DOCSLIB.ORG

Through the Years

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Through the Years EDITION 1 2013 EDITION 2 2014 EDITION 3 2015 THROUGH THE YEARS EDITION 4 2016 EDITION 5 2017 EDITION 6 2018 EDITION 7 2019 THROUGH THE YEARS EDITION 1 27th-30th May 2013 EDITION 2 27th-31st May 2014 EDITION 3 7th-12th October 2015 EDITION 4 25th-30th May 2016 EDITION 5 25th-31th May 2017 EDITION 6 25th-30th May 2018 EDITION 7 10th-16th June 2019 INTERNATIONAL FESTIVAL OF WOMEN ARTISTS AND ACTIVIST It began as an ambition and desire to continue as a necessity for the society within our coun- try and in the region, and it continued to be extended solely to give space to art, solidarity, humanity, peace, freedom, entertainment, joy, empathy, and empowerment. Given the diffi- culties faced by women and marginalized groups in Kosovo and in the region on daily basis, rising from these obstacles by confronting and breaking social norms across generations, Art and Community Center – Artpolis for seven years in a row, strating in 2013, has orga- nized a festival aiming to combat these difficulties. This beautiful artistc initiative became a stage so that voices of artists and activists can be heard, and since its first edition it took the form of a prestigious festival. The festival continues to be a platform for initiating and presenting ideas and creations that bring ahead feminist concepts and its development in Kosovo and the region. FemArt brought together local, regional and international women artists of all kinds of ex- pertise, from first-time exhibitors to experienced professionals. There were included women artists and activists, as well as men with feminist attitudes, creators of films, theatre perfor- mances, photographs, music, writings, together with creators and other professionals that contributed with research, discussions and exchange of information. The diverse program of the FemArt festival is not only educational but also entertaining, which has managed to gain a wide diverse audience and leave them with a complete expe- rience. These programs of past editions were selected by a group of artists and civil society activists who have experience in various art forms that have a link between social issues and art creations. 4 The festival’s motto over the years, such as “We are no island”, “Fearless”, “Run the Show”, “Freedom Vs. Shame”, etc. were the inspirational and orienting for artists and activists to showcase their creations and to raise or fight issues that were mainstreaming that specific year of the edition. Inspired by social themes and human rights in the Balkans and beyond, they joined in this dynamic platform of the festival, and artistically informed the public about the social problems that Kosovo’s women and of the region face each day. “Throughout this week Prishtina has gained a more feminine sensation thanks to the performances, music, and panelists that FemArt has gathered from around the world. Using art, writing and theatrical performances they have taken a step in the struggle for rights and gender equality. Leading us on a tour around Pris- tina, at times at the National Gallery, other times at the Oda Theater and Grand Hotel premises, FemArt has tried to turn our attention to topics that tend to be sidelined or discussed only during International Women Day.” - writes KultPlus in one of the many articles on FemArt. “I would like FemArt to last 365 days a year because it is truly a celebration of Art, a wonderful “exhibition” of true value.” - says actress from Albania Egla Ceno. “I am very happy to have participated in an important experience, such as FemArt. In particular, I appreciated the program the festival has developed, which brought together international guests and specific issues related to Koso- vo in the debate. Personally, I am very happy with the organizing part; I was welcomed since my arrival and accompanied in the best way during my stay. So thank you all for the enriching and great experience.”