The Songs of Irving Berlin
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Violence and Masculinity in Hollywood War Films During World War II a Thesis Submitted To
Violence and Masculinity in Hollywood War Films During World War II A thesis submitted to: Lakehead University Faculty of Arts and Sciences Department of History In partial fulfillment of the requirements for the degree in Master of Arts Matthew Sitter Thunder Bay, Ontario July 2012 Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-84504-2 Our file Notre référence ISBN: 978-0-494-84504-2 NOTICE: AVIS: The author has granted a non- L'auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distrbute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
One Night with Fanny Brice
The American Century Theater presents Audience Guide Edited by Jack MarshallNovember 5–27 Rosslyn Spectrum Theater you can afford to seesee———— ppplaysplays you can’t afford to miss! About The American Century Theater The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, but overlooked American plays of the twentieth century . what Henry Luce called “the American Century.” The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past playwrights, nor can we afford to surrender our moorings to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all Americans, of all ages, origins and points of view. In particular, we strive to create theatrical experiences that entire families can watch, enjoy, and discuss long afterward. These audience guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. The American Century Theater is a 501(c)(3) professional nonprofit theater company dedicated to producing significant 20th Century American plays and musicals at risk of being forgotten. The American Century Theater is supported in part by Arlington County through the Cultural Affairs Division of the Department of Parks, Recreation, and Cultural Resources and the Arlington Commission for the Arts. This arts event is made possible in part by the Virginia Commission on the Arts and the National Endowment for the Arts, as well as by many generous donors. -
Bruce Walker Musical Theater Recording Collection
Bruce Walker Musical Theater Recording Collection Bruce Walker Musical Theater Recording Collection Recordings are on vinyl unless marked otherwise marked (* = Cassette or # = Compact Disc) KEY OC - Original Cast TV - Television Soundtrack OBC - Original Broadway Cast ST - Film Soundtrack OLC - Original London Cast SC - Studio Cast RC - Revival Cast ## 2 (OC) 3 GUYS NAKED FROM THE WAIST DOWN (OC) 4 TO THE BAR 13 DAUGHTERS 20'S AND ALL THAT JAZZ, THE 40 YEARS ON (OC) 42ND STREET (OC) 70, GIRLS, 70 (OC) 81 PROOF 110 IN THE SHADE (OC) 1776 (OC) A A5678 - A MUSICAL FABLE ABSENT-MINDED DRAGON, THE ACE OF CLUBS (SEE NOEL COWARD) ACROSS AMERICA ACT, THE (OC) ADVENTURES OF BARON MUNCHHAUSEN, THE ADVENTURES OF COLORED MAN ADVENTURES OF MARCO POLO (TV) AFTER THE BALL (OLC) AIDA AIN'T MISBEHAVIN' (OC) AIN'T SUPPOSED TO DIE A NATURAL DEATH ALADD/THE DRAGON (BAG-A-TALE) Bruce Walker Musical Theater Recording Collection ALADDIN (OLC) ALADDIN (OC Wilson) ALI BABBA & THE FORTY THIEVES ALICE IN WONDERLAND (JANE POWELL) ALICE IN WONDERLAND (ANN STEPHENS) ALIVE AND WELL (EARL ROBINSON) ALLADIN AND HIS WONDERFUL LAMP ALL ABOUT LIFE ALL AMERICAN (OC) ALL FACES WEST (10") THE ALL NIGHT STRUT! ALICE THROUGH THE LOOKING GLASS (TV) ALL IN LOVE (OC) ALLEGRO (0C) THE AMAZING SPIDER-MAN AMBASSADOR AMERICAN HEROES AN AMERICAN POEM AMERICANS OR LAST TANGO IN HUAHUATENANGO .....................(SF MIME TROUPE) (See FACTWINO) AMY THE ANASTASIA AFFAIRE (CD) AND SO TO BED (SEE VIVIAN ELLIS) AND THE WORLD GOES 'ROUND (CD) AND THEN WE WROTE... (FLANDERS & SWANN) AMERICAN -
AMBASSADOR JOHN GUNTHER DEAN Interviewed By: Charles Stuart Kennedy Initial Interview Date; September 6, 2000 Copyright 2000 ADST
AMBASSADOR JOHN GUNTHER DEAN Interviewed by: Charles Stuart Kennedy Initial Interview Date; September 6, 2000 Copyright 2000 ADST Q. Today is September 6, 2000. This is an interview with John Gunther Dean. This is being done on behalf of the Association for Diplomatic Studies and Training. I'm Charles Stuart Kennedy. Let's start at the beginning. Could you tell me when and where you were born and something about your family. DEAN: Okay. I was born on February 24, 1926 in the German city of Breslau, an industrial city of 650,000 people, where they made locomotives, airplanes. Silesia is one of the two lungs of Germany: the Ruhr Valley and Silesia. My father was a corporation lawyer who was on the Board of Directors of banks, chairman of a machine-tool company, mining corporations, etc... He was close to many of the leading industrial and financial people in Germany, in the period between the First World War and the Second World War. My father was also the President of the Jewish Community in Breslau. His friend Max Warburg played the same role in Hamburg. Q. Was this the banking Warburg. DEAN: That's right. Max Warburg was the head of the banking house at that time. Sigmund was his nephew who went to England. Q. "Dean" was ... DEAN: My father changed our name legally by going to court in New York Dean - 1 in March 1939. My father's name was Dr. Josef Dienstfertig. You will find his name in books listing the prominent men in industry and finance at the time. -
