2021 Program Guide
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M.Sc. RESEARCH THESIS LARGE-SCALE MUSIC
LARGE-SCALE MUSIC CLASSIFICATION USING AN APPROXIMATE k-NN CLASSIFIER Haukur Pálmason Master of Science Computer Science January 2011 School of Computer Science Reykjavík University M.Sc. RESEARCH THESIS ISSN 1670-8539 Large-Scale Music Classification using an Approximate k-NN Classifier by Haukur Pálmason Research thesis submitted to the School of Computer Science at Reykjavík University in partial fulfillment of the requirements for the degree of Master of Science in Computer Science January 2011 Research Thesis Committee: Dr. Björn Þór Jónsson, Supervisor Associate Professor, Reykjavík University, Iceland Dr. Laurent Amsaleg Research Scientist, IRISA-CNRS, France Dr. Yngvi Björnsson Associate Professor, Reykjavík University, Iceland Copyright Haukur Pálmason January 2011 Large-Scale Music Classification using an Approximate k-NN Classifier Haukur Pálmason January 2011 Abstract Content based music classification typically uses low-level feature vectors of high-dimensionality to represent each song. Since most classification meth- ods used in the literature do not scale well, the number of such feature vec- tors is usually reduced in order to save computational time. Approximate k-NN classification, on the other hand, is very efficient and copes better with scale than other methods. It can therefore be applied to more feature vec- tors within a given time limit, potentially resulting in better quality. In this thesis, we first demonstrate the effectiveness and efficiency of approximate k-NN classification through a traditional genre classification task, achieving very respectable accuracy in a matter of minutes. We then apply the approx- imate k-NN classifier to a large-scale collection of more than thirty thousand songs. We show that, through an iterative process, the classification con- verges relatively quickly to a stable state. -
100 Amazing Facts About the Negro
The USCA4Truth Behind Appeal: '40 Acres 18-4794and a Mule' | African Doc: American 50-1 History Blog Filed: | The African03/23/2020 Americans: Many Pg: Rivers 1 of to 13 Cross This website is no longer actively maintained Some material and features may be unavailable HOME VIDEO HISTORY YOUR STORIES CLASSROOM PARTNER CONTENT ABOUT SHOP CONNECT WITH PROF. GATES! 100 Amazing Facts About the Negro The Truth Behind ’40 Acres and a Mule’ by Henry Louis Gates, Jr. | Originally posted on The Root We’ve all heard the story of the “40 acres and a mule” promise to former slaves. It’s a staple of black history lessons, and it’s the name of Spike Lee’s film company. The promise was the first systematic attempt to provide a form of reparations to newly freed slaves, and it wasNo. astonishingly 18-4794, radical viewedfor its time, 3/04/2020 proto-socialist in its implications. In fact, such a policy would be radical in any country today: the federal government’s massive confiscation of private property — some 400,000 acres — formerly owned by Confederate land owners, and its methodical redistribution to former black slaves. What most of us haven’t heard is that the idea really was generated by black leaders themselves. It is difficult to stress adequately how revolutionary this idea was: As the historian Eric Foner puts it in his book, Reconstruction: America’s Unfinished Revolution, 1863- 1877, “Here in coastal South Carolina and Georgia, the prospect beckoned of a transformation of Southern society more radical even than the end of slavery.” Try -
The Imagined West
CHAPTER 21 The Imagined West FOR more than a century the American West has been the most strongly imagined section of the United States. The West of Anglo American pioneers and Indians began reimagining itself before the conquest of the area was fully complete. In the late nineteenth century, Sitting Bull and Indians who would later fight at Wounded Knee toured Europe and the United States with Buffalo Bill in his Wild West shows. They etched vivid images of Indian fights and buffalo hunts into the imaginations of hundreds of thousands of people. The ceremonials of the Pueblos became tourist attractions even while the Bureau of Indian Affairs and missionaries struggled to abolish them. Stories about the West evolved into a particular genre, the