- Silvia Basso, the artist from Italy. 5 FEMART FESTIVAL 1 27th – 30th May 2013 The first Feminist regional Festival in Kosovo was organised for 4 days while started as a small festival but has achieved its mission by providing a welcoming place for women artists to show their art, inspired by social themes and a wish for respect of their rights and to provide an entertaining and dynamic atmosphere for visitors to learn on social issues confronting women of Kosovo, and women artists in particular in the region. The Motto of the 2013 was “We are no island”, thus aiming at enhancing discussions and attracting attention on issues related with Feminism in Kosovo and to serve as a call for more cooperation between Kosovo women and those from the region as important actors in peace building and increased cooperation. Oda Theater in Prishtina, was the host of the first edition of the FemArt festival. FIRST EDITION FIRST During the four day of the festival there were over 60 artist and activists (women and man) from different countries that were involved through their activities and projects as well as volunteers, youngsters from communities living in Kosovo. Kosovo Albania Bosnia & North Serbia Sweden Hercegovina Macedonia The festival was attended by: 2000 people. The first edition of FemArt Festival was supported by donators: Kvinna till Kvinna, EU funds project managed by the European Union Office in Kosovo, UNDP. Medial sponsors: TV21, KOHA. 6 Theatre Performances 4 2 Photo exhibitions Short and documentary films 12 Concerts 2 Book promotion 1 1 After parties 2 Poetry night FIRST EDITION Musical and choreographed performance with solists DAY 1 Kaltrina Miftari & Safet Morina, ballerina Teuta Krasniqi & piano Melos Buza. Photography exhibition ”In the meantime” by Majlinda Hoxha. Cocktail party Panel discussion ”Women in the War”. Special presentation of short fiction films created by DAY 2 Kosovo’s Women Directors: ”The Return” by Blerta Zeqiraj, ”Lullaby” by Antoneta Kastrati, ”Shkurta” by Arzana Kraja and ”Empty Bucket” by Antoneta Kraja. Presentation and discussion on ”Bogujevci Exhibition” by Saranda and Jehona Bogujevci. Presentation of the documentary film ”Women’s War” by Marika Griehsel from Sweden. Theatrical performance ”Crossing the Line” by Dijana Milosevič from DAH Theatre in Serbia. Poetry Readings ”Poetry and Love” with interpreters Anisa Ismajli, Melihate Qena, Bislim Muçaj & Shengyl Ismajli. Music performance by singer Egzona Ademi and guitar Florin Fanaj. 8 FIRST EDITION Discussion ”Documentary films from the region – On the road DAY 3 to EU” Film presentations: ”We aren’t in Paradise” by Lendita Zeqiraj from Kosovo/France, ”In/visible City” by Natasa Poplavska from Macedonia, ”The First Real Women Sound” by Brankica Draskovič from Serbia. Presentation of a documentary film of an Interview with Simone de Beauvoir about ”Why I am a Feminist”. Presentation and discussion for BEFEM FESTIVAL and the feminist scene in Serbia with Christina Wassholm and Jelena Visnjič. Photography exhibition of Feminists ”CURE” from Bosnia and Herzegovina. Theatrical performance ”Sex, thank you just for trying” by Merita Smaja from Albania. Film presentations with discussions: ”Portraits of Free- dom” by Kaltrina Krasniqi, ”Mirror, Mirror” by Blerta Basholli, DAY 4 ”Harmonika” by Burbuqe Berisha and ”Birth doesn’t Ask” by Parta Kelmendi. Book promotion and panel discussion:”The being doesn’t live here” by Sibel Halimi with panelists: Nerimane Kamberi, Halil Matoshi & Lulzim Haziri. Theatrical performance”Purifying the Idiot” by Aleksanda Kovacevič from Kraljevo Theatre in Serbia. Coctail party. Women Choir Concert ”VOX ART” from Kosovo with Ylber Asllanaj – Conductor and Rina Bilurdagu – Piano. 