TOM MCINTOSH NEA Jazz Master (2008)
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. TOM MCINTOSH NEA Jazz Master (2008) Interviewee: Tom McIntosh (December 6, 1927 – July 26, 2017) Interviewer: Eric Jackson with recording engineer Ken Kimery Date: December 9-10, 2011 Repository: Archives Center, National Museum of American History Description: Transcript, 57 pp. Eric Jackson: Today is Friday December 9th. We are talking to Tom “Mac” McIntosh. Tom, let’s begin at the beginning. You were born in Baltimore December 6th 1927? McIntosh: Baltimore, Maryland. Eric Jackson: Baltimore, Maryland. December 6th, 1927? McIntosh: That is correct. Eric Jackson: How big was your family? Were you the youngest, the oldest…? McIntosh: My father had a son by another woman that was seven years older than me. I was the oldest of my mother’s children. My mother had six children. I was the oldest of the six. Eric Jackson: Was it a musical household? McIntosh: Fortunately, I had a mother and a father that were musically inclined. My father, he yearned to be the lead singer in the Mills Brothers. I didn’t appreciate that until later on in years when I discovered that Dean Martin and Frank Sinatra all said that it was the leader of the Mills Brothers that made them want to sing. And looking back, my father was like the leader had a paunch on. But, he made it attractive For additional information contact the Archives Center at 202.633.3270 or [email protected] because he could move his belly in sync with the rhythm of “the lazy river…” (Scats the song) And his belly is moving in rhythm with it! He was always very attractive. -
See Script Preview
Written & Arranged by Chip Deffaa Music & Lyrics by Irving Berlin (and others) PRODUCTION SCRIPT www.stagerights.com SAY IT WITH MUSIC: THE IRVING BERLIN SAGA Copyright © 2018 by Chip Deffaa All Rights Reserved All performances and public readings of SAY IT WITH MUSIC: THE IRVING BERLIN SAGA are subject to royalties. It is fully protected under the copyright laws of the United States of America, of all countries covered by the International Copyright Union, of all countries covered by the Pan-American Copyright Convention and the Universal Copyright Convention, and all countries with which the United States has reciprocal copyright relations. All rights are strictly reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form, by any means, including mechanical, electronic, photocopying, recording, or otherwise, without the prior written permission of the author. Publication of this play does not necessarily imply that it is available for performance by amateurs or professionals. It is strongly recommended all interested parties apply to Steele Spring Stage Rights for performance rights before starting rehearsals or advertising. No changes shall be made in the play for the purpose of your production without prior written consent. All billing stipulations in your license agreement must be strictly adhered to. No person, firm or entity may receive credit larger or more prominent than that accorded the Author. For all stage performance inquiries, please contact: Steele Spring Stage Rights 3845 Cazador Street Los Angeles, CA 90065 (323) 739-0413 www.stagerights.com PRODUCTION HISTORY The first reading of this musical play, under the direction of playwright Chip Deffaa, took place on February 19, 2018 at New York’s 13th Street Repertory Theater (Edith O’Hara, founder/original artistic director; Joe Battista, managing director), starring Michael Townsend Wright, Suzanne Dressler, and Jed Q. -
Liner Notes, Visit Our Web Site
Irving Berlin “This Is the Life!” The Breakthrough Years: 1909–1921 by Rick Benjamin “Irving Berlin remains, I think, America’s Schubert.” —George Gershwin It was a perfect late summer evening in 2015. A crowd had gathered in the park of a small Pennsylvania town to hear the high-school band. I was there to support my trombonist son and his friends. The others were also mostly parents and relatives of “band kids,” with a sprinkling of senior citizens and dog walkers. As the band launched its “covers” of current pop hits toward the treetops, some in the crowd were only half-listening; their digital devices were more absorbing. But then it happened: The band swung into a new tune, and the mood changed. Unconsciously people seemed to sit up a bit straighter. There was a smattering of applause. Hands and feet started to move in time with the beat. The seniors started to sing. One of those rare “public moments” was actually happening. Then I realized what the band was playing—“God Bless America.” Finally, here was something solid—something that resonated, even with these teenaged performers. The singing grew louder, and the performance ended with the biggest applause of the night. “God Bless America” was the grandest music of the concert, a mighty oak amongst the scrub. Yet the name of its creator—Irving Berlin—was never announced. It didn’t need to be. A man on a bench nearby said to me, “I just love those Irving Berlin songs.” Why is that, anyway? And how still? Irving Berlin was a Victorian who rose to fame during the Ragtime Era. -
Meadow Brook Theatre Announces 2016-2017 Season!
