White Christmas First Round of Auditions: Tuesday, August 10, 6 P.M
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Written & Arranged by Chip Deffaa Music & Lyrics by Irving Berlin (and others) PRODUCTION SCRIPT www.stagerights.com SAY IT WITH MUSIC: THE IRVING BERLIN SAGA Copyright © 2018 by Chip Deffaa All Rights Reserved All performances and public readings of SAY IT WITH MUSIC: THE IRVING BERLIN SAGA are subject to royalties. It is fully protected under the copyright laws of the United States of America, of all countries covered by the International Copyright Union, of all countries covered by the Pan-American Copyright Convention and the Universal Copyright Convention, and all countries with which the United States has reciprocal copyright relations. All rights are strictly reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form, by any means, including mechanical, electronic, photocopying, recording, or otherwise, without the prior written permission of the author. Publication of this play does not necessarily imply that it is available for performance by amateurs or professionals. It is strongly recommended all interested parties apply to Steele Spring Stage Rights for performance rights before starting rehearsals or advertising. No changes shall be made in the play for the purpose of your production without prior written consent. All billing stipulations in your license agreement must be strictly adhered to. No person, firm or entity may receive credit larger or more prominent than that accorded the Author. For all stage performance inquiries, please contact: Steele Spring Stage Rights 3845 Cazador Street Los Angeles, CA 90065 (323) 739-0413 www.stagerights.com PRODUCTION HISTORY The first reading of this musical play, under the direction of playwright Chip Deffaa, took place on February 19, 2018 at New York’s 13th Street Repertory Theater (Edith O’Hara, founder/original artistic director; Joe Battista, managing director), starring Michael Townsend Wright, Suzanne Dressler, and Jed Q. -
Liner Notes, Visit Our Web Site
Irving Berlin “This Is the Life!” The Breakthrough Years: 1909–1921 by Rick Benjamin “Irving Berlin remains, I think, America’s Schubert.” —George Gershwin It was a perfect late summer evening in 2015. A crowd had gathered in the park of a small Pennsylvania town to hear the high-school band. I was there to support my trombonist son and his friends. The others were also mostly parents and relatives of “band kids,” with a sprinkling of senior citizens and dog walkers. As the band launched its “covers” of current pop hits toward the treetops, some in the crowd were only half-listening; their digital devices were more absorbing. But then it happened: The band swung into a new tune, and the mood changed. Unconsciously people seemed to sit up a bit straighter. There was a smattering of applause. Hands and feet started to move in time with the beat. The seniors started to sing. One of those rare “public moments” was actually happening. Then I realized what the band was playing—“God Bless America.” Finally, here was something solid—something that resonated, even with these teenaged performers. The singing grew louder, and the performance ended with the biggest applause of the night. “God Bless America” was the grandest music of the concert, a mighty oak amongst the scrub. Yet the name of its creator—Irving Berlin—was never announced. It didn’t need to be. A man on a bench nearby said to me, “I just love those Irving Berlin songs.” Why is that, anyway? And how still? Irving Berlin was a Victorian who rose to fame during the Ragtime Era. -
Meadow Brook Theatre Announces 2016-2017 Season!
