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Reviews & Previews
Reviews & Previews ARTISTS & MUSIC S P O T L I G H T SPOTLIGHT SPOTLIGHT SPOTLIGHT SARA LEE THE OFFSPRING Make It Beautiful Conspiracy Of One PRODUCERS: Peter Scherer, Harvey Jones PRODUCER: Brendan O'Brien Righteous Babe RBRO21 Columbia CK 61419 British bassist Sara Lee has been ply- On the winning follow -up to its 1995 ing her feisty musical wares since the smash "Americana," the Offspring late '70s. As an in- demand session play- doesn't stray far from the brand of er, Lee has toured and recorded with adrenaline- fueled punk/pop it first numerous high -profile acts, including helped popularize with Green Day Fiona Apple, the B -52's, Indigo Girls, back in the mid -'90s. But "Conspiracy Thompson Twins, Gang Of Four, and Of One" proves the SoCal rock act to Ryuichi Sakamoto. Four years ago, she still be among the top practitioners of accompanied singer/songwriter Ani the genre, which has most recently AI J LA DiFranco on tours of Europe and been owned by another group of 1 North America. With "Make It Beauti- smart-ass punk revivalists, Blink -182. EDITED BY MICHAEL PAOLETTA ful," the ultra- photogenic Lee finally The band roars out of the gates on the PRU delivers her greatly anticipated solo MUSIO SOULCHILD aptly titled track "Come Out Swing- Pru debut. Throughout the set's 10 tracks, Aijuswannasing ing" and blisters through the first 10 PRODUCERS: various funky beats seamlessly collide with PRODUCERS: various songs without looking back. But as P P Capitol 7243 5 23120 0 9 Def Soul/Def Jam 8289 O decidedly pop mannerisms, and new- opposed to Blink, which powers Webster's defines the word "prudent" With a moniker like Musiq Soulchild, * SHAWN LEE as "capable of exercising sound judg- expectations are high for this soul - Monkey Boy ment." Capitol artist Pru (nee Ren- ster's debut. -
PASIC 2010 Program
201 PASIC November 10–13 • Indianapolis, IN PROGRAM PAS President’s Welcome 4 Special Thanks 6 Area Map and Restaurant Guide 8 Convention Center Map 10 Exhibitors by Name 12 Exhibit Hall Map 13 Exhibitors by Category 14 Exhibitor Company Descriptions 18 Artist Sponsors 34 Wednesday, November 10 Schedule of Events 42 Thursday, November 11 Schedule of Events 44 Friday, November 12 Schedule of Events 48 Saturday, November 13 Schedule of Events 52 Artists and Clinicians Bios 56 History of the Percussive Arts Society 90 PAS 2010 Awards 94 PASIC 2010 Advertisers 96 PAS President’s Welcome elcome 2010). On Friday (November 12, 2010) at Ten Drum Art Percussion Group from Wback to 1 P.M., Richard Cooke will lead a presen- Taiwan. This short presentation cer- Indianapolis tation on the acquisition and restora- emony provides us with an opportu- and our 35th tion of “Old Granddad,” Lou Harrison’s nity to honor and appreciate the hard Percussive unique gamelan that will include a short working people in our Society. Arts Society performance of this remarkable instru- This year’s PAS Hall of Fame recipi- International ment now on display in the plaza. Then, ents, Stanley Leonard, Walter Rosen- Convention! on Saturday (November 13, 2010) at berger and Jack DeJohnette will be We can now 1 P.M., PAS Historian James Strain will inducted on Friday evening at our Hall call Indy our home as we have dig into the PAS instrument collection of Fame Celebration. How exciting to settled nicely into our museum, office and showcase several rare and special add these great musicians to our very and convention space. -
1989 Party Game
