Understanding Others
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One Night with Fanny Brice
The American Century Theater presents Audience Guide Edited by Jack MarshallNovember 5–27 Rosslyn Spectrum Theater you can afford to seesee———— ppplaysplays you can’t afford to miss! About The American Century Theater The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, but overlooked American plays of the twentieth century . what Henry Luce called “the American Century.” The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past playwrights, nor can we afford to surrender our moorings to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all Americans, of all ages, origins and points of view. In particular, we strive to create theatrical experiences that entire families can watch, enjoy, and discuss long afterward. These audience guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. The American Century Theater is a 501(c)(3) professional nonprofit theater company dedicated to producing significant 20th Century American plays and musicals at risk of being forgotten. The American Century Theater is supported in part by Arlington County through the Cultural Affairs Division of the Department of Parks, Recreation, and Cultural Resources and the Arlington Commission for the Arts. This arts event is made possible in part by the Virginia Commission on the Arts and the National Endowment for the Arts, as well as by many generous donors. -
See Script Preview
Written & Arranged by Chip Deffaa Music & Lyrics by Irving Berlin (and others) PRODUCTION SCRIPT www.stagerights.com SAY IT WITH MUSIC: THE IRVING BERLIN SAGA Copyright © 2018 by Chip Deffaa All Rights Reserved All performances and public readings of SAY IT WITH MUSIC: THE IRVING BERLIN SAGA are subject to royalties. It is fully protected under the copyright laws of the United States of America, of all countries covered by the International Copyright Union, of all countries covered by the Pan-American Copyright Convention and the Universal Copyright Convention, and all countries with which the United States has reciprocal copyright relations. All rights are strictly reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form, by any means, including mechanical, electronic, photocopying, recording, or otherwise, without the prior written permission of the author. Publication of this play does not necessarily imply that it is available for performance by amateurs or professionals. It is strongly recommended all interested parties apply to Steele Spring Stage Rights for performance rights before starting rehearsals or advertising. No changes shall be made in the play for the purpose of your production without prior written consent. All billing stipulations in your license agreement must be strictly adhered to. No person, firm or entity may receive credit larger or more prominent than that accorded the Author. For all stage performance inquiries, please contact: Steele Spring Stage Rights 3845 Cazador Street Los Angeles, CA 90065 (323) 739-0413 www.stagerights.com PRODUCTION HISTORY The first reading of this musical play, under the direction of playwright Chip Deffaa, took place on February 19, 2018 at New York’s 13th Street Repertory Theater (Edith O’Hara, founder/original artistic director; Joe Battista, managing director), starring Michael Townsend Wright, Suzanne Dressler, and Jed Q. -
Liner Notes, Visit Our Web Site
