SOUTHERN MARYLAND in DEEP TIME a Brief History of Our Geology, Part III: "A Tale of Two Impacts" by Peter R
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A Wunda-Full World? Carbon Dioxide Ice Deposits on Umbriel and Other Uranian Moons
Icarus 290 (2017) 1–13 Contents lists available at ScienceDirect Icarus journal homepage: www.elsevier.com/locate/icarus A Wunda-full world? Carbon dioxide ice deposits on Umbriel and other Uranian moons ∗ Michael M. Sori , Jonathan Bapst, Ali M. Bramson, Shane Byrne, Margaret E. Landis Lunar and Planetary Laboratory, University of Arizona, Tucson, AZ 85721, USA a r t i c l e i n f o a b s t r a c t Article history: Carbon dioxide has been detected on the trailing hemispheres of several Uranian satellites, but the exact Received 22 June 2016 nature and distribution of the molecules remain unknown. One such satellite, Umbriel, has a prominent Revised 28 January 2017 high albedo annulus-shaped feature within the 131-km-diameter impact crater Wunda. We hypothesize Accepted 28 February 2017 that this feature is a solid deposit of CO ice. We combine thermal and ballistic transport modeling to Available online 2 March 2017 2 study the evolution of CO 2 molecules on the surface of Umbriel, a high-obliquity ( ∼98 °) body. Consid- ering processes such as sublimation and Jeans escape, we find that CO 2 ice migrates to low latitudes on geologically short (100s–1000 s of years) timescales. Crater morphology and location create a local cold trap inside Wunda, and the slopes of crater walls and a central peak explain the deposit’s annular shape. The high albedo and thermal inertia of CO 2 ice relative to regolith allows deposits 15-m-thick or greater to be stable over the age of the solar system. -
Minutes of the January 25, 2010, Meeting of the Board of Regents
MINUTES OF THE JANUARY 25, 2010, MEETING OF THE BOARD OF REGENTS ATTENDANCE This scheduled meeting of the Board of Regents was held on Monday, January 25, 2010, in the Regents’ Room of the Smithsonian Institution Castle. The meeting included morning, afternoon, and executive sessions. Board Chair Patricia Q. Stonesifer called the meeting to order at 8:31 a.m. Also present were: The Chief Justice 1 Sam Johnson 4 John W. McCarter Jr. Christopher J. Dodd Shirley Ann Jackson David M. Rubenstein France Córdova 2 Robert P. Kogod Roger W. Sant Phillip Frost 3 Doris Matsui Alan G. Spoon 1 Paul Neely, Smithsonian National Board Chair David Silfen, Regents’ Investment Committee Chair 2 Vice President Joseph R. Biden, Senators Thad Cochran and Patrick J. Leahy, and Representative Xavier Becerra were unable to attend the meeting. Also present were: G. Wayne Clough, Secretary John Yahner, Speechwriter to the Secretary Patricia L. Bartlett, Chief of Staff to the Jeffrey P. Minear, Counselor to the Chief Justice Secretary T.A. Hawks, Assistant to Senator Cochran Amy Chen, Chief Investment Officer Colin McGinnis, Assistant to Senator Dodd Virginia B. Clark, Director of External Affairs Kevin McDonald, Assistant to Senator Leahy Barbara Feininger, Senior Writer‐Editor for the Melody Gonzales, Assistant to Congressman Office of the Regents Becerra Grace L. Jaeger, Program Officer for the Office David Heil, Assistant to Congressman Johnson of the Regents Julie Eddy, Assistant to Congresswoman Matsui Richard Kurin, Under Secretary for History, Francisco Dallmeier, Head of the National Art, and Culture Zoological Park’s Center for Conservation John K. -
November 25,1897
The Republican Journal. V0LlME li9'_ BELFAST, MAINE, THURSDAY, NOVEMBER 25, 1897. NUMBER 47 political movement, the A. P. A. has Busy Brooks. good business in stoves, tinware, etc. M. J. Associated THE REPUBLICAN JOURNAL. given up the ghost, the national organiza- Charities. The Water Works in Brooks Village. PERSONAL. Dow has a store filled with a handsome tion having surrendered its charter and A Write-up of this Enterprising Village. of in Two preliminary meetings looking to the gone out of business.The new recita- assortment everything ladies’ wear, The Consolidated Water Co. of Portland C.W. Frederick visited It is the of a Augusta yesterday. PUBLISHED EVERY THURSDAY MORNING BY THE tion hall which verdict of all who visit Brooks F. establishing society for associated char- John D. Rockefeller has millinery, etc. B. Stantial’s stock of dry has put in a system of water works at Brooks that have been Mr. E. O. Thorndike returned to Boston just built for Vassal- at a cost of village it is one of the busiest and most and is and ity held in this city and some College fancy goods complete, Chas. H. Village and water is now supplied to about was dedicated Nov. 19th. The progress made. At the Nov. Saturday. Journal Pub. Co. $100,000 enterprising places of its size in the State. has a well store. meeting 19th Republican Irving equipped jewelry 60 buildings. The company was incorporated same day Mr. Rockefeller telegraphed to The is N. E. Keen was elected chairman Hon. R. W. went to Boston yester- village situated on the Belfast branch The mechanics include Chas. -