You may remove up to 10 songs from the list below and replace with songs from the second page The songs you can remove were the original 21-60 from the 1989 party The songs on the second page were numbers 61-150. Their positions will be determined by how many points they receive The top 20 from the original party will remain the same remove replaced with remove replaced with remove replaced with remove replaced with remove replaced with remove replaced with remove replaced with remove replaced with remove replaced with remove replaced with Options to Remove 10,000 MANIACS What's The Matter Here LOVE AND ROCKETS No New Tale To Tell AEROSMITH Angel MICHAEL BOLTON The Dock Of The Bay BOBBY BROWN My Prerogative NATALIE COLE Pink Cadillac BREATHE Hands To Heaven NEW ORDER True Faith BRENDA RUSSELL Piano In The Dark PETER MURPHY All Night Long CHER I Found Someone PHIL COLLINS Groovy Kind Of Love DEF LEPPARD Pour Some Sugar On Me PRINCE Alphabet Street DEPECHE MODE Route 66 ROB BASE & DJ E-Z ROCK It Takes Two DEPECHE MODE Never Let Me Down Again ROBERT PALMER Simply Irresistible DURAN DURAN I Don't Want Your Love STEVE WINWOOD Roll With It EDIE BRICKELL & THE NEW BOHEMIANSWhat I Am TAYLOR DAYNE I'll Always Love You ERASURE Chains Of Love TAYLOR DAYNE Tell It To My Heart EURYTHMICS You Have Placed A Chill In My Heart TERENCE TRENT D'ARBY Wishing Well GEORGE MICHAEL Kissing A Fool THE CHURCH Under The Milky Way GLORIA ESTEFAN & MIAMI SOUNDCan't MACHINE Stay Away From You THE CURE Hot Hot Hot GODFATHERS Birth, School, Work, Death THE CURE Just -
Annual Report, FY 2013
ANNUAL REPORT OF THE LIBRARIAN OF CONGRESS FOR THE FISCAL YEAR ENDING SEPTEMBER 30, 2013 ANNUAL REPORT OF THE LIBRARIAN OF CONGRESS for the fiscal year ending September 30, 2013 Library of Congress Washington, D.C. 2014 CONTENTS Letter from the Librarian of Congress ......................... 5 Organizational Reports ............................................... 47 Organization Chart ............................................... 48 Library of Congress Officers ........................................ 6 Congressional Research Service ............................ 50 Library of Congress Committees ................................. 7 U.S. Copyright Office ............................................ 52 Office of the Librarian .......................................... 54 Facts at a Glance ......................................................... 10 Law Library ........................................................... 56 Library Services .................................................... 58 Mission Statement. ...................................................... 11 Office of Strategic Initiatives ................................. 60 Serving the Congress................................................... 12 Office of Support Operations ............................... 62 Legislative Support ................................................ 13 Office of the Inspector General ............................ 63 Copyright Matters ................................................. 14 Copyright Royalty Board ..................................... -
Participation in Winter Guard International As Experienced by Ten Stakeholders: a Phenomenological Study
The University of Southern Mississippi The Aquila Digital Community Dissertations Fall 2018 Participation in Winter Guard International as Experienced by Ten Stakeholders: A Phenomenological Study Jeremy Morgan University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Music Education Commons Recommended Citation Morgan, Jeremy, "Participation in Winter Guard International as Experienced by Ten Stakeholders: A Phenomenological Study" (2018). Dissertations. 1587. https://aquila.usm.edu/dissertations/1587 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. Participation in Winter Guard International as Experienced by Ten Stakeholders: A Phenomenological Study by Jeremy Paul Morgan A Dissertation Submitted to the Graduate School, the College of Arts and Sciences and the School of Music at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Approved by: Dr. Edward Hafer, Committee Chair Dr. Mark Waymire Dr. Amanda Schlegel Dr. Webb Parker ____________________ ____________________ ____________________ Dr. Edward Hafer Dr. Richard Kravchak Dr. Karen S. Coats Committee Chair Director of School of Dean of the Graduate School Music December 2018 COPYRIGHT BY Jeremy Paul Morgan 2018 Published by the Graduate School ABSTRACT The purpose of this phenomenological study was to describe the essence of Winter Guard International (WGI) as lived by ten stakeholders, invested individuals currently serving in leadership roles within the percussion and winds divisions of the WGI organization. -