Irving Berlin “This Is the Life!” The Breakthrough Years: 1909–1921 by Rick Benjamin “Irving Berlin remains, I think, America’s Schubert.” —George Gershwin It was a perfect late summer evening in 2015. A crowd had gathered in the park of a small Pennsylvania town to hear the high-school band. I was there to support my trombonist son and his friends. The others were also mostly parents and relatives of “band kids,” with a sprinkling of senior citizens and dog walkers. As the band launched its “covers” of current pop hits toward the treetops, some in the crowd were only half-listening; their digital devices were more absorbing. But then it happened: The band swung into a new tune, and the mood changed. Unconsciously people seemed to sit up a bit straighter. There was a smattering of applause. Hands and feet started to move in time with the beat. The seniors started to sing. One of those rare “public moments” was actually happening. Then I realized what the band was playing—“God Bless America.” Finally, here was something solid—something that resonated, even with these teenaged performers. The singing grew louder, and the performance ended with the biggest applause of the night. “God Bless America” was the grandest music of the concert, a mighty oak amongst the scrub. Yet the name of its creator—Irving Berlin—was never announced. It didn’t need to be. A man on a bench nearby said to me, “I just love those Irving Berlin songs.” Why is that, anyway? And how still? Irving Berlin was a Victorian who rose to fame during the Ragtime Era. -
Sweet Adelines International Arranged Music List
Sweet Adelines International Arranged Music List ID# Song Title Arranger I03803 'TIL I HEAR YOU SING (From LOVE NEVER DIES) June Berg I04656 (YOUR LOVE HAS LIFTED ME) HIGHER AND HIGHER Becky Wilkins and Suzanne Wittebort I00008 004 MEDLEY - HOW COULD YOU BELIEVE ME Sylvia Alsbury I00011 005 MEDLEY - LOOK FOR THE SILVER LINING Mary Ann Wydra I00020 011 MEDLEY - SISTERS Dede Nibler I00024 013 MEDLEY - BABY WON'T YOU PLEASE COME HOME* Charlotte Pernert I00027 014 MEDLEY - CANADIAN MEDLEY/CANADA, MY HOME* Joey Minshall I00038 017 MEDLEY - BABY FACE Barbara Bianchi I00045 019 MEDLEY - DIAMONDS - CONTEST VERSION Carolyn Schmidt I00046 019 MEDLEY - DIAMONDS - SHOW VERSION Carolyn Schmidt I02517 028 MEDLEY - I WANT A GIRL Barbara Bianchi I02521 031 MEDLEY - LOW DOWN RYTHYM Barbara NcNeill I00079 037 MEDLEY - PIGALLE Carolyn Schmidt I00083 038 MEDLEY - GOD BLESS THE U.S.A. Mary K. Coffman I00139 064 CHANGES MEDLEY - AFTER YOU'VE GONE* Bev Sellers I00149 068 BABY MEDLEY - BYE BYE BABY Carolyn Schmidt I00151 070 DR. JAZZ/JAZZ HOLIDAY MEDLEY - JAZZ HOLIDAY, Bev Sellers I00156 072 GOODBYE MEDLEY - LIES Jean Shook I00161 074 MEDLEY - MY BOYFRIEND'S BACK/MY GUY Becky Wilkins I00198 086 MEDLEY - BABY LOVE David Wright I00205 089 MEDLEY - LET YOURSELF GO David Briner I00213 098 MEDLEY - YES SIR, THAT'S MY BABY Bev Sellers I00219 101 MEDLEY - SOMEBODY ELSE IS TAKING MY PLACE Dave Briner I00220 102 MEDLEY - TAKE ANOTHER GUESS David Briner I02526 107 MEDLEY - I LOVE A PIANO* Marge Bailey I00228 108 MEDLEY - ANGRY Marge Bailey I00244 112 MEDLEY - IT MIGHT -
Song and Story CAREER HIGHLIGHTS ALL ALONE When Faced with the Death of His first Wife, Doro- 1888 Israel Beilin Is Born in Russia on May 11
Song and Story CAREER HIGHLIGHTS ALL ALONE When faced with the death of his first wife, Doro- 1888 Israel Beilin is born in Russia on May 11. thy Goetz, and his mother, Irving Berlin decamped 1893 Izzy arrives in America September 23. His last name to the Ritz Hotel in Atlantic City. He wrote “All is changed to Baline. Alone” as an expression of his sadness. 1901 Father Moses Baline dies July 21, forcing Izzy to quit school and go to work. 1905 Hired by Harry Von Tilzer to plug songs at Tony WHAT’LL I DO Pastor’s Music Hall. “What’ll I Do” came to Berlin when he was slightly 1906 Begins work at Mike (“Nigger Mike”) Salter’s drunk on champagne and feeling sorry for himself Pelham Café. Starts writing parody lyrics to popular at a birthday party. It seems Berlin wasn’t good songs of the day. enough for Clarence Mackay, the industrialist fa- 1907 Changes his name to Irving Berlin with the ther of Ellin Mackay, Berlin’s intended. Eventually, publication of his first song. 1908 Writes both music and lyrics for the first time, for Berlin got the girl and a hit song in the bargain. “The Best of Friends Must Part.” 1909 Hired by the Ted Snyder Company as an in-house ALEXANDER’S RAGTIME BAND lyric writer. Though it is considered a ragtime song, “Alex- 1910 Makes his Broadway debut as a performer (with Ted ander’s Ragtime Band” bears little relationship to Snyder) in Up and Down Broadway; 1910 traditional ragtime. -
