AMBASSADOR JOHN GUNTHER DEAN Interviewed By: Charles Stuart Kennedy Initial Interview Date; September 6, 2000 Copyright 2000 ADST
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John Gunther
january 1934 Dollfuss and the Future of Austria John Gunther Volume 12 • Number 2 The contents of Foreign Affairs are copyrighted.©1934 Council on Foreign Relations, Inc. All rights reserved. Reproduction and distribution of this material is permitted only with the express written consent of Foreign Affairs. Visit www.foreignaffairs.com/permissions for more information. DOLLFUSS AND THE FUTURE OF AUSTRIA By John G?nther two VIRTUALLY unknown years ago, Dr. Engelbert Doll fuss has become the political darling of Western Europe. Two have seen him in the chambers years ago you might ? of the Austrian which he killed his parliament subsequently ? cherubic little face gleaming, his small, sturdy fists a-flutter career a and wondered what sort of awaited politician so per as as sonally inconspicuous. This year London and Geneva well Vienna have done him homage. Whence this sudden and dramatic are rise? Partly it derives from his personal qualities, which events considerable; partly it is because made him Europe's first a sort bulwark against Hitler, of Nazi giant-killer. And stature came to him paradoxically because he is four feet eleven inches high. Dollfuss was born a peasant and with belief in God. These are two facts paramount in his character. They have contributed much to his popularity, because Austria is three-fifths peasant, a with population 93 percent Roman Catholic. Much of his comes extreme personal charm and force from his simplicity of and amount to manner; his modesty directness almost na?vet?. no no Here is iron statue like Mustapha Kemal, fanatic evangelist a like Hitler. -
German Jews in the United States: a Guide to Archival Collections
GERMAN HISTORICAL INSTITUTE,WASHINGTON,DC REFERENCE GUIDE 24 GERMAN JEWS IN THE UNITED STATES: AGUIDE TO ARCHIVAL COLLECTIONS Contents INTRODUCTION &ACKNOWLEDGMENTS 1 ABOUT THE EDITOR 6 ARCHIVAL COLLECTIONS (arranged alphabetically by state and then city) ALABAMA Montgomery 1. Alabama Department of Archives and History ................................ 7 ARIZONA Phoenix 2. Arizona Jewish Historical Society ........................................................ 8 ARKANSAS Little Rock 3. Arkansas History Commission and State Archives .......................... 9 CALIFORNIA Berkeley 4. University of California, Berkeley: Bancroft Library, Archives .................................................................................................. 10 5. Judah L. Mages Museum: Western Jewish History Center ........... 14 Beverly Hills 6. Acad. of Motion Picture Arts and Sciences: Margaret Herrick Library, Special Coll. ............................................................................ 16 Davis 7. University of California at Davis: Shields Library, Special Collections and Archives ..................................................................... 16 Long Beach 8. California State Library, Long Beach: Special Collections ............. 17 Los Angeles 9. John F. Kennedy Memorial Library: Special Collections ...............18 10. UCLA Film and Television Archive .................................................. 18 11. USC: Doheny Memorial Library, Lion Feuchtwanger Archive ................................................................................................... -
Guide to the John Gunther Papers 1935-1967
