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Writing As Aesthetic in Modern and Contemporary Japanese-Language Literature
At the Intersection of Script and Literature: Writing as Aesthetic in Modern and Contemporary Japanese-language Literature Christopher J Lowy A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2021 Reading Committee: Edward Mack, Chair Davinder Bhowmik Zev Handel Jeffrey Todd Knight Program Authorized to Offer Degree: Asian Languages and Literature ©Copyright 2021 Christopher J Lowy University of Washington Abstract At the Intersection of Script and Literature: Writing as Aesthetic in Modern and Contemporary Japanese-language Literature Christopher J Lowy Chair of the Supervisory Committee: Edward Mack Department of Asian Languages and Literature This dissertation examines the dynamic relationship between written language and literary fiction in modern and contemporary Japanese-language literature. I analyze how script and narration come together to function as a site of expression, and how they connect to questions of visuality, textuality, and materiality. Informed by work from the field of textual humanities, my project brings together new philological approaches to visual aspects of text in literature written in the Japanese script. Because research in English on the visual textuality of Japanese-language literature is scant, my work serves as a fundamental first-step in creating a new area of critical interest by establishing key terms and a general theoretical framework from which to approach the topic. Chapter One establishes the scope of my project and the vocabulary necessary for an analysis of script relative to narrative content; Chapter Two looks at one author’s relationship with written language; and Chapters Three and Four apply the concepts explored in Chapter One to a variety of modern and contemporary literary texts where script plays a central role. -
Boku in Edo Epistolary Texts
Boku in Edo Epistolary Texts KATSUE AKIBA REYNOLDS The change from the feudal period to the modern via the Meiji Restoration was certainly one of the most turbulent and complex in the history of Japan and many details of the change remain unexplained. In the process of such a fundamental social change, language inevitably plays a crucial role in forming and accommodating new meanings and new ideologies. This essay is about boku, a first person pronoun or self-reference form for males. It ar.peared rather abruptly in Japanese around the time of the MeiJi Restoration and it lias quickly become one of the major male first person pronouns. Although it is apparently of a Chinese origin, its history as a Japanese word is not necessarily clear. How and why did it come into being in Japanese at the time when it did? I have examined some texts from the Edo period in an attempt to bring to light the early history of boku in Japanese. Bringing various linguistic, sociological and historical facts together, it becomes possible to see the way boku entered Japanese. Spread of the use of boku began in personal letters exchanged among a close circle of samurai scholars-forerunners of modern intellectuals. Self in Feudal Society That Japanese has several variants of self-reference is well known. Where an English speaker uses 'I' regardless of his/her social status, class, age, gender, etc., for example, a Japanese speaker would have to choose an appropriate form from a set of first person pronouns including watakushi, watashi, boku, and ore. -
Current Market Prices ~ Prints, Sculpture, Originals
Issue TITLE Price, Low SIZE Retail, ISSUE LO High HI TITLE Retail (December SIZE ISSUE LO2014) HI TITLE SIZE ISSUE LO HI CURRENT MARKET PRICES ~ PRINTS, SCULPTURE, ORIGINALS Prints, Graphics, & Giclées Prices do not reflect shifts below a print's original issue price TITLE SIZE ISSUE LO HI TITLE SIZE ISSUE LO HI TITLE SIZE ISSUE LO HI ABBETT, ROBERT AMIDON, SUSAN ATKINSON, MICHAEL BIG GUY SETTER & GROUS 125 553 671 CATHEDRAL ST PAUL CE 125 409 497 GRANNYS LOVING HAND AP 420 510 BOBWHITES & POINTER 50 152 190 COMO PARK CONSERVAT AP 21X29 158 198 GRANNYS LOVING HANDS 385 467 CODY BLACK LAB 95 152 190 COMO PARK CONSERVATORY 21X29 125 125 125 ICE BLUE DIPTYCH 125 262 315 CROSSING SPLIT ROCK 125 125 150 COMO PARK GOLF SKI 21X15 100 100 120 INSPIRATION ARCHES 185 185 185 ABBOTT, LEN COMO PARK PAVILLION 125 698 848 INSPIRATION ARCHES AP 152 190 CHORUS 292 351 GOVERNORS MANSION 99 124 LETTERS FROM GRANDMA 65 152 190 ACHEFF, WILLIAM GOVERNORS MANSION AP 136 170 LONG WAY HOME 148 185 ACOMA 23X18 200 200 200 LAKE HARRIET 24X18 125 125 125 MARIAS HANDS SR 24X18 861 1060 STILL LIFE 64 80 LITTLE FRENCH CHURC AP 21X15 110 138 MONUMENT CANYON SR 33X45 490 595 ADAMS, GAIL LITTLE FRENCH CHURCH 21X15 100 100 100 MOONLIT CANYON 165 165 165 DOUBLE SOLITUDE AP 275 275 315 LORING PARK HARMON AP 29X21 158 198 MOUNTAIN LAKE 18X24 175 258 310 SLEEPIN BEAUTY 225 225 225 MINN STATE CAPITOL 21X16 187 225 ON WALDEN 150 150 150 ADAMS, HERMON MT OLIVET CHURCH 158 198 ON WALDEN AP 94 118 ARIZONA RANGER 120 1072 1320 NICOLLET AVE AP 20X25 78 98 OSTUNI 29X22 150 150 183 -
