CARLA GANNIS Carlagannis.Com | Twitter & Instagram: @Carlagannis
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Twitter 101 Useful Tools and Resources Toby Greenwalt, Theanalogdivide.Com on Twitter: @Theanalogdivide
Twitter 101 Useful Tools and Resources Toby Greenwalt, theanalogdivide.com On Twitter: @theanalogdivide So you’ve created a Twitter account, entered your profile information, and uploaded a photo. Now what? Here are a few tools for making the most of your time with the service. You’ll be one of the shining Twitteratti before you know it! Finding Friends and Followers Twitter works best when you have a healthy crowd to talk to and share ideas with. Here’s a few suggestions for expanding your network. If you build it, they will come: Many people will find your account by virtue of their own searches. Be warned that not all of these people are actually interested in what you have to say, or are possibly even real people. Raid your address book: Twitter can scan your address book to see if any of your contacts are on the service. This is a quick and easy way to see who’s out there. The Kevin Bacon method: Once you’ve found a few friends, you can look at their friends, and their friends, and their friends… Discover the tangled web we, um, tweave! Lists: Similar to the Twibes and WeFollow directories listed below, Lists are user-compiled directories of Tweet- ers based around a well defined subject. How many lists are there for your community? Search Tools If you’ve gone through your immediate contacts, there are a few web tools for finding like minds. Twitter Grader (grader.twitter.com): Once you’ve found out your grade, click on the Elite buttons to find out who the BTOCs (Big Twitterers on Campus) are. -
Muralinaction Faith Matters ( Launched in 2006 As a Vehicle to Enable Faith Communities to Reduce Conflict Using Conflict Resolution Tools
#MuralInAction Faith Matters (www.faith-matter.org) launched in 2006 as a vehicle to enable faith communities to reduce conflict using conflict resolution tools. Faith Matters works on integration, cohesion, hate crime and countering extremism projects. Faith Matters was one of six organisations working together to address the increase in anti-Semitic and anti-Muslim sentiments in Europe by supporting tolerance and respect for different faiths, religious beliefs and ethnicities within MURAL (‘mutual understanding, respect and learning’), a project that ran from 2018-2019 in six European countries – Germany, Greece, the Netherlands, Poland, Portugal and the United Kingdom. The MURAL project was led by the British Council. It promoted the principles of pluralistic and democratic societies. It aimed to foster transnational cooperation, exchange of knowledge and exchange of best practice to encourage tolerance and counter attitudes that contribute towards acts of hatred and discrimination. MURAL partners brought together an empowered network of social activists and key stakeholders who became agents of positive change in their communities. The project harnessed people’s power for advocacy and their desire for social change to creatively engage the people they live and work with. Some of the MURAL social action projects led by Faith Matters UK participants were around improving critical thinking and social media literacy skills that can help counter extremist, hateful, and racist narratives online, assist in identifying bots and cyborgs, and provide practical ways to resist and counter extremist narratives. As part of this, Faith Matters UK participants have developed this series of toolkits to provide practical and legal information around discrimination and hate crimes. -
The Engagement of Social Media Technologies by Undergraduate Informatics Students for Academic Purpose in Malaysia
