon at which no Hugos were presented may conduct nominations and elections for Hugos which would have been presented at that previous Worldcon. Procedures shall be as for the current Hugos. Categories receiving insufficient numbers of nominations may be dropped. Once retrospective Hugos have been awarded for a Worldcon, no other Worldcon shall present retrospective Hugos for that Worldcon. “World Science Fiction Convention” “Worldcon” and “Hugo Award” are service marks of the World Science Fiction Society, an unincorporated literary society. “Noreascon” is a service mark of Massachusetts Convention Fandom, Inc. The Noreascon 4 logo uses a picture taken by the Hubble Space Telescope, made available by NASA and STScl. Copyright © 2003 by Massachusetts Convention Fandom, Inc. All Rights Reserved. Rights to all material are returned to the contributors upon publication. -
Aeromedical Evacuation Springer New York Berlin Heidelberg Hong Kong London Milan Paris Tokyo William W
Aeromedical Evacuation Springer New York Berlin Heidelberg Hong Kong London Milan Paris Tokyo William W. Hurd, MD, MS, FACOG Nicholas J. Thompson Professor and Chair, Department of Obstetrics and Gynecology, Wright State University School of Medicine, Dayton, Ohio; Col, USAFR, MC, FS, Commander, 445th Aeromedical Staging Squadron, Wright-Patterson AFB, Dayton, Ohio John G. Jernigan, MD Brig Gen, USAF, CFS (ret), Formerly Commander, Human Systems Center, Brooks AFB, San Antonio, Texas Editors Aeromedical Evacuation Management of Acute and Stabilized Patients Foreword by Paul K. Carlton, Jr., MD Lt Gen, USAF, MC, CFS USAF Surgeon General With 122 Illustrations 1 3 William W. Hurd, MD, MS John G. Jernigan, MD Nicholas J. Thompson Professor and Chair Brig Gen, USAF, CFS (ret) Department of Obstetrics and Gynecology Formerly Commander Wright State University School of Medicine Human Systems Center Dayton, OH, USA Brooks AFB Col, USAFR, MC, FS San Antonio, TX, USA Commander 445th Aeromedical Staging Squadron Wright-Patterson AFB Dayton, OH, USA Cover illustration: Litter bearers carry a patient up the ramp of a C-9 Nightingale medical transport aircraft. (US Air Force photo by Staff Sgt. Gary R. Coppage). (Figure 7.4 in text) Library of Congress Cataloging-in-Publication Data Aeromedical evacuation : management of acute and stabilized patients / [edited by] William W. Hurd, John G. Jernigan. p. ; cm Includes bibliographical references and index. ISBN 0-387-98604-9 (h/c : alk. paper) 1. Airplane ambulances. 2. Emergency medical services. I. Hurd, William W. II. Jernigan, John J. [DNLM: 1. Air Ambulances. 2. Emergency Medical Services. 3. Rescue Work. WX 215 A252 2002] RA996.5 .A325 2002 616.02¢5—dc21 2002021045 ISBN 0-387-98604-9 Printed on acid-free paper. -
For Delayed Until Monday
Complete Local News Top Advertising Results KfOP Astride All The Activities Our Family Of Over 9,000 Readers Of The Town With Your Is A Valuable Market For Home-Town Paper All Our Advertisers CartereCARTEKET, N. J., FRIDAYt , JULY 19, 1957 PRICE BOOT CENTS Playfields for Attendance Ot 4 Streets: Awards ontests Luring Kurgo All things must end (>roupH of Children to cm i-1 im1' We are resigned to Delayed Until Monday !;<• that we must take Borough I'lay Areas in r , u:ition alone, and that mr 110 C A R T E R E T—The contests companion. We sur- sponsored by the Carteret Recrea- V. S. Metals is Arranging of Jacoby is I1(|n ourselves passively to the tion Department 'ire drawing rx- Lou (Hut we win have a good ccptlonnlly large crowds of chll- 1 clren to the playRrounds. Commls- Aired, But Paid; linK i' sloncr Walter 3ullivan and Rc;1- For Open House August 29 reation Director Thorans Counnli- CARTBRET — Freeman H. Insure the safety of the vlsl'ois lln predict record registration on Donovan Objects Ks before schools closed, Dyke, General Manticer of the ns they are sulded through the all playr.rniind? in contests and Mie U. S. Metals Refining Company, various opcurtlns departments. imilli five us definite notice I arts and craft program of the de- CARTERKT — Borough Coun- announced today that the plant The General Committee ap- !,(. is not to be counted In jpartment. cil last night received bid* for will conduct an Open House on pointed to work on the Open ;l aiinn plans. -
Autograph Albums - ITEM 936
