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The Choir of Saint John's College, Cambridge
PROGRAM William Byrd: Civitas sancti tui Henry Purcell: Remember Not, Lord, Our Offences Rejoice in the Lord Alway J. S. Bach: Trio super Herr Jesu Christ, dich zu uns wend, BWV 655 Glen Dempsey, organ Francis Poulenc: Mass in G Major, FP 89 Kyrie Gloria Sanctus Benedictus Agnus Dei Dieterich Buxtehude: Praeludium in E Major, BuxWV 141 Glen Dempsey, organ Jonathan Harvey: The Annunciation PROGRAM: Jonathan Dove: Gloria (Missa Brevis) THE CHOIR OF INTERMISSION ST. JOHN’S COLLEGE, CAMBRIDGE C. Hubert H. Parry: Hear My Words, Ye People MARCH 29 / 7:30 PM Edward Elgar: Imperial March, op. 32 MEMORIAL CHURCH Joseph Wicks, organ William Harris: Faire Is the Heaven ARTISTS James Burton: O Thoma! Choir of St. John’s College, Cambridge Andrew Nethsingha, director of music Joseph Wicks and Glen Dempsey, organ This program is presented by the Office for Religious Life in partnership with Stanford Live, with additional support from Clint and Mary Gilliland and the Stanford Department of Music. PROGRAM SUBJECT TO CHANGE. Please be considerate of others and turn off all phones, pagers, and watch alarms, and unwrap all lozenges prior to the performance. Photography and recording of any kind are not permitted. Thank you. 26 STANFORD LIVE MAGAZINE MARCH 2016 PROGRAM: THE CHOIR OF ST. JOHN’S COLLEGE, CAMBRIDGE extraordinary and extensive discography. In 2009 the choir signed with Chandos Records, and its first 11 CDs on the label—with music spanning 500 years—have garnered international critical acclaim: Howells’ St. John’s Magnificat; Hear My Words, popular choral classics; Laudent Deum, a CD of Lassus’ works including many previously unrecorded motets; On Christmas Night; Mozart Coronation Mass; Purcell’s My Beloved Spake; Samuel Sebastian Wesley’s Ascribe unto the Lord; Sheppard’s Gaude, gaude, gaude Maria; Tomkins’ When David Heard; an album of French organ masses, O Sacrum Convivium; and The Call, a second album of popular classics released in September 2015. -
INTERVIEWS with the DIRECTORS of Five ENGLISH CHOIRS of MEN and BOYS by Ronald R
•••••••• CI ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• INTERVIEWS WITH THE DIRECTORS OF FIvE ENGLISH CHOIRS OF MEN AND BOYS by Ronald R. Sider HE FOLLOWING British choirs touring under the History and Tradition interviews were conducted auspices of Truckenbrod during July of 1990. The management are: Christ Church, History and tradition surround these five directors included were Oxford (March 1992); Trinity choirs. At St. Paul's Cathedral, selected because they and College, Cambridge (September music spans at least 800 years. The their choirs were scheduled 1992); Clare College, Cambridge earliest written records show a choir to tour the United States in (September 1993); and Canterbury school's existence in the 12th the ensuing several years, Cathedral (April 1994) . Choirs century. At King's College, when the and it was felt that American statutes of the College were choral conductors would .STEPF-IEN'·CEEOBURV'::-'"'' ""'1 laid down in 1445, six welcome information about fN, 'r2C1 0', III, ITT ~":r!R'I' singing men and 15 singing the choirs and their touring If1llUIJ VLll.JLU1...Ii boys were on the list of schedules. ' 'd establishment. St. John's St. John's College Choir, Camh, .n~e College received its charter in under George Guest, who 1511, and a chapel choir has has recently retired, com .PHILIP MOORE . '1,i sung daily services since that pleted a tour in October of rCYT'Pl1 -u: 1 time. Perhaps most impres- 1990; York Minster Choir, YORK.M1IY0.ll...JI:l.lJork . sive is York Minster, which under Philip Moore, toured I has had a functioning choir this past spring. The tour NELL,' III school since 6271 Tradition plans for Westminster -JAMES O'DON' defines and delineates Cathedral Choir, under 'W.ESf.MllYsmR.(JfJJf]5DRALfl function, and consequently J ames O'Donnell, did not 'T X-.nA,, OYJ, : ,Iii the service of Evensong is develop. -
Choir School News • 3 Memories of John Scott from the Choir School Community
