Mary Poppins Rehearsal Schedule
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Feed the Birds from Walt Disney’S Mary Poppins
From: “Mary Poppins [Original Soundtrack]” Feed the Birds from Walt Disney’s Mary Poppins by RICHARD M. SHERMAN and ROBERT B. SHERMAN Published Under License From Walt Disney Music Publishing © 1963 Wonderland Music Company, Inc. Copyright Renewed International Copyright Secured All Rights Reserved Authorized for use by Louis Lagalante NOTICE: Purchasers of this musical file are entitled to use it for their personal enjoyment and musical fulfillment. However, any duplication, adaptation, arranging and/or transmission of this copyrighted music requires the written consent of the copyright owner(s) and of Musicnotes.com. Unauthorized uses are infringements of the copyright laws of the United States and other countries and may subject the user to civil and/or criminal penalties. Musicnotes.com FEED THE BIRDS from Walt Disney’s MARY POPPINS Words and Music by RICHARD M. SHERMAN Slowly, with feeling and ROBERT B. SHERMAN Em Am/E Em B o ooo x x o o ooo x Em Am/E Edim7 Am/E Em o ooo x x o x x x x o o ooo Ear - ly each day to the steps of Saint Paul’s the lit - tle old Am/E Em x x o o ooo bird wom - an comes. In her own spe - cial Am/E Edim7 Am/E Em x x o x x x x o o ooo way to the peo - ple she calls, “Come, buy my © 1963 Wonderland Music Company, Inc. Copyright Renewed International Copyright Secured All Rights Reserved Musicnotes.com Authorized for use by: Louis Lagalante 2 B7 Em D7 x o o ooo x x o bags full of crumbs. -
Winning Essays from the Federal Reserve Bank of Cleveland's 2004
Two Thumbs Up! Winning Essays from the Federal Reserve Bank of Cleveland’s 2004 Essay Contest: Economics Goes to the Movies 6 Ryan McVay/Getty Images The Federal Reserve Bank of Boston is not the tuppence at the bank. At the bank, Jane and Michael are introduced to only Reserve Bank to use entertainment as a the chairman, the senior Mr. Dawes. The children's visit to the bank hook for teaching economics. together takes up less than ten minutes in the movie and yet in those few minutes, the movie introduces the audience to fundamental economic In 2004, the Federal Reserve Bank of concepts. The time value of money and compound interest in financial Cleveland's annual essay contest gave high economics (Hirschey, 727) are introduced in the form of a song sung by school juniors and seniors the opportunity the elder Mr. Dawes, "a giant in the world of finance." Accompanied by a to choose their favorite movie and explain chorus of other bankers, Mr. Dawes tries to convince Michael, with a the economic concepts behind the scenes. We song, the wisdom of saving the tuppence in a bank account and the were so struck by the quality of the essays that magic of compounding as the principal multiplies over time. As Mr. we asked permission to share the first and sec- Dawes explains, Michael Banks's present value of one tuppence can grow ond place winners with our readers. Here they into a future value of a "generous amount" through semiannual com- are. Enjoy! pounding, if Michael deposits the tuppence in the bank. -
Jolly Holiday Script V3
JOLLY HOLIDAY by Kira Prince DRAFT © 2017 Kira Prince 2. QUEUE: The queue for Jolly Holiday combines several queuing ideas under one roof. The queue starts and ends as a traditional queue but the main portion is a thoroughly modern "virtual queue" with activities and distractions. It takes much inspiration from the world of immersive theatre with several live characters populating the micro-land and interacting with each other as well as the guests. EXT. EDWARDIAN LONDON TOWN - ENTRANCE / TRADITIONAL QUEUE 1 A quaint town on the outskirts of London sits proudly awaiting its visitors. The buildings are close together and sit helter-skelter. A variety of chimneys stick up charmingly at odd angles. Underscore of The Life I Lead and the Overture plays. At night silhouettes of chimney sweeps mulling about are