Western, which first as novels and later as films became a defining element of American popular culture. By 1958, Westerns comprised about 11 percent of all works of fiction pubHshed in the United States, and Hollywood turned out a Western movie every week. In 1959 thirty prime-time television shows, induding eight of the ten most watched, were Westerns. Mid-twentieth-century Americans consumed such enormous quantities of imagined adventures set in the West that one might suspect the decline of the Western in the 1970s and 1980s resulted from nothing more than a severe case of cultural indigestion. This gluttonous consumption of fictions about the West is, however, only part of the story. Americans have also actively imagined their own Wests. A century of American children grew up imagining themselves to be cowboys and Indians. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Notes and Sources for Evil Geniuses: the Unmaking of America: a Recent History
Notes and Sources for Evil Geniuses: The Unmaking of America: A Recent History Introduction xiv “If infectious greed is the virus” Kurt Andersen, “City of Schemes,” The New York Times, Oct. 6, 2002. xvi “run of pedal-to-the-medal hypercapitalism” Kurt Andersen, “American Roulette,” New York, December 22, 2006. xx “People of the same trade” Adam Smith, The Wealth of Nations, ed. Andrew Skinner, 1776 (London: Penguin, 1999) Book I, Chapter X. Chapter 1 4 “The discovery of America offered” Alexis de Tocqueville, Democracy In America, trans. Arthur Goldhammer (New York: Library of America, 2012), Book One, Introductory Chapter. 4 “A new science of politics” Tocqueville, Democracy In America, Book One, Introductory Chapter. 4 “The inhabitants of the United States” Tocqueville, Democracy In America, Book One, Chapter XVIII. 5 “there was virtually no economic growth” Robert J Gordon. “Is US economic growth over? Faltering innovation confronts the six headwinds.” Policy Insight No. 63. Centre for Economic Policy Research, September, 2012. --Thomas Piketty, “World Growth from the Antiquity (growth rate per period),” Quandl. 6 each citizen’s share of the economy Richard H. Steckel, “A History of the Standard of Living in the United States,” in EH.net (Economic History Association, 2020). --Andrew McAfee and Erik Brynjolfsson, The Second Machine Age: Work, Progress, and Prosperity in a Time of Brilliant Technologies (New York: W.W. Norton, 2016), p. 98. 6 “Constant revolutionizing of production” Friedrich Engels and Karl Marx, Manifesto of the Communist Party (Moscow: Progress Publishers, 1969), Chapter I. 7 from the early 1840s to 1860 Tomas Nonnenmacher, “History of the U.S. -
4BH 1000 Best Songs 2011 Prez Final
The 882 4BH1000BestSongsOfAlltimeCountdown(2011) Number Title Artist 1000 TakeALetterMaria RBGreaves 999 It'sMyParty LesleyGore 998 I'llNeverFallInLoveAgain BobbieGentry 997 HeavenKnows RickPrice 996 ISayALittlePrayer ArethaFranklin 995 IWannaWakeUpWithYou BorisGardiner 994 NiceToBeWithYou Gallery 993 Pasadena JohnPaulYoung 992 IfIWereACarpenter FourTops 991 CouldYouEverLoveMeAgain Gary&Dave 990 Classic AdrianGurvitz 989 ICanDreamAboutYou DanHartman 988 DifferentDrum StonePoneys/LindaRonstadt 987 ItNeverRainsInSouthernCalifornia AlbertHammond 986 Moviestar Harpo 985 BornToTry DeltaGoodrem 984 Rockin'Robin Henchmen 983 IJustWantToBeYourEverything AndyGibb 982 SpiritInTheSky NormanGreenbaum 981 WeDoIt R&JStone 980 DriftAway DobieGray 979 OrinocoFlow Enya 978 She'sLikeTheWind PatrickSwayze 977 GimmeLittleSign BrentonWood 976 ForYourEyesOnly SheenaEaston 975 WordsAreNotEnough JonEnglish 974 Perfect FairgroundAttraction 973 I'veNeverBeenToMe Charlene 972 ByeByeLove EverlyBrothers 971 YearOfTheCat AlStewart 970 IfICan'tHaveYou YvonneElliman 969 KnockOnWood AmiiStewart 968 Don'tPullYourLove Hamilton,JoeFrank&Reynolds 967 You'veGotYourTroubles Fortunes 966 Romeo'sTune SteveForbert 965 Blowin'InTheWind PeterPaul&Mary 964 Zoom FatLarry'sBand 963 TheTwist ChubbyChecker 962 KissYouAllOver Exile 961 MiracleOfLove Eurythmics 960 SongForGuy EltonJohn 959 LilyWasHere DavidAStewart/CandyDulfer 958 HoldMeClose DavidEssex 957 LadyWhat'sYourName Swanee 956 ForeverAutumn JustinHayward 955 LottaLove NicoletteLarson 954 Celebration Kool&TheGang 953 UpWhereWeBelong -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Songs by Artist 08/29/21