For additional information contact: Paige Vanzo ∙ 248-370-3317 [email protected] March 1, 2016 For immediate release… Meadow Brook Theatre announces 2016-2017 Season! Meadow Brook Theatre’s 2016-2017 season kicks-off with a benefit concert then takes to the stage with Michigan Premieres including a Ken Ludwig comedy, a comedy with a heart, a poignant drama AND a 1960s musical! The season also features the music of Irving Berlin and a musical comedy sure to please with Boy- Band-esque song and dance numbers! “We're looking forward to another great season,” said Cheryl Marshall, Managing Director. “We’re so excited to kick things off with another great summer benefit and a wonderful line-up of shows!" The benefit Marshall is referring to is Concert and Cuisine, which will take place July 16, 2016 and feature strolling dinner, cocktails, silent and live auctions and a one-night-only concert by Herman's Hermits starring Peter Noone. Tickets are on sale now! The regular season gets underway in October and features a sure-to-please line-up of seven productionsfour of which are Michigan Premieres! The season opens October 5 with Ken Ludwig's Baskerville: A Sherlock Holmes Mystery, which will run through October 30. Get your deerstalker cap on—the play’s afoot! Comedic genius Ken Ludwig transforms Arthur Conan Doyle’s classic The Hound of the Baskervilles into a murderously funny adventure. Sherlock Holmes is on the case. The male heirs of the Baskerville line are being dispatched one by one. To find their ingenious killer, Holmes and Watson must brave the desolate moors before a family curse dooms its newest heir. -
Unart Label Discography
Unart Label Discography The Unart label, a subsidiary of the United Artists label, was formed in 1958. It released singles initially, but in 1967 and 1968, it was used as a budget label releasing truncated versions of previously released albums. Unart M20000/S21000 Series: M 20001/S 21001 –Hit Themes from Motion Pictures –Various Artists [1967] Moon River –Ferrante and Teicher/Zorba the Greek –Leroy Holmes/Paris Blues –Louis Armstrong/Guns of Navarone –Al Caiola/Lili Marlene –Ralph Martinie/Hallelujah Trail –Elmer Bernstein/El Cid –Nick Perito/One, Two, Three Waltz –Roger Wayne/Happy Thieves –Nick Perito/It’sa Mad, Mad Mad, Mad, World –Ernest Gold M 20002/S 21002 –George Jones Sings a Book of Memories –George Jones [1967] Book of Memories/Poor Little Rich Boy/I Heard You Crying in Your Sleep/Peace in the Valley/Best Guitar Picker/Sometime I dreamed/There’sNo Justice/A Real Close Friend/Flame in My Heart/The Warm Red Wind M 20003/S 21003 –Warm and Mellow –Al Caiola [1967] Watermelon Man/Alley Cat/Temptation/Feliz Brasilia/Sugar Island/Be Mind Tonight/I Can’tGive You Anything but Love/Under a Blanket of Blue/All of Me/I Can’tStop Loving You M 20004/S 21004 –Piano Artistry of Ferrante and Teicher –Ferrante and Teicher [1967] Be My Love/Song From Moulin Rouge/My Foolish Heart/Lovers By Starlight/Dreams//Dark Eyes/Mona Lisa/The Late Show/Tammy/A Letter To My Secret M 20005/S 21005 - TV’sTeen Star-Patty Duke –Patty Duke [1967] Downtown/Too Young/What the World Needs Now is Love/All I Have to Do is Dream/little Things Mean a Lot//One Kiss Away/Why -
Sing-Along Words for Broadway Songs
SEVEN-SONG SING-ALONG The Sunny Side Of The Street: Buck Up With Broadway ON THE SUNNY SIDE OF THE STREET Music by Jimmy McHugh • Lyrics Dorothy Field From The International Revue Grab your coat and get your hat Leave your worries on the doorstep Just direct your feet To the sunny side of the street Can’t you hear that pitter-pat? Why, that happy tune is your step Life can be so sweet On the sunny side of the street I used to walk in the shade With those blues on parade But now I’m not afraid This rover crossed over If I never had a cent I’d be rich as Rockefeller Gold dust at my feet On the sunny side of the street LOOK FOR THE SILVER LINING Music by Jerome Kern • Lyrics by Buddy DeSylva From Sally Look for the silver lining Whenever clouds appear in the blue Remember somewhere the sun is shining And so the right thing to do is make it shine for you A heart full of joy and gladness Will always banish sadness and strife So always look for the silver lining And try to find the sunny side of life I LOVE A PIANO Music and Lyrics by Irving Berlin From Stop, Look and Listen As a child I went wild when the band played How I ran to the man when his hands swayed Clarinets were my pets and a slide trombone I thought was simply divine But today when they play I could hiss them Every bar is a jar to my system But there’s one musical instrument That I call mine I love a piano, I love a piano I love to hear somebody play Upon a piano, a grand piano It really carries me away I know a fine way To treat a Steinway I love to run my fingers o’er the keys The -