seen on this skyline. Occasionally underscore of Step in Time breaks out and the sweeps dance about the rooftop. A large archway sits in the center of the facade leading us to the street that curves away beneath it. ALLEY - TRADITIONAL QUEUE 1 As we venture onto this street/alleyway the slim facades of various slightly grimy businesses and residences are seen. Signs in the windows advertise their wares and various doors and staircases hint at the residents living above. If you listen closely you might hear the LAUGH of UNCLE ALBERT echoing inside his wood-paneled walls. Some row homes can be seen through gaps in the buildings on the next street over (the exit queue). As we approach another bend the buildings pull away to reveal the gate to Cherry Tree Lane. -
Mary Poppins Jr. Full Synopsis from Mtishows.Com
Mary Poppins Jr. Full Synopsis From mtishows.com Bert, a man of many trades, introduces the audience to the unhappy Banks family: father George, mother Winifred, and children Jane and Michael (Prologue). The family; the housekeeper, Mrs. Brill; and the houseboy, Robertson Ay, are shocked when Katie Nanna quits and storms out in frustration. George muses about what he expects from the household - the nanny, in particular ("Cherry Tree Lane - Part 1"). Though Jane and Michael insist upon their own requirements for their caregiver ("The Perfect Nanny"), George dismisses their requests ("Cherry Tree Lane - Part 2"). As if summoned, Mary Poppins appears, offering her services as a nanny. She fits the children's requirements exactly ("Practically Perfect / Practically Perfect - Playoff" ). She then takes the children to the park, where they meet Bert, who describes how wonderful everyday life can be when spending time with Mary ("Jolly Holiday"). At first, the children are not convinced, but when Mary Poppins brings to life a park statue named Neleus, Jane and Michael are in awe of her. The children return home and gush to their father about the nanny, but George is preoccupied ("Winds Do Change"). A few weeks later, the household is preparing for Winifred's party, and Jane and Michael make a mess of the house. Despite Mary's magic ("A Spoonful of Sugar"), the party is ruined when no one attends ("Spoonful - Playoff"). Later, Mary takes the children on a visit to George's workplace, the bank ("Precision and Order - Part 1"). While Clerks are bustling about and clients are trying to convince George to grant them loans, the children burst into the bank ("Precision and Order - Part 2"). -
Mary Poppins JR Character Descriptions.P
Disney and Cameron Mackintosh’s Mary Poppins JR CHARACTER BREAKDOWN MALES Bert, the narrator of the story, is a good friend to Mary Poppins. An everyman, Bert is a chimney sweep and a sidewalk artist, among many other occupations. With a twinkle in his eye and skip in his step, Bert watches over the children and the goings-on around Cherry Tree Lane. He is a song-and-dance man with oodles of charm who is wise beyond his years. We are looking for a very strong singer, dancer and actor for this role. Songs: Prologue Practically Perfect (Playoff) Jolly Holiday Winds Do Change Supercalifragilisticexpialidocious Twists and Turns Playing the Game/Chim Chim Cher-ee Let’s Go Fly a Kite Step in Time Step in Time (Playoff) A Spoonful of Sugar (Reprise) George Banks, husband to Winifred and father to Jane and Michael, is a banker to the very fiber of his being. Demanding “precision and order” in his household, he is a pipe-and-slippers man who doesn’t have much to do with his children, and believes that Miss Andrew, his cruel, strict, childhood nanny, gave him the perfect upbringing. George’s emotional armor, however off-putting, conceals a sensitive soul. A baritone (lower singer), George may also speak-sing and should be a very strong actor. Songs: Cherry Tree Lane (Part 1) Cherry Tree Lane (Part 2) Precision and Order (speaking) A Man Has Dreams Cherry Tree Lane (Reprise) Give Us the Word Anything Can Happen (Part 2) Anything Can Happen (Finale) Michael Banks is the cheeky son of Mr. -