9 FEMART FESTIVAL 2 27th – 31st May 2014 The second edition was organised at the highest cultural institution in Kosovo – respectively at National Theatre of Kosovo during 27-31st of May, 2014. This year’s edition was very special due to the fact that we have financed Premiere productions (performances, exhibitions, book promotions and publishings) of young and talented Kosovo and regional artists on the topics of Sexuality, Dealing with the past, VAW and LBGT rights. The programme of the festival also included but wasn’t limited to topics such as: Human rights, Reproductive health and sexuality, GBV, Transitional justice in the Balkans, women empowerment, Sexual violence during the war, regional cooperation etc. The festival also became part of the national initiative for Solidarity fund for Floods in the region (Serbia, BiH and Croatia) by selling bags and T-Shirts with festival logo and collecting all the funds for the solidarity Fund. During the five days of the festival, there were over 150 artists and activists (women and men) from different countriesthat were involved through their activities and projects Volunteers, from communities living in Kosovo were also part of the festival. SECOND EDITION Kosovo Albania Canada France North Montenegro Serbia Macedonia The festival was attended by: 2,000 people. Second edition of the festival was supportet by donators: Kvinna till Kvinna, Ars Progeti with funds of European Union, UNFPA, AGGA, Prishtina Municipality and Kosova Women’s Network -KWN. Medial sponsors: TV21, Koha 10 Premiere stage 2 readings Workshops 1 2 Premiere Performance Exhibitions Book promotion Theatre 1 performances 2 Short Films 5 Concerts 1 Website launching, Presentations and discussions on activism and art 5 in the region 1 Documentary Films Web page launching After parties 5 Poetry 1 session SECOND EDITION Opening the festival DAY 1 Premiere of theatrical performance”To the Rose in Elbasan” by Arta Gashi and Fikrete Miftari. Presentation ”Remembering Mother” by Besa Neziri Rugo- va – Fashion Designer and Saranda Bogujevci – Curator from Kosovo, Great Britain and USA. Exhibition premiere ”You don’t kill a Woman this way” by Suzana Varvriča Kuka and artists: Suzana Varvriča Kuka, Greta Dhaskali Lami from Albania, Marta Zadrima from Montenegro and Gai le Japon from Canada. Cocktail party and music by Oda Halili.
Load more

Recommended publications
  • English and INTRODACTION
    CHANGES AND CONTINUITY IN EVERYDAY LIFE IN ALBANIA, BULGARIA AND MACEDONIA 1945-2000 UNDERSTANDING A SHARED PAST LEARNING FOR THE FUTURE 1 This Teacher Resource Book has been published in the framework of the Stability Pact for South East Europe CONTENTS with financial support from the Dutch Ministry of Foreign Affairs. It is available in Albanian, Bulgarian, English and INTRODACTION..............................................3 Macedonian language. POLITICAL LIFE...........................................17 CONSTITUTION.....................................................20 Title: Changes and Continuity in everyday life in Albania, ELECTIONS...........................................................39 Bulgaria and Macedonia POLITICAL PERSONS..............................................50 HUMAN RIGHTS....................................................65 Author’s team: Terms.................................................................91 ALBANIA: Chronology........................................................92 Adrian Papajani, Fatmiroshe Xhemali (coordinators), Agron Nishku, Bedri Kola, Liljana Guga, Marie Brozi. Biographies........................................................96 BULGARIA: Bibliography.......................................................98 Rumyana Kusheva, Milena Platnikova (coordinators), Teaching approches..........................................101 Bistra Stoimenova, Tatyana Tzvetkova,Violeta Stoycheva. ECONOMIC LIFE........................................103 MACEDONIA: CHANGES IN PROPERTY.......................................104