Autograph Albums - ITEM 936 A Jess Barker Jocelyn Brando Lex Barker Marlon Brando Walter Abel Binnie Barnes Keefe Brasselle Ronald Adam Lita Baron Rossano Brazzi Julie Adams Gene Barry Teresa Brewer (2) Nick Adams John Barrymore, Jr. (2) Lloyd Bridges Dawn Addams James Barton Don Briggs Brian Aherne Count Basie Barbara Britton Eddie Albert Tony Bavaar Geraldine Brooks Frank Albertson Ann Baxter Joe E. Brown Lola Albright John Beal Johnny Mack Brown Ben Alexander Ed Begley, Sr. Les Brown John Alexander Barbara Bel Geddes Vanessa Brown Richard Allan Harry Belafonte Carol Bruce Louise Allbritton Ralph Bellamy Yul Brynner Bob “Tex” Allen Constance Bennett Billie Burke June Allyson Joan Bennett George Burns and Gracie Allen Kirk Alyn Gertrude Berg Richard Burton Don Ameche Polly Bergen Spring Byington Laurie Anders Jacques Bergerac Judith Anderson Yogi Berra C Mary Anderson Edna Best Susan Cabot Warner Anderson (2) Valerie Bettis Sid Caesar Keith Andes Vivian Blaine James Cagney Dana Andrews Betsy Blair Rory Calhoun (2) Glenn Andrews Janet Blair Corinne Calvet Pier Angeli Joan Blondell William Campbell Eve Arden Claire Bloom Judy Canova Desi Arnaz Ben Blue Macdonald Carey Edward Arnold Ann Blyth Kitty Carlisle Mary Astor Humphrey Bogart Richard Carlson Jean-Pierre Aumont Ray Bolger Hoagy Carmichael Lew Ayres Ward Bond Leslie Caron B Beulah Bondi John Carradine Richard Boone Madeleine Carroll Lauren Bacall Shirley Booth Nancy Carroll Buddy Baer Ernest Borgnine Jack Carson (2) Fay Bainter Lucia Bose Jeannie Carson Suzan Ball Long Lee Bowman -
Copyright by Philip Joseph Wagner 2016
UNIVERSITY OF CALIFORNIA Los Angeles Research, Rhetoric, and the Cinematic Events of Cecil B. DeMille A Dissertation Submitted in Partial Satisfaction of the Requirement for the Degree of Doctor in Philosophy In Film and Television by Philip Joseph Wagner 2016 ©Copyright by Philip Joseph Wagner 2016 ABSTRACT OF THE DISSERTATION Research, Rhetoric, and the Cinematic Events of Cecil B. DeMille By Philip Joseph Wagner Doctor of Philosophy in Film and Television University of California, Los Angeles, 2016 Professor Chon A. Noriega, Chair This dissertation looks to the career of epic cinema pioneer Cecil B. DeMille in order to grasp the role of the research department in the Hollywood studio system. Situated at the intersections of three areas of study—scholarship on the form and social function of popular historical representation; theorizing on the archive as a site of knowledge production; and studies on film authorship that attend to the historical underpinnings of aesthetic choices—the dissertation explores the following questions in particular: What were the industrial standards on which studio researchers based the success and authenticity of their work? And what can we know about the research process as it relates to the production and reception of DeMille’s brand of spectacular cinema? ii I offer this study as an intervention into previous scholarship on research practice in Hollywood, which too often stresses cinema’s divergence from the factual record and draws a rigid binary between academia’s histories and the “unprofessional” ones derived from research departments. This study takes a different approach by examining a wider range of archival materials, including studio library circulation records, scaled prop sketches based on photographs and artifacts, and researcher correspondence with historical consultants and museum curators. -
The Dark Side of Hollywood
TCM Presents: The Dark Side of Hollywood Side of The Dark Presents: TCM I New York I November 20, 2018 New York Bonhams 580 Madison Avenue New York, NY 10022 24838 Presents +1 212 644 9001 bonhams.com The Dark Side of Hollywood AUCTIONEERS SINCE 1793 New York | November 20, 2018 TCM Presents... The Dark Side of Hollywood Tuesday November 20, 2018 at 1pm New York BONHAMS Please note that bids must be ILLUSTRATIONS REGISTRATION 580 Madison Avenue submitted no later than 4pm on Front cover: lot 191 IMPORTANT NOTICE New York, New York 10022 the day prior to the auction. New Inside front cover: lot 191 Please note that all customers, bonhams.com bidders must also provide proof Table of Contents: lot 179 irrespective of any previous activity of identity and address when Session page 1: lot 102 with Bonhams, are required to PREVIEW submitting bids. Session page 2: lot 131 complete the Bidder Registration Los Angeles Session page 3: lot 168 Form in advance of the sale. The Friday November 2, Please contact client services with Session page 4: lot 192 form can be found at the back of 10am to 5pm any bidding inquiries. Session page 5: lot 267 every catalogue and on our Saturday November 3, Session page 6: lot 263 website at www.bonhams.com and 12pm to 5pm Please see pages 152 to 155 Session page 7: lot 398 should be returned by email or Sunday November 4, for bidder information including Session page 8: lot 416 post to the specialist department 12pm to 5pm Conditions of Sale, after-sale Session page 9: lot 466 or to the bids department at collection and shipment.