Mary Poppins' and a Nanny's Shameful Flirting with Blackface
Linfield College DigitalCommons@Linfield Faculty Publications Faculty Scholarship & Creative Works 1-28-2019 'Mary Poppins' and a Nanny's Shameful Flirting with Blackface Daniel Pollack-Pelzner Linfield College, [email protected] Follow this and additional works at: https://digitalcommons.linfield.edu/englfac_pubs Part of the Cultural History Commons, Film and Media Studies Commons, Inequality and Stratification Commons, Music Commons, Race and Ethnicity Commons, Race, Ethnicity and Post-Colonial Studies Commons, and the Social History Commons DigitalCommons@Linfield Citation Pollack-Pelzner, Daniel, "'Mary Poppins' and a Nanny's Shameful Flirting with Blackface" (2019). Faculty Publications. Published Version. Submission 73. https://digitalcommons.linfield.edu/englfac_pubs/73 This Published Version is protected by copyright and/or related rights. It is brought to you for free via open access, courtesy of DigitalCommons@Linfield, with permission from the rights-holder(s). Your use of this Published Version must comply with the Terms of Use for material posted in DigitalCommons@Linfield, or with other stated terms (such as a Creative Commons license) indicated in the record and/or on the work itself. For more information, or if you have questions about permitted uses, please contact [email protected]. ‘Mary Poppins,’ and a Nanny’s Shameful Flirting With Blackface Daniel Pollack-Pelzner The New York Times (Jan. 28, 2019) Copyright © 2019 The New York Times Company Julie Andrews’s soot-covered face in the 1964 film “Mary Poppins” stems from racial caricatures in books. Disney “Mary Poppins Returns,” which picked up four Oscar nominations last week, is an enjoyably derivative film that seeks to inspire our nostalgia for the innocent fantasies of childhood, as well as the jolly holidays that the first “Mary Poppins” film conjured for many adult viewers. -
Cast Members, in Preparation for Our “Mary Poppins Jr.” Auditions We Want to Welcome You and Provide You with Instructions on the Singing Portion of the Audition
Cast Members, In preparation for our “Mary Poppins Jr.” auditions we want to welcome you and provide you with instructions on the singing portion of the audition. Listed below are some selections/snippets we will be using for auditions. These are preferred but you may choose other songs from “Mary Poppins Jr.” not listed. NO OTHER MUSICAL SELECTIONS WILL BE ACCEPTED FOR THIS AUDITION. Please select a song that you are comfortable singing and which best showcases your talents of singing and acting. You will be considered for all roles (male and female) regardless of your song selection, so pick a song you sing well. Remember your breathing techniques and come prepared (don’t forget your water bottle). It is preferred that lyrics be memorized, but you may audition with lyrics if you like. Any questions please direct them to the theatre email at [email protected] Break a leg Ms. Rachel & Ms. Nikki Song Selections “Jolly Holiday” “The Perfect Nanny” “Feed the Birds” “Spoonful full of sugar” “Chim Chim Cher-ee” SONG SELECTIONS “Jolly Holiday” (Bert) Why it's a jolly holiday with Mary Mary makes your heart so light! “The Perfect Nanny” When the day is gray and ordinary (Jane & Michael) Mary makes the sun shine bright! If you want this choice position, Oh, happiness is bloomin' all around her Have a cheery disposition. The daffodils are smilin' at the dove Rosie cheeks, No warts, When Mary holds your hand That's the part I put in. You feel so grand Play games, all sorts Your heart starts beatin' like You must be kind, you must be witty. -
A Musical Memoir
