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The Journal of the American School of Classical Studies at Athens
dining in the sanctuary of demeter and kore 1 Hesperia The Journal of the American School of Classical Studies at Athens Volume 78 2009 This article is © The American School of Classical Studies at Athens and was originally published in Hesperia 78 (2009), pp. 269–305. This offprint is supplied for personal, non-commercial use only. The definitive electronic version of the article can be found at <http://dx.doi.org/10.2972/hesp.78.2.269>. hesperia Tracey Cullen, Editor Editorial Advisory Board Carla M. Antonaccio, Duke University Angelos Chaniotis, Oxford University Jack L. Davis, American School of Classical Studies at Athens A. A. Donohue, Bryn Mawr College Jan Driessen, Université Catholique de Louvain Marian H. Feldman, University of California, Berkeley Gloria Ferrari Pinney, Harvard University Sherry C. Fox, American School of Classical Studies at Athens Thomas W. Gallant, University of California, San Diego Sharon E. J. Gerstel, University of California, Los Angeles Guy M. Hedreen, Williams College Carol C. Mattusch, George Mason University Alexander Mazarakis Ainian, University of Thessaly at Volos Lisa C. Nevett, University of Michigan Josiah Ober, Stanford University John K. Papadopoulos, University of California, Los Angeles Jeremy B. Rutter, Dartmouth College A. J. S. Spawforth, Newcastle University Monika Trümper, University of North Carolina at Chapel Hill Hesperia is published quarterly by the American School of Classical Studies at Athens. Founded in 1932 to publish the work of the American School, the jour- nal now welcomes submissions from all scholars working in the fields of Greek archaeology, art, epigraphy, history, materials science, ethnography, and literature, from earliest prehistoric times onward. -
Sciatica and Chronic Pain
Sciatica and Chronic Pain Past, Present and Future Robert W. Baloh 123 Sciatica and Chronic Pain Robert W. Baloh Sciatica and Chronic Pain Past, Present and Future Robert W. Baloh, MD Department of Neurology University of California, Los Angeles Los Angeles, CA, USA ISBN 978-3-319-93903-2 ISBN 978-3-319-93904-9 (eBook) https://doi.org/10.1007/978-3-319-93904-9 Library of Congress Control Number: 2018952076 © Springer International Publishing AG, part of Springer Nature 2019 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors, and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. -
A Mind in the Water: the Dolphin As Our Beast of Burden
A Mind in the WAter The dolphin as our beast of burden D. Graham Burnett 38 O R I O N m ay | june 2010 m ay | june 2010 O R I O N 39 On the 3rd Of July 1814, a gang of scrappy Devonshire fish- selves. If, as Thoreau wrote a few years after the slaying of the ermen and crabbers working the Duncannon Pool of the Dart Dart River dolphin, “animals . are all beasts of burden, in a River in southwestern England fell upon a huge and disoriented sense, made to carry a portion of our thoughts,” then there are sea creature that had made its way too far up the tidal reach few creatures that have done more hauling for Homo sapiens in and too close to the village of Stoke Gabriel. After four hours of the twentieth century than Tursiops truncatus. bludgeoning it with boathooks in the muddy shallows (aided by How? Why? Answering these questions demands a turn a pair of furious terriers), they heard the twelve-foot fish emit a through the strange history of postwar American science and plaintive, expiring wail, “like the bellowing of a bull.” And that culture, and the unbraiding of a set of unlikely historical threads: was that. Cold War brain science, military bioacoustics, Hollywood mytho- Or that would have been that, except word of the catch reached poesis, and early LSD experimentation. Recovering our strange the ears of Colonel George Montagu, who lived in patrician se- and changing preoccupations with the bottlenose dolphin across clusion on his estate some ten miles down the road. -
