Choral Evensong
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The Choir of Saint John's College, Cambridge
PROGRAM William Byrd: Civitas sancti tui Henry Purcell: Remember Not, Lord, Our Offences Rejoice in the Lord Alway J. S. Bach: Trio super Herr Jesu Christ, dich zu uns wend, BWV 655 Glen Dempsey, organ Francis Poulenc: Mass in G Major, FP 89 Kyrie Gloria Sanctus Benedictus Agnus Dei Dieterich Buxtehude: Praeludium in E Major, BuxWV 141 Glen Dempsey, organ Jonathan Harvey: The Annunciation PROGRAM: Jonathan Dove: Gloria (Missa Brevis) THE CHOIR OF INTERMISSION ST. JOHN’S COLLEGE, CAMBRIDGE C. Hubert H. Parry: Hear My Words, Ye People MARCH 29 / 7:30 PM Edward Elgar: Imperial March, op. 32 MEMORIAL CHURCH Joseph Wicks, organ William Harris: Faire Is the Heaven ARTISTS James Burton: O Thoma! Choir of St. John’s College, Cambridge Andrew Nethsingha, director of music Joseph Wicks and Glen Dempsey, organ This program is presented by the Office for Religious Life in partnership with Stanford Live, with additional support from Clint and Mary Gilliland and the Stanford Department of Music. PROGRAM SUBJECT TO CHANGE. Please be considerate of others and turn off all phones, pagers, and watch alarms, and unwrap all lozenges prior to the performance. Photography and recording of any kind are not permitted. Thank you. 26 STANFORD LIVE MAGAZINE MARCH 2016 PROGRAM: THE CHOIR OF ST. JOHN’S COLLEGE, CAMBRIDGE extraordinary and extensive discography. In 2009 the choir signed with Chandos Records, and its first 11 CDs on the label—with music spanning 500 years—have garnered international critical acclaim: Howells’ St. John’s Magnificat; Hear My Words, popular choral classics; Laudent Deum, a CD of Lassus’ works including many previously unrecorded motets; On Christmas Night; Mozart Coronation Mass; Purcell’s My Beloved Spake; Samuel Sebastian Wesley’s Ascribe unto the Lord; Sheppard’s Gaude, gaude, gaude Maria; Tomkins’ When David Heard; an album of French organ masses, O Sacrum Convivium; and The Call, a second album of popular classics released in September 2015. -
INTERVIEWS with the DIRECTORS of Five ENGLISH CHOIRS of MEN and BOYS by Ronald R
•••••••• CI ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• INTERVIEWS WITH THE DIRECTORS OF FIvE ENGLISH CHOIRS OF MEN AND BOYS by Ronald R. Sider HE FOLLOWING British choirs touring under the History and Tradition interviews were conducted auspices of Truckenbrod during July of 1990. The management are: Christ Church, History and tradition surround these five directors included were Oxford (March 1992); Trinity choirs. At St. Paul's Cathedral, selected because they and College, Cambridge (September music spans at least 800 years. The their choirs were scheduled 1992); Clare College, Cambridge earliest written records show a choir to tour the United States in (September 1993); and Canterbury school's existence in the 12th the ensuing several years, Cathedral (April 1994) . Choirs century. At King's College, when the and it was felt that American statutes of the College were choral conductors would .STEPF-IEN'·CEEOBURV'::-'"'' ""'1 laid down in 1445, six welcome information about fN, 'r2C1 0', III, ITT ~":r!R'I' singing men and 15 singing the choirs and their touring If1llUIJ VLll.JLU1...Ii boys were on the list of schedules. ' 'd establishment. St. John's St. John's College Choir, Camh, .n~e College received its charter in under George Guest, who 1511, and a chapel choir has has recently retired, com .PHILIP MOORE . '1,i sung daily services since that pleted a tour in October of rCYT'Pl1 -u: 1 time. Perhaps most impres- 1990; York Minster Choir, YORK.M1IY0.ll...JI:l.lJork . sive is York Minster, which under Philip Moore, toured I has had a functioning choir this past spring. The tour NELL,' III school since 6271 Tradition plans for Westminster -JAMES O'DON' defines and delineates Cathedral Choir, under 'W.ESf.MllYsmR.(JfJJf]5DRALfl function, and consequently J ames O'Donnell, did not 'T X-.nA,, OYJ, : ,Iii the service of Evensong is develop. -
American Choral Review Journal of the American Choral Foundation, Published by Chorus America | Timothy Newton, Editor