For additional information contact: Paige Vanzo ∙ 248-370-3317 [email protected] March 1, 2016 For immediate release… Meadow Brook Theatre announces 2016-2017 Season! Meadow Brook Theatre’s 2016-2017 season kicks-off with a benefit concert then takes to the stage with Michigan Premieres including a Ken Ludwig comedy, a comedy with a heart, a poignant drama AND a 1960s musical! The season also features the music of Irving Berlin and a musical comedy sure to please with Boy- Band-esque song and dance numbers! “We're looking forward to another great season,” said Cheryl Marshall, Managing Director. “We’re so excited to kick things off with another great summer benefit and a wonderful line-up of shows!" The benefit Marshall is referring to is Concert and Cuisine, which will take place July 16, 2016 and feature strolling dinner, cocktails, silent and live auctions and a one-night-only concert by Herman's Hermits starring Peter Noone. Tickets are on sale now! The regular season gets underway in October and features a sure-to-please line-up of seven productionsfour of which are Michigan Premieres! The season opens October 5 with Ken Ludwig's Baskerville: A Sherlock Holmes Mystery, which will run through October 30. Get your deerstalker cap on—the play’s afoot! Comedic genius Ken Ludwig transforms Arthur Conan Doyle’s classic The Hound of the Baskervilles into a murderously funny adventure. Sherlock Holmes is on the case. The male heirs of the Baskerville line are being dispatched one by one. To find their ingenious killer, Holmes and Watson must brave the desolate moors before a family curse dooms its newest heir. -
Senior Soundings May 2017 the Newsletter of the Groton Council on Aging Your Place for Support, Wellness and Life Long Learning 1-978-448-1170 163 West Main St
Senior Soundings May 2017 The Newsletter of the Groton Council On Aging Your Place for Support, Wellness and Life Long Learning 1-978-448-1170 163 West Main St. (Rt.225) Groton, MA 01450 Hours: M-F 8:00am - 4:00pm Mission Statement: The Groton COA serves as the Friends of the Groton Elders community focal point promoting independence of older adults, through The work we do at the Council on Aging would not be possible without the information and referral, support of many collaborators. They come to us from private, public and the non support, health and profit industries. For many years, the Friends of the Groton Elders has been one wellness, socialization and of our direct supporters with sponsorship of educational programs and, by working education. Providing opportunities for all closely with the COA Outreach Coordinator, providing assistance to our residents individuals as they age by when there is an unmet need. The work they do in this community is often done leveraging resources, without notice however, it has an extraordinary impact on our senior residents. developing a sustainable future, and engaging in strong On Thursday, May 18th at 10:00am the Friends of the Groton Elders will partnerships and collaborations. be hosting a reception at the Senior Center for a conversation about the services Staff they provide and their desire for growth in this community. The work that can be Director done together is much stronger than if we work alone so please join them and see Kathy Shelp how you may be able to support their mission through working together. -
Biggar Bros. Limited
----- -----_._.- __ -_._------------,,-----------'-' '"",-,- , , .. " , .. :'- ,,----.'- - - .. ;:~",,::, .,...• ".~ .. -. Page Seventy-five Thursday, March 29, 1945 THE JEWISH POST THE JEWISH POST Thursday, March 29, 1945. '!?age Seventy-four ough going-over in the dramatized, 'THE GRASS". When the boys ,desqribing his experiences while children of the Home. Together with ,Mrs. Spivak was active in many incidents so as to warn the returning blithely ignored the sign, a Holly- under fire was read ,by Lieut. 