Music and the American Civil War
“LIBERTY’S GREAT AUXILIARY”: MUSIC AND THE AMERICAN CIVIL WAR by CHRISTIAN MCWHIRTER A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2009 Copyright Christian McWhirter 2009 ALL RIGHTS RESERVED ABSTRACT Music was almost omnipresent during the American Civil War. Soldiers, civilians, and slaves listened to and performed popular songs almost constantly. The heightened political and emotional climate of the war created a need for Americans to express themselves in a variety of ways, and music was one of the best. It did not require a high level of literacy and it could be performed in groups to ensure that the ideas embedded in each song immediately reached a large audience. Previous studies of Civil War music have focused on the music itself. Historians and musicologists have examined the types of songs published during the war and considered how they reflected the popular mood of northerners and southerners. This study utilizes the letters, diaries, memoirs, and newspapers of the 1860s to delve deeper and determine what roles music played in Civil War America. This study begins by examining the explosion of professional and amateur music that accompanied the onset of the Civil War. Of the songs produced by this explosion, the most popular and resonant were those that addressed the political causes of the war and were adopted as the rallying cries of northerners and southerners. All classes of Americans used songs in a variety of ways, and this study specifically examines the role of music on the home-front, in the armies, and among African Americans. -
General Vertical Files Anderson Reading Room Center for Southwest Research Zimmerman Library
“A” – biographical Abiquiu, NM GUIDE TO THE GENERAL VERTICAL FILES ANDERSON READING ROOM CENTER FOR SOUTHWEST RESEARCH ZIMMERMAN LIBRARY (See UNM Archives Vertical Files http://rmoa.unm.edu/docviewer.php?docId=nmuunmverticalfiles.xml) FOLDER HEADINGS “A” – biographical Alpha folders contain clippings about various misc. individuals, artists, writers, etc, whose names begin with “A.” Alpha folders exist for most letters of the alphabet. Abbey, Edward – author Abeita, Jim – artist – Navajo Abell, Bertha M. – first Anglo born near Albuquerque Abeyta / Abeita – biographical information of people with this surname Abeyta, Tony – painter - Navajo Abiquiu, NM – General – Catholic – Christ in the Desert Monastery – Dam and Reservoir Abo Pass - history. See also Salinas National Monument Abousleman – biographical information of people with this surname Afghanistan War – NM – See also Iraq War Abousleman – biographical information of people with this surname Abrams, Jonathan – art collector Abreu, Margaret Silva – author: Hispanic, folklore, foods Abruzzo, Ben – balloonist. See also Ballooning, Albuquerque Balloon Fiesta Acequias – ditches (canoas, ground wáter, surface wáter, puming, water rights (See also Land Grants; Rio Grande Valley; Water; and Santa Fe - Acequia Madre) Acequias – Albuquerque, map 2005-2006 – ditch system in city Acequias – Colorado (San Luis) Ackerman, Mae N. – Masonic leader Acoma Pueblo - Sky City. See also Indian gaming. See also Pueblos – General; and Onate, Juan de Acuff, Mark – newspaper editor – NM Independent and -
Kevin Gill ‘11G
InSight: RIVIER ACADEMIC JOURNAL, VOLUME 14, NUMBER 1, FALL 2018 EXPLORING THE UNIVERSE: Meet Kevin Gill ‘11G Michelle Marrone (From Rivier Today, Fall 2018) From the comfort of his lab chair in sunny, southern California, Kevin Gill ’11G has a view into outer space. As a Science Data Software Engineer at NASA’s Jet Propulsion Laboratory (JPL), he spends his time planning and designing technology in support of environmental science and space exploration, as well as data visualization and planetary imaging. His recent work not only produced the first-ever close views of Saturn, but also contributed to NASA’s team winning an Emmy Award. Kevin earned his M.S. in Computer Science at Rivier and has been designing software to render the unique images he gathers ever since. He used an algorithm he developed during his program at Rivier to generate hypothetical images portraying Mars as a vibrant planet with oceans, an oxygen-rich atmosphere, and a green biosphere. The images went viral and within a week his work was featured on major media networks—Discovery News, Fox News, Universe Today, and the Huffington Post. His work captured NASA’s attention and paved the way for his career move. “Rivier taught me many of the algorithms and development practices I still use today at NASA,” says Kevin. “In fact, I can trace the lineage of code currently running on NASA systems directly to my final master’s project at the University.” The systems and tools he develops support a range of scientists specializing in the areas of climate, oceanography, asteroids, planetary science, and others. -