Youngj0507.Pdf (190.0Kb)
ANIMAL VIEWING IN POSTMODERN AMERICA: A CASE STUDY OF THE YELLOWSTONE WOLF WATCHERS by Jo Anne Young A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Science and Natural History Filmmaking MONTANA STATE UNIVERSITY Bozeman, Montana April 2007 © COPYRIGHT by Jo Anne Young 2007 All Rights Reserved ii APPROVAL of a thesis submitted by Jo Anne Young This thesis has been read by each member of the thesis committee and has been found to be satisfactory regarding content, English usage, format, citations, bibliographic style, and consistency, and is ready for submission to the Division of Graduate Education. Dr. Dennis Aig Approved for the Department of Media and Theatre Arts Dr. Walter Metz Approved for the Division of Graduate Education Dr. Carl A. Fox iii STATEMENT OF PERMISSION TO USE In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Montana State University, I agree that the Library shall make it available to borrowers under rules of the Library. If I have indicated my intention to copyright this thesis by including a copyright notice page, copying is allowable only for scholarly purposes, consistent with “fair use” as prescribed in the U.S. Copyright Law. Requests for permission for extended quotation from or reproduction of this thesis (paper) in whole or in parts may be granted only by the copyright holder. Jo Young April 2007 iv ACKNOWLEDGEMENTS I would like to thank Dr. Dennis Aig for all his support throughout the master’s thesis process. Without Dr. -
Wins DITMAR and ATHELING AWARDS Harlan Ellison Wins Fans at Syncon *83 BRUCE GILLESPIE to RECEIVE WORLD SF AWARD
Terry Dowling Wins DITMAR and ATHELING AWARDS Harlan Ellison Wins Fans At Syncon *83 BRUCE GILLESPIE TO RECEIVE WORLD SF AWARD TOE AUSTRALIAN SCIENCE FICTION ACHIEVEMENT AWARDS - THE DITMARS, were presented at the 22nd Australian National Science Fiction Convention -SYNCON '83, which was held at the Shore Motel, Artarmon, Sydney, June 10-13. The highlight of this well organised convention, one of the best all round sf cons we have seen in Australia, was the showman like performance of the Guest of Honour, HARLAN ELLISON. He had all the fans practically eating out of his hands, with the colourful and dramatic style of his speech making, readings and conversation. Besides TERRY DOWLING, the inevitable two awards went to MARC ORTLIEB again and ROBIN JOHNSON received the Special Award for Services to Australian Science Fiction. The full list of winners is as follows: BEST INTERNATIONAL SCIENCE FICTION OR FANTASY RIDDLEY WALKER by Russell Hoban (Jonathan Cape / Pan J BEST AUSTRALIAN SCIENCE FICTION OR FANTASY "The Man Who Walked Away Behind the Eyes" by Terry Dowling (OMEGA May/June '83 ) BEST AUSTRALIAN FANZINE BEST AUSTRALIAN FAN WRITER Q 36 Edited by Marc Ortlieb Marc Ortlieb BEST AUSTRALIAN SCIENCE FICTION OR FANTASY ARTIST BRUCE GILLESPIE & ELAINE COCHRANE (Photo John Litchen) Marilyn Pride Melbourne fan and publisher BRUCE GILLESPIE has been awarded the World SF organisation's BEST AUSTRALIAN SCIENCE FICTION OR FANTASY CARTOONIST "Harrison Award" for Increasing the Status John Packer of Science Fiction Internationally. Two other recipients of this award were Sam Lundwell BEST AUSTRALIAN SCIENCE FICTION OR FANTASY EDITOR and Krsto Mazuranic. -
Brain Injury During Venovenous Extracorporeal Membrane