Can- Dom- tate ino Choir School News A Newsletter for Alumni & Friends of Saint Thomas Choir School WINTER/SPRING 2016 ©2016 Studios Ira Lippke John Gavin Scott (1956-2015) This edition of the Choir School News is in thanksgiving for the life and witness of John Scott. Here, alumni, parents, colleagues and friends share memories and reflections of his extraordinary impact on this community. Through John’s gifts, people not only experienced music of the highest caliber, but were also drawn deeper into the mystery of God. For all of us, John’s death was a terrible shock. It has caused us to reflect on how fragile life can be. Even as we have moved forward at the Choir School, we continue to miss him and entrust him to God’s care and protection. I invite you to share in our common life through these pages. –Charles F. Wallace, Headmaster IN MEMORIAM EXCERPTS FROM FATHER MEAD’S HOMILY AT JOHN SCOTT’S FUNERAL Evensong and a recital of Buxtehude. I asked John, who was then forty-seven but had been at St. Paul’s since his mid-twenties, would he be interested in coming to Saint Thomas? He would be interested, he replied, but that if I would please understand he would like not to have to apply. Very well; would he give me his resume? Yes, he would. This was pure John. As John prepared to leave St. Paul’s, Her Majesty Queen Elizabeth made him a Lieutenant of the Victorian Order (LVO) for his distinguished services to the Crown at London’s great cathedral, where John led the music for many royal and state occasions – not to mention the daily round of choral evensongs and other liturgies. -
Angels of Light December 8 & 9, 2012
Angels of Light December 8 & 9, 2012 Serenity Ola Gjeilo (b. 1978) Remember, O Thou Man Abbie Betinis (b. 1980) Beth Shirley, soloist with Carlene Seppala, Ken Short, Ben Schroeder, Emilie Bishop, Grace Van Cleef, PJ Livesey A Sound of Angels Christopher Tye (c. 1505 – c. 1572) The Night Went Wild with Angels Thomas Pavlechko (b. 1962) Shalom Aleichem Israel Goldfarb (1879-1956), arr. Elliot Z. Levine (b. 1948) David Green, Alice Allen, Murray Spiegel, Emanuel Meli Denn Er hat seinen Engeln Felix Mendelssohn (1809-1847) Magnificat Claudio Monteverdi (1567-1643) Elise Figa and Laura Winslow, sopranos; Greg Paradis, Matthew Shurts, Ken Short, tenors Ave Regina Coelorum William Byrd (1539-1623) Let All Mortal Flesh Keep Silence Edward C. Bairstow (1874-1946) Robert Emmerich, Ted Roper, soloists See Amid the Winter Snow Jocelyn Hagen (b. 1980) Linda Clark, solo CHAMBER SINGERS Angelus ad Virginem Andrew Carter (b.1939) Var inte rädd för mörkret Fredrik Sixten (b. 1962) Ropa ut den glädje Sixten Lux Aurumque Eric Whitacre (b. 1970) Rachel Clark, soprano Ave Maria (NJ Premiere) Thomas Keesecker (b. 1956) Arma Lucis Jackson Berkey (b. 1942) Marilyn Kitchell, soprano Alumni song: Ding Dong Merrily on High Audience: Maoz Tzur (Rock of Ages) & O Praise Ye the Lord (1982 hymnal) Betelehemu Nigerian Carol, Via Olatunji (1927-2003) arr. Whalum/Brooks Mark & Mia Hewitt, Devin McGuire, Eric Roper, drums Featured Instrumentalists: Joseph Arndt, organ Terrence Thornhill, cello 2 AnAnAngelsAn gels of Light ––– Program Notes One of the best things about being in the field of choral music for over 25 years is the amazing repertoire from which to draw. -
Lenten Meditations
Grand Rapids Choir of Men and Boys Lenten & Easter Meditations 29th Season 2019 Andrew Nethsingha Director of Music – St. John’s College Choir, Cambridge Our Lenten concert is all the more special this year by the choir’s fourth residency with Andrew Nethsingha, Director of Music of the Choir of St. John’s College, Cambridge. Andrew is truly one of the most skilled and inspiring choir trainers in the world today. Mr. Nethsingha began as a chorister at Exeter Cathedral where he sang for his father, Lucian Nethsingha. He later studied at the Royal College of Music where he won seven prizes, and at St. John’s College, Cambridge. He held Organ Scholarships under Christopher Robinson at St. George’s Chapel - Windsor Castle, and George Guest at St. John’s