1. L. ~I her husband, she spent almost all Jewish organizations but the crown "Hotel Berlin", produced by Louis I~trictly escapist fare from Hollywood in their pockets. war. of the pitfalls that await hhn. Eddie II wood writer suggested he change it Rosenbaum, R.C.A. her waking hours at the Home, and ing glory of her work was the Chll F. Edelman (who recently com-I and producing its own serious films, Investment sharks will get a thor "Casablanca" was first shown, al ••• ft.n··-OO- will- also have the co-operation, of to: "KEEP OFF THE COLONEL'S \ J. Wilder, irrunediate past presi- her life was ciosely knit with the dren~s Home. She was one of the- "'OUR FILM pleted "A Song to Remember") and Samuel _ Goldwyn~s "The Little most at the time President Roosevelt banks around the country wheI,'e GRASS", It worked! _ dent, spoke on the activity of the lives of the youngsters. Many chil- founders of the Home, and, for 21 and Prime Minister Churchill made based on the Vicki Baum novel, is Faxes", written by Lillian Hellman OLLEGE' any doubt exists as to the soundness --- Dominion Command, especially on dren brought up in _the Home and years until her death, the president FOLK the name of the place famous by more timely, with the expected ar- and acquired some time ago by the C THEATRE of an investment the G.l. -
Kelly, J.J..Pdf
THE MUSE DONS KHAKI: AMER ICAN SONGS AND MUSIC OF WORLD WAR I by Jacquelin Joan .~~lly Thesis submitted to the Faculty of the Graduate School of the University of Maryland in partial fulfillment of the requirements for the degree of :Master of Arts 1963 ( . I APPROVAL SHEET Title of Thesis: The Muse Dons Khaki: American Songs and Music of World War I Name of Candidate: Jacquelin Master of Date Approved: ojd1 / b J ABSTRACT Title of Thesis: The Muse Dons Khaki: American Songs and Music of World War I Jacquelin Joan Kelly, Master of Arts, 1963 Thesis directed by: Gordon w. Prange, Professor Department of History During the years 1917 and 1918 the United States participated in a 11 war to end all wars. 11 During the conflict the government deliberately enlisted the power of song both at home and on the fighting front to help in the great task of winning the war. The idea of organized singing in the training of the U. s. Arrrry was comparatively new at the time America entered Wor ld War I, but it soon came to be recognized as an integral part of the training itself. The government encouraged singing in the army both on marches and in leisure-time groups because it contributed substantially to the enjoyment, contentment and efficiency of the soldier. The ballads, however, that eased tired muscles after a long days march and boosted morale after a day of heavy fighting were not government sponsored songs, but parodies and GI folk songs that the Sammies themselves composed. -
Sweet Adelines International Arranged Music List
Sweet Adelines International Arranged Music List ID# Song Title Arranger I03803 'TIL I HEAR YOU SING (From LOVE NEVER DIES) June Berg I04656 (YOUR LOVE HAS LIFTED ME) HIGHER AND HIGHER Becky Wilkins and Suzanne Wittebort I00008 004 MEDLEY - HOW COULD YOU BELIEVE ME Sylvia Alsbury I00011 005 MEDLEY - LOOK FOR THE SILVER LINING Mary Ann Wydra I00020 011 MEDLEY - SISTERS Dede Nibler I00024 013 MEDLEY - BABY WON'T YOU PLEASE COME HOME* Charlotte Pernert I00027 014 MEDLEY - CANADIAN MEDLEY/CANADA, MY HOME* Joey Minshall I00038 017 MEDLEY - BABY FACE Barbara Bianchi I00045 019 MEDLEY - DIAMONDS - CONTEST VERSION Carolyn Schmidt I00046 019 MEDLEY - DIAMONDS - SHOW VERSION Carolyn Schmidt I02517 028 MEDLEY - I WANT A GIRL Barbara Bianchi I02521 031 MEDLEY - LOW DOWN RYTHYM Barbara NcNeill I00079 037 MEDLEY - PIGALLE Carolyn Schmidt I00083 038 MEDLEY - GOD BLESS THE U.S.A. Mary K. Coffman I00139 064 CHANGES MEDLEY - AFTER YOU'VE GONE* Bev Sellers I00149 068 BABY MEDLEY - BYE BYE BABY Carolyn Schmidt I00151 070 DR. JAZZ/JAZZ HOLIDAY MEDLEY - JAZZ HOLIDAY, Bev Sellers I00156 072 GOODBYE MEDLEY - LIES Jean Shook I00161 074 MEDLEY - MY BOYFRIEND'S BACK/MY GUY Becky Wilkins I00198 086 MEDLEY - BABY LOVE David Wright I00205 089 MEDLEY - LET YOURSELF GO David Briner I00213 098 MEDLEY - YES SIR, THAT'S MY BABY Bev Sellers I00219 101 MEDLEY - SOMEBODY ELSE IS TAKING MY PLACE Dave Briner I00220 102 MEDLEY - TAKE ANOTHER GUESS David Briner I02526 107 MEDLEY - I LOVE A PIANO* Marge Bailey I00228 108 MEDLEY - ANGRY Marge Bailey I00244 112 MEDLEY - IT MIGHT