Irving Berlin &
Irving Berlin & Co. Written and Arranged by Chip Deffaa Music and Lyrics By Irving Berlin Performance Rights It is an infringement of the federal copyright law to copy or reproduce this script in any manner or to perform this play without royalty payment. All rights are controlled by Eldridge Publishing Co., Inc. Contact the publisher for additional scripts and further licensing information. The author’s name must appear on all programs and advertising with the notice: “Produced by special arrangement with Eldridge Publishing Company.” ELDRIDGE PUBLISHING COMPANY © 2020 by Chip Deffaa Download your complete script from Eldridge Publishing https://histage.com/irving-berlin-co Irving Berlin & Co. - 2 - DEDICATION This one is for Jack Sprance, with appreciation.... STORY OF THE MUSICAL Inspired by actual events, legendary songwriter Irving Berlin shares his life story with two teens. It's a rags-to-riches tale--terrific for schools, colleges, community theaters, and more--about a poor immigrant kid rising to become the most successful songwriter in the world. Along the way, we get to hear such timeless Berlin songs as "I Love a Piano," "All by Myself," "Play a Simple Melody," "Ragtime Violin," and "Alexander's Ragtime Band." The songs are pure Americana--great for singing and dancing. ORIGINAL PRODUCTION The first reading of this script was held February 10, 2013, at Ripley Grier Studios, 520 Eighth Avenue, New York City, with the following collective personnel: Michael Townsend Wright, Emily Bordonaro, Michael Kasper, Bob Diamond, Brian Gari, Katie Branden, Eve Prouty, Matt Zanfagna, Deborah Grisorio, Chip Deffaa. Aides-de-camp: Jessee Riehl, Jack Saleeby, Ben Youngstone, Samantha McCoy. -
Irving Berlin's I Love a Piano
study guide contents The Play Meet Irving Berlin Tin Pan Alley: A Hub of American Music Artists of the Past An American Timeline music and lyrics by Irving Berlin conceived and written by Ray Roderick and Michael Berkeley directed and choreographed by Ray Roderick January 29 through February 15, 2009 the play at the Lincoln Theatre As a piano with one sour note passes from owner to owner, it takes the audience on a musical i love a piano journey through American history. Beginning in a music store at the turn of the 20th century, surviving two World Wars, and ending in the rehearsal hall of a summer stock theater company, the piano travels through 70 years of life, love, fear, identity and patriotism. The piano’s – and America’s – story is told through the music of Irving Berlin. With such songs as “I love to hear somebody play “God Bless America,” “There’s No Upon a piano Business Like Show Business” and “White Christmas,” I Love a Piano A grand piano celebrates the music of a man It simply carries me away.” who defined American music. – “I Love a Piano,” Irving Berlin meet Irving Quick Berlin Irving Berlin’s real name was FactIsrael Beilin. His first song was mistakenly credited to “I. Berlin.” He did not like his real name for a songwriter, so he kept the new name. Irving Berlin is one of the most legendary songwriters in American history. Born on May 11, 1888, in current-day Belarus, Berlin immigrated with his Jewish family to the United States in 1893. -
Steve Ross Press