University of Chicago Library Guide to the John Gunther Papers 1935-1967 © 2006 University of Chicago Library Table of Contents Descriptive Summary 9 Information on Use 9 Access 9 Citation 9 Biographical Note 9 Scope Note 10 Related Resources 12 Subject Headings 12 INVENTORY 13 Series I: Inside Europe 13 Subseries 1: Original Manuscript 14 Subseries 2: First Revision (Second Draft) 16 Subseries 3: Galley Proofs 18 Subseries 4: Revised Edition (October 1936) 18 Subseries 5: New 1938 Edition (November 1937) 18 Subseries 6: Peace Edition (October 1938) 19 Subseries 7: 1940 War Edition 19 Subseries 8: Published Articles by Gunther 21 Subseries 9: Memoranda 22 Subseries 10: Correspondence 22 Subseries 11: Research Notes-Abyssinian War 22 Subseries 12: Research Notes-Armaments 22 Subseries 13: Research Notes-Austria 23 Subseries 14: Research Notes-Balkans 23 Subseries 15: Research Notes-Czechoslovakia 23 Subseries 16: Research Notes-France 23 Subseries 17: Research Notes-Germany 23 Subseries 18: Research Notes-Great Britain 24 Subseries 19: Research Notes-Hungary 25 Subseries 20: Research Notes-Italy 25 Subseries 21: Research Notes-League of Nations 25 Subseries 22: Research Notes-Poland 25 Subseries 23: Research Notes-Turkey 25 Subseries 24: Research Notes-U.S.S.R. 25 Subseries 25: Miscellaneous Materials by Others 26 Series II: Inside Asia 26 Subseries 1: Original Manuscript 27 Subseries 2: Printer's Copy 29 Subseries 3: 1942 War Edition 31 Subseries 4: Printer's Copy of 1942 War Edition 33 Subseries 5: Material by Others 33 Subseries 6: -
Violence and Masculinity in Hollywood War Films During World War II a Thesis Submitted To
Violence and Masculinity in Hollywood War Films During World War II A thesis submitted to: Lakehead University Faculty of Arts and Sciences Department of History In partial fulfillment of the requirements for the degree in Master of Arts Matthew Sitter Thunder Bay, Ontario July 2012 Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-84504-2 Our file Notre référence ISBN: 978-0-494-84504-2 NOTICE: AVIS: The author has granted a non- L'auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distrbute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Cr^Ltxj
THE NAZI BLOOD PURGE OF 1934 APPRCWBD": \r H M^jor Professor 7 lOLi Minor Professor •n p-Kairman of the DeparCTieflat. of History / cr^LtxJ~<2^ Dean oiTKe Graduate School IV Burkholder, Vaughn, The Nazi Blood Purge of 1934. Master of Arts, History, August, 1972, 147 pp., appendix, bibliography, 160 titles. This thesis deals with the problem of determining the reasons behind the purge conducted by various high officials in the Nazi regime on June 30-July 2, 1934. Adolf Hitler, Hermann Goring, SS leader Heinrich Himmler, and others used the purge to eliminate a sizable and influential segment of the SA leadership, under the pretext that this group was planning a coup against the Hitler regime. Also eliminated during the purge were sundry political opponents and personal rivals. Therefore, to explain Hitler's actions, one must determine whether or not there was a planned putsch against him at that time. Although party and official government documents relating to the purge were ordered destroyed by Hermann GcTring, certain materials in this category were used. Especially helpful were the Nuremberg trial records; Documents on British Foreign Policy, 1919-1939; Documents on German Foreign Policy, 1918-1945; and Foreign Relations of the United States, Diplomatic Papers, 1934. Also, first-hand accounts, contem- porary reports and essays, and analytical reports of a /1J-14 secondary nature were used in researching this topic. Many memoirs, written by people in a position to observe these events, were used as well as the reports of the American, British, and French ambassadors in the German capital. -
FDR, Japan, Pearl Harbor, and the Entry Into War in the Pacific