December 14,1869
****** «• TUESDAY PORTLAND. MORNING. DECEMBER 14, 1869. 7W„,. ,aM „Zi„. — nri.» i>/irtlnawl Tlnilv __. —^_■ LV^mMALS, MlStiliLliAAKOUS. WANTED A Kidxapped Child.—Lately an adver- and Is published every day (Sundays excepted) by the daily press Gossip Glsawiags. tho DAILY PRESS. tisement appeared in the Boston papers offer- —Meu who the Portland R E M oYaL. Wanted. dot i’s.—Pugilists. Publishing Co., ing a reward of for the recovery of a I.oid SITUATION as Salesman or BUSINESS DIRECTORY. $1,000 Derby left a fortune of £190,0X1 a Bookkeeper, POBl’LANI). little At 109 Exchange Poitland. Choice A Address, “,J As PUB,” Portland, Me. girl seven years old, kidnapped from the year. Stbeet, dc5eod2w* Terms: WE SHALL OPEN* OCB Security! St. James Eight Dollars a Year in advance. Hotel in Boston. A Boston cor- Till-. Richardson affair lias been done In \Ye invite the attention of both City and Seven Per Cent. Tussiay Morning, December 14 1869. respondent of an inland paper explains the ballad. — The New Store 49 Gold, Tenement Wanted readers to the Maine State Press Exchange St,, Country following list of Port- advertisement by the following painful story: —Wisconsin has raised its Governor's sal- Free of Govexmext Tax. In a desirable six or for a — — locality, eight rooms, About PtMslied ox land BUSINESS The Division of Westbrook. nine years ago a “sweet sixleener,” ary to $7500. every Thursday Morning at small family, or a house for two families. Such HOUSES, which are among In a large and an immense became in- $2..>0 year; if in at a enjoying income, —An wants to paid advance, $2.00 (Hearty Ten Per Cent. -
The FOC Guide to Morse Code Proficiency by Gary Hinson, Zl2ifb Version 1.4 January 2019
The FOC Guide to Morse Code Proficiency by Gary Hinson, ZL2iFB Version 1.4 January 2019 Contents Introduction Speed Ti ming is ever y thing Pitch Q-codes, abbrev’s, punctuation & prosigns Swings and fists Morse quality metric Hinson tips Sending better CW Copying CW better Conclusion Reader feedback References Bibliography (other useful resources) Introduction Properly-formed Morse code is a delight to hear when strong, and copiable by ear even when signals are quite weak. Despite being monotonic and irregular, good Morse has a curiously musical quality, far from monotonous. However, on the air we typically face QRM, QRN, QSB, weak/marginal signals leading to errors and gaps in the copy, confusion, fatigue and frustration. Throw in badly-sent CW such as mis-sent characters, uncorrected errors, spelling mistakes, stray dits and missing dahs, variable timing with seemingly random spacing, plus off-frequency transmitters, drift, chirp, ringing filters and so on, and making contact may become, let’s say, challenging. Prompted by a lively discussion around W1RM Pete’s sage “One of the goals of every skilled comment ⇒ this guide offers advice on improving proficiency in CW operator is to send well. That Morse code for those already using CW (= Continuous Wave, not means good character formation Can’t Work!) on the amateur bands. After explaining the key and character spacing. It makes issues, you will find tips for both sending and receiving. Both little difference what you use to do aspects are important and can be improved - no matter how good, the sending, be it straight key, bug, we can always do better. -
From the President… the International Cwops Newsletter March 2011 Issue No. 14
March 2011 The International CWops Newsletter Issue No. 14 From the president… Spring was making an early appearance in New England in mid-February. The mountain of snow on our roof was melting and the 3 feet (1 meter) of snow in my yard was getting down to 2 feet (0.6 meter). Then, winter returned with a vengeance! Over the weekend of the ARRL CW DX Contest, we CWops Events had winds approaching 45 mph (72 kph), On-Air Monthly CWT temperatures dropping into the teens and on Next: 9 March 2011 Monday we had 4 inches (10 cm) of snow! Start time: 1100Z Asia/VK/ZL region So much for an early spring! 1900Z Europe Region 0300Z (10 March) NA region Washington and the North American 1-hour each region CW Weekend Exchange name/number (members) But spring will come and with it the Exchange name/SPC (non-members) Washington DC CW Weekend from May 6 to May 8 at the Fairview Park Marriott Hotel CWops “neighborhood” Look for CWops on 1.818, 3.528, 7.028, 10.118, in Falls Church, VA. It‘s right across the 14.028, 18.078, 21.028, 24.908, 28.028 Potomac River. Washington is beautiful this time of year. The famous cherry blossoms CWops “Happy Hour” have gone, but all the rest of the spring 1900 local, every day, on or near the “neighborhood” frequencies – just call “CQ” or answer someone else. flowers and flowering trees are in full bloom – a sight not to be missed. If you‘ve not CWops Officers and Director been to DC in spring, make this the year you Officers do it. -
