DICKINSON INDEPENDENT SCHOOL DISTRICT REQUEST for PROPOSAL #20-05-1080 PROPERTY and WINDSTORM INSURANCE

Total Page:16

File Type:pdf, Size:1020Kb

DICKINSON INDEPENDENT SCHOOL DISTRICT REQUEST for PROPOSAL #20-05-1080 PROPERTY and WINDSTORM INSURANCE Request for Proposal #20-05-1080 Property and Windstorm Insurance Policy Effective Date: September 1, 2020 to September 1, 2021 DICKINSON INDEPENDENT SCHOOL DISTRICT REQUEST FOR PROPOSAL #20-05-1080 PROPERTY and WINDSTORM INSURANCE Sealed proposals are invited to furnish pricing for Property and Windstorm Insurance for the Dickinson Independent School District. Two (2) copies of your proposal should be mailed or delivered to the Tom Mooney, Director of Purchasing, 2218 FM 517 East, Dickinson, TX, 77539. Deadline for submission is 10:00 a.m., June 10, 2020. The proposal will be publicly opened; only names of vendors submitting proposals will be read. The Owner reserves the right to waive all formalities, to be the sole judge of quality and suitability and may reject any or all items. SHOULD YOU OPT NOT TO SUBMIT A PROPOSAL, PLEASE RETURN THE NOTICE OF NO SUBMISSION FORM INCLUDED (page 3) TO REMAIN ON OUR VENDOR LIST. All prices are to be effective for one (1) year after award of contract with an option to renew annually for three (3) additional years with mutual consent. Proposals shall include delivery charges and be F.O.B. Dickinson ISD. Please mark envelopes "Sealed Proposal for Property and Windstorm Insurance for the Dickinson Independent School District. Do Not Open Until 10:00 a.m., June 10, 2020.” FAILURE TO SUBMIT PROPOSAL IN DUPLICATE MAY RESULT IN REJECTION. 1 TABLE OF CONTENTS The following subjects comprise Dickinson Independent School District’s (DISD) solicitation for Property and Windstorm Insurance Coverages: Item Subject Required to be Submitted w/Proposal 1. Table of Contents No 2. Notice of No Submission No 3. Proposal Terms & Conditions No 4. W-9 Yes 5. Conflict of Interest Disclosure Yes 6. Conflict of Interest Questionnaire Yes 7. Felony Conviction Notification Yes 8. Certificate of Residency Yes 9. Vendor Acceptance Form Yes 10. Deviation/Compliance Form Yes 11. Certification Regarding Debarment, etc. Yes 12. References Yes 13. Commercial Insurance Application Information No 14. Specifications Yes a) Property/Windstorm Note All Differences from Specifications and provide answers to questions 15. Exposure Information No a) Property Schedule 16. Loss Information No 2 NOTICE OF NO SUBMISSION Dear Vendor: Please complete this form and return it prior to Opening Date (check box and complete): 1. Our company cannot provide the products, supplies and/or services listed in this bid. MOVE our company name and address to the following category(ies) so that we may be included in the proper Dickinson ISD list(s): __________________________________________________________________ 2. We have decided NOT to submit a pricing at this time for the following reason(s) (please be specific). KEEP our name on this list. __________________________________________________________________ 3. REMOVE our name from all Dickinson ISD vendor’s lists for the reason(s) listed: __________________________________________________________________ COMPANY NAME:________________________________________________________ REPRESENTATIVE: (Please Print)____________________________________________ ADDRESS:______________________________________________________________ CITY/STATE/ZIP:_________________________________________________________ PHONE NUMBER:________________________________________________________ REQUEST FOR BID/RFP PROPERTY and WINDSTORM INSURANCE MAIL TO: Purchasing Department – Attn: Tom Mooney "Notice of No Submission" DICKINSON INDEPENDENT SCHOOL DISTRICT 2218 FM517 East Dickinson, TX 77539 SIGNATURE: ____________________________________________________________ TITLE: ____________________________________ DATE: ______________________ Thank you for your assistance. VENDORS WHO RESPOND WITH A FORMAL PROPOSAL OR NOTICE OF NO SUBMISSION WILL REMAIN ON OUR MAILING LIST. VENDORS MAKING NO RESPONSE AT ALL WILL BE REMOVED FROM OUR VENDOR’S LIST. 3 PROPOSAL TERMS AND CONDITIONS ASSIGNMENT – Any award made as a result of this solicitation will not be transferred, assigned, subcontracted or mortgaged by the successful proposer. AWARD CRITERIA – DISD may accept or reject any RFP (and any part thereof), waive formalities, and may elect to negotiate with the proposer(s) to make an award that is advantageous and beneficial to DISD. DISD will consider the quoted price, reputation of the vendor, quality of the vendor’s goods or services, the extent to which the goods or services meet the needs of