Provocation and Angst: FDR, Japan, Pearl Harbor, and the Entry into War in the Pacific paul s. burtness and warren u. ober Through the afternoon of December 7, 1941, President Franklin Roosevelt kept getting more disheartening news about the devasta- tion wreaked by the Japanese raid on Pearl Harbor. These reports were hard for him to fathom, for he knew that Washington had sent repeated alerts to all the Pacific bases—indeed, FDR had personally ordered warnings sent on November 27 and 28, which included a note that in a confrontation the United States would prefer to have the enemy fire first.1 This provision catered to Congressional isola- tionists, who would support combat only if U.S. forces were under attack. Although the president, unlike Secretary of War Henry Stim- son, was not surprised by the attack, the outcome must have caused him grave angst.2 Paul S. Burtness is Professor of English Emeritus at Northern Illinois University, where he served for ten years as Dean of the College of Liberal Arts and Sciences. Warren U. Ober is Distinguished Professor of English Emeritus at the University of Waterloo, Ontario, Canada, where he served for ten years as Chair of the English Department. Both Burtness and Ober were junior U.S. Naval Reserve officers during World War II. Burtness was gunnery officer aboard the destroyer escort USS Kyne (DE 744), and Ober was a communications officer on the staff of Admiral Howard F. Kingman, Commander, Battleship Division 9, and, later, Commander, 3rd Fleet. In addition to publications in their field of English language and literature, Burtness and Ober have written extensively on Pearl Harbor and the onset of WW II in the Pacific. -
Bruce Walker Musical Theater Recording Collection
Bruce Walker Musical Theater Recording Collection Bruce Walker Musical Theater Recording Collection Recordings are on vinyl unless marked otherwise marked (* = Cassette or # = Compact Disc) KEY OC - Original Cast TV - Television Soundtrack OBC - Original Broadway Cast ST - Film Soundtrack OLC - Original London Cast SC - Studio Cast RC - Revival Cast ## 2 (OC) 3 GUYS NAKED FROM THE WAIST DOWN (OC) 4 TO THE BAR 13 DAUGHTERS 20'S AND ALL THAT JAZZ, THE 40 YEARS ON (OC) 42ND STREET (OC) 70, GIRLS, 70 (OC) 81 PROOF 110 IN THE SHADE (OC) 1776 (OC) A A5678 - A MUSICAL FABLE ABSENT-MINDED DRAGON, THE ACE OF CLUBS (SEE NOEL COWARD) ACROSS AMERICA ACT, THE (OC) ADVENTURES OF BARON MUNCHHAUSEN, THE ADVENTURES OF COLORED MAN ADVENTURES OF MARCO POLO (TV) AFTER THE BALL (OLC) AIDA AIN'T MISBEHAVIN' (OC) AIN'T SUPPOSED TO DIE A NATURAL DEATH ALADD/THE DRAGON (BAG-A-TALE) Bruce Walker Musical Theater Recording Collection ALADDIN (OLC) ALADDIN (OC Wilson) ALI BABBA & THE FORTY THIEVES ALICE IN WONDERLAND (JANE POWELL) ALICE IN WONDERLAND (ANN STEPHENS) ALIVE AND WELL (EARL ROBINSON) ALLADIN AND HIS WONDERFUL LAMP ALL ABOUT LIFE ALL AMERICAN (OC) ALL FACES WEST (10") THE ALL NIGHT STRUT! ALICE THROUGH THE LOOKING GLASS (TV) ALL IN LOVE (OC) ALLEGRO (0C) THE AMAZING SPIDER-MAN AMBASSADOR AMERICAN HEROES AN AMERICAN POEM AMERICANS OR LAST TANGO IN HUAHUATENANGO .....................(SF MIME TROUPE) (See FACTWINO) AMY THE ANASTASIA AFFAIRE (CD) AND SO TO BED (SEE VIVIAN ELLIS) AND THE WORLD GOES 'ROUND (CD) AND THEN WE WROTE... (FLANDERS & SWANN) AMERICAN -
Table of Contents
PANAMA COUNTRY READER TABLE OF CONTENTS Edward W. Clark 1946-1949 Consular Officer, Panama City 1960-1963 Deputy Chief of Mission, Panama City Walter J. Silva 1954-1955 Courier Service, Panama City Peter S. Bridges 1959-1961 Visa Officer, Panama City Clarence A. Boonstra 1959-1962 Political Advisor to Armed Forces, Panama Joseph S. Farland 1960-1963 Ambassador, Panama Arnold Denys 1961-1964 Communications Supervisor/Consular Officer, Panama City David E. Simcox 1962-1966 Political Officer/Principal Officer, Panama City Stephen Bosworth 1962-1963 Rotation Officer, Panama City 1963-1964 Principle Officer, Colon 1964 Consular Officer, Panama City Donald McConville 1963-1965 Rotation Officer, Panama City John N. Irwin II 1963-1967 US Representative, Panama Canal Treaty Negotiations Clyde Donald Taylor 1964-1966 Consular Officer, Panama City Stephen Bosworth 1964-1967 Panama Desk Officer, Washington, DC Harry Haven Kendall 1964-1967 Information