College, Cambridge. He next took up the position of Assistant Organist at Wells Cathedral where our Director of Music, Scott Bosscher, sang daily in the choir for Andrew for three years. Mr. Nethsingha was subsequently Director of Music at Truro and Gloucester Cathedrals, and Artistic Director of the Gloucester Three Choirs Festival. He has been the Music Director at St. John’s since 2007. Recent venues where Mr. Nethsingha has inspired both musicians & audiences alike include the Royal Albert Hall & Royal Festival Hall London, Konzerthaus Berlin, Müpa Budapest, Royal Concertgebouw Holland, Singapore Esplanade, Birmingham Symphony Hall and Hong Kong City Hall. We are blessed in west Michigan by Andrew including us in his music making itenery! The Choir of St. John’s College, Cambridge Andrew Nethsingha’s 2019 Grand Rapids residency has been graciously underwritten by Douglas & Barbara Kindschi May & June 2019 - 29th Anniversary Concluding Concerts The Basilica of St. -
Foundation-Choir-Brochure.Pdf
ST JOHN’S COLLEGE, CAMBRIDGE CHORAL FOUNDATION CAMPAIGN SUPPORTING THE SOUND OF ST JOHN’S The special sound of St John’s Introduction from the Master Professor Christopher Dobson, FRS ‘It is the bold, confidently assertive nature of the Choir’s attack under Director of Music Andrew Nethsingha which The Choir of St John’s has been is constantly striking.’ An outstanding enriching the lives of Johnians BBC Music Magazine since at least the seventeenth musical education century, and remains one of the Under the direction of a series of exceptional musicians, amongst whom College’s best-loved institutions as have been George Guest, Christopher Robinson and David Hill, the Choir A chorister education at we celebrate our 500th has become internationally celebrated for its rich, warm and expressive St John’s gives children unique Anniversary. Reflecting on five sound. It has been one of the world’s leading men and boys’ choirs for and exceptional opportunities centuries of Johnian endeavour and over half a century. achievement, we recognise the to grow. Musically, Choir's enormous contribution to In partnership with its School, St John’s routinely produces choristers and academically and as people our well-rounded community of choral students who are regarded as the best in the country. A chorister’s they learn how to get the very talented men and women, who have and will become leaders, training is rigorous, demanding and unforgettable, and many have gone thinkers and achievers in so many fields. best from themselves in the on to become distinguished professional musicians. community of choir and school. -
5024695-B1915b-635212054123.Pdf
MASS IN G MINOR VAUGHAN WILLIAMS: string of works broadly appropriate to worship MASS IN G MINOR appeared in quick succession (more than half Ralph Vaughan Williams (1872-1958) of the music recorded here emerged during this Vaughan Williams wrote of music as a means of period). Some pieces were commissioned for Mass in G Minor ‘stretching out to the ultimate realities through specific events, or were inspired by particular 1 Kyrie [4.42] the medium of beauty’, enabling an experience performers. But the role of the War in prompting the intensified devotional fervour 2 Gloria in excelsis [4.18] of transcendence both for creator and receiver. Yet – even at its most personal and remote, apparent in many of the works he composed 3 Credo [6.53] as often on this disc – his church music also in its wake should not be overlooked. As a 4 Sanctus – Osanna I – Benedictus – Osanna II [5.21] stands as a public testament to his belief wagon orderly, one of Vaughan Williams’s more 5 Agnus Dei [4.41] in the role of art within the earthly harrowing duties was the recovery of bodies realm of a community’s everyday life. He wounded in battle. Ursula Vaughan Williams, 6 Te Deum in G [7.44] embraced the church as a place in which a his second wife and biographer, wrote that 7 O vos omnes [5.59] broad populace might regularly encounter a such work ‘gave Ralph vivid awareness of 8 Antiphon (from Five Mystical Songs) [3.15] shared cultural heritage, participating actively, how men died’. -