Brain injury during venovenous extracorporeal membrane oxygenation Charles-Edouard Luyt, Nicolas Bréchot, Pierre Demondion, Tamara Jovanovic, Guillaume Hékimian, Guillaume Lebreton, Ania Nieszkowska, Matthieu Schmidt, Jean-Louis Trouillet, Pascal Leprince, et al. To cite this version: Charles-Edouard Luyt, Nicolas Bréchot, Pierre Demondion, Tamara Jovanovic, Guillaume Hékimian, et al.. Brain injury during venovenous extracorporeal membrane oxygenation. Intensive Care Medicine, Springer Verlag, 2016, 42 (5), pp.897-907. 10.1007/s00134-016-4318-3. hal-01302501 HAL Id: hal-01302501 https://hal.sorbonne-universite.fr/hal-01302501 Submitted on 14 Apr 2016 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Brain Injury during Venovenous Extracorporeal Membrane Oxygenation Charles-Edouard Luyt1,2, Nicolas Bréchot1,2, Pierre Demondion3, Tamara Jovanovic1, Guillaume Hékimian1,2, Guillaume Lebreton3, Ania Nieszkowska1,2, Matthieu Schmidt1,2, Jean-Louis Trouillet1,2, Pascal Leprince3, Jean Chastre1,2, and Alain Combes1,2 1Service de Réanimation, Institut de Cardiologie, Groupe Hospitalier Pitié–Salpêtrière, Assistance Publique–Hôpitaux de Paris, Paris, France; 2Sorbonne Universités, UPMC Université Paris 06, INSERM, UMRS_1166-ICAN Institute of Cardiometabolism and Nutrition, Paris, France; 3Service de Chirurgie Thoracique et Cardiovasculaire, Institut de Cardiologie, Groupe Hospitalier Pitié–Salpêtrière, Assistance Publique–Hôpitaux de Paris, Paris, France. -
Re-Thinking the Language of Pain in the Works of Marguerite Duras and Frida Kahlo
Re-thinking the Language of Pain in the Works of Marguerite Duras and Frida Kahlo Regina F. Bartolone A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirement for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2006 Approved by: Dr. Martine Antle (advisor) Dr. Marsha Collins (reader) Dr. Maria DeGuzmán (reader) Dr. Dominque Fisher (reader) Dr. Diane Leonard (reader) Abstract Regina F.Bartolone Re-Thinking the Language of Pain in the Works of Marguerite Duras and Frida Kahlo (Under the direction of Dr. Martine Antle) This dissertation is a cross-cultural examination of the creation and the socio- cultural implications of the languages of pain in the works of French author, Marguerite Duras and Mexican painter, Frida Kahlo. Recent studies have determined that discursive communication is insufficient in expressing one’s pain. In particular, Elaine Scarry maintains that pain destroys language and that its victims must rely on the vocabulary of other cultural spheres in order to express their pain. The problem is that neither Scarry nor any other Western pain scholar can provide an alternative to discursive language to express pain. This study claims that both artists must work beyond their own cultural registers in order to give their pain a language. In the process of expressing their suffering, Duras and Kahlo subvert traditional literary and artistic conventions. Through challenging literary and artistic forms, they begin to re-think and ultimately re-define the way their readers and viewers understand feminine subjectivity, colonial and wartime occupation, personal tragedy, the female body, Christianity and Western hegemony. -
Introduction to the Retro Hugo Awards for 1953
Retro Hugo Awards for 1953 1 Introduction to the Retro Hugo Awards for 1953 to be presented at Noreascon 4 September 2-6, 2004 2 Noreascon 4 1953 Retro Hugo Awards Table of Contents An Introduction by Andrew I. Porter......................................... 3 Identifying Items to Nominate by Joe Siclari ............................ 4 The Year of the Hugos by Juanita Coulson ............................... 5 Additional comments by Robert Silverberg.......................... 9 1953: The Good Ones by Don D’Ammassa.............................11 Short Fiction of 1953 by Mark L. Olson & Jim Mann ............ 15 Artists of 1953 by Alex Eisenstein .......................................... 17 Dramatic Presentations by Daniel M. Kimmel ........................ 