Officer, USIS, Panama City Robert F. Woodward 1965-1967 Advisor, Panama Canal Treaty Negotiations Clarke McCurdy Brintnall 1966-1969 Watch Officer/Intelligence Analyst, US Southern Command, Panama David Lazar 1968-1970 USAID Director, Panama City 1 Ronald D. Godard 1968-1970 Rotational Officer, Panama City William T. Pryce 1968-1971 Political Officer, Panama City Brandon Grove 1969-1971 Director of Panamanian Affairs, Washington, DC Park D. Massey 1969-1971 Development Officer, USAID, Panama City Robert M. Sayre 1969-1972 Ambassador, Panama J. Phillip McLean 1970-1973 Political Officer, Panama City Herbert Thompson 1970-1973 Deputy Chief of Mission, Panama City Richard B. Finn 1971-1973 Panama Canal Negotiating Team James R. Meenan 1972-1974 USAID Auditor, Regional Audit Office, Panama City Patrick F. -
History of the City of New York Syllabus
History of the City of New York Columbia University- Fall 2001 Professor Kenneth T. Jackson History 4712 603 Fayerweather Hall Tues. & Thurs. 1:10pm-2:25pm- [email protected] 417 International Affairs Building “The city, the city my Dear Brutus – stick to that and live in its full light. Residence elsewhere, as I made up my mind in early life, is mere eclipse and obscurity to those whose energy is capable of shining in Rome.” Marcus Tullius Cicero “New York City, the incomparable, the brilliant star city of cities, the forty-ninth state, a law unto itself, the Cyclopean Paradox, the inferno with no out-of-bounds, the supreme expression of both the miseries and the splendors of contemporary civilization, the Macedonia of the United States. It meets the most severe test that may be applied to the definit ion of a metropolis – it stays up all night. But also it becomes a small town when it rains.” John Gunther “If you live in New York, even if you’re Catholic, you’re Jewish.” Lenny Bruce “There is no question there is an unseen world; the question is, how far is it from midtown, and how late is it open?” Woody Allen “I am not afraid to admit that New York is the greatest city on the face of God’s earth. You only have to look at it from the air, from the river, from Father Duffy’s statue. New York is easily recognizable as the greatest city in the world, view it any way and every way – back, belly, and sides.” Brendan Behan “Is New York the most beautiful city in the world? It is not far from it. -
TOM MCINTOSH NEA Jazz Master (2008)
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. TOM MCINTOSH NEA Jazz Master (2008) Interviewee: Tom McIntosh (December 6, 1927 – July 26, 2017) Interviewer: Eric Jackson with recording engineer Ken Kimery Date: December 9-10, 2011 Repository: Archives Center, National Museum of American History Description: Transcript, 57 pp. Eric Jackson: Today is Friday December 9th. We are talking to Tom “Mac” McIntosh. Tom, let’s begin at the beginning. You were born in Baltimore December 6th 1927? McIntosh: Baltimore, Maryland. Eric Jackson: Baltimore, Maryland. December 6th, 1927? McIntosh: That is correct. Eric Jackson: How big was your family? Were you the youngest, the oldest…? McIntosh: My father had a son by another woman that was seven years older than me. I was the oldest of my mother’s children. My mother had six children. I was the oldest of the six. Eric Jackson: Was it a musical household? McIntosh: Fortunately, I had a mother and a father that were musically inclined. My father, he yearned to be the lead singer in the Mills Brothers. I didn’t appreciate that until later on in years when I discovered that Dean Martin and Frank Sinatra all said that it was the leader of the Mills Brothers that made them want to sing. And looking back, my father was like the leader had a paunch on. But, he made it attractive For additional information contact the Archives Center at 202.633.3270 or [email protected] because he could move his belly in sync with the rhythm of “the lazy river…” (Scats the song) And his belly is moving in rhythm with it! He was always very attractive. -