University of Wollongong Research Online Faculty of Social Sciences - Papers Faculty of Arts, Social Sciences & Humanities 2014 The engagement of social media technologies by undergraduate informatics students for academic purpose in Malaysia Jane Lim See Yin INTI Laureate International Universities Shirley Agostinho University of Wollongong, [email protected] Barry Harper University of Wollongong, [email protected] Joe F. Chicharo University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/sspapers Part of the Education Commons, and the Social and Behavioral Sciences Commons Recommended Citation Lim See Yin, Jane; Agostinho, Shirley; Harper, Barry; and Chicharo, Joe F., "The engagement of social media technologies by undergraduate informatics students for academic purpose in Malaysia" (2014). Faculty of Social Sciences - Papers. 1141. https://ro.uow.edu.au/sspapers/1141 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The engagement of social media technologies by undergraduate informatics students for academic purpose in Malaysia Abstract The increase usage and employment of Social Media Technologies (SMTs) in personal, business and education activities is credited to the advancement of Internet broadband services, mobile devices, smart phones and web-based technologies. Informatics programs are technological-oriented in nature, hence students and academics themselves would arguably be quite adept at using SMTs. Students undertaking Informatics programs are trained to thrive in challenging, advanced technical environments as manifestations of the fast-paced world of Information Technology. Students must be able to think logically and learn “how to learn” as “knowledge upon demand” is one of the expected capabilities of Informatics graduates. -
The Palgrave Handbook of Digital Russia Studies
The Palgrave Handbook of Digital Russia Studies Edited by Daria Gritsenko Mariëlle Wijermars · Mikhail Kopotev The Palgrave Handbook of Digital Russia Studies Daria Gritsenko Mariëlle Wijermars • Mikhail Kopotev Editors The Palgrave Handbook of Digital Russia Studies Editors Daria Gritsenko Mariëlle Wijermars University of Helsinki Maastricht University Helsinki, Finland Maastricht, The Netherlands Mikhail Kopotev Higher School of Economics (HSE University) Saint Petersburg, Russia ISBN 978-3-030-42854-9 ISBN 978-3-030-42855-6 (eBook) https://doi.org/10.1007/978-3-030-42855-6 © The Editor(s) (if applicable) and The Author(s) 2021. This book is an open access publication. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence and indicate if changes were made. The images or other third party material in this book are included in the book’s Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the book’s Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifc statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. -
Tommy Clarke 18 Wolf Ademeit 20 Yann Arthus-Bertrand
Contents 2 The Frame & Arts 4 Samsung Collection 6 Curation Story Artist Profiles 8 Bohnchang Koo 10 Luisa Lambri 12 ruby onyinyechi amanze 14 Todd Eberle 16 Tommy Clarke 18 Wolf Ademeit 20 Yann Arthus-Bertrand 22 Samsung Collection at a Glance 29 Art Store Gallery Partners 30 ALBERTINA 32 Artspace 34 LUMAS 36 MAGNUM PHOTOS 38 Museo Del Prado Collection 40 Saatchi Art 42 Sedition 44 How to Use 46 My Collection 50 The Frame Specifications Tommy Clarke, Playa Shoreline (2015) 1 The Frame & ArtsArt The Frame. Art when it's off, TV when it's on. Introducing The Frame, a TV that elegantly enables you to make anye spac more welcoming, more entertaining and more inspiring. Turn on The Frame in TV mode and watch a beautiful 4K UHD Smart TV with outstanding detail and picture quality. Turn off and you seamlessly switch into Art Mode, transforming The Frame into a unique work of art that enriches your living space. The Frame with Walnut Customizable Frame Scott Ramsay, Mana Pools Bee-Eaters (2015) Curated art for your inspiration. Destined to expand your horizons, The Frame’s Art Mode showcases selections of museum-quality artwork professionally curated for you in the exclusive Samsung Collection and online Art Store. Or use My Collection Art Mode TV Mode to display cherished photos of special moments with family and friends. The perfect mode for any mood, Art Mode introduces TV with a sense of your own inimitable style and a knack for enhancing any décor. The Frame, Designed for your space. 2 The Frame 3 The Frame grants you exclusive access to 100 remarkable artworks across 10 categories from 37 renowned artists from the four corners of the world. -