DISD, vendor’s past relationship with DISD, long-term cost to DISD and any other relevant factors. CANCELLATION – DISD reserves the right to cancel this solicitation. (See paragraph entitled “Financial Responsibility”) CHANGES – Any changes to the requirements specified herein will be communicated to all proposers by the issuance of an addendum. Any addendum(s) issued in response to this proposal shall be complied with. CONTRACT TERM – The preferred term of the contract will not exceed three (3) years. DISD may elect to renew the contract three (3) additional years in one- (1) year increments. DISQUALIFICATION – A proposer may be disqualified before or after the proposals are opened, upon evidence of collusion with intent to perform illegal activities for the purpose of obtaining an unfair competitive advantage. EXCEPTIONS – Proposers are responsible for identifying any exceptions to the requirements specified herein, which should be noted on the proposer’s letterhead and returned with the RFP. RFP’s which are qualified with conditional clauses; alterations or irregularities may be considered non-responsive by DISD. FINANCIAL RESPONSIBILITY – DISD assumes no financial responsibility for any costs incurred in developing and submitting a RFP. FORMAT – All information provided by the proposer shall be typed. Each proposer shall submit one (1) original and one (1) copy of their RFP (bound, and 3-hole punched) with the required documents specified in the Table of Contents page. The required documents must be submitted in the order as they are listed in the Table of Contents. IF YOU ARE PROPOSING EXTENSIONS OF COVERAGE THAT DIFFER FROM WHAT IS REQUESTED, NOTE DIFFERENCES IN SHADED AREA ADJACENT TO THE EXTENSION. FACSIMILE TRANSMITTALS SHALL NOT BE ACCEPTED. MARK ENVELOPE: SEALED PROPOSAL FOR PROPERTY AND WINDSTORM INSURANCE FOR THE DICKINSON INDEPENDENT SCHOOL DISTRICT. DO NOT OPEN UNTIL 10:00 A.M., JUNE 10, 2020. Proposers are responsible for ensuring their RFP’s are received at the time and place specified on the cover page. DISD is not responsible for proposals that arrive late or that do not have all the required information. At the time and place specified for receipt of the RFP’s, DISD will only release the names of the proposers who have submitted a RFP. No other information will be released until DISD has made an award. INDEMNIFICATION – DISD shall be indemnified and held harmless from all liabilities, costs, expenses, attorney fees, fines, penalties or damages for any or claimed infringement of any patents, trademarks, copyright or other corresponding right(s) which is related to any part of the service(s) the successful proposer is required to provide to DISD. INTERPRETATION – This solicitation represents the basis for any negotiations between the proposers and DISD, and supersedes all prior offers, negotiations, exceptions and understandings (whether orally or in writing). The information submitted in the RFP should be self- explanatory, and require no follow-up questions from DISD. MODIFICATIONS – DISD reserves the right to negotiate during the term of the contract to establish mutually acceptable terms and conditions. 4 PROPOSAL TERMS AND CONDITIONS (Continued) NON-APPROPRIATION OF FUNDS – Should funding be withdrawn or not be available, DISD reserves the right to terminate the contract in accordance with paragraph entitled “Termination For Convenience”. PERFORMANCE – The successful proposer shall use “best efforts” to provide the services identified herein. If DISD’s determines the successful proposer is not meeting their contractual requirements, DISD will send a “cure notice”, which will outline those specific activities the successful proposer needs to undertake in order to remain in compliance with the mutually agreed upon terms and conditions. POSTPONEMENT – The time and place established for receipt of the RFP’s will not be changed unless otherwise specified in writing by DISD’s Director of Purchasing. PRICES – All prices quoted shall remain firm for the duration of the contract, or the rates shall be guaranteed for multiple years. QUESTIONS – DISD will not answer verbal questions regarding the requirements specified in this solicitation. Questions must be e-mailed to Tom Mooney @ [email protected] on the proposer’s letterhead, and signed by an authorized representative of the proposer’s company. Any response(s) to questions will be produced in writing by DISD and provided to all proposers. RESPONSIBLE PROPOSER – Is a proposer who has adequate financial resources (or the ability to obtain such resources), and is qualified to provide the services described herein. RESPONSIVE PROPOSAL – Refers to a proposal that complies with all material and administrative aspects of this solicitation. RETURN OF PROPOSALS – All RFP’s shall become the property of DISD, and will not be returned. SAMPLE POLICIES – Each Proposal shall include samples of any policies or contracts DISD would have to sign and endorse. TERMINATION FOR CONVENIENCE – DISD may elect to terminate the contract for any reason or cause upon the issuance of a sixty (60) day written