    [Show full text]
  • 15 May, 30 Villages Throughout the Country Theatre Performance For
    9 April - 15 May, 30 villages throughout the country Theatre performance for children: “Let me tell you a secret about the environment” Children’s Theatre Centre, Skopje (Brvenica & Sedlarce, Mlado Nagorichane & Staro Nagorichane, Chegrane & Forino, Vasilevo & Dobreici, Vatasha & Sopot, Bistrica & Kravari, Gorno Orizari, Kochilari, Leskoec & Kosel, Mogorche & Dolno Kosovrasti, Konopnica & Mozhdivnjak, Negorci & Mrzenci, Orizari, Istibanje, Ratevo & Rusinovo, Veleshta & Dobovjan and Topolcani & Kanatlarci) 20 April - Friday, 11:00-13.00 EU InfoCentre, Skopje Launching Event of EU funded cartoons: “We love Europe” Business Solutions Europa 23 April - Monday, 10:30-11:30 EU InfoCentre Press Conference on the Europe Day celebration activities 25 April - Wednesday, 14:00-16:00 Aerodrom Municipality, Skopje Drawing competition: “Europe for all generations” European Movement, Aerodrom Municipality 27 April - Friday, 12:00-14:00 Kumanovo Municipality Panel discussion: “European integration from the economic and security perspective” European Movement 30 April - Monday, Secondary schools throughout the country Open classrooms for older generations Ministry of Education and Science 30 April - Monday, Secondary schools throughout the country Essay Competition: “Why is it cool to be old?” Ministry of Education and Science 30 April - Monday, 12:00-14:00 Bitola Municipality Panel discussion: “European integration from the local perspective” European Movement 4 May - Friday, 09:30-15:00 ”Sv. Kiril i Metodij” University, Skopje Gathering of universities
    [Show full text]
  • MACEDONIAN FILM NEWS FILMS RELEASED 2017/2018 FEATURE DOCUMENTARIES SHORT ANIMATIONS - No.1 - FESTIVAL DE CANNES 8-19 MAY 2018
    MACEDONIAN FILM NEWS FILMS RELEASED 2017/2018 FEATURE DOCUMENTARIES SHORT ANIMATIONS www.filmagency.gov.mk - No.1 - FESTIVAL DE CANNES 8-19 MAY 2018 Address: 8 Mart no.4 Tel: + 389 2 3224 100 E-mail: contact@filmagency.gov.mk, Official page: www.filmagency.gov.mk MACEDONIAN FILMS RELEASED 2017 / 2018 FEATURE FILMS - NATIONAL PRODUCTION ГОДИНА НА МАЈМУНОТ THE YEAR OF THE MONKEY Director: Vladimir Blazevski Producer: Darko Popov Screenwriter: Vladimir Blazevski A mild political satire about a peculiar friendship between a lonely chimpanzee and an Director of Photography: Dimo Popov impoverished zoo warden, The Year of the Monkey is set in an upside-down world stuck in Editor: Blagoja Nedelkovski RELEASED transition - as seen through the eyes of the chimp, who escapes the zoo to become a rebel Sound Designer: Sasho Kalan hero in the harsh environment of the Balkans. Music Composer: Aleksandar Pejovski Cast: Igor Angelov, Behreda Reshit, Marija Kohn, Faik Mefailovski, Elena Trajkovska, Chun Lajchi www.pankfilm.mk MK, RS, SI, XK | 2018 | 109' | DCP | Black Comedy | Produced by Punk Film (MK) Co-pro- pankfi[email protected] duced by Kiselo Dete (RS), Strup (SI), Infinity (XK) The activities of the Macedonian Film Agency in recent years have mainly been focussed on supporting the production of ВРАЌАЊЕ THE RETURN Director: Kastriot Abdyli films. Other activities have included the organisation of film Producer: Kastriot Abdyli This contemporary story takes place in a Balkan village where the old and the new, Screenwriter: Kastriot Abdyli Co-Writer: Isa Qosja the traditional and the modern, eastern and western, all intertwine. Ilir, a young Alba- RELEASED festivals and the promotion of Macedonian film at international Director of Photography: Vladimir nian man from Macedonia who migrated to France, has decided to marry a French festivals and events, as well as international cooperation and Samoilovski woman by the name of Sabine (perhaps out of love, but perhaps also to secure his Production Design: Zeni Ballazhi encouraging the development of film professionals.