Firefox Quantum Remove Recommended by Pocket From
Firefox Quantum Remove Recommended By Pocket From Lamellar Gary restitutes: he ligatured his recognisance bearishly and dully. Desireless Redford suburbanized very monotonously while Silvester remains dysteleological and unconfined. Skin-deep Algernon never dislodged so westerly or stanchion any floppiness war. Stack traces are now shown for exceptions inside your console. Press to restore system options as which process starts it'll remove by the jailbreak. It is enabled by default in development versions of Firefox, but average in release versions. We have always bear the result in scratchpad and by pocket. Earn an issue that ff is by firefox quantum. You for tweetdeck, or login to network failures due to open source ip address bar at your activity. Ask a question and give support. Who cares about the features? 2012 after Mozilla detected a security flaw and recommended downgrading to. Access the feature for android firefox remove by now called extensions available for recommended by ad blockers work unencumbered by ad is a set to. This will open large number of your browser extensions that pisses me of money if you can either automatically updated their next app integrated into detail of. Dec 01 2017 Firefox Quantum's interface is still extremely customizable thanks to. Where is the back latch on Firefox? Mozilla Firefox or simply Firefox is that free quote open-source web browser developed by the. It will not collect data in private browser windows, and when Mozilla shares the results of its research, it will do so in a way that minimizes the risk of users being identified, Boyd said. -
CARLA GANNIS [email protected] :: :: Twitter: @Carlagannis CV
CARLA GANNIS [email protected] :: www.carlagannis.com :: twitter: @carlagannis CV SOLO & TWO PERSON EXHIBITIONS 2017 Carla Gannis, DAM Gallery, Berlin, Germany The Selfie Drawings : An Augmented Reality Artist Book and Installation, Pratt Institute Libraries, Brooklyn, NY Augmented Gardens and Other Emoji Delights, New Media Artspace, Baruch College, New York, NY, curated by Katherine Behar 2016 A Subject Self-Defined, Cyberfest 10, NY Media Center, Brooklyn, NY La Emoji Lujuria, Sedition Art, Online Exhibition A Subject Self-Defined, Transfer Gallery, Brooklyn, NY 2015 The Garden of Emoji Delights, Real Art Ways, Hartford, CT The Garden of Emoji Delights, EBK Gallery, Hartford, CT Robbi Carni, Digital Sweat Gallery, curated by Christian Petersen, Online Exhibition The Garden of Emoji Delights, Hudson River Museum, Yonkers, NY 2014 The Garden of Emoji Delights Kasia Kay Gallery, Chicago, Il The Garden of Emoji Delights, Transfer Gallery, Brooklyn, NY The Non-Facial Recognition Project, Center for the Digital Arts, Peekskill, New York 2013 <legend> </legend> | Carla Gannis & Justin Petropoulos (two-person collaboration), Transfer Gallery, Brooklyn, New York in conjunction with book publication by Jaded Ibis Press of Gannis/ Petropoulos collaboration 2012 The Multiversal Hippozoonomadon & Prismenagerie, Pablo’s Birthday, New York, NY The Non Facial Recognition, Edelman Gallery, New York, NY Pop Noir: Carla Gannis & Sandra Bermudez (two-person), The George Gallery, Laguna Beach, CA 2010 What is not on my mind, Pablo’s Birthday, New -
Screenshots: Desire and Automated Image
ScreenShots: Desire and Automated Image Symposium in Kunsthal Aarhus, March 8th from 10.00-16.00 Programme: 10.00–10.30: Arrival and Coffee 10.30-10.45: Welcome and Introduction by Beate Cegielska, Director of Galleri Image and Magdalena Tyżlik-Carver, curator of the exhibition/symposium and Assistant Professor at Aarhus University, Digital Design department. 10.45-11.30: Panel 1 (Chaired by Magdalena Ty żlik-Carver) Geoff Cox: “Seeing Machines and Social Desire”. Kristoffer Ørum: “It Sings for Us of What We Might Become”. 