Songs by Artist 09/24/21 As Sung By Song Title Track # Alexander’s Ragtime Band DK−M02−244 All Of Me PM−XK−10−08 Aloha ’Oe SC−2419−04 Alphabet Song KV−354−96 Amazing Grace DK−M02−722 KV−354−80 America (My Country, ’Tis Of Thee) ASK−PAT−01 America The Beautiful ASK−PAT−02 Anchors Aweigh ASK−PAT−03 Angelitos Negros {Spanish} MM−6166−13 Au Clair De La Lune {French} KV−355−68 Auld Lang Syne SC−2430−07 LP−203−A−01 DK−M02−260 THMX−01−03 Auprès De Ma Blonde {French} KV−355−79 Autumn Leaves SBI−G208−41 Baby Face LP−203−B−07 Beer Barrel Polka (Roll Out The Barrel) DK−3070−13 MM−6189−07 Beyond The Sunset DK−77−16 Bill Bailey, Won’t You Please Come Home? DK−M02−240 CB−5039−3−13 B−I−N−G−O CB−DEMO−12 Caisson Song ASK−PAT−05 Clementine DK−M02−234 Come Rain Or Come Shine SAVP−37−06 Cotton Fields DK−2034−04 Cry Like A Baby LAS−06−B−06 Crying In The Rain LAS−06−B−09 Danny Boy DK−M02−704 DK−70−16 CB−5039−2−15 Day By Day DK−77−13 Deep In The Heart Of Texas DK−M02−245 Dixie DK−2034−05 ASK−PAT−06 Do Your Ears Hang Low PM−XK−04−07 Down By The Riverside DK−3070−11 Down In My Heart CB−5039−2−06 Down In The Valley CB−5039−2−01 For He’s A Jolly Good Fellow CB−5039−2−07 Frère Jacques {English−French} CB−E9−30−01 Girl From Ipanema PM−XK−10−04 God Save The Queen KV−355−72 Green Grass Grows PM−XK−04−06 − 1 − Songs by Artist 09/24/21 As Sung By Song Title Track # Greensleeves DK−M02−235 KV−355−67 Happy Birthday To You DK−M02−706 CB−5039−2−03 SAVP−01−19 Happy Days Are Here Again CB−5039−1−01 Hava Nagilah {Hebrew−English} MM−6110−06 He’s Got The Whole World In His Hands -
Gender in Televised Sports: News and Highlight Shows, 1989-2009
GENDER IN TELEVISED SPORTS NEWS AND HIGHLIGHTS SHOWS, 1989‐2009 CO‐INVESTIGATORS Michael A. Messner, Ph.D. University of Southern California Cheryl Cooky, Ph.D. Purdue University RESEARCH ASSISTANT Robin Hextrum University of Southern California With an Introduction by Diana Nyad Center for Feminist Research, University of Southern California June, 2010 1 TABLE OF CONTENTS I. INTRODUCTION by Diana Nyad…………………………………………………………………….………..3 II. SUMMARY OF FINDINGS…………………………………………………………………………………………4 III. DESCRIPTION OF STUDY…………………………………………………………………………………………6 IV. DESCRIPTION OF FINDINGS……………………………………………………………………………………8 1. Sports news: Coverage of women’s sports plummets 2. ESPN SportsCenter: A decline in coverage of women’s sports 3. Ticker Time: Women’s sports on the margins 4. Men’s “Big Three” sports are the central focus 5. Unequal coverage of women’s and men’s pro and college basketball 6. Shifting portrayals of women 7. Commentators: Racially diverse; Sex‐segregated V. ANALYSIS AND INTERPRETATION OF FINDINGS…………………………………………………….22 VI. REFERENCES……………………………………………………………………………………..…………………28 VII. APPENDIX: SELECTED WOMEN’S SPORTING EVENTS DURING THE STUDY…………..30 VIII. BACKGROUND AND PURPOSE OF THE STUDY………………………………….…………….….33 IX. ACKNOWLEDGEMENTS……………………………………………………………………………………….34 X. ABOUT THE CO‐INVESTIGATORS………………………………………………………………..….…….35 2 I. INTRODUCTION By Diana Nyad For two decades, the GENDER IN TELEVISED SPORTS report has tracked the progress— as well as the lack of progress—in the coverage of women’s sports on television news and highlights shows. One of the positive outcomes derived from past editions of this valuable study has been a notable improvement in the often‐derogatory ways that sports commentators used to routinely speak of women athletes. The good news in this report is that there is far less insulting and overtly sexist treatment of women athletes than there was twenty or even ten years ago. -
Chris Cadillac Song List
CHRIS CADILLAC SONG LIST ROLL OVER BEETHOVEN YOU NEVER CAN TELL MAYBELLINE CHUCK BERRY NO PARTICULAR PLACE SWEET LITTLE ROCK n’ ROLLER MY DING ‘A LING TUTTI FRUTTI LITTLE RICHARD LUCILLE GOOD GOLLY MISS MOLLY JAILHOUSE ROCK BLUE SUEDE SHOES I CAN’T HELP FALLING IN LOVE ELVIS MY WAY YOU’D BE SO LONELY TREAT ME NICE HEARTBREAK HOTEL MY GIRL / LET’S STAY TOGETHER DOCK OF THE BAY TRY A LITTLE TENDERNESS OTIS REDDING CIGARETTES AND COFFEE A CHANGE IS GONNA COME I’VE GOT DREAMS TO REMEMBER HARD TO HANDLE AIN’T NO SUNSHINE JUST THE 2 OF US BILL WITHERS LEAN ON ME KISSING MY LOVE PROUD MARY BAD MOON RISING CREEDANCE SUZIE Q HAVE YOU EVER SEEN THE RAIN I GOT A WOMAN I LOVE HER SO RAY CHARLES HIT THE ROAD JACK GEORGIA WHAT I SAY ONE AFTER NINE O NINE HEY