Recommended publications
  • Band Instruments – Reliable Brands to Buy (2020 Update List Created by Bradley Mariska and Crowdsourced by BDG) …
    Band Instruments – Reliable Brands to Buy (2020 update list created by Bradley Mariska and crowdsourced by BDG) … Just like any product, there are good musical instruments and others that might not be worth the investment. If you are in the market for a new or used instrument, please consult this list (and look, you have LOTS of options!). Please email a band director if you find an instrument that is not on this list, as there may be other good instruments out there. With new instruments, you usually get what you pay for. With used instruments, you can sometimes find a name brand instrument as cheap as the ‘generic’ equivalent. But unlike the grocery store, ‘generic’ musical instruments very seldom measure up to the name brand equivalent. This is for many reasons: 1) Instruments made by companies listed below have a history of producing quality instruments. Generally speaking, they are designed and built by expert craftsmen. 2) Instruments from these companies use quality materials. The instruments are more reliable, have a longer lifespan, and parts are easily repaired and replaced if a problem develops. 3) Because they are crafted by experts and designed with quality materials, students can produce a quality sound more easily. 4) Repair technicians keep parts in stock for these instruments. These companies use standardized parts and materials that a repair technician can fix. Low-quality instruments use parts that aren’t compatible - don’t buy an instrument that cannot be repaired! It’s a waste of money. ​ 5) Just because an instrument is shiny, it doesn’t mean it will work well.
    [Show full text]
  • Dayton C. Miller Flute Collection
    Guides to Special Collections in the Music Division at the Library of Congress Dayton C. Miller Flute Collection LIBRARY OF CONGRESS WASHINGTON 2004 Table of Contents Introduction...........................................................................................................................................................iii Biographical Sketch...............................................................................................................................................vi Scope and Content Note......................................................................................................................................viii Description of Series..............................................................................................................................................xi Container List..........................................................................................................................................................1 FLUTES OF DAYTON C. MILLER................................................................................................................1 ii Introduction Thomas Jefferson's library is the foundation of the collections of the Library of Congress. Congress purchased it to replace the books that had been destroyed in 1814, when the Capitol was burned during the War of 1812. Reflecting Jefferson's universal interests and knowledge, the acquisition established the broad scope of the Library's future collections, which, over the years, were enriched by copyright
    [Show full text]
  • Boosey & Hawkes
    City Research Online City, University of London Institutional Repository Citation: Howell, Jocelyn (2016). Boosey & Hawkes: The rise and fall of a wind instrument manufacturing empire. (Unpublished Doctoral thesis, City, University of London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/16081/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Boosey & Hawkes: The Rise and Fall of a Wind Instrument Manufacturing Empire Jocelyn Howell PhD in Music City University London, Department of Music July 2016 Volume 1 of 2 1 Table of Contents Table of Contents .................................................................................................................................... 2 Table of Figures......................................................................................................................................