27 Editor: Andrew I. Porter Asst. Editor & Layout: Joe Siclari Staff: Edie Stern From the WSFS Constitution: Section 3.13: Retrospective Hugos. (http://worldcon.org/bm/const-2002.html) A Worldcon held 50, 75, or 100 years after a Worldcon at which no Hugos were presented may conduct nominations and elections for Hugos which would have been presented at that previous Worldcon. Procedures shall be as for the current Hugos. Categories receiving insufficient numbers of nominations may be dropped. Once retrospective Hugos have been awarded for a Worldcon, no other Worldcon shall present retrospective Hugos for that Worldcon. “World Science Fiction Convention” “Worldcon” and “Hugo Award” are service marks of the World Science Fiction Society, an unincorporated literary society. “Noreascon” is a service mark of Massachusetts Convention Fandom, Inc. The Noreascon 4 logo uses a picture taken by the Hubble Space Telescope, made available by NASA and STScl. Copyright © 2003 by Massachusetts Convention Fandom, Inc. All Rights Reserved. Rights to all material are returned to the contributors upon publication. -
Aeromedical Evacuation Springer New York Berlin Heidelberg Hong Kong London Milan Paris Tokyo William W
Aeromedical Evacuation Springer New York Berlin Heidelberg Hong Kong London Milan Paris Tokyo William W. Hurd, MD, MS, FACOG Nicholas J. Thompson Professor and Chair, Department of Obstetrics and Gynecology, Wright State University School of Medicine, Dayton, Ohio; Col, USAFR, MC, FS, Commander, 445th Aeromedical Staging Squadron, Wright-Patterson AFB, Dayton, Ohio John G. Jernigan, MD Brig Gen, USAF, CFS (ret), Formerly Commander, Human Systems Center, Brooks AFB, San Antonio, Texas Editors Aeromedical Evacuation Management of Acute and Stabilized Patients Foreword by Paul K. Carlton, Jr., MD Lt Gen, USAF, MC, CFS USAF Surgeon General With 122 Illustrations 1 3 William W. Hurd, MD, MS John G. Jernigan, MD Nicholas J. Thompson Professor and Chair Brig Gen, USAF, CFS (ret) Department of Obstetrics and Gynecology Formerly Commander Wright State University School of Medicine Human Systems Center Dayton, OH, USA Brooks AFB Col, USAFR, MC, FS San Antonio, TX, USA Commander 445th Aeromedical Staging Squadron Wright-Patterson AFB Dayton, OH, USA Cover illustration: Litter bearers carry a patient up the ramp of a C-9 Nightingale medical transport aircraft. (US Air Force photo by Staff Sgt. Gary R. Coppage). (Figure 7.4 in text) Library of Congress Cataloging-in-Publication Data Aeromedical evacuation : management of acute and stabilized patients / [edited by] William W. Hurd, John G. Jernigan. p. ; cm Includes bibliographical references and index. ISBN 0-387-98604-9 (h/c : alk. paper) 1. Airplane ambulances. 2. Emergency medical services. I. Hurd, William W. II. Jernigan, John J. [DNLM: 1. Air Ambulances. 2. Emergency Medical Services. 3. Rescue Work. WX 215 A252 2002] RA996.5 .A325 2002 616.02¢5—dc21 2002021045 ISBN 0-387-98604-9 Printed on acid-free paper. -
EJUHM Vol.7.No.4
Volume 7 No. 4, December 2006 ISSN: 1605–9204 European Journal of Underwater and Hyperbaric Medicine Official NEWSLETTER CONTENTS EUBS Newsletter, Volume 13 No 4, Winter 2006 - Imprint & EUBS Executive Committee Overleaf - Editorial 73 - Important Information for EUBS Members 73 - Meeting Report 74 - Instructions to Authors Inside Back Cover Missing Papers from EUBS 2006 ASM Proceedings - Experiment on “Long Duration Immersion” in Cold Water C. Robinet et al. 75 Zetterstøm Award Winners from EUBS ASMs - 2004: Influence of SCUBA Diving on Pulmonary Bulla P. Germonpré et al. 79 - 2006: Relationship between Menstrual Cycle and DCI M. St Leger Dowse et al. 84 Corrigendum of Abstracts from EUBS 2006 ASM 87 Book Review - Handbook on Hyperbaric Medicine M. Davis 88 DISCLAIMER: All opinions expressed are given in good faith and in all cases represent the views of the writer and are not necessarily representative of the policy of the EUBS. Printed in Mannheim, Germany by Druckerei Schwoerer EJUHM Volume 7 No. 4, December 2006 PUBLISHED quarterly by the European Underwater and Baromedical Society EUBS http://www.eubs.org EDITOR Dr. med. Peter HJ Mueller P.O. Box 1225 D-76753 Bellheim/Germany [email protected] CHAIRMAN of the REVIEW BOARD: Prof. Alf O. Brubakk, NTNU, Trondheim, Norway CIRCULATION of this issue: 400 EUBS EXECUTIVE COMMITTEE PRESIDENT TREASURER & MEMBERSHIP SECRETARY Prof. Alf O. Brubakk Ms. Patricia Wooding NTNU, Dept. Circulation & Imaging 35 Westmede N-7089 Trondheim, Norway Chigwell, Essex, IG7 5LR, United Kingdom Tel.: +47-73-598904 Tel. & Fax: +44-20-85001778 Fax: +47 73-597940 e-mail: [email protected] e-mail: [email protected] MEMBER AT LARGE 2006 VICE PRESIDENT Prof. -