    [Show full text]
  • Cornell Alumni Magazine, NY, and Additional Mail C/O Public Affairs Records, 130 East Seneca St., Suite 400, Ithaca, NY 14850-4353
    c1-c4CAMjf11 12/16/10 10:18 AM Page c1 January | February 2011 $6.00 Alumni Corne Magazine Ghost World Photos Bridge Ithaca’s Past and Present cornellalumnimagazine.com c1-c4CAMjf11 12/16/10 10:18 AM Page c2 001-001CAMjf11toc 12/17/10 10:35 AM Page 1 January / February 2011 Volume 113 Number 4 In This Issue Corne Alumni Magazine 4 2 From David Skorton Money matters 4 The Big Picture A big blow-up 6 Correspondence Suicide prevention 9 Letter from Ithaca Shirt off their backs 10 From the Hill Oh, the humanities! 14 Sports Wrestle mania 17 Authors It’s all right 24 Summer Programs and Sports Camps 20 40 Wines of the Finger Lakes Swedish Hill Cynthia Marie Port 54 Classifieds & Cornellians in Business 55 Alma Matters 58 Class Notes 95 Alumni Deaths 48 96 Cornelliana 42 Through a Glass, Darkly Conserving a conservatory? FRANKLIN CRAWFORD Urban renewal was kinder to Ithaca than to some Upstate cities, but over the past cen- Currents tury many stately buildings have still been lost—from Ezra Cornell’s Free Circulating Library to Alonzo Cornell’s mansion to the grand old Strand Theatre. In a series of photos recently exhibited at the History Center of Tompkins County, former visiting professor Mark Iwinski captures the ghostly images of bygone structures superimposed 20 Flour Power over what stands in their place. Often, it isn’t pretty. Milling the old-fashioned way Starry Nights 48 Vegging In Cosmic storyteller BETH SAULNIER Eat Different Promoting a plant-based diet When the Moosewood Restaurant served its first meal thirty-eight years ago this month, the owners were still trying to figure out how to run the steam table (and the entrée Learning Curve was two hours late).
    [Show full text]
  • Behind Stone Walls
    BEHIND STONE WALLS CHANGING HOUSEHOLD ORGANIZATION AMONG THE ALBANIANS OF KOSOVA by Berit Backer Edited by Robert Elsie and Antonia Young, with an introduction and photographs by Ann Christine Eek Dukagjini Balkan Books, Peja 2003 1 This book is dedicated to Hajria, Miradia, Mirusha and Rabia – girls who shocked the village by going to school. 2 TABLE OF CONTENTS Preface Berita - the Norwegian Friend of the Albanians, by Ann Christine Eek BEHIND STONE WALLS Acknowledgement 1. INTRODUCTION Family and household Family – types, stages, forms Demographic processes in Isniq Fieldwork Data collection 2. ISNIQ: A VILLAGE AND ITS FAMILIES Once upon a time Going to Isniq Kosova First impressions Education Sources of income and professions Traditional adaptation The household: distribution in space Household organization Household structure Positions in the household The household as an economic unit 3. CONJECTURING ABOUT AN ETHNOGRAPHIC PAST Ashtu është ligji – such are the rules The so-called Albanian tribal society The fis The bajrak Economic conditions Land, labour and surplus in Isniq The political economy of the patriarchal family or the patriarchal mode of reproduction 3 4. RELATIONS OF BLOOD, MILK AND PARTY MEMBERSHIP The traditional social structure: blood The branch of milk – the female negative of male positive structure Crossing family boundaries – male and female interaction Dajet - mother’s brother in Kosova The formal political organization Pleqësia again Division of power between partia and pleqësia The patriarchal triangle 5. A LOAF ONCE BROKEN CANNOT BE PUT TOGETHER The process of the split Reactions to division in the family Love and marriage The phenomenon of Sworn Virgins and the future of sex roles Glossary of Albanian terms used in this book Bibliography Photos by Ann Christine Eek 4 PREFACE ‘Behind Stone Walls’ is a sociological, or more specifically, a social anthropological study of traditional Albanian society.
    [Show full text]
  • ALBINË KELMENDI Hi-Tech: LUDO KING, Ende Të Duam Pyetësor: Nëse Do Të Mund Të Kishit Një Superfuqi, Cilën Do Ta Zgjidhnit?