DICK VAN DYKE – STEP IN TIME! – A MUSICAL MEMOIR World Premiere in Audrey Skirball Kenis Theater at the Geffen Playhouse on December 16 LOS ANGELES, October 13, 2010 — Stage and screen icon Dick Van Dyke will appear onstage at the Geffen Playhouse in Dick Van Dyke – Step in Time! – A Musical Memoir, a world premiere production that highlights the artist’s truly scrumptious six-decades in the entertainment industry. The play, which is co- written by Van Dyke and the play’s director Joshua Ravetch, is a living autobiography pulling stories and songs from Van Dyke’s celebrated career. To help bring the show to life with music, Van Dyke will be joined on stage by Eric Bradley, Bryan Chadima and Mike Mendyke – three young singers who together with Van Dyke form the singing quartet “The Vantastix.” Step in Time, named for Richard and Robert Sherman’s song and Van Dyke’s signature dance number in Mary Poppins, will begin in the intimate Audrey Skirball Kenis Theater at the Geffen Playhouse with previews on December 8, 2010. The official opening is on December 16, 2010 and it will run through January 16, 2011. "I'm having the best so-called retirement of anyone I know, doing what I love doing," said Van Dyke. "Eventually I may try something less strenuous." Geffen Playhouse Producing Director Gil Cates and his team have been collaborating with Van Dyke and Ravetch on the development on this piece. Ravetch previously worked at the Geffen developing and directing the world premiere of Wishful Drinking with Carrie Fisher. -
Mary Poppins the Articles in This Study Guide Are Not Meant to Mirror Or Interpret Any Productions at the Utah Shakespeare Festival
Insights A Study Guide to the Utah Shakespeare Festival Mary Poppins The articles in this study guide are not meant to mirror or interpret any productions at the Utah Shakespeare Festival. They are meant, instead, to be an educational jumping-off point to understanding and enjoying the plays (in any production at any theatre) a bit more thoroughly. Therefore the stories of the plays and the inter- pretative articles (and even characters, at times) may differ dramatically from what is ultimately produced on the Festival’s stages. The Study Guide is published by the Utah Shakespeare Festival, 351 West Center Street; Cedar City, UT 84720. Bruce C. Lee, publication manager and editor; Phil Hermansen, art director. Copyright © 2016, Utah Shakespeare Festival. Please feel free to download and print The Study Guide, as long as you do not remove any identifying mark of the Utah Shakespeare Festival. For more information about Festival education programs: Utah Shakespeare Festival 351 West Center Street Cedar City, Utah 84720 435-586-7880 www.bard.org. Cover photo: Elizabeth Broadhurst as Mary Poppins in Mary Poppins, 2016. Mary Poppins Contents Information on the Play About the Playwright 4 Characters 6 Synopsis 7 Scholarly Articles on the Play The Magic Visitor 8 Utah Shakespeare Festival 3 351 West Center Street • Cedar City, Utah 84720 • 435-586-7880 About the Playwrights: Mary Poppins By Don Leavitt Like Mary Poppins’s iconic, magical carpet bag—seemingly bottomless and containing all manner of fantastic items—the list of writers and composers credited with bringing the stage production of Mary Poppins to life is a varied one that, at casual glance, appears end- less. -
Adultsongbook1 Copy
Book 1 Index – Mixed Selections in Themed Sets All the Things You Are 22 Amazing Grace 13 America the Beautiful 9 Away, Away Come Away With Me (Greensleeves) 5 Beautiful Ohio 8 Blue Moon 3 Feed the Birds (Mary Poppins) 18 Five Foot Two, Eyes of Blue 21 For the Beauty of the Earth 2 Hi-Lili, Hi-Lo 24 Hello Dolly 23 How Much Is That Doggie In the Window 20 I’ve Been Workin’ On the Railroad 11 Let There Be Peace on Earth 14 May the Good Lord Bless and Keep You 25 Michael Row the Boat Ashore 15 Moon River 4 My Darlin’ Clementine 10 (The) Old Gray Mare 19 Over the Rainbow 7 Peace in the Valley for Me 16 Raindrops Keep Fallin’ On My Head 6 She’ll Be Comin’ Round the Mountain 12 Side By Side 1 When You Wish Upon a Star 17 Book 1 Mixed Song Selections in Themed Sets Opening: 1 Side by Side Nature: 2 For the Beauty of the Earth 3 Blue Moon 4 Moon River 5 