RCA Victor 12 Inch Popular Series LPM/LSP 2800-3399
RCA Discography Part 10 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Victor 12 Inch Popular Series LPM/LSP 2800-3399 LPM/LSP 2800 – Country Piano-City Strings – Floyd Cramer [1964] Heartless Heart/Bonaparte's Retreat/Streets Of Laredo/It Makes No Difference Now/Chattanoogie Shoe Shine Boy/You Don't Know Me/Making Believe/I Love You Because/Night Train To Memphis/I Can't Stop Loving You/Cotton Fields/Lonesome Whistle LPM/LSP 2801 – Irish Songs Country Style – Hank Locklin [1964] The Old Bog Road/Too-Ra-Loo-Ra- Loo-Ral (That's An Irish Lullaby)/Danny Dear/If We Only Had Ireland Over Here/I'll Take You Home Again Kathleen/My Wild Irish Rose/Danny Boy/When Irish Eyes Are Smiling/A Little Bit Of Heaven/Galway Bay/Kevin Barry/Forty Shades Of Green LPM 2802 LPM 2803 LPM/LSP 2804 - Encore – John Gary [1964] Tender Is The Night/Anywhere I Wander/Melodie D'amour (Melody Of Love)/And This Is My Beloved/Ol' Man River/Stella By Starlight/Take Me In Your Arms/Far Away Places/A Beautiful Thing/If/(It's Been) Grand Knowing You/Stranger In Paradise LPM/LSP 2805 – On the Country-Side – Norman Luboff Choir [1964] Detroit City/Jambalaya (On The Bayou)/I’m So Lonesome I Could Cry/Your Cheatin’ Heart/You’re The Only Star (In My Blue Heaven)/Tennessee Waltz/I Can’t Stop Loving You/It Makes No Difference Now/Words/Four Walls/Anytime/You Are My Sunshine LPM/LSP 2806 – Dick Schory on Tour – Dick Schory [1964] Baby Elephant Walk/William Told/The Wanderin’ Fifer/Charade/Sing, Sing, Sing/St. -
A 16 Bar Cut: the History of American Musical Theatrean Original Script and Monograph Document
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2006 A 16 Bar Cut: The History Of American Musical Theatrean Original Script And Monograph Document Patrick Moran University of Central Florida Part of the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Moran, Patrick, "A 16 Bar Cut: The History Of American Musical Theatrean Original Script And Monograph Document" (2006). Electronic Theses and Dissertations, 2004-2019. 916. https://stars.library.ucf.edu/etd/916 A 16 BAR CUT: THE HISTORY OF AMERICAN MUSICAL THEATRE An Original Script and Monograph Document by PATRICK JOHN MORAN B.A. Greensboro College, 2003 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Department of Theatre in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2006 © 2006 Patrick John Moran ii ABSTRACT A final thesis for my Master of Fine Arts degree should encompass every aspect of the past few years spent in the class room. Therefore, as a perfect capstone to my degree, I have decided to conceive, write, and perform a new musical with my classmate Rockford Sansom entitled The History of Musical Theatre: A 16 Bar Cut. -
Songs by Artist
Songs by Artist Karaoke Collection Title Title Title +44 18 Visions 3 Dog Night When Your Heart Stops Beating Victim 1 1 Block Radius 1910 Fruitgum Co An Old Fashioned Love Song You Got Me Simon Says Black & White 1 Fine Day 1927 Celebrate For The 1st Time Compulsory Hero Easy To Be Hard 1 Flew South If I Could Elis Comin My Kind Of Beautiful Thats When I Think Of You Joy To The World 1 Night Only 1st Class Liar Just For Tonight Beach Baby Mama Told Me Not To Come 1 Republic 2 Evisa Never Been To Spain Mercy Oh La La La Old Fashioned Love Song Say (All I Need) 2 Live Crew Out In The Country Stop & Stare Do Wah Diddy Diddy Pieces Of April 1 True Voice 2 Pac Shambala After Your