    • www.magazineforyou.com • www.facebook.com/Magazine4Ushqip Këndi sportiv: Amela LLUGALIU MOVIEMANIA: Falas Music Box: ALBINË KELMENDI Hi-Tech: LUDO KING, ende të duam Pyetësor: Nëse do të mund të kishit një superfuqi, cilën do ta zgjidhnit? Fashion: Trendet e aksesorëve për flokë Revistë mujore e KFOR-it • Nr.155 • Mars 2019 Revistë mujore e KFOR-it • Nr.155 për pranverë-verë 2019 Shkolla e muajit editorial/indeksi EDITORIAL INDEKSI MOVIEMANIA Përshëndetje lexues të dashur, exues të dashur, ja ku po takohemi për të 155-ën herë me Lradhë përmes faqeve të kësaj reviste shumë të pëlqyer nga ana juaj. Por si e dimë ne se juve ju pëlqen shumë revista jonë? Shumë thjesht, përmes letrave tuaja që ju aq zellshëm 18 na i dërgoni për të na lavdëruar si dhe për të na ndihmuar në përpilimin e numrave të ardhshëm duke na Kopertina: treguar se cilat janë temat për të cilat ALBINË KELMENDI keni dëshirë të lexoni. Andaj ne stafi i revistës ‘For You’ ju falënderojmë 19 përzemërsisht për këto letra dhe fjalë të “For You” është pub- mira dhe ju ftojmë që të vazhdoni të na likim zyrtar i KFOR-it, shkruani sepse në këtë mënyrë ne jemi prodhuar dhe finan- më pranë jush me temat që i trajtojmë. cuar nga KFOR-i, i Gjithsesi të mos harrojmë të themi se shtypur në Kosovë 6 ne jemi të hapur edhe për kritikat tuaja. dhe shpërndahet MUSIC BOX Andaj nëse keni diçka që mendoni se pa pagesë. Përm- nuk e bëjmë mirë apo se mund të bëhet bajtja nuk reflekton më mirë, ju lutemi mos hezitoni të na qëndrimin zyrtar të shkruani sygjerimet tuaja.
    [Show full text]
  • Western Corn Rootworm (Diabrotica Virgifera Virgifera Leconte) in Europe: Current Status and Sustainable Pest Management
    insects Review Western Corn Rootworm (Diabrotica virgifera virgifera LeConte) in Europe: Current Status and Sustainable Pest Management Renata Bažok 1 , Darija Lemi´c 1 , Francesca Chiarini 2 and Lorenzo Furlan 2,* 1 Department for Agricultural Zoology, Faculty of Agriculture, University of Zagreb, Svetosimunska 25, 10000 Zagreb, Croatia; [email protected] (R.B.); [email protected] (D.L.) 2 Veneto Agricoltura, Agricultural Research Department, 35020 Legnaro, PD, Italy; [email protected] * Correspondence: [email protected]; Tel.: +39-049-829-3879 Simple Summary: Diabrotica virgifera virgifera, also known as western corn rootworm (WCR), is a maize-specific pest that has been a serious threat in Europe since the mid-1990s. Between 1995 and 2010, European countries were involved in international projects to plan pest control strategies. However, since 2011, collaborative efforts have declined and the overview of knowledge on WCR is in great need of updating. Therefore, a review of scientific papers published between 2008 and 2020, in addition to direct interviews with experts responsible for WCR management in several European countries, was conducted to (1) summarize the research conducted over the last 12 years and (2) describe the current WCR distribution and population in the EU, and the management strategies implemented. A considerable amount of new knowledge has been gained over the last 12 years, which has contributed to the development of pest management strategies applicable in EU agricultural systems. There is no EU country reporting economic damage on a large scale. In many countries, solutions based on crop rotation are regularly implemented, avoiding insecticide Citation: Bažok, R.; Lemi´c,D.; use.