For Delayed Until Monday
Complete Local News Top Advertising Results KfOP Astride All The Activities Our Family Of Over 9,000 Readers Of The Town With Your Is A Valuable Market For Home-Town Paper All Our Advertisers CartereCARTEKET, N. J., FRIDAYt , JULY 19, 1957 PRICE BOOT CENTS Playfields for Attendance Ot 4 Streets: Awards ontests Luring Kurgo All things must end (>roupH of Children to cm i-1 im1' We are resigned to Delayed Until Monday !;<• that we must take Borough I'lay Areas in r , u:ition alone, and that mr 110 C A R T E R E T—The contests companion. We sur- sponsored by the Carteret Recrea- V. S. Metals is Arranging of Jacoby is I1(|n ourselves passively to the tion Department 'ire drawing rx- Lou (Hut we win have a good ccptlonnlly large crowds of chll- 1 clren to the playRrounds. Commls- Aired, But Paid; linK i' sloncr Walter 3ullivan and Rc;1- For Open House August 29 reation Director Thorans Counnli- CARTBRET — Freeman H. Insure the safety of the vlsl'ois lln predict record registration on Donovan Objects Ks before schools closed, Dyke, General Manticer of the ns they are sulded through the all playr.rniind? in contests and Mie U. S. Metals Refining Company, various opcurtlns departments. imilli five us definite notice I arts and craft program of the de- CARTERKT — Borough Coun- announced today that the plant The General Committee ap- !,(. is not to be counted In jpartment. cil last night received bid* for will conduct an Open House on pointed to work on the Open ;l aiinn plans. -
Copyright by Philip Joseph Wagner 2016
UNIVERSITY OF CALIFORNIA Los Angeles Research, Rhetoric, and the Cinematic Events of Cecil B. DeMille A Dissertation Submitted in Partial Satisfaction of the Requirement for the Degree of Doctor in Philosophy In Film and Television by Philip Joseph Wagner 2016 ©Copyright by Philip Joseph Wagner 2016 ABSTRACT OF THE DISSERTATION Research, Rhetoric, and the Cinematic Events of Cecil B. DeMille By Philip Joseph Wagner Doctor of Philosophy in Film and Television University of California, Los Angeles, 2016 Professor Chon A. Noriega, Chair This dissertation looks to the career of epic cinema pioneer Cecil B. DeMille in order to grasp the role of the research department in the Hollywood studio system. Situated at the intersections of three areas of study—scholarship on the form and social function of popular historical representation; theorizing on the archive as a site of knowledge production; and studies on film authorship that attend to the historical underpinnings of aesthetic choices—the dissertation explores the following questions in particular: What were the industrial standards on which studio researchers based the success and authenticity of their work? And what can we know about the research process as it relates to the production and reception of DeMille’s brand of spectacular cinema? ii I offer this study as an intervention into previous scholarship on research practice in Hollywood, which too often stresses cinema’s divergence from the factual record and draws a rigid binary between academia’s histories and the “unprofessional” ones derived from research departments. This study takes a different approach by examining a wider range of archival materials, including studio library circulation records, scaled prop sketches based on photographs and artifacts, and researcher correspondence with historical consultants and museum curators.