    [Show full text]
  • New Zealand Works for Contrabassoon
    Hayley Elizabeth Roud 300220780 NZSM596 Supervisor- Professor Donald Maurice Master of Musical Arts Exegesis 10 December 2010 New Zealand Works for Contrabassoon Contents 1 Introduction 3 2.1 History of the contrabassoon in the international context 3 Development of the instrument 3 Contrabassoonists 9 2.2 History of the contrabassoon in the New Zealand context 10 3 Selected New Zealand repertoire 16 Composers: 3.1 Bryony Jagger 16 3.2 Michael Norris 20 3.3 Chris Adams 26 3.4 Tristan Carter 31 3.5 Natalie Matias 35 4 Summary 38 Appendix A 39 Appendix B 45 Appendix C 47 Appendix D 54 Glossary 55 Bibliography 68 Hayley Roud, 300220780, New Zealand Works for Contrabassoon, 2010 3 Introduction The contrabassoon is seldom thought of as a solo instrument. Throughout the long history of contra- register double-reed instruments the assumed role has been to provide a foundation for the wind chord, along the same line as the double bass does for the strings. Due to the scale of these instruments - close to six metres in acoustic length, to reach the subcontra B flat’’, an octave below the bassoon’s lowest note, B flat’ - they have always been difficult and expensive to build, difficult to play, and often unsatisfactory in evenness of scale and dynamic range, and thus instruments and performers are relatively rare. Given this bleak outlook it is unusual to find a number of works written for solo contrabassoon by New Zealand composers. This exegesis considers the development of contra-register double-reed instruments both internationally and within New Zealand, and studies five works by New Zealand composers for solo contrabassoon, illuminating what it was that led them to compose for an instrument that has been described as the 'step-child' or 'Cinderella' of both the wind chord and instrument makers.
    [Show full text]
  • Soprano Cornet
    SOPRANO CORNET: THE HIDDEN GEM OF THE TRUMPET FAMILY by YANBIN CHEN (Under the Direction of Brandon Craswell) ABSTRACT The E-flat soprano cornet has served an indispensable role in the British brass band; it is commonly considered to be “the hottest seat in the band.”1 Compared to its popularity in Britain and Europe, the soprano cornet is not as familiar to players in North America or other parts of world. This document aims to offer young players who are interested in playing the soprano cornet in a brass band a more complete view of the instrument through the research of its historical roots, its artistic role in the brass band, important solo repertoire, famous players, approach to the instrument, and equipment choices. The existing written material regarding the soprano cornet is relatively limited in comparison to other instruments in the trumpet family. Research for this document largely relies on established online resources, as well as journals, books about the history of the brass band, and questionnaires completed by famous soprano cornet players, prestigious brass band conductors, and composers. 1 Joseph Parisi, Personal Communication, Email with Yanbin Chen, April 15, 2019. In light of the increased interest in the brass band in North America, especially at the collegiate level, I hope this project will encourage more players to appreciate and experience this hidden gem of the trumpet family. INDEX WORDS: Soprano Cornet, Brass Band, Mouthpiece, NABBA SOPRANO CORNET: THE HIDDEN GEM OF THE TRUMPET FAMILY by YANBIN CHEN Bachelor
    [Show full text]
  • A, Fl }J)-A?L~---- Dr
    A SURVEY OF ACTIVE BRASS BANDS IN THE STATE OF OHIO A Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Diana Droste Herak, B.M.E. * * * * * The Ohio State University 1999 Master's Examination Committee: Approved by Dr. Jon Woods, Adviser Dr. Jere Forsythe __a,_fL_}j)-A?L~---- Dr. Russel Mikkelson v--- Adviser School of Music Copyright by Diana Droste Herak 1999 ABSTRACT In England, many adult amateur musicians continue playing their instruments throughout their lives in the brass band world. In contrast, American adult musicians rarely continue performing once their school days are over. By conducting a survey of the current status of active brass bands in Ohio, it is the intent of this study to offer an historical background of each band, bring more exposure