PUTTING LIFE on MARS: Using Computer Graphics to Render a Living Mars
InSight: RIVIER ACADEMIC JOURNAL, VOLUME 9, NUMBER 1, SPRING 2013 PUTTING LIFE ON MARS: Using Computer Graphics to Render a Living Mars Kevin M. Gill ‘11G* Senior Software Engineer, Thunderhead.com, Manchester, NH Keywords: Computer Graphics, Mars, Life, Planetary Science, OpenGL Abstract This article describes the software, algorithms & decisions that went into the development of the Living Mars image project. This includes topics related to computer graphics, software development, astronomy, & planetary science. The purpose of the project was to create a visualization of the planet Mars as could look with a living biosphere. This makes no distinction as to whether this biosphere would represent an ancient or future, possibly terraformed planet. 1 Background Mars, named for the Roman god of war. Ancient civilizations have forever associated the planet with fear, war, and destruction. It is the color of blood, and “one of a handful of planets visible to the naked eye, and the only one of marked color, so the planet demanded attention (Pyle, 2012).” Ever since man has noticed it, there have been dreams and visions of life on Mars, from Giovanni Schiaparelli and Percival Lowell describing channels and canals to Robert A. Heinlein’s science fiction. Lowell, in particular famous for fantastic writings of Mars, asked “are physical forces alone at work there, or has evolution begotten something more complex, something not unakin to what we know on Earth as life?” (Lowell, 1895) Even more recent discoveries by NASA’s Curiosity rover have found proof that liquid water once flowed billions of years ago positing an environment that could have served host to life (Brown, 2013). -
Regional Oral History Off Ice University of California the Bancroft Library Berkeley, California
Regional Oral History Off ice University of California The Bancroft Library Berkeley, California Richard B. Gump COMPOSER, ARTIST, AND PRESIDENT OF GUMP'S, SAN FRANCISCO An Interview Conducted by Suzanne B. Riess in 1987 Copyright @ 1989 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West,and the Nation. Oral history is a modern research technique involving an interviewee and an informed interviewer in spontaneous conversation. The taped record is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The resulting manuscript is typed in final form, indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. All uses of this manuscript are covered by a legal agreement between the University of California and Richard B. Gump dated 7 March 1988. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California, Berkeley. -
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia 2008 Karen Peta Hall Bachelor of Arts (Honours) Discipline of English and Cultural Studies School of Social and Cultural Studies ii Abstract Genres are constituted, implicitly and explicitly, through their construction of the past. Genres continually reconstitute themselves, as authors, producers and, most importantly, readers situate texts in relation to one another; each text implies a reader who will locate the text on a spectrum of previously developed generic characteristics. Though science fiction appears to be a genre concerned with the future, I argue that the persistent presence of lost race stories – where the contemporary world and groups of people thought to exist only in the past intersect – in science fiction demonstrates that the past is crucial in the operation of the genre. By tracing the origins and evolution of the lost race story from late nineteenth-century novels through the early twentieth-century American pulp science fiction magazines to novel-length narratives, and narrative series, at the end of the twentieth century, this thesis shows how the consistent presence, and varied uses, of lost race stories in science fiction complicates previous critical narratives of the history and definitions of science fiction. In examining the implicit and explicit aspects of temporality and genre, this thesis works through close readings of exemplar texts as well as historicist, structural and theoretically informed readings. It focuses particularly on women writers, thus extending previous accounts of women’s participation in science fiction and demonstrating that gender inflects constructions of authority, genre and temporality. -
Craters of the Pluto-Charon System