Fonts & Encodings
Fonts & Encodings Yannis Haralambous To cite this version: Yannis Haralambous. Fonts & Encodings. O’Reilly, 2007, 978-0-596-10242-5. hal-02112942 HAL Id: hal-02112942 https://hal.archives-ouvertes.fr/hal-02112942 Submitted on 27 Apr 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. ,title.25934 Page iii Friday, September 7, 2007 10:44 AM Fonts & Encodings Yannis Haralambous Translated by P. Scott Horne Beijing • Cambridge • Farnham • Köln • Paris • Sebastopol • Taipei • Tokyo ,copyright.24847 Page iv Friday, September 7, 2007 10:32 AM Fonts & Encodings by Yannis Haralambous Copyright © 2007 O’Reilly Media, Inc. All rights reserved. Printed in the United States of America. Published by O’Reilly Media, Inc., 1005 Gravenstein Highway North, Sebastopol, CA 95472. O’Reilly books may be purchased for educational, business, or sales promotional use. Online editions are also available for most titles (safari.oreilly.com). For more information, contact our corporate/institutional sales department: (800) 998-9938 or [email protected]. Printing History: September 2007: First Edition. Nutshell Handbook, the Nutshell Handbook logo, and the O’Reilly logo are registered trademarks of O’Reilly Media, Inc. Fonts & Encodings, the image of an axis deer, and related trade dress are trademarks of O’Reilly Media, Inc. -
Sonic Peace: an Antithesis to Sonic Warfare Tatiana Maria Schnitman Espindola Florida International University, [email protected]
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 11-19-2013 Sonic Peace: An Antithesis to Sonic Warfare Tatiana Maria Schnitman Espindola Florida International University, [email protected] DOI: 10.25148/etd.FI13120602 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the Composition Commons, Musicology Commons, and the Music Theory Commons Recommended Citation Schnitman Espindola, Tatiana Maria, "Sonic Peace: An Antithesis to Sonic Warfare" (2013). FIU Electronic Theses and Dissertations. 993. https://digitalcommons.fiu.edu/etd/993 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida SONIC PEACE: AN ANITHESIS TO SONIC WARFARE A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF MUSIC by Tatiana Maria Schnitman Espindola 2013 To: Dean Brian Schriner College of Arts and Sciences This thesis, written by Tatiana Maria Schnitman Espindola, and entitled Sonic Peace: An Antithesis of Sonic Warfare, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved. __________________________________ Joel Galand __________________________________ David Dolata __________________________________ Orlando Jacinto Garcia, Major Professor Date of Defense: November 19, 2013 The thesis of Tatiana Maria Schnitman Espindola is approved. _________________________________ Dean Brian Schriner College of Arts and Sciences _________________________________ Dean Lakshmi N. -
September 2019
September 2019 To promote the technical craft of amateur radio through training, mentoring and THE CONNECTORenhancing fellowship among radio amateurs. pies, bread, dressing, cranberry sauce, your favor- ite drinks, etc.). I may even be able to get Jodie Words From the Prez KI4CXO to make her famous German Chocolate Hey, Everyone! What a good club meeting we had Cake. on September 7. It was one of the largest turn- Because the Rock Hill Hamfest is on the first outs I can remember. I could say it was because of Saturday (October 5), we’ll meet on Saturday, Oc- me, but we all know that’s not it. It was probably tober 12 at 9:00am at Bob KD4IIN and Lib Cole’s the program that was given by (ex KJ4LDG) house, 1050 Per- Tim N4IB on “Grounding Our next club meeting will held on simmon Lane, Alexis, NC. Your Station.” We had a Saturday, October 12, at 9:00am and will We’ll hold a short business few visitors from the York take place in Alexis, North Carolina, as a meeting and then take down work party. County Radio Club, and sev- Bob’s 48-foot tower. I need at eral people who just saw or least eight people to get the job heard about the program on the Oscar 450 repeat- done. It’s not too bad because it’s an aluminum er. Whatever the reason, we tower and hinged at the base. Bring your gloves had a good group. We collected and your own chair. I had hoped to have a little a big bag of school supplies for cookout, but we’d need a grill. -
Dylan Beattie @Dylanbeattie