Away, Away, Come Away with Me 6 Raindrops Keep Fallin’ On My Head 7 Over the Rainbow 8 Beautiful Ohio Patriotic: 9 America, the Beautiful Americana: 10 My Darling Clementine 11 I’ve Been Working on the Railroad 12 She’ll Be Coming ‘Round the Mountain Inspirational: 13 Amazing Grace 14 Let There Be Peace on Earth 15 Michael, Row the Boat Ashore 16 Peace in the Valley for Me 17 When You Wish Upon a Star Animals: 18 Feed the Birds 19 The Old Gray Mare 20 How Much Is that Doggie in the Window Ladies: 21 Five Foot Two Eyes of Blue 22 All the Things You Are 23 Hello Dolly 24 Hi Lili, Hi-Lo Inspiration (Closing) : 25 May the Good Lord Bless & Keep You "Side By Side" 1 Oh, we ain't got a barrel of money Maybe we're ragged and funny But we'll travel along singing a song Side by side. -
Mary Poppins RECORD CHECKLIST
Mary Poppins RECORD CHECKLIST Mary Poppins 00050087408671 | Disney Cast 2019 | 12" Standard 2-Disc LP Set | Walt Disney Records | Netherlands | 33 1/3 RPM | Stereo Mary Poppins 0056.503 | Lieselotte Pulver 1978 | 12" Gatefold Story Teller LP | Disneyland | Germany | 33 1/3 RPM | Stereo Stay Awake 0327 | Rosemary Clooney 1964 | 7" Non-Picture Sleeve Single | Reprise (Blue) | United States | 45 RPM | Mono Stay Awake 0327 | Rosemary Clooney 1964 | 7" Non-Picture Sleeve Single | Reprise | United States | 45 RPM | Mono View More Info Stay Awake 0327 | Rosemary Clooney 1964 | 7" Non-Picture Sleeve Single | Reprise (Pink) | United States | 45 RPM | Mono A Spoonful Of Sugar 1.954 | Ray Conniff and the Singers 1965 | 7" Standard Single | Colisuem Records (Orange) | Netherlands | 45 RPM | A Spoonful Of Sugar 1.954 | Ray Conniff and the Singers 1965 | 7" Standard Single | Colisuem Records | Netherlands | 45 RPM | Chim Chim Cheree 1667/1668 | My Record Group 1974 | 5" Standard Single | Marx Toys | United Kingdom | 78 RPM | Mono A Spoonful Of Sugar 1954 | Ray Conniff and the Singers | 7" Standard Single | Colisuem Records (Orange) | Italy | 45 RPM | Walt Disney's Story Of Mary Poppins 302 | Robie Lester -- narrator 1965 | 7" Gatefold Story Teller EP | Disneyland | United States | 33 1/3 RPM | Mono Walt Disney's Story Of Mary Poppins 302 | Robie Lester -- narrator 1968 | 7" Gatefold Story Teller EP | Disneyland (Yellow Rainbow) | United States | 33 1/3 RPM | Mono Revison Number: 4.179 DisneylandRecords.com Page 1 of 21 Mary Poppins RECORD CHECKLIST -
Mary Poppins Rehearsal Calendar
JANUARY/FEBRUARY/MARCH Rehearsal Schedule *Crew will dismiss 15 late from all rehearsals, and arrive 15 minutes early for weekend rehearsals. *REVISED 1/12/17 SUNDAY MONDA TUESDAY WEDNESD THURSDAY FRIDAY SATURDAY Y AY 1 2 3 4 5 6 7 DANCE AUDITIONS FULL CAST and FULL CAST & 3:-4:30pm CREW FULL CREW (to audition for a featured until 5:00pm 9am-12pm dance roll, you must have audition to be in the show Blocking & Cast/Create during Nov. Auditions) Groupings Vocal BERT, VALENTINE, MR. PRACTICALLY PUNCH, DOLL, TEDDY REVIEW PERFECT BEAR, NELEUS, MARY BLOCKING and Mary, Jane, POPPINS must attend VOCAL for Michael dressed to dance. CHERRY TREE Review & LANE (Part 1) VOCAL REHEARSAL Continue (insert families) BERT’s Prologue & BLOCKING, VOCAL & Cherry Tree Lane (Part BLOCKING & DANCE 1) Winifred, Mrs. Brill, VOCAL JOLLY Jane, Michael, Roberson JOLLY HOLIDAY HOLIDAY Ay, George Bert, Jane Michael, Neleus, Dress to Dance Queen Victoria, Mary Poppins, Run Scenes 1-4 Ensemble (park goers) (statues) Begin Costume Measurements 8 9 10 11 12 13 14 FULL CAST & CREW CREW & FULL CAST & Until 5:00pm SCENE 5 & 6 FULL CREW Until 5:00pm 9am-12pm Review & Continue all DANCE & aspects of Bert, George, Winifred, Jane, VOCAL JOLLY HOLIDAY Michael, Mrs. Brill, Review JOLLY Mary Poppins, HOLIDAY Run Scenes 1-4 Admiral Boon, Miss Begin Lark, Robertson Ay, SUPERCALI… Dance Rehearsal: Review Blocking Bert, Continue Full Cast Mrs. Corry, 1-4 Annie, Frannie, Jolly Holiday, with VOCAL Mary Poppins, Neleus, Statues with Let’s Hope She Jane, Michael, Bert and Mary, Jane and Featured Will Stay & Michael.