Faculty Biographies Division Coordinators and Educational Consultants
2012 Summer Symposium, presented by Faculty Biographies Division Coordinators and Educational Consultants Mark Buselli Jazz Band Division Coordinator Mark Buselli is Director of Jazz Studies at Ball State University. Awards include a 2010-2011 BSU College of Fine Arts Dean’s Creative Arts Award, a Creative Renewal grant from the Indianapolis Arts Council in 2005, a teacher of the year award in 2004 at Butler University, a Creative Vision award from NUVO in May of 2007, a top 10 CD release of 2009 (December 2009) in JAZZIZ magazine for “An Old Soul,” and a top 100 CD of the decade (January 2010) in DownBeat magazine for the Buselli/Wallarab release of “Basically Baker.” Mr. Buselli has over 40 arrangements published for big bands, brass ensemble and piano/trumpet. He has nine recordings out as a leader on the Owlstudios and OA2 record labels. He has written/arranged/performed for numerous artists.Mr. Buselli currently serves as Education Director of the Buselli Wallarab Jazz Orchestra/Midcoast Swing Orchestra in Indianapolis, where he has created numerous educational opportunities for over 10,000 students. Mr. Buselli graduated from the Berklee School of Music in Boston and received his Master of Music degree in Jazz Studies from Indiana University. Thomas Caneva Concert Band Division Coordinator Dr. Thomas Caneva is Director of Bands, Professor of Music and Coordinator of Ensembles and Conducting at Ball State University. At Ball State, Dr. Caneva’s responsibilities include conducting the Wind Ensemble, coordinating the graduate wind conducting program, teaching undergraduate conducting and administering the entire band program. Under his direction, the Ball State University Wind Ensemble has performed at CBDNA Regional and National Conferences, the American Bandmasters Association Convention, and state and regional MENC conventions. -
Regional Championship at Winston-Salem
Regional Championship at Winston -Salem October 14, 2017 BB&T Field Winston-Salem, NC Adjudicator Biographies National Presenting Sponsor MUSIC PANEL (alphabetical by last name) Gino Cipriani, Mechanicsburg, PA Gino Cipriani received his Bachelor of Music in Instrumental Education from the University of Mississippi and his Master of Science in Music Education from Towson University. Gino has served as a consultant to Marching Bands, Jazz Bands, Concert Bands as well as Drum and Bugle Corps across the United States, Japan, Thailand, England, Canada and Korea. In Korea, he had the pleasure of working with the Korean Armed Forces Bands in preparation of the World Cup Ceremonies in 2002. In addition, Gino serves as an adjudicator at marching band competitions throughout the United States. Gino spent ten years, 1990 through 1999, as a brass instructor for the 16-time World Champion Blue Devils Drum and Bugle Corps. In 2004, Gino held the brass caption head position for the six-time World Champion Santa Clara Vanguard Drum and Bugle Corps. From 2001 to 2004, he headed the brass section of the five-time DCA champion Syracuse Brigadiers. From 2007 to 2010 he took the position of Brass Caption Head for the DCA world champion Reading Buccaneers. Gino served as the Brass Caption Supervisor with The Cadets in 2000 and 2001, and from 2005 through 2016. During his time with the Cadets, he led the brass program to three DCI World Championship titles in 2000, 2005 and 2011. Currently, Gino works for Inspire Arts & Music as the Director of Music, which includes the role of Assistant Music Coordinator and Brass Caption Supervisor for the Boston Crusaders Drum and Bugle Corps. -
Adjudicator Biographies National Presenting Sponsor