Volume 57 Number 1 Summer/Fall 2017 American Choral Review Journal of The American Choral Foundation, published by Chorus America | Timothy Newton, Editor Editor’s Note of Introduction With this issue, I assume the editorship of the to cover, I immediately looked forward to the next American Choral Review, following in the steps of no- one. A few years later, I had the opportunity to meet table choral musicians and scholars Arthur Mann, Alfred Mann while studying with William Weinert William Weinert, and James John. While living in during an Eastman Summer Session. I was so pleased Chicago in the early 90s, I had the opportunity to to meet the founder of this journal, and also the per- coach with one of my choral heroes, Margaret Hillis, son who trained one of my favorite musicology pro- from whom I had absorbed ideas of score preparation. fessors at Ithaca, a young Donald Boomgaarden. So, it She helped me prepare The Creation when a conduc- is the great respect I have for Alfred Mann, William tor for whom I accompanied suddenly became indis- Weinert, and my colleague James John that compelled posed. As a result of working with her, I remember me to accept this position. I want to thank Jim and receiving my first copy of the journal in the mail in Bill for the years of detailed excellence and contribu- 1993, and being enthralled with the scholarly arti- tions to this journal and to the field of choral music cles, the reviews of recordings, music, and concerts. research. I look forward to their continued guidance Paired with the professional focus and advocacy of on the Editorial Board, along with the notable scholar Chorus America, I appreciated the niche that this and conductor David DeVenney at West Chester Uni- concise journal provided for focused choral research versity, and musicologist Michael Alan Anderson at articles and reviews. -
Choir School News • 3 Memories of John Scott from the Choir School Community
Can- Dom- tate ino Choir School News A Newsletter for Alumni & Friends of Saint Thomas Choir School WINTER/SPRING 2016 ©2016 Studios Ira Lippke John Gavin Scott (1956-2015) This edition of the Choir School News is in thanksgiving for the life and witness of John Scott. Here, alumni, parents, colleagues and friends share memories and reflections of his extraordinary impact on this community. Through John’s gifts, people not only experienced music of the highest caliber, but were also drawn deeper into the mystery of God. For all of us, John’s death was a terrible shock. It has caused us to reflect on how fragile life can be. Even as we have moved forward at the Choir School, we continue to miss him and entrust him to God’s care and protection. I invite you to share in our common life through these pages. –Charles F. Wallace, Headmaster IN MEMORIAM EXCERPTS FROM FATHER MEAD’S HOMILY AT JOHN SCOTT’S FUNERAL Evensong and a recital of Buxtehude. I asked John, who was then forty-seven but had been at St. Paul’s since his mid-twenties, would he be interested in coming to Saint Thomas? He would be interested, he replied, but that if I would please understand he would like not to have to apply. Very well; would he give me his resume? Yes, he would. This was pure John. As John prepared to leave St. Paul’s, Her Majesty Queen Elizabeth made him a Lieutenant of the Victorian Order (LVO) for his distinguished services to the Crown at London’s great cathedral, where John led the music for many royal and state occasions – not to mention the daily round of choral evensongs and other liturgies. -
St George's Chapel, Windsor Castle