Algorithms Apps,& Abstractions Decoding our Digital World Dylan Beattie @dylanbeattie Good morning, DotNext! My name is Dylan Beattie, and over the next hour I'm going to take you on a journey right to the heart of the engineering achievements that power our digital world. 1 @dylanbeattie • Building websites since 1992 • Microsoft MVP • London .NET User Group • www.dylanbeattie.net • [email protected] But first, a little bit about me. This is me. I'm the CTO at Skills Matter in London, I'm a Microsoft MVP for Visual Studio and Development Tools, and I've been building websites and web applications since 1992 - which is basically forever, in internet years. And as you have probably noticed, I'm doing my talk today in English. 2 @dylanbeattie www.dylanbeattie.net Я не говорю по-русски еще! 3 4 Vey dolzhni vibrat: tort ili cmert'! 5 Moya loshad' ne khudozhnik, a arkhitektor. 6 Давным-давно, на далеком континенте… Anyway. So our talk starts here – a long time ago, on a continent far, far away… because that's where I was born. In Kenya, in Africa, in the late 1970s. My father is from England, and when I was born, he wanted to send a photograph of me to his family back home. So he took this picture… 7 …of me with my mother. He put it into an envelope with a hand-written letter, and posted it to my grandparents. It took about four weeks to get there. Four weeks for a 6x4" photograph; scanned at 300dpi, that would make a 250Kb JPEG image, and 250Kb in four weeks is.. -
1 Exercises, Set 4. MACHINE REPRESENTATION of OTHER
Exercises, set 4. MACHINE REPRESENTATION OF OTHER DATA FORMATS (TEXT CHARACTERS, STRINGS). 1. ASCII character encoding and extensions. The first widely used standardized binary code for alphanumeric characters (consider that Morse’s alphabet is also alphanumeric code, but maybe not so ”digital”) was implemented in early 1960-ties for teletypes (TTY – Tele Typewriters) by Bell company. Although TTY machines were in use many years before (see Fig. 1.), the standard introduced by Bell and ASA (American Standards Association, one of the former names of today’s ANSI – American National Standards Institute) was better ordered than other telegraphic codes to support sorting of the texts, and also had some features important for devices other than TYYs. The official name of this standard is ASCII (American Standard Code for Information Interchange). First edition was published in 1963, most important revision in 1967 and last update in 1986. Fig. 1. Teletype machines used by RAF during the World War II. Generic ASCII code is based on 7-bit length code-word (Morse’s alphabet uses codes of different lengths, for example). Having Q = 27 = 128 different codes we can encode: upper-case letters of Latin alphabet (from A to Z) – 26 different characters; lower-case letters of Latin alphabet (from a to z) – next 26 different characters; decimal digits (from 0 to 9) – next 10 printable characters; Space – 1 character (not seen, but “printable”); punctuation marks (like dot, coma etc.) and a few miscellaneous symbols (like #, $, %, &, (, ), <, > etc.) – 32 different printable characters; some control characters (not printable), used to drive TTYs and transmission process (like STX – Start of Text, ETX – End of Text, BEL – Bell etc.) – 33 different codes (including BS – Backspace and DEL – Delete). -
Resources for Learning Morse Code
Resources for Learning Morse Code This document collects together useful resources for those beginning their CW journey and for those that wish to improve their speed and proficiency. Hamfesters Amateur Radio Club Document Distribution TLP:WHITE Document Classification: Not Classified This document was created using Microsoft Word 2016 in landscape with ½” left and right margins. If you edit this document in OpenOffice or LibreOffice, you will have to tweak page, TOC, and table widths. Version 1.1b Created 2021-02-09 @ 17:00 by AB9MZ Updated 2021-03-04 @ 15:00 by AB9MZ Edited by Gregory D. Rosenberg (AB9MZ) Please send any corrections or additions to [email protected]. +1 708-444-2690 Office +1 708-267-6664 Mobile All information in this document is public domain. Any copyrighted material has been credited with its source. Resources for Learning Morse Code Page: 2 Table of Contents Table of Tables .................................................................................................................................................................................................................... 5 Table of Figures ................................................................................................................................................................................................................... 6 Table of Authorities ............................................................................................................................................................................................................