11.30-12.00: Q&A 12.00-13.15: Lunch Break 13.15-14.00: Panel 2 (Chaired by Søren Pold, AU) Katrina Sluis: “Fully Automated Luxury Photography Now!” Winnie Soon: “Operative Screenshots: Sorting The Photographic Slides With An Algorithm” 14.00-14.20 Q&A 14.20-14.50: Coffee break 14.50-15.25: Michael Mandiberg: “Excessive data, emotional data” +Q&A (Chaired by Lea Laura Michelsen, AU) 15.25-16.00: LaTurbo Avedon: “[layers, composites]” + Q&A (Chaired by Magdalena Tyżlik-Carver) 16.00: End of the Symposium 17.00-19.00: Opening of the exhibition in Galleri Image with the performance Drawing with Sound by Anna Ridler. You can also receive’ a tattoo art work as part of Sarah Shorr's installation of “Saving screens: Temporary Tattoos and other Methods” (*while supplies last). Abstracts: Geoff Cox, “Seeing Machines and Social Desire”: Seeing isn’t simply a case of objective optical projections but implies a point of view, or “Ways of Seeing” (John Berger). Referring to the ongoing project “Ways of Machine Seeing”, the talk will ask how developments in machine vision further unsettle the relations between what we see and know, and then extends this to generalised automation and “desiring machines”. -
Towards Post-Digital Aesthetics
S A J _ 2015 _ 7 _ original scientific article approval date 25 07 2015 UDK BROJEVI: 72.038.53 COBISS.SR-ID 220470284 TOWARDS POST-DIGITAL AESTHETICS A B S T R A C T Over the past decades, digital technology and media had firmly integrated into almost all areas of contemporary culture and society. In this context, the Internet, computers or mobile phones are no longer considered products of new media, but instead are taken for granted. With this background in mind, this paper suggests taking a post-digital perspective on today’s media society. The concept of post-digital refers to an aesthetics that no longer regards digital technology as a revolutionary phenomenon, but instead as a normal aspect of people’s daily life. More precisely, post-digital aesthetics deals with an environment where digital technology became such a commonplace that its existence is frequently no longer acknowledged. Based on the analysis of contemporary artworks and practices inspired by their surroundings, this paper aims to bring those phenomena into consciousness that became unnoticeable in the contemporary digital environment. For this purpose, this investigation goes beyond the formal- aesthetic analysis, but instead focuses on the investigation of the receptive act. Concretely, post-digital aesthetics seeks to describe and analyze the changing modes of perception affected by the increased digitization of one’s surroundings. In the context of this analysis, aesthetics is thus understood not as the goal per se, but rather as the means to enhance the understanding of contemporary digital culture. Anna Daudrich 213 KEY WORDS Friedrich-Alexander-Universität Erlangen-Nürnberg POST-DIGITAL DIGITAL TECHNOLOGY AESTHETICS CHANGED PERCEPTION S A J _ 2015 _ 7 _ INTRODUCTION Over the past decades, digital technology and media had firmly integrated into almost all areas of contemporary culture and society. -
London Design Festival 14–22 September 2019 Londondesignfestival.Com #Ldf19 the Guide
THE GUIDE LONDON DESIGN FESTIVAL 14–22 SEPTEMBER 2019 LONDONDESIGNFESTIVAL.COM #LDF19 MASTER OF MATERIALS RADO.COM RADO TRUE THINLINE STUDS DESIGNED IN COLLABORATION WITH BRITISH DESIGNER BETHAN GRAY. Welcome to the official London Design Festival We hope you enjoy the 17th edition, and do share Guide. The Festival celebrates and promotes your images with us, tagging in @l_d_f_official London as the design capital of the world, and as the gateway to the international design community. Download My Festival at londondesignfestival.com/myfestival MAIN PARTNER The Guide, along with the official My Festival app, is here to help you find your way around all Festival projects and events across the city. #LDF19 VOTE FOR YOUR FAVOURITE SHORTLISTED ENTRY AT THE RADO EXHIBITION DURING DESIGNJUNCTION, 2 LONDONDESIGNFESTIVAL.COM19TH - 22ND SEPTEMBER#LDF19 2019. SEE THE PROJECTS AT radostarprize.rado.com/uk/finalists 3 BECCA 2 LONDONDESIGNFESTIVAL.COM #LDF19 TERRY CREWS 3 BeccaRed_LDFGuide_DPS_062019.indd All Pages 6/20/19 11:20 AM WELCOME CHAIRMAN DIRECTOR SIR JOHN SORRELL CBE BEN EVANS CBE Welcome to the 17th edition of London Design London is a big place. It is why, for a number Festival, which celebrates innovative and exciting of years, we have been encouraging different thinking by an international design community districts to set up their own design programmes. driven by a positive and creative attitude. Thanks This year there are 11 different Design Districts – to its scale, the Festival explores a huge diversity Bankside, Brompton, Chelsea, Clerkenwell, of design disciplines and talent and reaches into King’s Cross, Marylebone, Mayfair, Pimlico, the far corners of the world’s creative capital. -