THE QUEEN’S FREE CHAPEL THE CHAPEL OF THE COLLEGE OF ST GEORGE ST GEORGE’S CHAPEL THE CHAPEL OF THE MOST HONOURABLE & NOBLE ORDER OF THE GARTER www.stgeorges-windsor.org Services and Music from Sunday 23 to Saturday 29 June 2019 Sunday 23 8.30 am Holy Communion FIRST SUNDAY 10.45 am Mattins Canticles: Weelkes First Service Responses: Radcliffe AFTER TRINITY Organ Voluntary: Vierne Final Symphonie 1 Psalm 55 vv 1–10 Preacher: The Reverend Canon Dr Mark Powell, Steward of the College Hymns 232, 391, 235 Collections for Age UK and the College of St George. 12 noon Sung Eucharist Setting: Mozart Missa Brevis in F Hymns 390 (493), 282, Gradual: Plainsong I said, Lord, be merciful unto me 398 (395) Organ Voluntary: Wesley Fugue in C 5.15 pm Evensong Introit: Walford Davies God be in my head Canticles: Sumsion in G Responses: Radcliffe Cantoris (b) Anthem: Herbert Howells Like as the hart Psalm 57 Organ Voluntary: Bach Prelude in B minor BWV 544 Hymn 248 (ii) Collection to support The Queen’s Choral Foundation. Monday 24 7.30 am Mattins Psalm 50 BIRTH OF JOHN 8.00 am Holy Communion THE BAPTIST 5.15 pm Evensong Canticles: Lassus Terti toni Responses: Radcliffe Anthem: Gibbons Great Lord of Lords Psalm 80 vv 1–9 Tuesday 25 7.30 am Mattins Psalm 36 8.00 am Holy Communion 5.15 pm Evensong Canticles: Stanford in G Responses: Radcliffe Anthem: Thomas Mudd Let thy merciful ears Psalm 33 vv 1–12 Wednesday 26 7.30 am Mattins Psalm 34 8.00 am Holy Communion 5.15 pm Evensong sung by the John Lyon Motet Choir Canticles: Stanford in C Responses: Cleobury -
Lenten Meditations
Grand Rapids Choir of Men and Boys Lenten & Easter Meditations 29th Season 2019 Andrew Nethsingha Director of Music – St. John’s College Choir, Cambridge Our Lenten concert is all the more special this year by the choir’s fourth residency with Andrew Nethsingha, Director of Music of the Choir of St. John’s College, Cambridge. Andrew is truly one of the most skilled and inspiring choir trainers in the world today. Mr. Nethsingha began as a chorister at Exeter Cathedral where he sang for his father, Lucian Nethsingha. He later studied at the Royal College of Music where he won seven prizes, and at St. John’s College, Cambridge. He held Organ Scholarships under Christopher Robinson at St. George’s Chapel - Windsor Castle, and George Guest at St. John’s College, Cambridge. He next took up the position of Assistant Organist at Wells Cathedral where our Director of Music, Scott Bosscher, sang daily in the choir for Andrew for three years. Mr. Nethsingha was subsequently Director of Music at Truro and Gloucester Cathedrals, and Artistic Director of the Gloucester Three Choirs Festival. He has been the Music Director at St. John’s since 2007. Recent venues where Mr. Nethsingha has inspired both musicians & audiences alike include the Royal Albert Hall & Royal Festival Hall London, Konzerthaus Berlin, Müpa Budapest, Royal Concertgebouw Holland, Singapore Esplanade, Birmingham Symphony Hall and Hong Kong City Hall. We are blessed in west Michigan by Andrew including us in his music making itenery! The Choir of St. John’s College, Cambridge Andrew Nethsingha’s 2019 Grand Rapids residency has been graciously underwritten by Douglas & Barbara Kindschi May & June 2019 - 29th Anniversary Concluding Concerts The Basilica of St. -
Foundation-Choir-Brochure.Pdf
ST JOHN’S COLLEGE, CAMBRIDGE CHORAL FOUNDATION CAMPAIGN SUPPORTING THE SOUND OF ST JOHN’S The special sound of St John’s Introduction from the Master Professor Christopher Dobson, FRS ‘It is the bold, confidently assertive nature of the Choir’s attack under Director of Music Andrew Nethsingha which The Choir of St John’s has been is constantly striking.’ An outstanding enriching the lives of Johnians BBC Music Magazine since at least the seventeenth musical education century, and remains one of the Under the direction of a series of exceptional musicians, amongst whom College’s best-loved institutions as have been George Guest, Christopher Robinson and David Hill, the Choir A chorister education at we celebrate our 500th has become internationally celebrated for its rich, warm and expressive St John’s gives children unique Anniversary. Reflecting on five sound. It has been one of the world’s leading men and boys’ choirs for and exceptional opportunities centuries of Johnian endeavour and over half a century. achievement, we recognise the to grow. Musically, Choir's enormous contribution to In partnership with its School, St John’s routinely produces choristers and academically and as people our well-rounded community of choral students who are regarded as the best in the country. A chorister’s they learn how to get the very talented men and women, who have and will become leaders, training is rigorous, demanding and unforgettable, and many have gone thinkers and achievers in so many fields. best from themselves in the on to become distinguished professional musicians. community of choir and school. -