Steve Ross Press STEVE ROSS - C'MON AND HEAR: AN IRVING BERLIN JULY 4th CELEBRATION Birdland, NY A themed evening with Steve Ross is as illuminating as it is entertaining. With cards-face-up fidelity, original embellishment, and the kind of indisputable panache that never sacrifices emotion for sophistication, Ross tonight offers a high-spirited celebration of Irving Berlin, “Russia’s best export after vodka.” As exemplified by a jaunty “Alexander’s Ragtime Band,” Ross’ lucid musicianship, aided by the excellent Jered Egan on bass, is more effective than a full band in capturing the intention of Berlin’s of-the-people oeuvre. The pianist effortlessly delivers light, tangy ragtime. Selective history and anecdotes act as bridges, not filler. Composer/lyricist Israel Isidore Baline (1888 -1989) fled a Russian pogrom, landing on New York’s Lower East Side. After stints as a singing waiter and song plugger, he began to write in earnest, catching ragtime fever. Ross describes the genre as “rhythms that came up the Mississippi to sit on marching tempo,” adroitly demonstrating with “Play a Simple Melody.” We’re treated to excerpts from several vivacious songs, including a percussive “When the Midnight Choo-Choo Leaves for Alabam”’ that appears to have fancy footwork. “I Love a Piano,” one of our host’s favorites, is as dancey as it gets. Ross is able to make exuberanceeloquent. Higher octaves arrive quiet-difficult and effective. “Mandy” is equally infectious. “...so don’t you linger...” he sings boyishly, pointing at/warning the audience. Gestures come easily tonight, drawing us in. “When I Lost You,” Berlin’s first ballad, written upon the devastating, post-honeymoon death of his bride, is melodic, yet profound in its grief: “I lost the sunshine and roses/I lost the heavens so blue/I lost the beautiful rainbow/I lost the morning dew....” “Say It Isn’t So”—moving like chiffon and marabou, and a smoky, sotto voce “How Deep Is the Ocean? (How High Is the Sky)” show mastery of melancholy ardor. -
I Love a Piano
Taylor University Pillars at Taylor University Taylor Theatre Playbills Campus Events 4-24-2015 I Love a Piano Follow this and additional works at: https://pillars.taylor.edu/playbills Part of the Acting Commons, Dance Commons, Higher Education Commons, Playwriting Commons, and the Theatre History Commons Recommended Citation "I Love a Piano" (2015). Taylor Theatre Playbills. 13. https://pillars.taylor.edu/playbills/13 This Book is brought to you for free and open access by the Campus Events at Pillars at Taylor University. It has been accepted for inclusion in Taylor Theatre Playbills by an authorized administrator of Pillars at Taylor University. For more information, please contact [email protected]. ARTISTIC DIRECTOR I’m pinching myself. Is it really the last show of the 14 – 15 season? Seems like just yesterday it was May ‘14 and I was announcing to my students what the shows you have enjoyed this season would be. Those announcements are always made full of anticipation and uncertainty. We embark bravely on a plan that is intentionally creative, complicated, academically valuable, Liberal Arts focused, challenging and fun. We pray that our plans will be Divinely blessed and pray the prayer that never fails, Thy Will Be Done. They were and it was and He did and we are thankful. It has been said that Irving Berlin didn’t write American music, he was American music. Over the years he was known for writing music and lyrics in the American vernacular: uncomplicated, simple and direct, with his stated aim being to “reach the heart of the average American,” whom he saw as the “real soul of the country.” In doing so, said Walter Cronkite, at Berlin’s 100th birthday tribute, he “helped write the story of this country, capturing the best of who we are and the dreams that shape our lives.” I Love a Piano then becomes somewhat of a review of the American narrative and an exploration of how art speaks into and reflects the culture and political climate in which it was written. -
The Contents of This Study Guide Are Based on Standards Developed by the National Educational Technology Standards for Teachers