Adjudicator Biographies National Presenting Sponsor Bands of America Powder Springs Regional Championship October 27, 2018 • Walter Cantrell Stadium • Powder Springs, GA MUSIC PANEL (alphabetical by last name) Michael McIntosh, Shakopee, MN Michael McIntosh is a graduate of Butler University earning a Bachelor of Arts degree in Music with an emphasis in Composition. In addition to freelance composing and digital sound design, Michael is the Percussion Coordinator for the Music For All Summer Symposium. He is currently the Percussion Caption Supervisor and a percussion designer for The Cavaliers drum and bugle corps. From 1997-2011, Mr. McIntosh was a percussion specialist at Carmel high school in Carmel, Indiana and part of a program named the 2001 AAA National Champion, and the 2005, 2012 and 2016 BOA Grand National Champions. Mr. McIntosh is an active clinician and adjudicator, giving clinics throughout the US, Europe and Asia, having performed clinics in Japan and Beijing, China. Michael is a current adjudicator for WGI as well as Bands of America. Compositionally, Michael has had works commissioned for the Midwest Band Directors Convention as well as the West Point HellCats. Currently, he has works published by SmartMusic, Row- Loff Publications, Yamaha Sounds of Summer, Tap Space Publications, Key Poulan Music, Drop 6 Media, The Hal Leonard Corporation, Innovative Percussion, Marching Show Concepts and Dynamic Marching. Michael is a Yamaha artist/clinician as well as a multiple signature drumstick artist with Innovative Percussion. Mr. McIntosh also endorses EVANS drumheads, Zildjian cymbals and Planet Waves Cables. Michael resides in Minnesota with his wife Joy and they have two beautiful girls, Scotlyn and Graysen. -
Super Regional Championship at Atlanta October 28, 2017 Mercedes-Benz Stadium Atlanta, GA
Super Regional Championship at Atlanta October 28, 2017 Mercedes-Benz Stadium Atlanta, GA Adjudicator Biographies National Presenting Sponsor MUSIC PANEL (alphabetical by last name) John Bell, Lebanon, IL Dr. John Bell is currently the Professor of Music and Director of Bands at Southern Illinois University Edwardsville, where he conducts the Wind Symphony and Chamber Winds, teaches conducting and music education courses. Additionally, Dr. Bell is the Music Director of the St. Louis Brass Band in St. Louis. Dr. Bell earned his Doctorate and Master’s degrees in Music Education from the University of Illinois, and a Bachelor of Music Education degree from LSU. He was Associate Director of Bands at the University of Northern Colorado, where he founded the university's marching band, the Pride of the Rockies. Seven years of Dr. Bell's career were spent in the public schools of suburban Chicago, where he was Director of Bands and Chair of the Department of Music at Willowbrook High School in Villa Park, IL. Dr. Bell is an elected member of the American Bandmasters Association and the American School Band Directors Association. He has received the National Band Association’s Citation of Excellence and is a contributing author to the acclaimed series Teaching Music Through Performance in Band. He is Director of the Illinois Ambassadors of Music for their 16-day tours of Europe, and lead the 250-member band, orchestra, and choir tour again this past summer. Dr. Bell has conducted honors and all-state bands throughout the United States, and has judged pageantry and symphonic championships for many states in the U.S., Canada, Japan, and Thailand, as well as championships events for Drum Corps International (DCI), and Bands of America (BOA). -
Poc Judge Bios 2015
PARADE OF CHAMPIONS JAMES MADISON UNIVERSITY 2015 ADJUDICATORS DOUG CASTEEN currently resides in Richmond, Virginia and is a graduate of North Carolina State University. He has been judging and instructing marching bands, drum corps and color guards for over 20 years. His marching experience includes marching in Drum Corps International (DCI) with Avant Garde from Saratoga Springs, NY, the 27th Lancers from Revere, MA, and the Star of Indiana from Bloomington, IN. He has been active as an adjudicator for the USBands, SCBDA, NCMEA, ISSMA, Oklahoma Bandmasters Association, AIA, CIPA, and FFCC. He is the Chief Judge for the Atlantic Indoor Association (AIA) and is a Visual Performance judge for DCI. He has also judged 12 seasons for Winter Guard International (WGI) in the General Effect caption. He was inducted into the