HOWELLS Missa Sabrinensis
HOWELLS Missa Sabrinensis The Bach Choir BBC Concert Orchestra David Hill conductor HYPERION CDA68294 Herbert Howells (1892-1983) like his friend Vaughan Williams, was not a believer, yet he created a vast amount of religious music for the Anglican church, seeing in the text architecture of ‘immemorial prose’. David Willcocks commissioned the Missa Sabrinensis (Mass of the Severn) for the 1954 Worcester Three Choirs Festival. After its premiere it had few performances until October 1982 when the Bach Choir performed it at the Royal Festival Hall in celebration of Howells’s ninetieth birthday (available on YouTube). Why this should be is a puzzle. It is a challenging work for performers with its complex contrapuntal textures, requiring artists of high calibre and adequate rehearsal time. But it is a masterpiece, one of the great works of 20th century choral music. Although some portions of the work are reminiscent of Vaughan Williams, Holst and Walton that is only because their works are more familiar. Howells was his own man and there was a reason Bliss in his autobiography described Howells as ‘the outstanding talent’ of his generation. In a letter to Walter Emery, Howells described his overall vision, ‘Each [movement] builds itself in obedience not only to the text but to the logical sequence of purely musical ideas’. In this recording Mr Hill and his performers allow us to hear and appreciate Howells’ magnificent detail in all its glory. ’The logical sequence of purely musical ideas…’ is laid before us as impressive as a medieval cathedral; ornate, intricate and wholly satisfying as a work of art. -
St John's Magnificat
includes premiere recordings ST JOHN’S MAGNIFICAT CHORAL WORKS BY Herbert Howells Choir of St John’s College,Cambridge ANDREW NETHSINGHA CHAN 10587 Herbert Howells (1892 –1983) St John’s Magnificat © Clive Barda / ArenaPAL 1 A Sequence for St Michael 10:02 Pablo Strong tenor 2 By the Waters of Babylon* 10:11 3 A Spotless Rose 3:24 Gareth John baritone Magnificat and Nunc Dimittis (Gloucester Service) 11:26 4 Magnificat 6:50 5 Nunc Dimittis 4:31 premiere recording 6 Psalm 142 4:14 premiere recording 7 A Grace for 10 Downing Street 2:29 Dominic Kraemer baritone Francis Williams tenor Herbert Howells 3 8 One Thing Have I Desired 5:38 9 Like as the Hart 5:50 The Choir of St John’s College, Cambridge Thomas Mullock treble Director of Music Andrew Nethsingha Magnificat and Nunc Dimittis Senior Organ Scholar Timothy Ravalde (Collegium Sancti Johannis Cantabrigiense) 7:33 10 Magnificat 4:26 treble counter-tenor tenor bass 11 Nunc Dimittis 3:03 Patrick Baldwin Dominic Collingwood Samuel Furness George Dye Robert Baldwin Oliver Hunt Nicholas Morell Gareth John Ethan Bamber Leo Tomita Bradley Smith Tristan Hambleton 12 Salve Regina 4:44 Alexander Bower-Brown Tom Verney Pablo Strong Dominic Kraemer Thomas Last treble Edward Campbell Francis Williams Basil McDonald Harry Cheatle Henry Neill 13 Te Deum (Collegium Regale) 9:01 Theodore Day Julius Foo TT 75:33 Benjamin Glass * Peter Hicks Paul Whelan baritone William Jackson David Adams violin* Thomas Last Alice Neary cello* Thomas Mullock George Smith Choir of St John’s College, Cambridge Justin Stollery Andrew Nethsingha Thomas Williams 4 5 years was funded by the Carnegie UK Trust ‘48’ in concerts at St John’s. -
5024695-B1915b-635212054123.Pdf
MASS IN G MINOR VAUGHAN WILLIAMS: string of works broadly appropriate to worship MASS IN G MINOR appeared in quick succession (more than half Ralph Vaughan Williams (1872-1958) of the music recorded here emerged during this Vaughan Williams wrote of music as a means of period). Some pieces were commissioned for Mass in G Minor ‘stretching out to the ultimate realities through specific events, or were inspired by particular 1 Kyrie [4.42] the medium of beauty’, enabling an experience performers. But the role of the War in prompting the intensified devotional fervour 2 Gloria in excelsis [4.18] of transcendence both for creator and receiver. Yet – even at its most personal and remote, apparent in many of the works he composed 3 Credo [6.53] as often on this disc – his church music also in its wake should not be overlooked. As a 4 Sanctus – Osanna I – Benedictus – Osanna II [5.21] stands as a public testament to his belief wagon orderly, one of Vaughan Williams’s more 5 Agnus Dei [4.41] in the role of art within the earthly harrowing duties was the recovery of bodies realm of a community’s everyday life. He wounded in battle. Ursula Vaughan Williams, 6 Te Deum in G [7.44] embraced the church as a place in which a his second wife and biographer, wrote that 7 O vos omnes [5.59] broad populace might regularly encounter a such work ‘gave Ralph vivid awareness of 8 Antiphon (from Five Mystical Songs) [3.15] shared cultural heritage, participating actively, how men died’. -
Howells: Cello Concerto, an English Mass
The Choir of King’s College, Cambridge Final Logo Brand Extension Logo 06.27.12 HOWELLS CELLO CONCERTO AN ENGLISH MASS Guy Johnston | Britten Sinfonia Stephen Cleobury | Christopher Seaman KING’S COLLEGE, CAMBRIDGE For more than half a millennium, King’s College Chapel has been the home to one of the world’s most loved and renowned choirs. Since its foundation in 1441 by the 19-year-old King Henry VI, choral services in the Chapel, sung by this choir, have been a fundamental part of life in the College. Through the centuries, people from across Cambridge, the UK and, more recently, the world have listened to the Choir at these services. Despite its deep roots in musical history, King’s has always been at the forefront of technological innovation. In 2012 it created its ‘impeccable’ record label to capture some of the rich heritage of the College, to feature not only the Choir and other resident musicians, but also its prestigious alumni. This recording features two alumni of King’s: Christopher Seaman (conductor, Cello Concerto), a graduate of King’s, and Guy Johnston (soloist, Cello Concerto), a former Chorister. 2 HERBERT HOWELLS AN ENGLISH MASS The Choir of King’s College, Cambridge Britten Sinfonia Stephen Cleobury conductor Ben Parry assistant conductor TE DEUM AND MAGNIFICAT The Choir of King’s College, Cambridge King’s Voices ‘COLLEGIUM REGALE’ Britten Sinfonia Stephen Cleobury conductor CELLO CONCERTO Guy Johnston cello Britten Sinfonia Christopher Seaman conductor ORGAN WORKS Stephen Cleobury organ 3 CD 1 48:58 1 TE DEUM (COLLEGIUM REGALE) 8:53 AN ENGLISH MASS 2 I Kyrie 5:42 3 II Credo * 8:41 4 III Sursum corda 0:58 5 IV Sanctus 2:50 6 V Benedictus 4:13 7 VI Agnus Dei 3:35 8 VII Gloria 9:09 9 MAGNIFICAT (COLLEGIUM REGALE) | orch. -
Gabriel Kney Organ Op
Upcoming Music Events All Events are Free and Open to Public Student Recitals are tentative - call 962-5850 to confirm or visit www.stthomas.edu/music/events Piano Faculty Recital Sun., Apr 20 Brady Educational Center Auditorium 4:00 PM Student Recitals: Geraghty, O’Grady, Thomas & Johnson Fri., Apr 25 Brady Educational Center Auditorium 7:00 PM Kotulski Voice Studio Recital Sun., Apr 27 Brady Educational Center Auditorium 2:00 PM John Scott Student Recital: Kelli Beck Sun., Apr 27 Brady Educational Center Auditorium 5:00 PM Organist Chamber Winds Concert Mon., Apr 28 Brady Educational Center Auditorium 8:00 PM African Music Ensemble Concert in a Fri., May 2 Brady Educational Center Auditorium 7:30 PM Student Recitals: Erik Johnson & Charles Holton Sat., May 3 Brady Educational Center Auditorium 6:00 PM Guest Recital Handbell Choir Concert Sat., May 3 St. Thomas Aquinas Chapel 7:00 PM Liturgical Choir Concert Sun., May 4 St. Thomas Aquinas Chapel 2:00 PM Student Recitals: Michael Berg & Alex Maiers Sun., May 4 Brady Educational Center Auditorium 2:00 PM If you’ve enjoyed tonight’s program, you might enjoy Pipedreams, a radio program for the King of Instruments. Tune into KSJN, 99.5 FM, Sunday evenings at 9:00 PM for The Organ Calendar and Pipedreams, hosted by Michael Barone of Minnesota Public Radio. April 14, 2008 St. Thomas Aquinas Chapel 8:15 PM PROGRAM About the Artist Toccata Settima M. Rossi (1601-1656) John Scott is Organist and Director of Music at St. Thomas Church Fifth Avenue in New York City.