The contents of this study guide are based on standards developed by the National Educational Technology Standards for Teachers. Broadway Theatrical, LLC is proud to present the Thru The Stage Door edition of Irving Berlin’s White Christmas, a new and innovative way of using Broadway as an educational tool in the classroom. Thru The Stage Door has been created by seasoned educators and combined with technology to bring lessons alive in the classroom and engage students. Whether you are teaching the Arts, Social Studies or even Science, you will find rich Broadway content and curriculum compliant lessons. When I was seven years old, my parents took me to see the original Broadway cast of Mame on Broadway. Now, more than four decades later I can still remember every moment of that visceral experience. I knew at that moment that this was the world in which I wanted to work and for 2 decades now, I wake up every morning thrilled that I’ve been fortunate to work in this truly magical world. I was also incredibly lucky to grow up in a school with a dynamic arts program that fueled my desire daily. Sadly, arts programs have been cut in most schools now and an entire generation is growing up without the many skills arts can teach. Broadway Theatrical, LLC is committed to keeping the arts in the classroom with Thru The Stage Door. As a companion piece to seeing a Broadway show or as stand-alone lessons, Thru The Stage Door is designed to stimulate creativity, inspire collaboration and engage a new generation of theatre-goers. -
Chorale Newsletter
CHORALE NOTES Spring, 2016 We’re Puttin’ Spring: Sale, Sings, Wings & Things p. 1 Director’s Corner, President’s Notes p. 2 Yard Sale!!! with Authors! p. 3 The Chorale Community – Writers! p. 4 on the Ritz! The Quilt!! p. 5 Irving Berlin Musical Trivia pp. 5-7 The Last Page (with a photo) p. 8 … “So, come, let’s mix!” The Blue Ridge Chorale and Youth Chorus concert this season is made up of sing-able, memorable music by the well-loved American BRC’s 2016 Spring Events composer, Irving Berlin. and Performances The performance will be directed by our Music Director, Bob Burnett, Cathy ter Weele, our Youth Director, and Wanda Osborn. Our Big, Classy, Chorale Yard Sale – with book rd wonderful and talented Brittany Bache will accompany us on piano, signing! Saturday, April 23 , 7:00 am to with guest accompanists: Steve Graham on bass, Jeff Wolf on the 2:00 pm. (see page 3 for more information). drums, and Debbie Gilbert on the flute. Private concert for residents at Dogwood th This fast-paced, fun program will also include a dance performance Village on Monday, April 28 . by the Marie School of Ballet in Culpeper. Concert: Friday, May 6th, 7:00 pm at the We will perform our concert at the Warrenton Community Center on th th Warrenton Community Center. May 6 , and on May 7 at the State Theatre. At the State Theatre, we’ll have a special evening which, for those who want, will combine Concert (& more! See below) on Saturday, our concert with the Kentucky Derby. -
2011Rollcatalogr19 For
The QRS Music Catalog Piano Rolls - Supplies - NOVELTIES - Pianos - Digital Technologies - GADGETS & Accessories for all player piano enthusiasts www.qrsmusic.com - 800-247-6557 cat1109 ©2011 How It All Works PRICE & NUMBER INFORMATION Here’s How To Order: XP 405 – C 1. Pick out all your favorite rolls 2. Write them down on any sheet of paper. Indicates a 3. Place your order (Choose one of the Prefix specific song Price Code following): New Easier Price Code System: Call our Toll-free Order Dept: If the Roll Number is RED the price is 1-800-247-6557 $25.00. If it is BLACK the price is $15.00 Monday—Friday, 9AM—5pm ET) Visit our Online Order Website ASK ABOUT DISCOUNTS OR VISIT US www.QRSMusic.com AT WWW.QRSMUSIC.COM Availability: Rolls listed online are PRICE CODE EXPANATION available and typically ship the next business day. Regular (No Price Code)………. $15.00 Roll production is partially based on roll Code “A”, “B”, “C”………………. $25.00 orders in the system. If the particular roll you are looking for is not listed place the 2 Packs………………………….. $45.00 order anyway. When and if it is made we 3 Packs (80044)……………….. $65.00 will notify you. We will ask if you would still like to purchase. There will be no 6 Packs (90025)………………. $85.00 obligation if you choose not to. 9 Packs (90000 - 90014)…..…... $125.00 Christmas Party Packs………... $130.00 PREFIX EXPLANATION C Indicates a Classical composition Indicates a live performance CEL Celebrity Series roll Q Indicates a reissued roll.