Gone California Love Sure As Im Sitting Here Sacred Trust Changes The Family Of Man 1 Way Dear Mama The Show Must Go On Cutie Pie How Do You Want It 3 Doors Down 1 Way Ride So Many Tears Away From The Sun Painted Perfect Thugz Mansion Be Like That 10 000 Maniacs Until The End Of Time Behind Those Eyes Because The Night 2 Pac Ft Eminem Citizen Soldier Candy Everybody Wants 1 Day At A Time Duck & Run Like The Weather 2 Pac Ft Eric Will Here By Me More Than This Do For Love Here Without You These Are Days 2 Pac Ft Notorious Big Its Not My Time Trouble Me Runnin Kryptonite 10 Cc 2 Pistols Ft Ray J Let Me Be Myself Donna You Know Me Let Me Go Dreadlock Holiday 2 Pistols Ft T Pain & Tay Dizm Live For Today Good Morning Judge She Got It Loser Im Mandy 2 Play Ft Thomes Jules & Jucxi So I Need You Im Not In Love Careless Whisper The Better Life Rubber Bullets 2 Tons O Fun -
Steve Ross Press
Steve Ross Press STEVE ROSS - C'MON AND HEAR: AN IRVING BERLIN JULY 4th CELEBRATION Birdland, NY A themed evening with Steve Ross is as illuminating as it is entertaining. With cards-face-up fidelity, original embellishment, and the kind of indisputable panache that never sacrifices emotion for sophistication, Ross tonight offers a high-spirited celebration of Irving Berlin, “Russia’s best export after vodka.” As exemplified by a jaunty “Alexander’s Ragtime Band,” Ross’ lucid musicianship, aided by the excellent Jered Egan on bass, is more effective than a full band in capturing the intention of Berlin’s of-the-people oeuvre. The pianist effortlessly delivers light, tangy ragtime. Selective history and anecdotes act as bridges, not filler. Composer/lyricist Israel Isidore Baline (1888 -1989) fled a Russian pogrom, landing on New York’s Lower East Side. After stints as a singing waiter and song plugger, he began to write in earnest, catching ragtime fever. Ross describes the genre as “rhythms that came up the Mississippi to sit on marching tempo,” adroitly demonstrating with “Play a Simple Melody.” We’re treated to excerpts from several vivacious songs, including a percussive “When the Midnight Choo-Choo Leaves for Alabam”’ that appears to have fancy footwork. “I Love a Piano,” one of our host’s favorites, is as dancey as it gets. Ross is able to make exuberanceeloquent. Higher octaves arrive quiet-difficult and effective. “Mandy” is equally infectious. “...so don’t you linger...” he sings boyishly, pointing at/warning the audience. Gestures come easily tonight, drawing us in. “When I Lost You,” Berlin’s first ballad, written upon the devastating, post-honeymoon death of his bride, is melodic, yet profound in its grief: “I lost the sunshine and roses/I lost the heavens so blue/I lost the beautiful rainbow/I lost the morning dew....” “Say It Isn’t So”—moving like chiffon and marabou, and a smoky, sotto voce “How Deep Is the Ocean? (How High Is the Sky)” show mastery of melancholy ardor. -
RCA Victor 12 Inch Popular Series LPM/LSP 4000-4299
RCA Discography Part 13 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Victor 12 Inch Popular Series LPM/LSP 4000-4299 LSP 4000 – All Time Christmas Hits – Piano Rolls and Voices by Dick Hyman [1968] Winter Wonderland/Silver Bells/It's Beginning To Look Like Christmas/Sleighride/The Christmas Song/I Saw Mommy Kissing Santa Claus/Let It Snow! Let It Snow! Let It Snow!