    [Show full text]
  • A Dialogic Narrative Contextualisation of Liminal Identity
    European Scientific Journal September 2019 edition Vol.15, No.26 ISSN: 1857 – 7881 (Print) e - ISSN 1857- 7431 Conversion and Memory: A Dialogic Narrative Contextualisation of Liminal Identity Katica Kulavkova, PhD Macedonian Academy of Sciences and Arts (MASA), Republic of Macedonia Jasmina Ilievska-Marjanovic, BA Independent Researcher, Republic of Macedonia Doi:10.19044/esj.2019.v15n26p26 URL:http://dx.doi.org/10.19044/esj.2019.v15n26p26 Abstract Ethnic and religious conversion is deeply engraved in the history and memory of the Macedonian people, yet it remains a painful taboo subject. The paper is interested in the treatment of this topic in the New Macedonian Novel, which brought this problem from the collective unconscious into the public dialogue and shed light on its reoccurrence today. The analysis focuses on the novel The Book of Heavens (2000) by Krste Chachanski since it is equally representative of the topic of conversion to Islam in the Ottoman past, the poetics of the New Macedonian Novel, and the Macedonian dialogic and liminal identity. The Book of Heavens is set at the end of the 18th century in mountainous Macedonia, the forsaken Balkan periphery of the Ottoman Empire. It is centred around Adnan Pasha, the bi-religious and bi-cultural Janissary from Macedonia, his internal turmoil, and his quest for becoming the ethical warrior of his wilful choosing. The novel is a meta-historical and multi-voiced parable of dialogism and liminality in the context of human cognition, identity, and culture. But it is also a mythopoetic and magical realist saga for the ethical warrior, for the Macedonian tragically split and persecuted identity, for the syncretic civilisational borders and peripheries, and for protecting the palimpsest memory of human culture.
    [Show full text]
  • Macedonian Films 2016/2017
    MACEDONIAN FILMS 2016/2017 Through its activities over the years, the Macedonian success is yet further confirmation of the efforts of the Macedonian Film Agency, which are directed Film Agency has striven to provide comprehensive towards collaborations and partnerships in the interest of creating quality film projects that will funding for the Macedonian film industry and helped be worthy representatives of Macedonian cinematography. In the interests of promoting the latest to further develop and stimulate film production, film production, the Cannes Film Festival - Marche du film will traditionally host screenings of the international co-productions, film distribution, cinema following upcoming Macedonian films: The Year of the Monkey by Vladimir Blazevski (MK/RS/SI/ networks and film festivals, as well as encouraging the XK), Secret Ingredient by Gjorce Stavreski (MK/GR), and When the Day Had No Name by Teona writing of scripts, promoting the professional education Strugar Mitevska (MK/SI/BE) - a film which entered the official programme of this year’s Berlin of film professionals and promoting Macedonian International Film Festival. cinematography at renowned international film festivals and events by offering favourable conditions We hope that the projects presented on the following pages will attract your attention by offering a to foreign producers, thereby also promoting the Republic of Macedonia as a filming location. unique insight into Macedonian cinematography, Macedonian film professionals and the possibilities The Film Production
    [Show full text]
  • A Joint Vision for Secondary and Higher Education for All in Europe
    A joint vision for Secondary and Higher Education for All in Europe THE ROAD TOWARDS REALISING SUSTAINABLE DEVELOPMENT GOAL 4 IN EUROPE Imprint A joint vision for Secondary and Higher Education for All in Europe Brussels, June 2016 ISBN 978-94-9125604-2 Supported by a grant from the Foundation Open Society Institute in cooperation with the Education Support Program of the Open Society Foundations. 3 Table of Content Table Table of Content Introduction . 5 Defining equitable quality education . 7 Goal 4 and the ten targets . 8 Priorities proposed for European Secondary and Higher Education . 10 Target 4 7:. Governance of education institutions . 11 Target 4 7:. Knowledge, research and education . 12 Target 4 5. & 4 .a: Disability and diversity friendly institutions . 13 Target 4 .4: Flexible learning pathways . 14 Target 4 .c: Professional development of teachers . 16 Target 4 3:. Quality learning outcomes . 17 Target 4 3:. Financing education as a public good . 18 Target 4 .b: Preventing brain drain . 20 Accountability . 21 Conclusions . 22 Contact information for unions . 23 Members of the European Students’ Union . 23 Members of Education International—European Region . 27 Members of Organising Bureau of European School Student Unions . 35 5 Introduction Introduction he present joint action programme is proposed by the Organising Bu- Treau of European School Student Unions (OBESSU), the European Stu- dents’ Union (ESU), and Education International (EI) to their members and partners, in order to advance the 2030 Agenda for Sustainable Development and its 17 related goals, which the United Nations adopted in September 2015. The 17 goals and 169 targets make up the most ambitious development agenda the World has ever seen.