Gabriel Kney Organ Op
Upcoming Music Events All Events are Free and Open to Public Student Recitals are tentative - call 962-5850 to confirm or visit www.stthomas.edu/music/events Piano Faculty Recital Sun., Apr 20 Brady Educational Center Auditorium 4:00 PM Student Recitals: Geraghty, O’Grady, Thomas & Johnson Fri., Apr 25 Brady Educational Center Auditorium 7:00 PM Kotulski Voice Studio Recital Sun., Apr 27 Brady Educational Center Auditorium 2:00 PM John Scott Student Recital: Kelli Beck Sun., Apr 27 Brady Educational Center Auditorium 5:00 PM Organist Chamber Winds Concert Mon., Apr 28 Brady Educational Center Auditorium 8:00 PM African Music Ensemble Concert in a Fri., May 2 Brady Educational Center Auditorium 7:30 PM Student Recitals: Erik Johnson & Charles Holton Sat., May 3 Brady Educational Center Auditorium 6:00 PM Guest Recital Handbell Choir Concert Sat., May 3 St. Thomas Aquinas Chapel 7:00 PM Liturgical Choir Concert Sun., May 4 St. Thomas Aquinas Chapel 2:00 PM Student Recitals: Michael Berg & Alex Maiers Sun., May 4 Brady Educational Center Auditorium 2:00 PM If you’ve enjoyed tonight’s program, you might enjoy Pipedreams, a radio program for the King of Instruments. Tune into KSJN, 99.5 FM, Sunday evenings at 9:00 PM for The Organ Calendar and Pipedreams, hosted by Michael Barone of Minnesota Public Radio. April 14, 2008 St. Thomas Aquinas Chapel 8:15 PM PROGRAM About the Artist Toccata Settima M. Rossi (1601-1656) John Scott is Organist and Director of Music at St. Thomas Church Fifth Avenue in New York City. -
Code No. Booklet-Pgs20&1 CYAN MAGENTA YELLOW BLACK
CYAN MAGENTA YELLOW BLACK black dyke band music director dr nicholas j. childs soloist david thornton the bach choir musical director david hill 1 – 3 red priest ©prima vista musikk 14.25 1. arrival 5.29 2. beloved sleep 5.42 3. fuga 3.14 4 – 6 concertpiece ©kirklees music 11.50 euphonium soloist david thornton 4. awakening 5.39 5. con eleganza 3.16 6. finale 2.55 7 wondrous cross ©kirklees music 3.58 8 – 13 a brontë mass ©kirklees music 29.39 8. prelude – the autumn day 4.27 vocal soloist phil gault 9. sanctus 4.37 10. a prayer 4.29 11. no coward soul is mine 6.40 vocal soloist phil gault 12. memory – a fragment 2.49 vocal soloist phil gault 13. gloria 6.38 total playing time 60.15 Code No. Booklet-Pgs20&1 Red Priest DOY250_CD_Booklet.indd 1 05/08/2010 14:55 CYAN MAGENTA YELLOW BLACK Composer’s Preface Credits Executive Producer: Trevor Caffull Harpist: Sally Pryce All the music on this disc is newly minted, and seeks to present listeners with a Producers: Nicholas J. Childs and John Maines Organist: Jane Watts harmonious musical balance based freely on the historic traditions of brass band Engineer and Digital Editing: Richard Scott Photos of The Bach Choir: Edward Webb repertoire. It contains four compositions; a test piece, an instrumental solo, a hymn Production Manager: Nicki Seager Recorded at Blackheath Halls, and a major work. Project Co-ordinator: Alison Childs November 2009 and Artwork and Design: GK Graphic Design VOF Morley Town Hall, May 2010 However, it cannot be said that the music is without its challenges. -
St John's College Chapel
St John’s College Chapel EVENSONG IN MEMORY OF JOHN GAVIN SCOTT L.V.O. (1956–2015) ORGAN STUDENT (1974–1978) Saturday 6 February 2016 Christopher Robinson writes: My first memory of John takes me back to 1975 when St John’s College Choir gave a concert in Windsor as part of the quincentenary celebrations at St George’s Chapel. Though the Choir was on top form, my most vivid memory is of John’s organ playing. His accompaniments were stylish and imaginative and he gave an immaculate performance of Bach’s first Trio Sonata. Watching him in rehearsal, I was astonished at the way he made it all look so easy. Here was real talent, an impressive technique and musical judgment of remarkable maturity. More recently I have enjoyed visiting John in New York on two occasions, and had the opportunity both to hear and direct the wonderful choir which he trained with such meticulous