/The Chipmunk Song/All I Want For Christmas Is My Two Front Teeth/Frosty The Snow Man/White Christmas LSP 4001 – Cool Crazy Christmas – Homer and Jethro [1968] Nuttin' Fer Christmas/Frosty The Snowman/I Saw Mommy Kissing Santa Claus/Santa Claus, The Original Hippie/All I Want For Christmas Is My Upper Plate/Ornaments/The Night Before Christmas/Jingle Bells/Randolph The Flat-Nosed Reindeer/Santa Baby/Santa's Movin' On/The Nite After Christmas LPM/LSP 4002 – I Love Charley Brown – Connie Smith [1968] Run Away Little Tears/The Sunshine Of My World/That's All This Old World Needs/Little Things/If The Whole World Stopped Lovin'/Don't Feel Sorry For Me/I Love Charley Brown/Burning A Hole In My Mind/Baby's Back Again/Let Me Help You Work It Out/Between Each Tear/There Are Some Things LPM/LSP 4003 – The Wild Eye (Soundtrack) – Gianni Marchetti [1968] Two Lovers/The Desert/Meeting With Barbara/The Kiss/Two Lovers/Bali Street/Don't Go Away/The Sultan/All The Little Pictures/The End Of The Orient/Love Comes Back/Nights In Saigon/The Letter/Life Goes On/Useless Words/The Statue/Golden Age/Goodbye/I Love You LSP 4004 – Country Girl – Dottie West [1968] -
The Contents of This Study Guide Are Based on Standards Developed by the National Educational Technology Standards for Teachers
The contents of this study guide are based on standards developed by the National Educational Technology Standards for Teachers. Broadway Theatrical, LLC is proud to present the Thru The Stage Door edition of Irving Berlin’s White Christmas, a new and innovative way of using Broadway as an educational tool in the classroom. Thru The Stage Door has been created by seasoned educators and combined with technology to bring lessons alive in the classroom and engage students. Whether you are teaching the Arts, Social Studies or even Science, you will find rich Broadway content and curriculum compliant lessons. When I was seven years old, my parents took me to see the original Broadway cast of Mame on Broadway. Now, more than four decades later I can still remember every moment of that visceral experience. I knew at that moment that this was the world in which I wanted to work and for 2 decades now, I wake up every morning thrilled that I’ve been fortunate to work in this truly magical world. I was also incredibly lucky to grow up in a school with a dynamic arts program that fueled my desire daily. Sadly, arts programs have been cut in most schools now and an entire generation is growing up without the many skills arts can teach. Broadway Theatrical, LLC is committed to keeping the arts in the classroom with Thru The Stage Door. As a companion piece to seeing a Broadway show or as stand-alone lessons, Thru The Stage Door is designed to stimulate creativity, inspire collaboration and engage a new generation of theatre-goers. -
Everything Is Personal
EVERYTHING IS PERSONAL Chapter Eleven 3/15 to 10/19 Copyrighted 1975, 1980, 1981 thru 1989, 1990 thru 2012, 2013, 2014, 2015, 2016, 2017,2018,2019 Windland Books By Curtis L. Coghill Library of Congress Registration #: TXUOO1754716, 2015 Copyrighted 2017 Windland Books By Curtis L. Coghill All Rights Reserved No part of this book may be reproduced in any form, without written permission from the publisher; except by a reviewer, who may quote brief passages in a review to be printed in a magazine or newspaper without proper credit to the Author. Particular emphasis is laid on the matter of broadcasting, recordings (magnetic, optical or otherwise), and public performances. Published in the United States of America by Windland Books 3301 E. Sells Dr. Phoenix, Arizona 85018 Manufactured in the USA This Copy printed (October 11, 2019) For Joel Your life will never be forgotten and will always live deep within our Hearts 454 TABLE OF CONTENT I’ve Fallen I Don’t Have It I Want to Build You a Home I Understand I Never 8-3-15 What Happened To You Tonight All I Need Is You Blank I Am a Ghost Because of You “Bitch” A Quiet Man I am Looking Me in Spirit Before I Go To Liza The Gun Her Grace I Am Thankful When Stone Me Gone Before Scattered Galit My Hearts with You I Love and Miss You Give it a Name I Can Miss You Home Behind You Lost You Bump and Fall Not You Me Mine It Matters Not The Moments I Did Not Stop You Why I Am Here Short Thoughts 455 Haunted Mirror Positive-Negative Not You Confusion The Journey Erect Born Scars My Heart Lost Her 456 I'VE