    [Show full text]
  • Download File
    Eastern European Modernism: Works on Paper at the Columbia University Libraries and The Cornell University Library Compiled by Robert H. Davis Columbia University Libraries and Cornell University Library With a Foreword by Steven Mansbach University of Maryland, College Park With an Introduction by Irina Denischenko Georgetown University New York 2021 Cover Illustration: No. 266. Dvacáté století co dalo lidstvu. Výsledky práce lidstva XX. Věku. (Praha, 1931-1934). Part 5: Prokroky průmyslu. Photomontage wrappers by Vojtěch Tittelbach. To John and Katya, for their love and ever-patient indulgence of their quirky old Dad. Foreword ©Steven A. Mansbach Compiler’s Introduction ©Robert H. Davis Introduction ©Irina Denischenko Checklist ©Robert H. Davis Published in Academic Commons, January 2021 Photography credits: Avery Classics Library: p. vi (no. 900), p. xxxvi (no. 1031). Columbia University Libraries, Preservation Reformatting: Cover (No. 266), p.xiii (no. 430), p. xiv (no. 299, 711), p. xvi (no. 1020), p. xxvi (no. 1047), p. xxvii (no. 1060), p. xxix (no. 679), p. xxxiv (no. 605), p. xxxvi (no. 118), p. xxxix (nos. 600, 616). Cornell Division of Rare Books & Manuscripts: p. xv (no. 1069), p. xxvii (no. 718), p. xxxii (no. 619), p. xxxvii (nos. 803, 721), p. xl (nos. 210, 221), p. xli (no. 203). Compiler: p. vi (nos. 1009, 975), p. x, p. xiii (nos. 573, 773, 829, 985), p. xiv (nos. 103, 392, 470, 911), p. xv (nos. 1021, 1087), p. xvi (nos. 960, 964), p. xix (no. 615), p. xx (no. 733), p. xxviii (no. 108, 1060). F.A. Bernett Rare Books: p. xii (nos. 5, 28, 82), p.
    [Show full text]
  • Decoration from the House Snake Cult Belief System, As Evidenced In
    Decoration from the house snake cult belief system, as evidenced in... Decoration from the house snake cult belief system, as evidenced in Kosovan vernacular architecture Flamur Doli* Abstract This study investigates symbolic decoration arising from the house snake cult belief system, as evidenced in Kosovo's vernacular (popular) architecture. This snake cult certainly has its place among the most unusual and important cults within the survival of the belief system surrounding the protecting house gods in Albanian popular belief. Among the issues raised in this study, it is posited from the very beginning that because of their character and their symbolism, the decoration arising from the snake cult has always been applied in the most exposed places or elements of composition since its use had a magic function of protection and bringing good luck. Furthermore, the use of this ornamentation, particularly in the artistic form of bas-relief, is notable for a compositional structure which is in organic harmony with the architectonic and structural aesthetic concept of vernacular building, or its structural elements. To give as full a picture and as much evidence as possible of the use of decoration from the earth cult of the snake either as abstract geometric interpretation of it as a symbol, or as a realistic artistic interpretation, there is analysis of a fair number and range of Albanian ethnographic sites where this decoration is to be found. From the beginning of this study, it is shown that the snake cult is a part of the complex ethno-cultural heritage of our people. Taking a diachronic view, this cult has an uninterrupted history through the arc of time from the Illyrians to the Albanians of our own time.
    [Show full text]