care. It was good to find him happy, relaxed and fulfilled. This is perhaps not surprising for St Thomas’s is a church where liturgy, preaching and music compliment each other and create a very special spiritual experience. To borrow the Rector’s words – the glory John wanted was the glory of God. John’s death will have come as a terrible shock to his family and to his friends and admirers world-wide. But for Lily in particular, his loss will be very hard to bear. She will know, along with all his family, how much St John’s College meant to John and they should also know that his name and reputation will live on here. -
Spread the Word • Promote the Show • Support Public Radio
Program No. 1649 12/5/2016 Cherry Rhodes (2003 Dobson/Cathedral of 8656 Holiday Pipes! . from the stage of the Our Lady of the Angels, Los Angeles, CA) LOUIS-CLAUDE DAQUIN: Noel en récit Sharp Concert Hall at Oklahoma University, Pipedreams Archive (r. 10/7/16) en taille (No. 11) –Vincent Boucher (1960 students and faculty of the American Organ GERALD NEAR: Carillon on a Ukrainian Beckerath/St. Joseph Oratory, Montreal, Institute share in some seasonal revelry. Bell Carol. PAUL EDWARDS: No small Quebec, Canada) Atma Classique 2703 The program includes selections by J.S. wonder. JOHN JOUBERT: All and some GERRE HANCOCK: Personet hodie BACH, FRANZ LISZT, EDWIN H. LE- –Cathedral Choir/Jeremy Tarant, director; (improvisation) –Gerre Hancock (1995 MARE and JONATHAN SCOTT, tradi- Richard Newman (1992 Pilzecker/St. Paul Taylor & boody/St. Thomas Church, New tional and popular songs of the season (such Cathedral, Detroit, MI) CCSP 2014 York, NY) Gothic 49109 as Sweet little Jesus boy, I’ll be home for CARL RÜTTI: O little town of Bethlehem MARK OPSTAD (arr.): Three Old Noëls (Anan Christmas, Adeste fidelis, and Have yourself –Escorial Choir/Christopher Duarte, auzi las aubados; Noël nouvelet; Quello a merry lttle Christmas) presented in impro- director; Car Rütti (1950 Norman & Beard/ est cette odeur agréable?) –La Maitrise de visations, jazz versions, and with embellished Norwich Cathedral, England) Guild 7238 Toulouse/Mark Opstad, director; William accompaniments. Performers include organ- WILLIAM MATHIAS: A babe is born – Whitehead (2005 Daldasso/Temple du ists John Schwandt, Damin Spritzer, and Cantemus Chamber Choir/Huw Williams, Salin, Toulouse, France) Regent 470 Adam Pajan, pianist Stephen Beus, saxo- director; Robert Court (1885 Hill/ SAMUEL BARBER: Silent Night. -
PROGRAMMES 2017 ONWARDS (BENJAMIN MORRIS) 1 Contents 2020
Director of Music: Benjamin Morris CHAPTER HOUSE CHOIR PROGRAMMES 2017 ONWARDS (BENJAMIN MORRIS) 1 Contents 2020 .................................................................................................................................................................................. 3 Virtual Carols by Candlelight WEDNESDAY 16 DECEMBER 2020, 7:30pm .................................................................. 3 2019 .................................................................................................................................................................................. 4 Carols by Candlelight WEDNESDAY 18TH DECEMBER 2019, 7:30pm ............................................................................ 4 Festival of Carols SATURDAY 14TH DECEMBER 2019, 7:30pm ..................................................................................... 5 Treasures of the Italian Renaissance SATURDAY 16TH NOVEMBER 2019, 7:30pm .................................................. 6 Come and Sing with Bob Chilcott SATURDAY 28TH SEPT 2019, 10:30am-4:30pm .......................................................... 7 Music for a Summer’s Evening SATURDAY 29TH JUNE 2019, 7:30pm ........................................................................... 7 Sounds of Summer SATURDAY 22ND JUNE 2019, 7:30pm ......................................................................................... 8 Under the Shadow of his Wing SATURDAY 23RD MARCH 2019, 7:30pm ...................................................................