to the brass band movement, and promote brass banding as a musically worthwhile activity for adult amateur musicians. Not much is known about the history and current status of the brass band movement in America. In 1992, Dr. Ned Mark Hosler completed a dissertation entitled “The Brass Band Movement in North America: A Survey of Brass Bands in the United States and Canada.” The intent of this thesis was to focus specifically on British-style brass bands in the state of Ohio. A questionnaire was administered to a sample population of British brass bands in Ohio. The categories covered in the survey included basic information, band origin, membership demographics, instrumentation, organizational structure, rehearsals/performances, public/community support, repertoire, the impact of the North American Brass Band Association, and general considerations.
    [Show full text]
  • Information Sheet About Advanced Student and Graduate Instruments)
    STEVE TADD WOODWIND REPAIRS (.co.uk) 07734 543011 A beginner’s guide to student Oboes (Jul 2019) Although Oboes are classed as a woodwind instruments, student Oboes may be made of plastic or wood. Professional instruments are usually made of wood (which helps give them a richer tone). The Oboe is a member of a family that is made up of the Oboe, the Cor Anglais, the Oboe d’amore, the Bass Oboe and the Heckelphone. The Oboe (or ‘Soprano’ Oboe to give it its full name) is the most common member of the family. The Oboe is played by inserting a double reed (a small piece of folded cane) into the top of the instrument and blowing; the player covers or uncovers holes on the instrument to produce notes. People who start playing the Oboe have usually made significant progress on some other instrument first. The Oboe is played with a double reed (whereas the Clarinet and Saxophone are played with a single reed) and it is difficult to play in tune, so it is best that the player has already developed their ‘musical ear’ to some extent. Tuition for children is not usually available until secondary school – this is not just because of the difficulty in playing the instrument but because good quality student instruments are expensive (however Howarth have recently started manufacturing a ‘Junior’ Oboe and this may change the current structure of Oboe tuition – see below). The parts of an Oboe • The top-joint - it has a narrow metal socket at the top end (into which the reed fits) and a corked tenon at the other end; it also has a lot of keys , these are operated by the player so that the various pads cover or uncover the tone-holes to make different musical notes • The bottom-joint - it has one corked tenon and also has keys.
    [Show full text]
  • Check It out Here
    www.musictrades.com DECEMBER 2017 THE GLOBAL ISSUE KANSTUL FAMILY-OWNED BRASSWINDS MAKER CARRIES ON TRADITION OF CRAFTSMANSHIP GLOBAL COMPANY PROFILES ducing a quality sound.” Trumpets have been arguably KMI’s KANSTUL highest-profile segment since that first contract to build the Besson line, yet Family-owned brasswinds maker carries on many of its other entries have found their tradition of craftsmanship own place in musical lore. KMI’s Model 1531 cornet was used by Doc Severinsen to record his famous Trumpet Spectacu- lar album, while its flagship 1525 cop- per-bell flugelhorn was used on the album Flight To Freedom by Arturo San- doval, who called it “the most incredible instrument I’ve ever played.” Three Kanstul contrabass trombones were used in Disney’s Alice In Wonderland. And as for tubas: the last major project of Zig Kanstul’s career was bringing back the York line sometimes known as the “Great American Tuba.” KMI even de- veloped an Eb tenor horn, used mostly in the U.K., so it could supply British-style brass bands with all their instruments. In one of its newest projects, KMI has re- created the iconic “Committee” trumpet played by greats including Wallace Roney, who plays a custom version of the instrument. In another new entry, it’s developed travel tubas in the key of C or Bb, both sized for modern airline re- WITH THE 1981 CLOSURE of the brasswinds company manufacturing en- quirements but drawing on the DNA of Benge brass instruments factory, a crew tirely in the United States. Although Zig classic models from the Kanstul line.