See Script Preview
Written & Arranged by Chip Deffaa Music & Lyrics by Irving Berlin (and others) PRODUCTION SCRIPT www.stagerights.com SAY IT WITH MUSIC: THE IRVING BERLIN SAGA Copyright © 2018 by Chip Deffaa All Rights Reserved All performances and public readings of SAY IT WITH MUSIC: THE IRVING BERLIN SAGA are subject to royalties. It is fully protected under the copyright laws of the United States of America, of all countries covered by the International Copyright Union, of all countries covered by the Pan-American Copyright Convention and the Universal Copyright Convention, and all countries with which the United States has reciprocal copyright relations. All rights are strictly reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form, by any means, including mechanical, electronic, photocopying, recording, or otherwise, without the prior written permission of the author. Publication of this play does not necessarily imply that it is available for performance by amateurs or professionals. It is strongly recommended all interested parties apply to Steele Spring Stage Rights for performance rights before starting rehearsals or advertising. No changes shall be made in the play for the purpose of your production without prior written consent. All billing stipulations in your license agreement must be strictly adhered to. No person, firm or entity may receive credit larger or more prominent than that accorded the Author. For all stage performance inquiries, please contact: Steele Spring Stage Rights 3845 Cazador Street Los Angeles, CA 90065 (323) 739-0413 www.stagerights.com PRODUCTION HISTORY The first reading of this musical play, under the direction of playwright Chip Deffaa, took place on February 19, 2018 at New York’s 13th Street Repertory Theater (Edith O’Hara, founder/original artistic director; Joe Battista, managing director), starring Michael Townsend Wright, Suzanne Dressler, and Jed Q. -
Biggar Bros. Limited
----- -----_._.- __ -_._------------,,-----------'-' '"",-,- , , .. " , .. :'- ,,----.'- - - .. ;:~",,::, .,...• ".~ .. -. Page Seventy-five Thursday, March 29, 1945 THE JEWISH POST THE JEWISH POST Thursday, March 29, 1945. '!?age Seventy-four ough going-over in the dramatized, 'THE GRASS". When the boys ,desqribing his experiences while children of the Home. Together with ,Mrs. Spivak was active in many incidents so as to warn the returning blithely ignored the sign, a Holly- under fire was read ,by Lieut. 1. L. ~I her husband, she spent almost all Jewish organizations but the crown "Hotel Berlin", produced by Louis I~trictly escapist fare from Hollywood in their pockets. war. of the pitfalls that await hhn. Eddie II wood writer suggested he change it Rosenbaum, R.C.A. her waking hours at the Home, and ing glory of her work was the Chll F. Edelman (who recently com-I and producing its own serious films, Investment sharks will get a thor "Casablanca" was first shown, al ••• ft.n··-OO- will- also have the co-operation, of to: "KEEP OFF THE COLONEL'S \ J. Wilder, irrunediate past presi- her life was ciosely knit with the dren~s Home. She was one of the- "'OUR FILM pleted "A Song to Remember") and Samuel _ Goldwyn~s "The Little most at the time President Roosevelt banks around the country wheI,'e GRASS", It worked! _ dent, spoke on the activity of the lives of the youngsters. Many chil- founders of the Home, and, for 21 and Prime Minister Churchill made based on the Vicki Baum novel, is Faxes", written by Lillian Hellman OLLEGE' any doubt exists as to the soundness --- Dominion Command, especially on dren brought up in _the Home and years until her death, the president FOLK the name of the place famous by more timely, with the expected ar- and acquired some time ago by the C THEATRE of an investment the G.l.