AIA Hall of Honor in 2006. TONY FALCONE is the Associate Director of Bands at the University of Nebraska-Lincoln. His duties include directing the Cornhusker Marching Band, conducting the Symphonic Band, teaching instrumental arranging, and assisting with the administration of all university bands. He is also active in the Percussion Studio, teaching lessons, and conducting the Percussion Ensemble. He has held previous appointments at the University of Arkansas-Fayetteville; James Madison University in Harrisonburg, Virginia; and Truman State University in Kirksville, Missouri. He earned his B.M.Ed. and M.M. degrees from James Madison University where he studied percussion with C. William Rice and conducting with Dr. J. Patrick Rooney. He was also a student of concert artist Leigh Howard Stevens in his intensive Summer Marimba Seminar. -
Show Design and Wind Arranging for Marching Ensembles
Show Design and Wind Arranging for Marching Ensembles Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Music in the Graduate School of The Ohio State University By John Michael Brennan, B.M.E. Graduate Program in Music The Ohio State University 2014 Thesis Committee: Professor Daryl W. Kinney, Advisor Professor Timothy Gerber Professor Thomas Wells Director Jonathan Waters Copyrighted by John Michael Brennan 2014 Abstract The purpose this study is to illustrate current trends in show design and wind arranging within the marching band and drum corps activity. Through a comprehensive review of literature a need for further study on this subject was discovered. Specifically, texts from the 1950s, 60s, and 70s focused primarily on marching band arranging practices with minimal influence of show design. Since the 1980s, several documents have been written that discuss show design with some degree of detail, but have neglected to thoroughly address changes in marching band arranging. It is the aim of this thesis to discuss current trends and techniques in marching band wind arranging, and the higher level of detail placed into show conceptualization used by drum corps, competitive, and show band. ii Dedication To Rachael, the most patient, loving, and caring wife a husband could ever ask for. To my daughter Ellie Ann, who I cannot wait to meet in the coming weeks. iii Acknowledgements First and foremost, my family has helped me immensely both in my personal and professional life. It is without their support, witty commentary (especially from my brother’s), and encouragement that I have been able to work in a field I am passionate about. -
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DE LA SALLE IN TRANSITION 1955 – 1960 FROM MARCHING BAND TO MODERN DRUM CORPS CONTINUING THE TRADITION OF EXCELLENCE EXCELLENCEEXCELLENCE DE LA SALLE IN TRANSITION 1955 - 1960 FROM MARCHING BAND TO MODERN DRUM CORPS CONTINUING THE TRADITION OF EXCELLENCE Brian Coleman With: Ken Burns Cos Capone Gerry Feraday Terry Marren Ernie Wesson Copyright: © by Brian Coleman All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, reprinting or recording, or on any information storage or retrieval system, without a license or permission in writing from the copyright holder. Brian Coleman 44 Chicory Lane Pennington, NJ 08534 FORWARD - AUGUST, 2011 The impetus to prepare this history derives from the “Spirit of De La Salle, Oaklands”. At ‘Del we learned primarily from the example of the Christian Brothers. Above all they taught us the vital importance of integrity and honesty. They also stressed the need to pursue excellence and to be the best we could be. When an attempt at something did not produce success, it was not condemned as a failure, nor were those who tried. On the contrary, we were given constructive feedback and encouraged to try again. We were taught that true failure lays in failing to try. We learned to keep our minds open to new ideas and better ways and to discern between novelty – change for the sake of change - and profound, fundamental change. We learned to welcome change and manage it to preserve excellence and achieve new levels of it. These values are transcendent.