    [Show full text]
  • Instrument Making of the Salvation Army
    30 The Galpin Society Journal LXXIII (2020) ARNOLD MYERS Instrument Making of the Salvation Army he Salvation Army was formed as such in contribute to Army events across Britain; in 1880 the September 1878 as a development of the first corps (local congregation) band was established: earlier Christian Mission in the East End of 14 instrumentalists at Northwich.2 The 1880s were a London,T with origins in the Methodist Church, and period of remarkable growth of the Salvation Army became a separate Christian church. It was primarily across Britain (and overseas), and saw brass bands evangelical, and adopted military organisational develop an essential role for the Army in recruitment structures and metaphorical language as an effective and worship. The Salvation Army brass band stratagem. The poor were seen as neglected by the tradition and repertoire have been discussed in depth established churches, and converting the poor to by Boon,3 Herbert,4 Holz5 and Cox,6 allowing us to Christianity was the chief aim of the Salvation Army. focus here on instruments. Conversion was largely brought about by preaching Playing in brass bands was a widely practised the gospel in meetings, and people were attracted pastime for many, so the recruits to the early to meetings by street demonstrations and open- Salvation Army were often already brass band air acts of witness. These demonstrations featured musicians. Some brought their own instruments gospel singing which was usually accompanied by which they then had to sell to the local Army corps: instruments of different kinds. Brass instruments for the others the corps provided instruments which proved to be particularly effective, and the had to be bought from Headquarters.
    [Show full text]
  • MUTES by You Do BESSON That 'DEAL' Better If You with Th·E Deal
    PER AA ANNUAL SU3SCRIPTION REGISTERED FOR LIVERPOOL, FEBRU ARY 1, 1946 PRICE POST�· • No. 773 TRANSMISSION ABROAD 3d. Post Free 4/- QUARTETS POPULAR CORNET SOLOS BESSON FOR BRASS INSTRUMENTS NOW AVAILABLE (With Pianoforte Accompaniment) WILL BU Y YOUR ACCESSORIES s. d. 15 3 SURPLU S INSTRUMENTS Complete with Score and Parts New Standard Cornet Mouthpiece ... ... ... ... of 3 5 3 H. Moss "Mosquito" Trombone Valve Springs for Cornet, " N.V. A." ... per set 2 CORNETS 2 TROMBONES Valve Springs made of phosphor bronze- H. Moss " The Joker " Send particulars to : The Phantom Brigade . .. 2 6 3 6 Trumpets-Cornets-Horns ... ... ... set of I ­ Demande et Reponse .. .. 2 6 Sutton " The Joy Wheel " BESSON, Department 19, West Street Baritone and Euphonium, 3 valve . ... ... 2 3 valve . .. 2 9 Clough "Winning Spurt" Charing 4 CORNETS Euphonium, 4 Cross Road, LONDON, W.C. 2 .. ... .. 2 9 Bal Masque 2 6 Eb and BBb Bass, 3 valves . .. Hartman "Facilita " Cornet . .. .. 3 3 Eb and BBb Bass, 4 valves .. .. TROMBONES 6 6 Percy Code "Lucille " 4 Waterkey Springs for all of above ... ... ... doz. Awake, Aeolian Lyre inside and outside, · · · · · above, complete sets "Zanette" · 2 o Corks for all of Percy Code Band Teachers, Adjudicators and Soloists Comrades in Arms } cork ... ... .. ... ... 2 6 including waterkey "Zelda" The Box of Soldiers ... ... 2 6 ... doz. 2 9 Percy Code Corks for waterkey, shellaced ready for fixing Baby's Sweetheart .. ... ... 2 6 11 "Triple Trumpeter" WILLIAM POLLAR Corks for waterkey, plain ... ... ... ... ... doz. I Grant D ... ... ... ... 10 3 2 CORNETS, HORN and EUPHONIUM Shanks for Cornet, Bb, silver-plated Templeton " Sonia" CORNET SOLOIST, BAND TEACHER, bottle I 6 Valve Oil ..