Icarus 287 (2017) 187–206 Contents lists available at ScienceDirect Icarus journal homepage: www.elsevier.com/locate/icarus Craters of the Pluto-Charon system ∗ Stuart J. Robbins a, , Kelsi N. Singer a, Veronica J. Bray b, Paul Schenk c, Tod R. Lauer d, Harold A. Weaver e, Kirby Runyon e, William B. McKinnon f, Ross A. Beyer g,h, Simon Porter a, Oliver L. White h, Jason D. Hofgartner i, Amanda M. Zangari a, Jeffrey M. Moore h, Leslie A. Young a, John R. Spencer a, Richard P. Binzel j, Marc W. Buie a, Bonnie J. Buratti i, Andrew F. Cheng e, William M. Grundy k, Ivan R. Linscott l, Harold J. Reitsema m, Dennis C. Reuter n, Mark R. Showalter g,h, G. Len Tyler l, Catherine B. Olkin a, Kimberly S. Ennico h, S. Alan Stern a, the New Horizons LORRI, MVIC Instrument Teams a Southwest Research Institute, 1050 Walnut St., Suite 300, Boulder, CO 80302, United States b Lunar and Planetary Laboratory, University of Arizona, Tucson, AZ, United States c Lunar and Planetary Institute, Houston, TX, United States d National Optical Astronomy Observatory, Tucson, AZ 85726, United States e The Johns Hopkins University, Baltimore, MD, United States f Washington University in St. Louis, St. Louis, MO, United States g SETI Institute, 189 Bernardo Avenue, Suite 100, Mountain View CA 94043, United States h NASA Ames Research Center, Moffett Field, CA 84043, United States i NASA Jet Propulsion Laboratory, California Institute of Technology, Pasadena, CA, United States j Massachusetts Institute of Technology, Cambridge, MA, United States k Lowell Observatory, Flagstaff, AZ, United States l Stanford University, Stanford, CA, United States m Ball Aerospace, Boulder, CO, United States n NASA Goddard Space Flight Center, Greenbelt, MD, United States a r t i c l e i n f o a b s t r a c t Article history: NASA’s New Horizons flyby mission of the Pluto-Charon binary system and its four moons provided hu- Received 3 March 2016 manity with its first spacecraft-based look at a large Kuiper Belt Object beyond Triton. -
Cover No Spine
2006 VOL 44, NO. 4 Special Issue: The Hans Christian Andersen Awards 2006 The Journal of IBBY,the International Board on Books for Young People Editors: Valerie Coghlan and Siobhán Parkinson Address for submissions and other editorial correspondence: [email protected] and [email protected] Bookbird’s editorial office is supported by the Church of Ireland College of Education, Dublin, Ireland. Editorial Review Board: Sandra Beckett (Canada), Nina Christensen (Denmark), Penni Cotton (UK), Hans-Heino Ewers (Germany), Jeffrey Garrett (USA), Elwyn Jenkins (South Africa),Ariko Kawabata (Japan), Kerry Mallan (Australia), Maria Nikolajeva (Sweden), Jean Perrot (France), Kimberley Reynolds (UK), Mary Shine Thompson (Ireland), Victor Watson (UK), Jochen Weber (Germany) Board of Bookbird, Inc.: Joan Glazer (USA), President; Ellis Vance (USA),Treasurer;Alida Cutts (USA), Secretary;Ann Lazim (UK); Elda Nogueira (Brazil) Cover image:The cover illustration is from Frau Meier, Die Amsel by Wolf Erlbruch, published by Peter Hammer Verlag,Wuppertal 1995 (see page 11) Production: Design and layout by Oldtown Design, Dublin ([email protected]) Proofread by Antoinette Walker Printed in Canada by Transcontinental Bookbird:A Journal of International Children’s Literature (ISSN 0006-7377) is a refereed journal published quarterly by IBBY,the International Board on Books for Young People, Nonnenweg 12 Postfach, CH-4003 Basel, Switzerland tel. +4161 272 29 17 fax: +4161 272 27 57 email: [email protected] <www.ibby.org>. Copyright © 2006 by Bookbird, Inc., an Indiana not-for-profit corporation. Reproduction of articles in Bookbird requires permission in writing from the editor. Items from Focus IBBY may be reprinted freely to disseminate the work of IBBY. -
DMAAC – February 1973
LUNAR TOPOGRAPHIC ORTHOPHOTOMAP (LTO) AND LUNAR ORTHOPHOTMAP (LO) SERIES (Published by DMATC) Lunar Topographic Orthophotmaps and Lunar Orthophotomaps Scale: 1:250,000 Projection: Transverse Mercator Sheet Size: 25.5”x 26.5” The Lunar Topographic Orthophotmaps and Lunar Orthophotomaps Series are the first comprehensive and continuous mapping to be accomplished from Apollo Mission 15-17 mapping photographs. This series is also the first major effort to apply recent advances in orthophotography to lunar mapping. Presently developed maps of this series were designed to support initial lunar scientific investigations primarily employing results of Apollo Mission 15-17 data. Individual maps of this series cover 4 degrees of lunar latitude and 5 degrees of lunar longitude consisting of 1/16 of the area of a 1:1,000,000 scale Lunar Astronautical Chart (LAC) (Section 4.2.1). Their apha-numeric identification (example – LTO38B1) consists of the designator LTO for topographic orthophoto editions or LO for orthophoto editions followed by the LAC number in which they fall, followed by an A, B, C or D designator defining the pertinent LAC quadrant and a 1, 2, 3, or 4 designator defining the specific sub-quadrant actually covered. The following designation (250) identifies the sheets as being at 1:250,000 scale. The LTO editions display 100-meter contours, 50-meter supplemental contours and spot elevations in a red overprint to the base, which is lithographed in black and white. LO editions are identical except that all relief information is omitted and selenographic graticule is restricted to border ticks, presenting an umencumbered view of lunar features imaged by the photographic base.