Morning Mirror / Evening Mirror by Laturbo Avedon Launches on the Whitney’S Artport
Screenshot of Morning Mirror / Evening Mirror at sunrise MORNING MIRROR / EVENING MIRROR BY LATURBO AVEDON LAUNCHES ON THE WHITNEY’S ARTPORT NEW YORK, MARCH 4, 2021—The Whitney Museum of American Art today announced the debut of Morning Mirror / Evening Mirror by LaTurbo Avedon on artport, the Whitney’s portal to Internet art and online gallery space for commissions of net art. Morning Mirror / Evening Mirror is a Sunrise/Sunset project—a series of Internet art projects commissioned by the Whitney specifically for whitney.org to mark sunset and sunrise in New York City every day. For this project, LaTurbo Avedon created fourteen videos, which depict digital flythroughs of a 3-D apartment, that play within the frame of a virtual mirror that is overlaid on whitney.org. Seven distinct scenes, for sunrise and sunset, respectively, are shuffled for playback each day, offering glimpses into the apartment inhabited by Avedon's virtual selves. Functioning as both a surface for reflection and a window into a different world, Avedon’s mirror presents whitney.org visitors with a variety of scenes, from nature flourishing across living rooms to green screens and stage lights consuming the home studio. Visitors anywhere on whitney.org during sunset or sunrise will experience Morning Mirror / Evening Mirror. “The experience of virtual existence lies at the core of LaTurbo's practice," said Christiane Paul, adjunct curator of digital art at the Whitney Museum. "This work feels particularly resonant in our current moment of heightened physical seclusion and increased digital engagement. On a daily basis, we see ourselves mirrored in online environments where the private physical spaces in which we lead our often-isolated existence are inserted into the public virtual world.” For the past ten years, LaTurbo Avedon has worked exclusively as an avatar, spending thousands of hours on the creation and exploration of virtual worlds and identities. -
Special Characters A
453 Index ■ ~/Library/Safari/WebpageIcons.db file, Special Characters 112 $(pwd) command, 89–90 ~/Library/Saved Searches directory, 105 $PWD variable, 90 ~/Library/Services directory, 422–423 % (Execute As AppleScript) menu option, ~/Library/Workflow/Applications/Folder 379 Actions folder, 424 ~/ directory, 6, 231 ~/Library/Workflows/Applications/Image ~/bin directory, 6, 64, 291 Capture folder, 426 ~/Documents directory, 281, 290 ~/Movies directory, 323, 348 ~/Documents/Knox directory, 255 ~/Music directory, 108, 323 ~/Downloads option, 221, 225 ~/Music/Automatically Add To iTunes ~/Downloads/Convert For iPhone folder, folder, 424 423–424 ~/Pictures directory, 281 ~/Downloads/MacUpdate ~/.s3conf directory, 291 Desktop/MacUpdate Desktop ~/ted directory, 231 2010-02-20 directory, 16 ~/Templates directory, 60 ~/Downloads/To Read folder, 425 ~/Templates folder, 62 ~/Dropbox directory, 278–282 Torrent program, 236 ~/Library folder, 28 1Password, 31, 135, 239–250 ~/Library/Application 1Password extension button, 247–248 Support/Evom/ffmpeg directory, 1Password.agilekeychain file, 249 338 1PasswordAnywhere tool, 249 ~/Library/Application 1Password.html file, 250 Support/Fluid/SSB/[Your 2D Black option, 52 SSB]/Userstyles/ directory, 190 2D With Transparency Effect option, 52 ~/Library/Application Support/TypeIt4Me/ 2-dimensional, Dock, 52 directory, 376 7digital Music Store extension, 332 ~/Library/Caches/com.apple.Safari/Webp age Previews directory, 115 ~/Library/Internet Plug-Ins directory, 137 ■A ~/Library/LaunchAgents directory, 429, 432