    [Show full text]
  • Consumables Besson Professional Instruments
    Consumables Besson Professional Instruments Sovereign/Prestige • Valve Springs • Valve Felts • Valve Spring Pads • Valve Guides • Finger Button Inlays 2016 Consumables Besson Sovereign/Prestige SP445360 SP445370 old codes: STD701A-26, ACP90940 old code: STD701A-17 ~ 40x9 mm ~ 41x15 mm Cornet 927/928/2028 (3x) Cornet 723/7023 (3x) Valve Tenor 950/2050 (currently) (3x) Tenor 752/7052 (3x) Tenor 950/2050 (previously) (3x) Springs 1:1 SP445260 SP640105 STD701A-21 old code: STD701A-13 old code: STD701A-11 NO LONGER AVAILABLE! ~ 44x13 mm ~ 57x17 mm ~ 56x16 mm Bariton 757/7057 (3x) Euphonium 762/7062/765/7065 (4x) Tuba 784/7084/794/7094 (1x) Baritone 955 (3x), 956/2056 (4x) (previously) Euphonium 967/968/2051/2052 (3x or 4x) Euphonium 967/968/2051/2052 (1x) (previously) (previously) Tuba 784/7084/794/7094 (3x or 4x) Tuba 983/984/993 (previously) (3x or 4x) SP640115 SP640125 SP445290 old code: STD701A-25 ~ 45x16 mm ~ 58x18 mm ~ 57x16 mm Tuba 980/981/982/994 (previousiy) (4th valve) Tuba 995 (4x) Tuba 980/981/982/994 (previousiy) (1st-3rd valve) 2016 MOL Consumables Besson Sovereign/Prestige SP640145 ~ 65x20 mm Euphonium 967/968/2051/2052 (1st valve) Plastic Tuba 980/981/982/983/984/993/994 (1st valve) Coated Springs 1:1 SP640155 SP640165 ~ 65x20 mm ~ 64x20 mm Euphonium 967/968/2051/2052 (2nd valve) Euphonium 967/968/2051/2052 (3rd valve) Tuba 980/981/982/983/984/993/994 (2nd valve) Tuba 980/981/982/983/984/993/994 (3rd valve) SP640175 SP640185 ~ 60x20 mm ~ 55x16 mm Euphonium 967/968/2051/2052 (4th valve) Baritone 955 (3x), 956/2056 (4x) (currently)
    [Show full text]
  • Jacques Hotteterre Le Romain and His Father, Martin: a Re-Examination Based on Recently Found Documents
    Jacques Hotteterre le Romain and His Father, Martin: A Re-Examination Based on Recently Found Documents Tula Giannini Early Music, Vol. 21, No. 3, French Baroque II. (Aug., 1993), pp. 377-386+389-390+393-395. Stable URL: http://links.jstor.org/sici?sici=0306-1078%28199308%2921%3A3%3C377%3AJHLRAH%3E2.0.CO%3B2-X Early Music is currently published by Oxford University Press. Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/about/terms.html. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/journals/oup.html. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. The JSTOR Archive is a trusted digital repository providing for long-term preservation and access to leading academic journals and scholarly literature from around the world. The Archive is supported by libraries, scholarly societies, publishers, and foundations. It is an initiative of JSTOR, a not-for-profit organization with a mission to help the scholarly community take advantage of advances in technology. For more information regarding JSTOR, please contact [email protected].
    [Show full text]