JUDE COME TOGETHER HARD DAY’S NIGHT IMAGINE THE BEATLES LET IT BE DON’T LET ME DOWN 8 DAYS A WEEK LADY MADONNA DAY TRIPPER ELEANOR RIGBY CONCRETE JUNGLE COULD YOU BE LOVE ONE LOVE BOB MARLEY IS THIS LOVE REDEMPTION SONG THREE LITTLE BIRDS PEACEFUL EASY FEELING DESPERADO TAKE IT EASY EAGLES TEQUILA SUNRISE HOTEL CALIFORNIA ONE OF THESE NIGHTS SO LONELY MESSAGE IN A BOTTLE POLICE ENGLISHMAN IN NEW YORK ROXANNE SMOOTH CRIMINAL HUMAN NATURE MICHAEL JACKSON BILLIE JEAN BEAT IT LOVE NEVER FELT SO GOOD 1999 CREAM KISS PURPLE RAIN WHEN DOVES CRY I WANNA BE YOUR LOVER LET’S GO CRAZY PRINCE I WOULD DIE FOR YOU RASBERRY BERET MONEY DON’T MATTER 2 NIGHT MUSICOLOGY LIFE ‘O’ THE PARTY DEAR MR. -
Mormons and the Ecological Geography Of
Changes in the West : Mormons and the ecological geography of nationalism by Willard John McArthur A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History Montana State University © Copyright by Willard John McArthur (1999) Abstract: Environmental historians have made fruitful endeavors in exploring the ways in which human communities modify the landscapes in which they live. However, nationalism is one area that has exhibited a tremendous influence on the course of modem history, yet has been little studied in its relationship to the environment. This thesis looks at the ways in which nationalism-a sense of connection to the larger nation— has influenced those modifications, and how those modifications have influenced and affected those making changes. This thesis looks to the early Mormon migrants to the West as a case study on how nationalism has influenced environmental change. Using an interdisciplinary approach, this argument relies on the work of intellectual historians of nationalism, environmental historians, geographers, and ecologists\biologists. Using these studies as a framework, this thesis posits a method for identifying nationalized landscapes: recognizing circumscribed landscapes, simplified environments, and lands that are connected spatial and temporally to the larger nation identifies a nationalized landscape. In particular, this thesis looks at fish, trees, and riparian zones as areas of change. Using the identifying markers of circumscription, simplification, and connection has uncovered that Mormons did indeed make changes in the landscape that were influenced by nationalism. These changes made to the land, influenced by nationalism, created a redesigned nature, that in turn influenced human relationships. -
Reportto the Community
REPORT TO THE COMMUNITY Public Broadcasting for Greater Washington FISCAL YEAR 2020 | JULY 1, 2019 – JUNE 30, 2020 Serving WETA reaches 1.6 million adults per week via local content platforms the Public Dear Friends, Now more than ever, WETA is a vital resource to audiences in Greater THE WETA MISSION in a Time Washington and around the nation. This year, with the onset of the Covid-19 is to produce and hours pandemic, our community and our country were in need. As the flagship 1,200 distribute content of of new national WETA programming public media station in the nation’s capital, WETA embraced its critical role, of Need responding with enormous determination and dynamism. We adapted quickly intellectual integrity to reinvent our work and how we achieve it, overcoming myriad challenges as and cultural merit using we pursued our mission of service. a broad range of media 4 billion minutes The American people deserved and expected information they could rely to reach audiences both of watch time on the PBS NewsHour on. WETA delivered a wealth of meaningful content via multiple media in our community and platforms. Amid the unfolding global crisis and roiling U.S. politics, our YouTube channel nationwide. We leverage acclaimed news and public affairs productions provided trusted reporting and essential context to the public. our collective resources to extend our impact. of weekly at-home learning Despite closures of local schools, children needed to keep learning. WETA 30 hours programs for local students delivered critical educational resources to our community. We significantly We will be true to our expanded our content offerings to provide access to a wide array of at-home values; and we respect learning assets — on air and online — in support of students, educators diversity of views, and families.